H. Meyer: Freidorf Dwelling Estate in
Muttenz, Switzerland
Hannes Meyer (November 18, 1889–July 19, 1954) was a Swiss architect and second director of the Bauhaus in Dessau from 1928 to 1930.
Early Work
Meyer was born in Basel, Switzerland, trained as a mason, and practiced as an architect in Switzerland, Belgium, and Germany, briefly serving as a department head at the Krupp Works in Essen from 1916 to 1918.[1] In Zurich in 1923 he co-founded the architectural magazine 'ABC Beitrage zum Bauen' (Contributions on Building) with Hans Schmidt, Mart Stam, and the Supremist / Russian cultural ambassador, El Lissitzky.
Meyer's design philosophy is reflected in the following quote:
"1. sex life, 2. sleeping habits, 3. pets, 4. gardening, 5. personal hygiene, 6. weather protection, 7. hygiene in the home, 8. car maintenance, 9. cooking, 10. heating, 11. exposure to the sun, 12. services - these are the only motives when building a house. We examine the daily routine of everyone who lives in the house and this gives us the functional diagram - the functional diagram and the economic programme are the determining principles of the building project."(Meyer, 1928)[2]
In 1926 Meyer established a firm with Hans Wittwer and produced his two most famous projects, for the Basel Petersschule (1926) and for the Geneva League of Nations Building (1926/1927).[1] Both projects are strict, inventive, and rely on the new possibilities of structural steel. Neither was built.
Bauhaus
Walter Gropius appointed Meyer head of the Bauhaus architecture department when it was finally established in April 1927. (Stam had been Gropius's first choice.) Meyer brought his radical functionalist viewpoint he named, in 1929, die neue baulehre (the new way to build)[3], that architecture was an organizational task with no relationship to aesthetics, that buildings should be low cost and designed to fulfill social needs. He was also an ardent Marxist.
Meyer brought the two most significant important building commissions for the school, both of which still stand: five apartment buildings in the city of Dessau, and the headquarters of the Federal School of the German Trade Unions (ADGB) in Bernau. The school turned its first profit under his leadership in 1929.
But he also brought political dissension, both within the Bauhaus and outside. Inside the school, particularly after he became Bauhaus director in February 1928, he tightened the program around architecture and industrial design, forcing the resignations of Herbert Bayer, Marcel Breuer, and other figures. In an increasingly dangerous Weimar political atmosphere, Meyer's own outspoken communism and the growth of the Communist student organization in the Bauhaus became a threat to the existence of the school. Mayor Hesse of Dessau fired him, with a monetary settlement, on August 1, 1930.[4] Meyer's open letter in a left-wing newspaper two weeks later characterizes the Bauhaus as "Incestuous theories (blocking) all access to healthy, life-oriented design... As head of the Bauhaus, I fought the Bauhaus style."[5]
After Bauhaus
Meyer responded to his dismissal by taking seven students and a secretary to Moscow, forming a group they called the "Left Column". This was a parallel effort to Ernst May's "May brigade". Both groups worked on architectural and urban planning projects guided by socialist-utopian ideals. The Soviet Union dismissed all such foreigners in 1936.
Meyer returned to Geneva for three years, then emigrated to Mexico City to work for the Mexican government as the director of the Instituto del Urbanismo y Planification from 1942 through 1949. In 1942 he was with his friend the Italian photographer Tina Modotti the night she died under mysterious circumstances.
Meyer returned to Switzerland in 1949, and died in 1954.
References
- ^ a b Bauhaus, 1919-1933, by Magdalena Droste, Bauhaus-Archiv, page 248
- ^ Theo Van Leeuwen, "Introducing Social Semiotics", Routledge, 2004, p.71
- ^ Hannes Mayer, "bauhaus und gesellschaft" (1929), cf. Wilma Ruth Albrecht: "Moderne Vergangenheit - Vergangene Moderne" (Neue Politische Literatur, 30 [1985] 2, pp. 203-225, esp. pp. 210-214)
- ^ Richard A. Etlin editor, Art, culture, and media under the Third Reich, page 291, ISBN 0226220877 ISBN 978-0226220871
- ^ Bauhaus, 1919-1933, by Magdalena Droste, Bauhaus-Archiv, page 199
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