Melvins

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Heavy metal grunge band



Heavy metal grunge trio the Melvins has been together since the early 1980s, but has never caught on in the mainstream. The group's music is revered by its fans and by a few celebrity musicians and critics, but is considered too eccentric for most fans of popular music. The group spent a brief time at the edges of Nirvana's spotlight in the early 1990s, but returned to underground status when the Seattle-grunge craze died down. Despite playing "some of the heaviest and most idiosyncratic rock ever heard … despite critical accolades," wrote Chicago Tribune critic Rick Reger, "the Melvins are perennial outsiders. Too savage for the indie rock crowd and too spaced-out for mainstream metal heads, the trio is the proverbial square peg in a round-niched marketplace."

Three high school chums formed the Melvins in 1984, in the quiet Pacific Northwest town of Aberdeen, Washington. Vocalist and guitarist Buzz "King Buzzo" Osborne, drummer Dale Crover, and bassist Matt Lukin formed the group's original lineup. The three were raised on punk and heavy metal; their record collections consisted of releases by Black Sabbath, Black Flag, Kiss, Motörhead, and Ted Nugent. The band named itself after a clerk at the Thriftway grocery store where Osborne worked as a teenager—the name of the most reviled employee in the store. The group has experienced a seemingly endless procession of bassists. The first lineup change occurred when Lukin was replaced by Lori "Lorax" Black, the punk-rock daughter of Shirley Temple. Osborne and Crover have remained in the group since its beginning.

After releasing a debut EP in 1986 and Gluey Porch Treatments in 1987, Osborne and Crover left small-town Aberdeen for San Francisco, where prospects for a punk rock trio were a little bit brighter. Once they'd relocated, the Melvins, with Black, released Ozma. The album, released in 1989, included brief, weird, powerful songs like "Let God Be Your Gardener," "Cranky Messiah," "Creepy Smell," and "Raise a Paw." "The Melvins' wholly radical sound conjures visions of Neanderthal cavemen dragging slaughtered dinosaurs through a flaming tar pit," wrote Tucson Weekly online critic Ron Bally, who added, "Definitely an acquired taste—and not for the faint of heart."

The "San Francisco lineup" of the Melvins, as Osborne, Crover, and Black would later be called, next recorded Bullhead. The album was released in 1990 and would become the watermark for that lineup. Still laced with lots of feedback, the tracks were longer, heavier, slower, and more complicated than before. Their music, according to a critic at All Music Guide online, was described as "just one oozing pile of dark slime." A 1991 concert in Germany was recorded and released as part of the Your Choice Live Series in 1993. On it, the group recorded all of its material to date.

When Nirvana made it big, the Melvins came with them, at least for a while. On the underground music scene in Seattle, Nirvana lead singer Kurt Cobain was considered a protégé of the Melvins. Cobain idolized Osborne and the group. When Nirvana was between drummers, Crover filled in, and can be heard on Nirvana's Incesticide and Bleach. Cobain returned the favor by producing half the songs on the Melvins' 1993 release Houdini, and playing guitar on one track. After Nirvana proved able to sell millions of albums, the major record labels were eager to launch the next big hit band to emerge from the Seattle area grunge scene. The Melvins therefore became a target for these labels, despite the fact that they had left Washington state years before. "I'm not foolish enough to say it [grunge] hasn't helped us out," Osborne told Metroactive Music online. "But it happened years after we left. It's all been fame by association for us; which is fine, but it's also just dumb luck."

Despite the fact that they were ill-suited for mainstream consumption—and they knew it—the Melvins were only too happy to take advantage of the generous deal they were offered by Atlantic Records in 1992. "No one was more surprised than me that major labels were interested in us," Osborne is quoted as saying at Metroactive Music online. "I took it with a pound of salt. I still do. We're just not commercial enough." The band also enjoyed playing the mainstream festival tours of Lollapalooza and Ozzy Osbourne's Ozzfest in the mid-1990s.

