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Michael Clayton

 
Movies:

Michael Clayton

  • Director: Tony Gilroy
  • AMG Rating: starstarstarstar
  • Genre: Thriller
  • Movie Type: Paranoid Thriller
  • Themes: Crisis of Conscience, Office Politics, Whistleblowers
  • Main Cast: George Clooney, Tom Wilkinson, Tilda Swinton, Sydney Pollack, Michael O'Keefe
  • Release Year: 2007
  • Country: US
  • Run Time: 120 minutes
  • MPAA Rating: R

Plot

Michael Clayton (George Clooney) handles all of the dirty work for a major New York law firm, arranging top-flight legal services and skirting through loopholes for ethically questionable clients. But when a fellow "fixer" decides to turn on the very firm they were hired to clean up for, Clayton finds himself at the center of a conspiratorial maelstrom. Once an ambitious D.A., Clayton is now a shell of his former dynamic self, thanks to a divorce, an unfortunate business venture, and astronomical debt. Though he longs to leave the cutthroat, ethically dubious world of corporate law behind, Clayton's poor financial situation and devotion to firm head Marty Bach (Sydney Pollack) leave him little choice but to remain on the job and tough it out. Meanwhile, litigator Karen Crowder (Tilda Swinton) finds her entire company's future hinging on the outcome of a multi-billion-dollar settlement overseen by Clayton's friend, star lawyer Arthur Edens (Tom Wilkinson). When Edens snaps and decides to blow the whistle on the questionable case, sabotaging the defense, Clayton must decide between his loyalty and his conscience. ~ Jason Buchanan, All Movie Guide

Review

Tony Gilroy's elegantly structured script for Michael Clayton offers a series of plot developments and character details that don't build so much as accumulate in the viewer's mind, until a thunderously entertaining final scene -- the kind of confrontation an old-time Hollywood mogul might call a "corker" -- pays them all off in a thrilling verbal face-off. As a first-time director, Gilroy maintains a steady, measured pace. His style serves his low-key but involving script, quietly adding layers to the characters while moving the plot along. The first-rate editing juggles timelines in the best possible way, allowing events to have a much different meaning when you see them a second time.

George Clooney gives another first-rate performance as Clayton, a man who can keep his clients' lives in order, but not his own. We know, because he is so good at his job, that he will figure out how to get himself out of the seemingly impossible position he gets himself into when his closest friend, an older attorney at the firm, has a mental breakdown while defending a chemical company facing a multi-million-dollar class-action suit. As the friend, Tom Wilkinson gets to deliver all of the film's colorful monologues. Unafraid to recall Peter Finch's performance in Network, Wilkinson offers a realistic portrait of manic depression while also reveling in the florid theatricality of his character's expansive orations. He manages to be simultaneously over-the-top and realistic -- as well as sympathetic. Tilda Swinton, shot in a way that lets the audience know how Gilroy feels about corporate functionaries, makes for an original adversary -- her obsessively detail-oriented character is the one most in over her head. Sydney Pollack, a woefully underappreciated actor, not only hits every note he is asked to play, but gives the film even more credibility as an updated '70s paranoid thriller simply because of his presence.

Midway into the film, Gilroy stages a murder that offers a grueling commentary on the cold-blooded efficiency of modern corporate life. The murder happens close-up. It is hands-on, bloodless, and mechanical, leaving the viewer with an unshakeable sense of unease. The act happens as simply and with as much understatement as everything else in the movie; Gilroy feels no need to punctuate his material with either ominous music or lingering shots of outraged faces. The director never indicates to his audience how horrible what we are seeing is, he takes it for granted that we have the humanity to be appropriately shocked. This is what Gilroy gets very right throughout the film -- he trusts his audience. He repays that trust with that grandly entertaining final scene, where he finally lets the audience release all of the emotions he has kept efficiently bottled up for two hours. ~ Perry Seibert, All Movie Guide

