n.
A legendary sea creature having the head and upper body of a woman and the tail of a fish.
[Middle English : mere, sea, lake; see mere2 + maid, maid; see maid.]
Dictionary:
mer·maid (mûr'mād')
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World of the Body:
mermaid |
The mermaid is one of the most popular figures in world folklore. Her characteristic appearance is as a nubile young girl, with long hair and a fish tail, carrying a comb and a mirror. Unlike the other part-human, part-animal creatures of myth and folklore, mermaids have been the object of many sightings up to the present day; it is as if there is a desire to prove the reality of mermaids, which makes them closer to creatures such as the Loch Ness monster and the Yeti than to centaurs and sirens. Another expression of this desire to believe can be found in the many fake mermaids, usually made of the upper torso of a monkey and the tail of a salmon, which have been exhibited in fairs and circuses. In the age of trade and exploration, seeing a mermaid was an almost essential part of travelling to new worlds; Christopher Columbus saw three off Haiti, Sir Richard Whitburne sighted one when discovering Newfoundland in 1610, and Henry Hudson's crew saw a mermaid off Nova Zembla in 1625. In each case, the surviving accounts consciously compare what has been seen with the dominant images in art — Columbus finding his mermaids less pretty and more masculine than he expected. The most famous mermaid to have been captured, the ‘mermaid of Amboina’, was found off the coast of Borneo in the eighteenth century and is said to have lived in captivity for four days. She refused to eat, and made plaintive sounds like those of a mouse. The account given of these events in 1754 suggested that dead mermaids were never found because their flesh rots particularly rapidly.
Where do the myths of mermaids come from? Somewhere in the later Middle Ages, the fish-woman mermaid supplanted the bird-woman siren as the creature believed to lure sailors astray, although in many languages words based on ‘siren’ continued to be used for the fish-woman. The shift to fish-women as the danger facing mariners may be related to an increasing ability to travel to the open sea, where mermaids live, out of sight of the coastal rocks where sirens had been thought to perch. Both sirens and mermaids have musical talents; bird-sirens sing and play the pipes and the lyre, whereas mermaids rely on their voices to entice sailors to their death. Mermaids can raise and calm storms at will and, like the Sphinx, they can trap men with questions and riddles. In nineteenth-century Greek folklore, sailors in the Black Sea may meet the fish-woman Gorgona, who asks, ‘Does Alexander live?’ If they do not give the correct answer, ‘He lives and rules the world’, Gorgona will raise a storm and kill all aboard.
Mermaids combine the beauty of a young girl with a repulsive, fishy lower body. Physically, the problem this poses is how the men whom they target are supposed to have sexual intercourse with them. Some medieval representations get around this problem by showing the mermaid with a forked tail, but perhaps the whole point about the mermaid is that she is sexually unattainable except through death. As popular songs of the nineteenth century remind us, a man who marries a mermaid can never leave her, as there is no divorce court ‘at the bottom of the deep blue sea’. An unusual solution to the problem of the sexual availability of mermaids is found in Magritte's Collective Invention (1935), which shows a beached mermaid with the upper half of a fish and the lower half of a woman. A related problem is how mermaids themselves reproduce; male mer-people, or tritons, are shown in art, particularly in the Renaissance, but again they may miss the point. Matthew Arnold's poem The Forsaken Merman (1849) is a rare example of the treatment of mermen in literature; it reverses the common pattern of a mortal man loving a mermaid but being deserted by her, to imagine a mortal woman being called back from the mer-world by the distant sound of church bells.
Modern literary representations of the mermaid are dominated by the influential Little Mermaid of Hans Christian Anderson. Here the mer-world is a systematic inversion of our own, in which not birds, but fish, fly in through open windows. Rather than causing shipwrecks, the little mermaid saves the life of a shipwrecked prince, then makes a bargain with the sea-witch, exchanging her tongue for a pair of human legs. Every step she takes causes her terrible pain, and her feet bleed. Unable to win the love of the prince without her voice, she rejects the chance to kill him and thus return to her life as a mermaid, but instead dies when he marries someone else. Feminist interpretations of this story suggest that the little mermaid's surrender of the power to speak in order to enter the prince's world is an image of women giving up their own voices if they are to be accepted within patriarchy. Anderson's own message was that, by her love for the prince, the mermaid gained the chance of winning the immortal soul she most craved.