The Melvins released three albums on Atlantic: Houdini, Stoner Witch, and Stag. The Melvins' "ear-splitting jams," as Ira Robbins of Trouser Press called them, were not music to the ears of mainstream radio listeners, and when the group's Atlantic deal came to an end, they returned to their independent status. Honky and Alive At The F***er Club were released on the Amphetamine label, and the group settled in at Ipecac Recordings in 1999. The label is owned by Mike Patton, the onetime Faith No More frontman, with whom Osborne also has two side bands, Tomahawk and Fantomas.

With 18 albums behind them, the Melvins had no trouble maintaining their schizophrenic persona. They tapped former teen idol Leif Garrett to open their 2000 United States tour with his band Godspeed. The tour took place after the release of The Crybaby, the third in an album trilogy that included The Maggot and The Bootlicker. In an ironic twist, Garrett lent his vocals to a Melvins' cover of Nirvana's hit "Smells Like Teen Spirit" on The Crybaby. The album also featured a cover of country legend Hank Williams's song "Ramblin' Man."

The Melvins appear to be an act that will survive in its own world, and maintain an ardent, if modest, fan base. "The Melvins are out of their fuzzy little minds," wrote Chicago Tribune critic Rick Reger, "and their 18-year career is littered with quirky eccentricity, druggy incoherence, and spoofs on rock tradition as much as it is with powerful music."

Selected discography
10 Songs, Volcano, 1986.
Gluey Porch Treatments, Ipecac, 1987.
Ozma, Boner, 1989.
Bullhead, Boner, 1991.
Melvins, Boner, 1991.
Lysol, Boner, 1992.
Houdini, Atlantic, 1993.
Your Choice Live Series, Your Choice, 1994.
Prick, Amphetamine, 1994.
Stoner Witch, East West, 1994.
Stag, Atlantic, 1996.
Honky, Amphetamine, 1997.
The Maggot, Ipecac, 1999.
The Bootlicker, Ipecac, 1999.
The Crybaby, Ipecac, 2000.
Alive at the F***er Club, Amphetamine, 2001.
Electroretard, Man's Ruin, 2001.
The Colossus of Destiny, Ipecac, 2001.
Hostile Ambient Takeover, Ipecac, 2002.

Sources

Periodicals
Chicago Tribune, July 19, 1999, p. 2; July 5, 2002, p. 4; May17, 2003, p. 31.
Village Voice, June 4-10, 2003, p. 117.
Washington Post, April 28, 2000, p. N18; April 20, 2001, p. T7; April 25, 2001, p. C9.


Online
"About the Melvins," The Melvins, http://www.themelvins.net (January 3, 2004).
"Melvins," All Music Guide, http://www.allmusic.com (January 3, 2004).
"Melvins," Trouser Press, http://www.trouserpress.com/entry_90s.php?a=melvins (January 3, 2004).
"Pell-Melvins," Tuscon Weekly, http://www.weeklywire.com/ww/08-23-99/tw_mus.html (January 3, 2004).
"Punch and Grind," Metroactive Music, http://www.metroactive.com/papers/metro/08.01.96/melvins-9631.html (January 3, 2004).
"The Melvins Tap Leif Garrett for Tour," MTV, http://www.mtv.com/news/articles/1429350/20000323/story.jhtml (January 3, 2004).
  • Genres: Rock

Biography

The Melvins were the first post-punk band to revel in the slow, sludgy sounds of Black Sabbath. Their music is oppressively slow and heavy, only without any of the silly mystical lyrics or the indulgent guitar solos; it's just one massive, oozing pile of dark slime. The Melvins' first record was released in 1987; they've released many albums since then, but it wasn't until 1993 that they went to a major label, thanks to their protégé, Kurt Cobain. While some may find the Melvins to be dull and repetitious, their place in rock history is interesting, even if considered to be just a footnote.