Cast

Robert Prescott - Mr. Verne; Terry Serpico - Mr. Iker; Merritt Wever - Anna; Kevin Hagan - Raymond Clayton; Austin Williams - Henry Clayton; David Lansbury - Timmy Clayton; Tom McCarthy - Walter; Heidi Armbruster - Anna's Sister; Jennifer Van Dyck - Ivy; Frank Wood - Gerald; Denis O'Hare - Mr. Greer; Julie White - Mrs. Greer; Jonathan Walker - Del; Sharon Washington - Pam; Cynthia Mace - Wendy; Michael Countryman - Evan; Ken Howard - Don Jeffries; Amy Hargreaves - Interviewer; Susan Pellegrino - Secretary; Rachael Black - Maude; Matthew Detmer - Todd; John Thompson - Jail Guard; Bill Raymond - Gabe Zabel; Brian Poteat - Deposition Lawyer; Christopher Mann - Lieutenant Elston; Edward Furs - Milwaukee Captain; Katherine Waterston - Third Year; John Gerard Franklin - Corrections Officer; Alberto Vasquez - Player #1; Brian Koppelman - Player #2; Jason Strong - First Year; Pun Bandhu - Fourth Year; David Zayas - Detective Dalberto; Danielle Skraastad - Bridget Klein; Remy Auberjonois - Fifth Year; Pamela Gray - Cindy Bach; Andrew Sherman - U/North; Richard Hecht - Auctioneer; Julia Gibson - Stephanie Clayton; Sean Cullen - Gene Clayton; Susan Egbert - Michelle; Wai Chan - Chinese Dealer; Paul Oquist - Caddy; Doug McGrath - Jeff Gaffney; Gregory Dann - Cop; Cathy Diane Tomlin - Cop #2; Sam Gilroy - Copy Kid; Maggie Siff - Attorney #1; Sarah Nichols - Barry's Assistant; Susan McBrien - Jean; Jordan Lage - Partner; Neal Huff - First Associate; Paul Juhn - Second Associate; Mike Scelza - Poker Consultant

Credit

Clay Brown - Art Director, Daniel Rosenblum - Boom Operator, Ellen Chenoweth - Casting, Blake Neely - Conductor, Christopher Goode - Co-producer, Sarah Edwards - Costume Designer, Steve Apicella - First Assistant Director, Tony Gilroy - Director, John Gilroy - Editor, George Clooney - Executive Producer, Jim Holt - Executive Producer, Anthony Minghella - Executive Producer, Steven Soderbergh - Executive Producer, James Holt - Executive Producer, Eddy Collyns - Location Manager, James Newton Howard - Composer (Music Score), Brian Ross - Musical Direction/Supervision, P. Scott Sakamoto - Camera Operator, Kevin Thompson - Production Designer, Robert Elswit - Cinematographer, Jennifer Fox - Producer, Kerry Orent - Producer, Sydney Pollack - Producer, Steven Samuels - Producer, Alan Meyerson - Recording, Alan Meyerson - Sound Mixer, Michael Barosky - Sound/Sound Designer, Clay Duncan - Sound/Sound Designer, Mel Wesson - Sound/Sound Designer, Michael Brooks - Sound/Sound Designer, Alex Kharlamov - Sound/Sound Designer, Norman Douglass - Stunts, Joanne Lamstein - Stunts, Don J. Hewitt - Stunts, Chris Barnes - Stunts, Gene Harrison - Stunts, John E. Mack - Stunts, Jery Hewitt - Stunts Coordinator, Christopher Goode - Unit Production Manager, Tony Gilroy - Screenwriter, Joe Collins - Second Unit Director Of Photography, Anthony Wolberg - Additional Cinematography, Patrick Quinn - Second Unit Camera, John Young - Second Unit Camera, Brian Langman - Sound Effects Editor, Julie Kuehndorf - Unit Publicist, Doug Foote - First Assistant Camera, Barry Idoine - First Assistant Camera, Gregor Tavenner - First Assistant Camera, James Brown - Grip, Gary Martone - Key Grip, Robert Kummert - Key Grip, John Duvall - Key Grip, Nic Ratner - Music Editor, Charlene Olson - Post Production Supervisor, Jen Crammer - Production Coordinator, Igor Srubshchik - Production Supervisor, Peter Gelfman - Properties Master, Andy Kris - Re-Recording Mixer, Michael Barry - Re-Recording Mixer, Mary Cybulski - Script Supervisor, Michael Pitt - Second Assistant Director, Thomas Cioccio - Second Assistant Director, Myles Aronowitz - Still Photographer, Paul Soucek - Supervising Sound Editor, Kenton Jakub - ADR Editor, David Boulton - ADR Mixer, Bobby Johanson - ADR Mixer, Wade Laboissonniere - Assistant Costumer Designer, Michael J. Maurer - Assistant Chief Lighting Technician, Hilary Smith - Assistant Location Manager, David Ginsberg - Assistant Location Manager, Amy Trachtman - Assistant Production Coordinator, Jim Kent - Assistant Properties, Robin Voth - Assistant Properties, Pedro Hernández - Best Boy Grip, Danny Beaman - Best Boy Grip, Amelia Rasche - Casting Associate, Scott Ramsey - Chief Lighting Technician, John F. Brooke Montgomery - Chief Lighting Technician, Michael Herlihy - Construction Coordinator, Kate Edwards - Costumes Supervisor, David Davenport - Costumes Supervisor, Dan Korintus - Dialogue Editor, Robert Feldmann - Dolly Grip, Edward J. Knott III - Dolly Grip, Abby Bailey - First Assistant Accountant, Aaron Marshall - First Assistant Editor, Jay Peck - Foley Artist, William Sweeney - Foley Editor, Jery Popolis - Key Hairstylist, Mia Thoen - Key Make-up, Chris DeTitta - Leadman, Angela McConnell - Personal Assistant, J.R. Craigmile - Production Accountant, Catherine Lynch Sullivan - Production Controller, Angela Bellisio - Second Assistant Camera, Beka Venezia - Second Assistant Camera, Ulysses Guidotti - Second Assistant Editor, Jason Ivey - Second Second Assistant Director, Matt Power - Second Second Assistant Director, Joe DeStefano - Set Dresser, Paul Gaily - Set Dresser, Tim Power - Set Dresser, Pete Shevlin - Set Dresser, Dennis Salomone - Transportation Captain, Kevin R. Wood - Transportation Captain, Handmade Digital Incorporated - Visual Effects, George De Titta, Jr. - Set Decorator, Chuck Potter - Set Decorator, Paul Cheponis - Set Decorator, Christine Mayer - Set Decorator, John Schabel - Set Decorator, Jerry Yuen - Cable Person, Michelle Mader - Cable Person, Michael Curry Jr. - Construction Foreman, Tomkats, Inc. - Craft Service/Catering, Buena Vista Negative Cutting - Negative Cutter, Joshua Chaplinsky - Production Secretary, T. Ray Treece - Video Assist, T. Ray Treece - Video Playback, Pacific Title - Title Design, Deborah Ross Film Design - Title Design, Alyson Wellins - Art Department Coordinator, Mick Gormaley - Assistant Music Editor, Waldo Sanchez - Department Head Hair, Chris Bingham - Department Head Makeup, Dan Ward - First Assistant Sound Editor, Niki DiCesare - Assistant to the Director, Dylan Ashbrook - Producer's Assistant, Ann Marie Doris - Producer's Assistant, Karen Marsh - Producer's Assistant, Karla Nappi - Producer's Assistant, Alyson Evans - Assistant Unit Manager

