Michael Martin Murphey

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Michael Martin Murphey

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Singer, songwriter

Michael Martin Murphey has not only blazed a trail through pop music and into country as a performer, he has reaped considerable success by writing songs as well. His youthful good looks notwithstanding, Murphey is a seasoned veteran of the music business—he wrote hit songs for the pop group the Monkees and singer Kenny Rogers in the 1960s and made the pop charts himself in the 1970s. He was well into his thirties when his western-influenced country songs made him a star in Nashville. Today he is one of the most highly regarded recording artists in all of country music.

In Who’s Who in New Country Music, Andrew Vaughan noted that Murphey’s "longevity and determination have certainly paid off." The critic added that Murphey’s career "proves that country music will embrace those artists more concerned with their art and integrity than big bucks." The singer has had major country hits with such singles as "A Long Line of Love," "Don’t Count the Rainy Days," "Talkin’ to the Wrong Man," and "What She Wants." More recently, a long-standing interest in the culture and history of the cowboy led to the release of Cowboy Songs, the first high-profile album of cowboy music to come from Nashville in more than twenty years.

Murphey was born in Texas and spent his youth on family farms and ranches where his relatives ran cattle. He was comfortable in a saddle from an early age and was fascinated by the songs he heard on the range. "There was a lot of music sung while they were working," Murphey remembered of his family in the Chicago Tribune. "I learned a lot of it from being around people who were working cattle, and my uncle, who was and is a real fan of music, had tons of 78 [r.p.m.] records by people like [western singers] Carl T. Sprague, Jules Verne Allen and other guys that go back way before [singing cowboy and actor] Roy Rogers." At the age of 17, Murphey took his first job in the music industry—he played western songs around the campfire at a Texas ranch.

As a youth Murphey also enjoyed other musical genres, including the country and folk music of such performers as Hank Williams, Bob Wills, and Woody Guthrie. After high school he moved to California where he played guitar with the pop group The Lewis and Clark Expedition and attended the University of California, Los Angeles, majoring in medieval history. Murphey was anxious to work his way into the music business as a singer and songwriter, however, seeing little disparity between his education and the career he wanted to follow. Murphey illustrated this for Country Music’s Michael Bane:"I was fascinated with the troubadour, the old oral tradition…. You go back and read classic history,

most of it comes from recited history … [and] the traveling minstrels. The closest thing we have in modern life is the wandering musician, the songwriter."For a time he lived hand-to-mouth in the Mojave Desert, writing songs for Kenny Rogers and country duo Flatt & Scruggs. His big break came through Mike Nesmith, an old friend from Texas.

Big Break From a Monkee
Nesmith, himself a folk-rock singer, had landed a job with The Monkees, an enormously popular television pop group. At Nesmith’s request, Murphey wrote a song for a Monkees album—"What Am I Doing Hangin’ Round"—and the album sold some five million copies. The success of that song earned Murphey a song publishing contract with Screen Gems. He penned a few more numbers for The Monkees but soon became disenchanted with the Los Angeles scene.

In 1971 Murphey returned to Texas and became an active member of the so-called "outlaw" movement there. He played and sang, mixing such genres as country, rock, and folk, and was often on the bill with other maverick performers such as Willie Nelson and Jerry Jeff Walker. One of his best-known songs from this period is "Geronimo’s Cadillac," a forceful plea for Indian rights that became an unofficial anthem for the Indian movement in the early 1970s.

As a very young man, Murphey had written a sentimental song about a woman and her wild pony. He was not particularly fond of the song, and he put off recording it. Seven years later, after the constant urging of a sister-in-law, he finally released the piece. "Wildfire" became a Number One pop hit in 1975, Murphey’s first. The singer had another charted pop release the following year with "Carolina in the Pines."

Preferred Country Music
Murphey’s success in the pop format was fleeting, mainly because he preferred to sing and write country music. By 1979 he was living in New Mexico and creating songs based on country, rock, Spanish, Indian, and western styles. He also decided to add his middle name "Martin" to his professional name, and this added to the confusion about exactly who and where he was. He did not languish in obscurity for long, however. By the mid-1980s he was a regular on the country charts, with hits such as "What’s Forever For," "What She Wants," and "Don’t Count the Rainy Days."

In 1984 Murphey was named "best new artist" by both the Country Music Association and the Academy of Country Music. The irony was not lost on the performer, who, at that point, had been a professional musician for more than 15 years. Murphey was glad for the recognition, however, and he has lived up to his potential by producing still more hit singles, including "A Long Line of Love" and a Grammy Award-nominated duet with singer Holly Dunn, "A Face in the Crowd." Murphey also scored a hit with a song he sings with his son Ryan. Based on a real incident, in which Ryan sought his father’s advice about women, "Talkin’ to the Wrong Man" affords a poignant view of father-son relations and concerns that leap from generation to generation.

Late in 1990 Murphey released an album on which he had labored for several years. The work, Cowboy Songs, was not expected to be a commercial success, since there hadn’t been a recording of authentic cowboy music in more than two decades. Even Murphey was reluctant to release singles or make music videos based on the project. He reconsidered this decision, however, and the first single, "Cowboy Logic," became a hit. The song helped to sell the album, which performed far better than expected.

Quite apart from its commercial success, Cowboy Songs earned the praises of country and folk music critics nationwide. Chicago Tribune correspondent Jack Hurst, for instance, called the work "not only one of the finest albums of [the] year but also one of the finest of the last decade. Its 22 riveting cuts represent a labor of not only love but also scholarship; it raises a cult musical genre to the level of mainstream art." Hurst concluded that Cowboy Songs "is a hands-down masterpiece capable of wringing laughter, sadness, and sometimes even terror from its hearers."