The band formed in Aberdeen, Washington, the same town that produced Nirvana's Cobain and Krist Novoselic. For Nirvana and many other Seattle-area bands, the Melvins' sludge was inspirational; the younger bands took the Sabbath-styled heaviness of the Melvins, while adding an equally important pop song structure, which the group tended to lack. While all of their disciples became famous after Nirvana broke big in 1991 (including Mudhoney, which featured former Melvins bassist Matt Lukin), the Melvins only expanded their cult slightly. They did earn a major-label contract with Atlantic, but after releasing three records for the label, they were dropped in late 1996 and the group returned to indie status, landing with Amphetamine Reptile for 1998's Alive at the F*cker Club. The late '90s and early 21st century saw a flurry of releases by the band: The Maggot, The Bootlicker, The Crybaby, Electroretard, The Colossus of Destiny, Hostile Ambient Takeover, Pigs of the Roman Empire, Houdini Live 2005: A Live History of Gluttony and Lust, all of which (except for the fourth one) were issued on Mike Patton's Ipecac label.

In addition to their Melvins activities, singer/guitarist Buzz Osborne joined Patton (and former Slayer drummer Dave Lombardo and Mr. Bungle bassist Trevor Dunn) for the experimental outfit Fantômas, resulting in a number of releases (1999's self-titled debut, 2001's The Director's Cut, 2002's Millennium Monsterwork by "the Fantômas Melvins Big Band" (recorded live in San Francisco on New Year's Eve 2000 but not released until two years later), 2004's Delirium Cordia, and 2005's Suspended Animation), while the Melvins' latest bassist, Kevin Rutmanis, joined Patton in another side project, Tomahawk. In 2006, Big Business bassist Jared Warren and drummer Coady Willis joined the Melvins, appearing on that year's Senile Animal album. The follow-ups, 2008's Nude with Boots, 2010's The Bride Screamed Murder, and a live album titled Sugar Daddy Live, were recorded with the same lineup and released by Ipecac. ~ Stephen Thomas Erlewine & Greg Prato, Rovi
Melvins

Melvins live in October, 2006 — pictured (left to right) are Buzz Osborne, Coady Willis, Dale Crover (hidden behind the drums) and Jared Warren.
Background information
Origin Montesano, Washington, United States
Genres Sludge metal, doom metal, grunge,[1] stoner rock,[2] experimental rock,[3][4] hardcore punk,[5][6] noise rock, alternative metal, drone metal
Years active 1983–present
Labels C/Z, Alchemy, Boner, Atlantic, Amphetamine Reptile, Man's Ruin, Ipecac, Your Choice, Alternative Tentacles, Slap A Ham
Associated acts Altamont, Big Business, Fantômas, Fecal Matter, Jello Biafra, Lustmord, Porn, The Cows
Website www.melvins.com
Members
Buzz Osborne
Dale Crover
Jared Warren
Coady Willis
Past members
Kevin Rutmanis
Mark Deutrom
Joe Preston
Lori Black
Matt Lukin
Mike Dillard

The Melvins are an American band that formed in 1983.[7] They usually perform as a trio, but in recent years have performed as a four piece with two drummers. Since 1984, singer and guitarist Buzz Osborne (also known as King Buzzo) and drummer Dale Crover have been the band's ongoing members. The band was named after a supervisor at a Thriftway in Montesano, Washington, where Osborne also worked as a clerk. "Melvin" was despised by other employees, and the band's members felt it to be an appropriately ridiculous name.

The Melvins' music is influenced by Black Flag's mix of punk and metal on their album My War, and other slow punk acts like Swans, Flipper and Wipers, but also by some hard rock and metal bands such as Kiss and Alice Cooper; however, their idiosyncratic approach, bizarre sense of humor, and experimentation make neat categorization difficult. Osborne has also stated that his guitar playing is more influenced by Black Flag than Black Sabbath, whom they are often compared with.[7]

They often favor very slow tempos, and their sludgy sound was a strong influence on music, especially Nirvana, Soundgarden, Green River, and many other bands from Seattle. These bands, however, tended to use more conventional musical structures with this sound. Melvins have also influenced many bands outside the Seattle grunge scene, including Tool[8] (who are personal friends with the band), Boris[1] (who took their name from the title of a Melvins song), Mastodon,[9][10] Neurosis,[11] Eyehategod,[12] and Isis.[13]