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Wikipedia: Michael Clayton (film)
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Michael Clayton

Promotional film poster
Directed by Tony Gilroy
Produced by Sydney Pollack
Steve Samuels
Jennifer Fox
Kerry Orent
Written by Tony Gilroy
Starring George Clooney
Tom Wilkinson
Tilda Swinton
Sydney Pollack
Music by James Newton Howard
Cinematography Robert Elswit
Editing by John Gilroy
Distributed by Warner Bros. (USA)
Pathé (UK)
Release date(s) October 5, 2007 (limited) October 12, 2007 (wide) September 28, 2007 (U.K.)
Running time 119 min.
Country United States
United Kingdom
Language English
Budget $25,000,000
Gross revenue $92,000,000

Michael Clayton is a 2007 American dramatic film written and directed by Tony Gilroy and produced by Sydney Pollack. It stars George Clooney, Tom Wilkinson, Tilda Swinton, and Sydney Pollack. It chronicles the attempts of attorney Michael Clayton to cope with a colleague's apparent mental breakdown and the corruption and murderous intrigue of a major client of his law firm being sued in a class action case involving toxic agrochemicals.

Contents

Plot summary

The hill Michael climbs to look at the horses.

The story opens as Michael Clayton (George Clooney), an attorney with a gambling problem, leaves a late night poker game. He works for the prestigious New York City law firm Kenner, Bach & Ledeen as a "fixer", someone who rectifies difficult situations, often through hazy and legally murky methods. Michael is summoned to meet with an anxious client who believes he has committed a hit and run. After Michael leaves, he pulls off to the side of the road after some aimless driving. When he leaves his car to look at some horses, his car blows up behind him.

The story then jumps back four days earlier, where the audience learns that Michael owes $75,000 to organized crime figures represented by loan shark Gabe Zabel (Bill Raymond), thanks in part to his gambling, and his failed attempt to open a bar with his brother Timmy (David Lansbury). Then he is called with the news that one of the firm's leading attorneys, Arthur Edens (Tom Wilkinson), had a bizarre outburst in the middle of a deposition in Milwaukee involving a class action lawsuit against United Northfield (or U-North), an agricultural products conglomerate. Michael is sent to fix the situation, gets Arthur out of jail, but is unable to transport him back to New York before Edens escapes from his hotel in the middle of the night.