— Helen King
See also chimera.
English Folklore:
mermaids |
To judge from parallel beliefs elsewhere in northern Europe, the seadwellers of English folklore were probably originally tailless, but the concept of the fishtailed mermaid (and merman), long established in Mediterranean lands as a development from the classical siren, arrived here early in the Middle Ages. The mermaid was regarded as a natural if freakish creature, not a supernatural being; according to classical writers, she lulled sailors to sleep by her singing and then drowned them or ate them. She made an excellent moral symbol for preachers, who identified her with the fatal attractions of wealth, sex, drink, etc. For this reason, mermaids are common in minor church sculpture; it is presumably as symbols of vanity that they acquired their comb and mirror, not known in classical art. The belief that they really existed persisted for centuries, reinforced by travellers' tales of sightings and captures, and also by fakes made up from monkeys and fish, which were common from the 16th to the 19th centuries.
Legends about mermaids are found in Cornwall and along the Welsh Border. At Zennor, a mermaid fell in love with a lad and lured him into the sea. Near the Lizard, a man named Lutey helped a stranded mermaid back into the water; she gave him her comb, and said he and his descendants would be able to break witches' spells and control demons, but nine years later she came for him and drew him under the waves. In the 1840s the folklorist Robert Hunt was told that several Cornish families claimed to have uncanny powers because of being descended from a mermaid or merman. On the other hand, a mermaid ruined Padstow harbour with sandbars, because someone there had shot at her.
The mermaids of the Welsh Border area do not live in the sea but in lakes and rivers. At Marden (Herefordshire) a church bell once fell into a deep pool in the river, where a mermaid seized it (Leather, 1912: 168-9). At Child's Ercall (Shropshire) a mermaid from a pool was about to give some men ‘a lump of gold, big as a man's head, very near’, but one swore in amazement, and she shrieked and vanished (Burne, 1883: 78).
Bibliography
The full bibliography list is available here.
Columbia Encyclopedia:
mermaid |
Mythology Dictionary:
mermaid |
A legendary marine creature with the head and torso of a woman and the tail of a fish; the masculine, less well-known equivalent is a merman. Though linked to the classical Sirens, mermaids may be nothing more than sailors' fanciful reports of the playful antics of dugongs or manatees.
Wikipedia:
Mermaid |
A Mermaid by John William Waterhouse |
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| Creature | |
|---|---|
| Grouping | Mythological |
| Sub grouping | Water spirit |
| Similar creatures | Merman Siren Ondine |
| Data | |
| Mythology | World mythology |
| First reported | c. 1000 BC |
| Country | Worldwide |
| Habitat | Ocean, sea |
A mermaid is a mythological aquatic creature with a female human head and torso and the tail of a fish. Mermaids have a broad representation in folklore, literature, and popular culture.
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Contents
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The word is a compound of mere, the Old English word for "sea", and maid, a woman. The male equivalent is a merman.