Contents

History

Early days

The Melvins were formed in early 1983 by Buzz Osborne (guitar/vocals), Matt Lukin (bass) and Mike Dillard (drums) who all went to Montesano Jr./Sr. High School in Montesano, Washington. In the beginning they played Cream and Jimi Hendrix covers,[14] and also began playing fast hardcore punk.[6] When Dillard left the band, Dale Crover took his place, and the band's rehearsals moved to a back room of Crover's parents house in Aberdeen, Washington. Soon afterward, they started to play songs slower and "heavier" than nearly anyone else at the time.

In 1985, C/Z Records was created to document the Washington music scene, the label released Deep Six, featuring four songs by Melvins. In 1986 the band released their debut, the Six Songs EP, on C/Z Records (later releases expanded and retitled this as 8 Songs, 10 Songs, and eventually 26 Songs in 2003 on Ipecac Recordings). The album was recorded live to a two track at Ironwood, February 8, 1986.

In December 1986, they recorded their first full-length album, Gluey Porch Treatments, at Studio D in Sausalito, California. The album was released in 1987 on Alchemy Records. Gluey Porch Treatments was later coupled with their second album Ozma for the Boner Records CD release. It was expanded again for the 1999 rerelease on Ipecac Recordings with some garage demos.

Crover played drums with Nirvana when they recorded a ten song demo on January 23, 1988 in Seattle, which later formed part of their debut LP Bleach, and played a live show in Tacoma later that day. Osborne would later introduce Cobain and Krist Novoselic to Dave Grohl.[15] Later that year Osborne and Crover relocated to San Francisco, California. Lukin stayed and formed the band Mudhoney. Lori "Lorax" Black (daughter of Shirley Temple) replaced Lukin on bass. The band recorded Ozma in May 1989, and released it later that year. The album was produced by Mark Deutrom, who later joined the band on bass.

The early 1990s

In 1990, the band recorded Bullhead, which marked a slower, more drone-oriented style for the band. The band then toured Europe; their January 23, 1991 show in Alzey, Germany was released by Your Choice Records as Your Choice Live Series Vol.12. When they returned to the U.S., they recorded the Eggnog EP, which was released the same year on Boner Records.

Lorax left the band, and was replaced by Joe Preston. Preston appears on the Salad of a Thousand Delights (1992, Box Dog Video). Melvins then released three "solo" EPs,[16] following the concept and imitating the cover artwork inspired by the four Kiss members' solo albums released in 1978. King Buzzo, Dale Crover, and Joe Preston were all released in 1992 on Boner Records. Later in 1992, they released the full-length album, Lysol, which had to be renamed Melvins because Lysol was a trademarked name. Preston departed from the band, and Lorax briefly rejoined.

The Atlantic years

When Nirvana's Nevermind became a massive, unexpected success, Melvins were one of many groups to benefit from Nirvana's support. They were signed by Atlantic Records, and their first major label release, 1993's Houdini, entered the Billboard Heatseekers chart at 29. Mark Deutrom replaced Lorax on bass shortly after the album's release.

Gene Simmons of Kiss played bass with Melvins at Lollapalooza in 1993 and 1994 for a full set. He also played bass with Melvins in 1993 in a concert with Primus, on the song Goin' Blind, a Kiss song that Melvins had covered on Houdini.[17]

The Melvins released their second album for Atlantic in 1994, Stoner Witch. Due to its experimental nature, the Melvins took their next album, Prick, to Amphetamine Reptile Records. Record label conflicts prevented the band from releasing any records under the name "Melvins", so the album was released with the band name written in mirror. They returned to Atlantic one last time for 1996's Stag, which entered the Heatseekers chart at number 33. The band was dropped by Atlantic Records in 1997 after three albums.