Karen Crowder (Tilda Swinton), U-North's general counsel, obtains Eden's briefcase and discovers that he came into possession of a confidential U-North document detailing the company's decision to manufacture a weed killer that it knew to be carcinogenic and to have the potential to enter the water supply of small farms, undetected. Karen soon learns that Edens is a manic depressive who is unwilling to commit himself to a mental health institution, and decides to hire two men (Robert Prescott, Terry Serpico) to follow him, including tapping his phone and installing bugs in his apartment. The surveillance collected eventually reveals that Edens is building a case against his former client, leading Karen to ask the team to permanently incapacitate him. They assassinate Edens in a manner that makes it look like he committed suicide.

Michael is saddened by the news of Arthur's death, but becomes suspicious upon learning that U-North was planning a settlement just a few days prior, and that Arthur had booked a flight for one of the plaintiffs, Anna (Merritt Wever). He learns from Anna that she told no one of her conversations with Edens, not even her attorney, arousing in Michael further suspicion regarding how his firm came to know of Arthur's conversations with the U-North class members. Michael manages to sneak into Edens' apartment, and discovers a receipt from a copy store. Upon investigation, he discovers that Arthur had ordered made one thousand copies of the confidential U-North document. Michael takes a copy with him, but the two hit men are tailing him and inform Karen of the situation. Michael is about to show his boss, Marty Bach (Sydney Pollack), what he has discovered, only to be offered a renewal of his employment contract, as well as an $80,000 bonus that will cover his failed restaurant debt, although it comes with strings attached that prevent him from ever shaking down the firm.

As Michael plays poker that evening, returning to the film's opening, we see one of the hit men rigging his car with a bomb. Michael leaves the game, and receives a phone call summoning him to the meeting with the client in Westchester County who had committed a hit-and-run, as seen at the start of the movie. The audience now sees that he is being followed by the two men, but that they have trouble tailing him. The surveillance team, still off but near Michael's trail, detonates the remote bomb while he is out of the car. An unharmed but surprised Michael runs back to his car and throws his personal effects inside, thus faking his own death.

Later, at a U-North board meeting, Karen proposes approval of a new settlement agreement. Michael is waiting for her when she exits the conference, and informs her that he has access to copies of the U-North memo and that he knows about her role in Arthur's murder. He demands to be paid off personally by Crowder for his silence for $10 million. Karen reluctantly agrees, prompting Michael to reveal the cellphone in his pocket. As he walks away, detectives arrest Karen and U-North's chairman (Ken Howard). Clayton's brother, the NYPD detective, had been monitoring their conversation. Michael leaves the building and hails himself a cab. He tells the driver, "Give me $50 worth. Just drive." After a few minutes his face reveals a hint of a smile and then the film cuts to credits on black.

Production

Locations

The railroad bridge where Michael's car explodes is the Moodna Viaduct in Cornwall, New York, which is actually in Orange County, not Westchester. Washingtonville, where Michael is said to have graduated from high school and where his father's birthday party takes place, is where writer and director Tony Gilroy himself attended high school. Stewart Airport, in nearby Newburgh, is also featured in the film. Also where Michael's brother picks him up is at the Rockland Plaza in Nanuet, New York.[1]

Release

Theatrical

The film premiered August 31, 2007, at the Venice Film Festival and was shown at the American Films Festival of Deauville on September 2, 2007, and at the Toronto International Film Festival on September 7, 2007. It opened in the United Kingdom on September 28, 2007, and at the Dubai Film Festival in December 2007. The film opened in limited release in the United States on October 5, 2007, and opened in wide release in the U.S. on October 12, 2007. The film grossed USD $10.3 million on the opening week. It was re-released on January 25, 2008. As of February 8, 2008, the film has grossed $45 million domestically. The film in total grossed $92.6 million worldwide.[2]

Home media

The film was released on DVD and Blu-ray on February 19, 2008. The DVD contains deleted scenes and a commentary by writer/director Tony Gilroy. On March 11, 2008 the movie was also released on HD DVD.