Much like sirens, mermaids would sometimes sing to people and gods and enchant them, distracting them from their work and causing them to walk off the deck or run their ships aground. Other stories have them squeezing the life out of drowning men while attempting to rescue them. They are also said to take humans down to their underwater kingdoms. In Hans Christian Andersen's The Little Mermaid, it is said that they forget that humans cannot breathe underwater, while others say they drown men out of spite.[citation needed]
The sirens of Greek mythology are sometimes portrayed in later folklore as mermaid-like; in fact, some languages use the same word for both bird and fish creatures, such as the Maltese word 'sirena'. Other related types of mythical or legendary creatures are water fairies (e.g., various water nymphs) and selkies, animals that can transform themselves from seals to humans.[citation needed]
The first known mermaid stories appeared in Assyria, ca. 1000 BC. Atargatis, the mother of Assyrian queen Semiramis, was a goddess who loved a mortal shepherd and in the process killed him. Ashamed, she jumped into a lake to take the form of a fish, but the waters would not conceal her divine beauty. Thereafter, she took the form of a mermaid — human above the waist, fish below — though the earliest representations of Atargatis showed her as being a fish with a human head and legs, similar to the Babylonian Ea. The Greeks recognized Atargatis under the name Derketo. Prior to 546 BC, the Milesian philosopher Anaximander proposed that mankind had sprung from an aquatic species of animal. He thought that humans, with their extended infancy, could not have survived early on. This idea reappeared as the aquatic ape hypothesis in the twentieth century.[citation needed]
A popular Greek legend has Alexander the Great's sister, Thessalonike, turn into a mermaid after she died.[1] She lived, it was said, in the Aegean and when she would encounter a ship, she would ask the sailors only one question: "Is King Alexander alive?" (Greek: "Ζει ο Βασιλιάς Αλέξανδρος;"), to which the correct answer would be: "He lives and reigns and conquers the world" (Greek: "Ζει και βασιλεύει και τον κόσμο κυριεύει"). This answer would please her and she would calm the waters and wish the ship farewell. Any other answer would spur her into a rage, whereupon she would raise a terrible storm, with certain doom for the ship and every sailor on board.[citation needed]
Lucian of Samosata in Syria (2nd century AD) in De Dea Syria ("Concerning the Syrian Goddess") wrote of the Syrian temples he had visited:
The Arabian Nights (One Thousand and One Nights) includes several tales featuring "Sea People", such as Djullanar the Sea-girl. Unlike the depiction in other mythologies, these are anatomically identical to land-bound humans, differing only in their ability to breathe and live underwater. They can (and do) interbreed with land humans, the children of such unions sharing in the ability to live underwater.
In another Arabian Nights tale, "Abdullah the Fisherman and Abdullah the Merman", the protagonist Abdullah the Fisherman gains the ability to breathe underwater and discovers an underwater submarine society that is portrayed as an inverted reflection of society on land, in that the underwater society follows a form of primitive communism where concepts like money and clothing do not exist. Other Arabian Nights tales deal with lost ancient technologies, advanced ancient civilizations that went astray, and catastrophes which overwhelmed them.[3]
In "The Adventures of Bulukiya", the protagonist Bulukiya's quest for the herb of immortality leads him to explore the seas, where he encounters societies of mermaids.[4] "Julnar the Sea-Born and Her Son King Badr Basim of Persia" is yet another Arabian Nights tale about mermaids. When sailors come the mermaids sing, and some men are led straight to their doom. If they follow the mermaids' lovely and beautiful voices, they do not know what they are doing or where they're going.
Mermaids were noted in British folklore as unlucky omens – both foretelling disaster and provoking it.[5] Several variants of the ballad Sir Patrick Spens depict a mermaid speaking to the doomed ships; in some, she tells them they will never see land again, and in others, she claims they are near shore, which they are wise enough to know means the same thing. They can also be a sign of rough weather.[6]
Some mermaids were described as monstrous in size, up to 2,000 feet (610 m).[5]