Late 1990s-mid 2000s

The band signed with Amphetamine Reptile Records and released their next full-length album, Honky, in 1997. They recorded an August 1997 concert in Richmond, Melbourne, Australia as Alive at the F*ckerclub in 1998. The same year, Melvins opened for Tool. (A humorous picture on the Tool website depicts the Melvins along with the words "Melvins say...Tool Sux!" spelled out in lunch meat.[18] The photo was taken while on tour with Tool in 2002 in Australia.) In 1998, the Melvins played the second stage at Ozzfest.

1999 saw the beginning of a partnership with Mike Patton's Ipecac Recordings, which began remastering and reissuing much of the band's back catalog. The band also released three full-length albums dubbed (and later packaged together as) The Trilogy: The Maggot, The Bootlicker, and The Crybaby. The latter featured a number of guest vocalists and musicians. Kevin Rutmanis, formerly of The Cows, was bassist during this era.

In 2001, the band returned to their experimental tendencies for Colossus of Destiny, a live set of synthesizer and sampler experiments presented as two tracks (one clocking in at 59:23 and the other at five seconds). The album was described approvingly by one critic as "more like avant-garde electro-acoustic than anything else."[3]

In 2003 Atlantic Records (UK) released Melvinmania: The Best of the Atlantic Years 1993–1996, a compilation of recycled tracks from the band's three major label releases. This release was unsanctioned by the band who had no input into the track selection or (occasionally inaccurate) liner notes.

In 2004, Osborne and Crover toured to celebrate their 20th anniversary as a band, and also released an art book Neither Here Nor There. The book is a collection of art by creators of their cover art as well as friends of the band, and also contained retrospectives on the past twenty years of the Melvins. The book included a CD with selected tracks from their albums.

Mid 2000s-present

In 2004 the Melvins collaborated with ambient artist Lustmord for Pigs of the Roman Empire and with Dead Kennedys singer Jello Biafra for Never Breathe What You Can't See and Sieg Howdy! released in 2004 and 2005 respectively. Never Breathe What You Can't See was supported by a mini-tour with Jello Biafra and Adam Jones from Tool. A planned European tour was canceled in early October 2004 reportedly due to unknown complications involving Rutmanis. Following the tour cancellation, the Melvins finished the year playing a few shows with David Scott Stone supporting the work of filmmaker Cameron Jamie in Europe and the United States.

When asked about Rutmanis and the canceled portion of the tour Osborne and Crover stated that Rutmanis had "disappeared". Fans feared that Rutmanis had departed like so many bassists before him; however, Rutmanis returned temporarily in early 2005. In June 2005, Rutmanis officially left the band with drug abuse rumored as the major cause. When Melvins toured with Jello Biafra in October and November 2005, David Scott Stone filled in on bass.

In early 2006, Crover confirmed rumors of the members of the band Big Business joining Melvins. Commenting on adding another drummer, Crover said this about Big Business drummer Coady Willis: "He's left-handed, so we want to do this 'mirror image' type of thing. We've kind of fused our two drum sets together, and we're going to try and do some crazy thing with it. We're sharing these big toms in between us."

The merged bands toured the U.S. in the fall of 2006 in support of their album, (A) Senile Animal.[19] Melvins also toured briefly the United Kingdom in mid-December 2006. Two new songs entitled "Suicide in Progress" and "Billy Fish" have been played during the 2007 tour, and appear on their next album Nude With Boots.

On June 16 and 17, 2008, a line up of Osborne, original drummer Mike Dillard, and Dale Crover (playing bass) played two shows at the Great American Music Hall in San Francisco in honor of Jello Biafra's 50th birthday. Both sets were composed of songs from The Mangled Demos, a collection of early material released on the Alternative Tentacles record label in 2005.

In 2008 the band collaborated with the Italian band Zu on a track. In July 2008, their new album entitled Nude With Boots was released . Some of the recording sessions have been documented on a Japanese blog by Toshi Kasai.[20] In December 2008, along with Mike Patton, Melvins co-curated an edition of the All Tomorrow's Parties Nightmare Before Christmas festival. They chose half of the lineup and also performed themselves.