Reception

Critical reception

The film received strong positive reviews from critics. As of November 2008, the review aggregate website Rotten Tomatoes reported that 90% of critics gave the film positive reviews, based on 184 reviews, some of whom thought it was a dramatization of a true story.[3] Metacritic reported the film had an average score of 82 out of 100, based on 36 reviews.[4] Owen Gleiberman of Entertainment Weekly gave it an 'A' saying that it was "better than good, it just about restores your faith." Roger Ebert gave it a 4-star review and Richard Roeper named it the 'best film of the year.'[5] It was also Richard Schickel's top film of 2007, and he called it “a morally alert, persuasively realistic and increasingly suspenseful melodrama, impeccably acted and handsomely staged by Tony Gilroy". The reviews on Box Office Mojo give the movie a normal B. Time magazine said that "Michael Clayton is not an exercise in high-tension energy; you'll never confuse its eponymous protagonist with Jason Bourne. But it does have enough of a melodramatic pulse to keep you engaged in its story and, better than that, it is full of plausible characters who are capable of surprising—and surpassing—your expectations".[6]

Top ten lists

The film appeared on many critics' top ten lists of the best films of 2007.[7]

Awards

Wins
  • Kansas City Film Critics Circle Award
  • Vancouver Film Critics Circle Award
  • London Film Critics Association
Nominations

Soundtrack

Original Motion Picture Soundtrack: Michael Clayton
Soundtrack by James Newton Howard
Released September 25, 2007
Recorded 2007
Genre Soundtrack
Film score
Length 38:35
Label Varèse Sarabande
Producer James Newton Howard & Stuart Michael Thomas
Professional reviews

Original Motion Picture Soundtrack: Michael Clayton was released on September 25, 2007 on the Varèse Sarabande label.[10]

Awards

Although the album was panned by some critics, it was nominated for an Academy Award for Best Original Score.

Track listing

All tracks composed by James Newton Howard.

  1. "Main Titles" – 2:12
  2. "Chinatown" – 2:27
  3. "Drive to the Field" – 1:35
  4. "Just Another Day" – 2:20
  5. "Meeting Karen" – 2:46
  6. "Looking for Arthur" – 1:41
  7. "U North" – 1:49
  8. "Arthur & Henry" – 2:11
  9. "Times Square" – 3:38
  10. "Mr. Verne" – 2:28
  11. "I'm Not the Guy You Kill" – 6:57
  12. "Horses" – 2:13
  13. "25 Dollars Worth" – 6:27

References

  1. ^ Lussier, Germain (2007-10-12). "'Michael Clayton' starring George Clooney, Blooming Grove, Moodna Viaduct and a directorial debut by Washingtonville grad Tony Gilroy". Times-Herald Record. http://www.recordonline.com/apps/pbcs.dll/article?AID=/20071012/ENTERTAIN/71012002/0/NEWS. Retrieved 2008-03-16. "Simultaneously, one of Gilroy's brothers was visiting their parents and it hit him. Tony suggested he take a few photos on his cell phone of the Moodna Viaduct in Salisbury Mills, a place he remembered as 'ethereal.' It was perfect. Exactly the spot he'd been looking for ... The plan was hatched to film Michael Clayton's home in the same area Gilroy had always seen in his head: Woorley Heights in Blooming Grove, a stop on Gilroy's old bus route where he used to ride bikes with friends." 
  2. ^ Michael Clayton (2007)
  3. ^ "Michael Clayton - Rotten Tomatoes". Rotten Tomatoes. http://www.rottentomatoes.com/m/michael_clayton/. Retrieved 2008-01-05. 
  4. ^ "Michael Clayton (2007): Reviews". Metacritic. http://www.metacritic.com/film/titles/michaelclayton. Retrieved 2008-01-05. 
  5. ^ "Michael Clayton - Rotten Tomatoes". Rotten Tomatoes. http://www.rottentomatoes.com/m/michael_clayton/. Retrieved 2007-10-07. 
  6. ^ Schickel, Richard; “The 10 Best Movies”; time.com
  7. ^ "Metacritic: 2007 Film Critic Top Ten Lists". Metacritic. http://www.metacritic.com/film/awards/2007/toptens.shtml. Retrieved 2008-02-25. 
  8. ^ Roeper's review on Youtube
  9. ^ "Hollywood Foreign Press Association 2008 Golden Globe Awards for the Year Ended December 31, 2007". goldenglobes.org. 2007-12-13. http://www.goldenglobes.org/news/id/81. Retrieved 2007-12-17. 
  10. ^ "Allmusic: Michael Clayton (Original Score)". Macrovision Corporation. 2008. http://allmusic.com/cg/amg.dll?p=amg&sql=10:a9fexzlhldte~T2. Retrieved 2008-02-24. 

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