Mermaids could also swim up rivers to freshwater lakes. One day, in a lake near his house, the Laird of Lorntie saw, as he thought, a woman drowning, and went to aid her; a servant of his pulled him back, warning that it was a mermaid, and the mermaid screamed after that she would have killed him if it were not for his servant.[7]
On occasion, mermaids could be more beneficent, giving humans means of cure.[8]
Some tales raised the question of whether mermaids had immortal souls to answer it in the negative.[9] The figure of Lí Ban appears as a sanctified mermaid, but she was originally a human being transformed into a mermaid; after three centuries, when Christianity had come to Ireland, she came to be baptized.[10]
Mermen were also noted as wilder and uglier than mermaids, but they were described as having little interest in humans.[11]
The mermaid, or syrenka, is the symbol of Warsaw.[12] Images of a mermaid have been used on the crest of Warsaw as its symbol since the middle of the 14th century.[13] Several legends associate Triton of mythology with the city, which may have been where the association with mermaids originated.[14]
Among the Neo-Taíno nations of the Caribbean the mermaid is called Aycayia.[15][16] Her attributes relate to the goddess Jagua, and the hibiscus flower of the majagua tree Hibiscus tiliaceus.[17] Examples from other cultures are the Mami Wata of West and Central Africa, the Jengu of Cameroon, the Merrow of Ireland and Scotland, the Rusalkas of Russia and Ukraine, the Iara from Brazil and the Greek Oceanids, Nereids, and Naiads. One freshwater mermaid-like creature from European folklore is Melusine, who is sometimes depicted with two fish tails, and other times with the lower body of a serpent. It is said in Japan that eating the flesh of a ningyo can grant unaging immortality. In some European legends mermaids are said to be unlucky.[citation needed]
Mermaids and mermen are also characters of Philippine folklore, where they are locally known as sirena and siyokoy, respectively.[18] The Javanese people believe that the southern beach in Java is a home of Javanese mermaid queen Nyi Roro Kidul.[citation needed]
Mermaids are said to be known for their vanity, but also for their innocence. They often fall in love with human men, and are willing to go to great extents to prove their love with humans (see mermaid problem). Unfortunately, especially with younger mermaids, they tend to forget humans cannot breathe underwater. Their male counterparts, mermen, are rarely interested in human issues, but in the Finnish mythology merpeople are able to grant wishes, heal sickness, lift curses, brew magic potions, and sometimes carry a trident. Mermaids share some of the same characteristics.[citation needed]
Claimed sightings of dead or living mermaids have come from places such as Java and British Columbia. There are two Canadian reports from the area of Vancouver and Victoria, one from sometime between 1870 and 1890, the other from 1967.[19][20]
In August 2009, the town of Qiryat Yam in Israel offered a prize of US$1 million for anyone who could prove the existence of a mermaid off its coast, after dozens of people reported seeing a mermaid leaping out of the water like a dolphin and doing aerial tricks before returning to the depths.[21]
According to Dorothy Dinnerstein’s book, The Mermaid and the Minotaur, human-animal hybrids such as the minotaur and the mermaid convey the emergent understanding of the ancients that human beings were both one with and different from animals:
"[Human] nature is internally inconsistent, that our continuities with, and our differences from, the earth's other animals are mysterious and profound; and in these continuities, and these differences, lie both a sense of strangeness on earth and the possible key to a way of feeling at home here."[22]
One influential image was created by John William Waterhouse, from 1895 to 1905, entitled A Mermaid, (see the top of this article). An example of late British Academy style artwork, the piece debuted to considerable acclaim (and secured Waterhouse's place as a member of the Royal Academy), but disappeared into a private collection and did not resurface until the 1970s. It is currently in the collection of Andrew Lloyd-Webber.[citation needed]
The most famous in more recent centuries is Hans Christian Andersen's fairytale The Little Mermaid (1836), which has been translated into many languages. Andersen's portrayal, immortalized with a famous bronze sculpture in Copenhagen harbour, has arguably become the standard and has influenced most modern Western depictions of mermaids since it was published. The mermaid, as conceived by Andersen, appears to represent the Undines of Paracelsus, which also could only obtain an immortal soul by marrying a human being.[citation needed]