The long rumoured (since 2003) remix CD "Chicken Switch" was released on September 29, 2009 via Ipecac Recordings. Unlike usual remix cds where the remixer is given a single track to work with, for Chicken Switch each remixer was given a full album to work with and pull from to create their track.

The Melvins joined with New Orleans' super group Down and Weedeater for a North American tour in the Summer and Fall of 2009. The Melvins released their follow up to Nude With Boots, entitled The Bride Screamed Murder, on June 1, 2010.[21]

The Melvins started 2011 with a series of unique shows. Four of the shows were every Friday at Spaceland's in California. January 7 featured the current line-up playing Colossus of Destiny, Lysol, and Eggnog. Jan 14 featured a Melvins 1983 set followed by the band playing Houdini. Jan 21 featured a two-piece Melvins set followed by the current lineup playing Bullhead. Jan 28 featured the band playing a normal set followed by Stoner Witch.

In early 2011 they had the unfortunate distinction of being on tour first in Christchurch, New Zealand at the time of the February 2011 Christchurch earthquake then in Tokyo, Japan at the time of the 2011 Tōhoku earthquake and tsunami.[22] They are set to support Slayer at the All Tomorrow's Parties 'I'll Be Your Mirror' festival at Alexandra Palace, London in May 2012.[23]

The Melvins also have a lineup called Melvins Lite (Buzz, Dale, and Trevor Dunn) that toured through parts of 2011. This line-up plans to release an album entitled Freak Puke in June of 2012 on Ipecac Records. The four-piece lineup is staying active as well and releasing a digital EP, The Bulls and the Bees, in March on Scion a/v.

Members

Current members

Former members

Additional and touring musicians


Discography

Year Title Label
1987 Gluey Porch Treatments Alchemy Records
1989 Ozma Boner Records
1991 Bullhead Boner Records
1992 Lysol Boner Records
1993 Houdini Atlantic Records
1994 Prick Amphetamine Reptile Records
1994 Stoner Witch Atlantic Records
1996 Stag Atlantic Records
1997 Honky Amphetamine Reptile Records
1999 The Maggot Ipecac Recordings
1999 The Bootlicker Ipecac Recordings
2000 The Crybaby Ipecac Recordings
2001 Electroretard Man's Ruin Records
2002 Hostile Ambient Takeover Ipecac Recordings
2004 Pigs of the Roman Empire (w/ Lustmord) Ipecac Recordings
2006 (A) Senile Animal Ipecac Recordings
2008 Nude with Boots Ipecac Recordings
2010 The Bride Screamed Murder Ipecac Recordings
2012 Freak Puke Ipecac Recordings

References

  1. ^ a b York, William. "Boris". AllMusic. http://www.allmusic.com/artist/boris-p476294. Retrieved 2011-07-24. 
  2. ^ Scaruffi, Piero (2003). A History of Rock Music: 1951–2000. ¡Universe, Inc. p. 281. ISBN 0-595-29565-7. "The Melvins (2) rediscovered 'stoner-rock' by exaggerating Blue Cheer's and Black Sabbath's slow, heavy, dark grooves." 
  3. ^ a b Schulte, Tom. "The Colossus of Destiny - Melvins". AllMusic. http://www.allmusic.com/album/r525643. Retrieved 2011-07-06. 
  4. ^ Raggett, Ned. "Stag - Melvins". AllMusic. http://www.allmusic.com/album/r238046. Retrieved 2011-07-06. 
  5. ^ Kennedy, Patrick. "Stoner Witch". AllMusic. http://www.allmusic.com/album/stoner-witch-r206631/review. Retrieved 2011-02-22. 
  6. ^ a b "Melvins – Mangled Demos From 1983". Punknews.org. http://www.punknews.org/review/4087. Retrieved 2011-07-17. 
  7. ^ a b "The Melvins’ King Buzzo Lays Down the Rules on Guitar Playing, "Hot Topic" Punk, and What You Ought to Know About Music". Gibson.com. http://www.gibson.com/en-us/Lifestyle/Features/the-melvins-king-buzzo-lays-do. Retrieved 2011-07-17. 
  8. ^ "Tool interview in Alternative Press from March 1997". Toolshed.down.net. http://toolshed.down.net/articles/index.php?action=view-article&id=March_1997--Alternative_Press.html. Retrieved 2011-07-17. 
  9. ^ "VOL. 1, Issue 20, FREE LIKE YOU". Rank and Revue. http://rankandrevue.com/archives/rr20/wendy.htm. Retrieved 2012-02-19. 
  10. ^ "Kerrang! - Dave Grohl's Wembley preview - May '08". Fooarchive.com. http://www.fooarchive.com/gpb/rebelmeetsrebel.htm. Retrieved 2012-02-19. 
  11. ^ "Interview with Scott Kelly of Neurosis". Ram.org. 2000-10-17. http://www.ram.org/music/articles/neurosisinterview.html. Retrieved 2012-02-19. 
  12. ^ Huey, Steve. "Eyehategod". AllMusic. http://www.allmusic.com/artist/eyehategod-p38682. Retrieved 2012-02-19. "The misanthropic sludge metal outfit Eyehategod was [...] heavily influenced by Black Sabbath, Black Flag, and the Melvins." 
  13. ^ Caramanica, Jon (September 20, 2005). "The alchemy of art-world heavy metal". The New York Times. http://www.nytimes.com/2005/09/19/arts/19iht-heavy.html. 
  14. ^ Azerrad, Michael. Come as You Are: The Story of Nirvana. Doubleday, 1994. ISBN 0-385-47199-8
  15. ^ "Seattle Weekly: Krist Novoselic: We All Owe Something to The Melvins". http://blogs.seattleweekly.com/dailyweekly/2009/01/krist_novoselic_we_all_owe_som_1.php. Retrieved 2009-01-23. 
  16. ^ Taylor, Lewis (May 17, 2002). "Melvins blazing new trails". The Register-Guard: pp. 5–6. http://news.google.com/newspapers?id=NXUVAAAAIBAJ&sjid=qOsDAAAAIBAJ&dq=mike-dillard%20melvins&pg=4260%2C4656921. Retrieved November 27, 2009. 
  17. ^ "The Melvins "Bassist Morgue"". Themelvins.net. 2007-10-17. http://www.themelvins.net/wiki/index.php?title=Melvins_Bassist_Morgue. Retrieved 2011-07-17. 
  18. ^ "Melvins photo on the Tool website". Toolband.com. http://toolband.com/melvinsuck.html. Retrieved 2011-07-17. 
  19. ^ "Blabbermouth article on the release of ''(A) Senile Animal''". Roadrunnerrecords.com. http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=55257. Retrieved 2011-07-17. 
  20. ^ toshimanaki.pics Japanese blog by Toshi Kasai featuring Melvins session photos 2008
  21. ^ "MELVINS To Release 'The Bride Screamed Murder' In June". Roadrunnerrecords.com. http://www.roadrunnerrecords.com/blabbermouth.Net/news.aspx?mode=Article&newsitemID=136333. Retrieved 2011-07-17. 
  22. ^ March 11, 2011  (2011-03-11). "First New Zealand, now Japan: The Melvins experience second earthquake in as many months [Updated] - latimes.com". Latimesblogs.latimes.com. http://latimesblogs.latimes.com/music_blog/2011/03/first-new-zealand-now-japan-the-melvins-experience-second-earthquake-in-as-many-months.html. Retrieved 2011-07-17. 
  23. ^ "I'll Be Your Mirror London 2012 curated by Mogwai & ATP - All Tomorrow's Parties". Atpfestival.com. http://www.atpfestival.com/events/ibymlondon2012.php. Retrieved 2012-02-19. 

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Mark D. (Rock Artist, 2000s)
The Monkee's Uncle (2005 Album by Altamont)
The Bootlicker (1999 Album by Melvins)
The Colossus of Destiny (2001 Album by Melvins)
Melvins (Rock Band, '80s-2000s)