The best known musical depictions of mermaids are those by Felix Mendelssohn in his Fair Melusina overture and the three "Rhine daughters" in Richard Wagner's Der Ring des Nibelungen. Lorelei, the name of one of the Rhine mermaids, has become a synonym for a siren. A more recent depiction in contemporary concert music is The Weeping Mermaid by Taiwanese composer Fan-Long Ko.[citation needed]
Sue Monk Kidd has written a book called The Mermaid Chair. The title comes from a mermaid who becomes a (fictional) saint.[citation needed]
Movie depictions include the comedy Splash (1984) starring Daryl Hannah. A 1963 episode of the hit television series Route 66, featured an episode The Cruelest Sea about a real mermaid working at Weeki Wachee aquatic park. Mermaids also appeared in the popular supernatural drama television series Charmed, and were the basis of its spin-off series Mermaid. Animated films include Disney's popular musical version of Andersen's tale, and Hayao Miyazaki's Ponyo.[citation needed]
In heraldry, the charge of a mermaid is commonly represented with a comb and a mirror, and blazoned as a 'mermaid in her vanity'. Merfolk were used to symbolize eloquence in speech.[citation needed]
A shield and sword-wielding mermaid (Syrenka) is on the official Coat of arms of Warsaw, the capital of Poland. The city of Norfolk, Virginia also uses a mermaid as a symbol, and a civic art project with variously decorated mermaid sculptures has been displayed all over the municipal area. The capital city of Hamilton, Bermuda has the mermaid in its coat of arms, displayed across the city.[citation needed]
The personal coat of arms of Michaëlle Jean, Canada's Governor General, features two Simbi, mermaid-like spirits from Haitian Vodou, as supporters.[23]
During the Renaissance and Baroque eras, dugongs, frauds and victims of sirenomelia were exhibited in wunderkammers as mermaids.[citation needed]
In the 19th century, P. T. Barnum displayed in his museum a taxidermal hoax called the Fiji mermaid. Others have perpetrated similar hoaxes, which are usually papier-mâché fabrications or parts of deceased creatures, usually monkeys and fish, stitched together for the appearance of a grotesque mermaid. In the wake of the 2004 tsunami, pictures of Fiji "mermaids" circulated on the Internet as supposed examples of items that had washed up amid the devastation, though they were no more real than Barnum's exhibit.[24]
Sirenia is an order of fully aquatic, herbivorous mammals that inhabit rivers, estuaries, coastal marine waters, swamps, and marine wetlands. Sirenians, including manatees and the Dugong, have major aquatic adaptations: arms used for steering, a paddle used for propulsion, hind limbs (legs) are two small bones floating deep in the muscle. They appear fat, but are fusiform, hydrodynamic, and highly muscular. Prior to the mid 19th century, mariners referred to these animals as mermaids.[25]
Sirenomelia, also called "mermaid syndrome", is a rare congenital disorder in which a child is born with his or her legs fused together and the genitalia are reduced. This condition is about as rare as conjoined twins, affecting one out of every 100,000 live births[26] and is usually fatal within a day or two of birth because of kidney and bladder complications. Four survivors were known to have been alive as of July 2003.[27]
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Translations:
mermaid |
Ελληνική (Greek)
n. - (μυθολ.) γοργόνα
Português (Portuguese)
n. - sereia (f)
Русский (Russian)
русалка, сирена, наяда
Svenska (Swedish)
n. - sjöjungfru
中文(简体)(Chinese (Simplified))
美人鱼, 善泳的女子
中文(繁體)(Chinese (Traditional))
n. - 美人魚, 善泳的女子
한국어 (Korean)
n. - 인어, 인어처럼 수영을 잘하는 여자
日本語 (Japanese)
n. - 人魚, 女子水泳選手, マーメイド
العربيه (Arabic)
(الاسم) حوريه الماء
עברית (Hebrew)
n. - בתולת-הים (אישה-דג)
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![]() | Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved. Read more | |
![]() | World of the Body. The Oxford Companion to the Body. Copyright © 2001, 2003 by Oxford University Press. All rights reserved. Read more | |
![]() | English Folklore. A Dictionary of English Folklore. Copyright © 2000, 2003 by Oxford University Press. All rights reserved. Read more | |
![]() | Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/. Read more | |
![]() | Mythology Dictionary. The New Dictionary of Cultural Literacy, Third Edition Edited by E.D. Hirsch, Jr., Joseph F. Kett, and James Trefil. Copyright © 2002 by Houghton Mifflin Company. Published by Houghton Mifflin. All rights reserved. Read more | |
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