Champion of the West
Cowboy Songs certainly reflects an ongoing interest in Murphey’s case—the artist has long been a champion of the western wilderness and its creatures. In 1986 he founded an annual festival, WestFest, celebrating western art and culture, and he has been almost single-handedly responsible for resurrecting the cowboy’s image in Nashville. Richmond Times-Dispatch contributor Molly Carpenter noted: "Murphey’s love for the American West clearly comes through in his songs, painted with vivid images of the rugged mountains and vast deserts of southwest landscapes, all evidence of his travels from his native Texas to California’s Mojave Desert, Colorado’s Rockies and the wild diversity of New Mexico, his home for the past 10 years." In a further effort to preserve the traditions of the West, Murphey has led a group of performers in a combination poetry reading and songfest called "Cowboy Logic." Murphey—along with poet and cowboy Waddie Mitchell and Don Edwards, a western music historian and troubadour—has taken the improvisational show to such unlikely places as New York and Las Vegas because, as he maintained in the New York Times, he wants "to make people take a second look at the agrarian tradition of [the] country and the culture it has produced. The basis of all economy is growing things and producing food. Without an agricultural tradition that is respected, a country dies,"

Murphey is also concerned with issues other than the survival of western culture, including Indian rights and finding a middle ground between ranchers and activists on opposite sides of environmental problems. Murphey feels he has more opportunity than most to be "a real citizen involved in the community instead of being a guy who lives over the hill and plays the guitar or sits around town being a personality," as he explained in a Warner Bros. press release.

Not all of Murphey’s songs are about the land out West. Many of his best-known country hits are more personal—glimpses of family life, love, and heartbreak. Murphey told the Richmond Times-Dispatch, "Periodically I like to write music about people because I’ve written so many songs about landscapes and other things." He concluded with a laugh, "I mean, my biggest hit was about a horse."

Selected discography
The Heart Never Lies, EMI America, 1986.
Tonight We Ride, Warner Bros., 1986.
Americana, Warner Bros., 1987.
Best of Michael Martin Murphey, EMI America, 1987.
River of Time, Warner Bros., 1988.
Land of Enchantment, Warner Bros., 1989.
The Best of Country, Curb/CEMA, 1990.
Cowboy Songs, Warner Bros., 1990.
Cowboy Christmas: Cowboy Songs II, Warner Bros., 1991.
Wide-Open Country, Warner Bros., 1993.
Cowboy Songs III, Warner Bros., 1993.
Blue Sky Night Thunder (includes "Wildfire" and"Carolina in the Pines "), Epic.
Cosmic Cowboy Souvenir, A&M.
Geronimo’s Cadillac, A&M.
Michael Martin Murphey (includes" What’s Forever For"), Liberty.
Also recorded albums Swans Against the Sun and Flowing Free Forever.

Sources
Books
Vaughan, Andrew, Who’s Who in New Country Music, St. Martin’s, 1989.

Periodicals
Atlanta Constitution, April 8, 1988.
Atlanta Journal/Atlanta Constitution, May 10, 1986.
Chicago Sun-Times, August 1, 1990.
Chicago Tribune, January 27, 1985; May 22, 1988; September 23, 1990; December 2, 1990.
Country Music, July/August 1991; November/December 1992.
Houston Post, June 3, 1991.
New York Times, May 22, 1992.
People, February 24, 1986; March 23, 1987; August 1, 1988.
Richmond Times-Dispatch, April 14, 1989.
Stereo Review, June 1986; December 1987; January 1991.
Additional information for this profile was obtained from Warner
Bros. press material, 1990.
AMG AllMusic Guide: Pop Artists:

Michael Martin Murphey

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  • Genres: Country

Biography

In many ways, Michael Martin Murphey has the career that Michael Nesmith of the Monkees -- with whom Murphey performed early in both of their careers -- might have had if he had never been picked for the NBC series. A guitarist/songwriter, Murphey led the country-rock group the Lewis & Clarke Expedition in the mid- to late '60s and had some pop success, and even got one song, "What Am I Doing Hangin' 'Round?," recorded by the Monkees (with Nesmith singing lead, natch). His songs were cut by the likes of Flatt & Scruggs, Kenny Rogers, Roger Miller, and Bobbie Gentry, and he eventually began recording for A&M Records, and later for Epic Records, where he enjoyed a huge pop hit in the 1970s with "Wildfire." For a time he was known as the Cosmic Cowboy after one of his early songs. Murphey moved to Liberty Records in the early '80s and later jumped to Warner Bros., where his interest in cowboy and Native American subjects led to the foundation of the Warner Western imprint, a subsidiary label devoted to cowboy music and poetry.

Murphey was born in Dallas, TX, and quickly took to playing the ukulele. He had a special love for cowboy stories and songs and also read avidly as a boy -- especially the work of Mark Twain and William Faulkner -- and was writing poetry before he was in his teens. He began performing as an amateur while in junior high school and within a few years was playing the clubs around Dallas in the early '60s, combining country, folk, and rock music. Somehow, despite the inherently conservative nature of all of those audiences, Murphey made it work, and he formed a band with a decent following in the area around Dallas. He studied poetry and writing at the University of California, and soon after arriving in the Golden State he was signed up as a songwriter with Sparrow Music. By 1964, he was a popular figure in the folk clubs around Los Angeles and had formed up with three likeminded musicians, Nesmith, John London, and John Raines, under the name the Trinity River Boys, who recorded one never-to-be-released album before disbanding.

In 1967, Murphey formed the Lewis & Clarke Expedition with Owen Castleman (aka Boomer Clarke). This group recorded one self-titled album for the Colgems label -- not coincidentally, the label for which the Monkees, of whom Nesmith was a member, recorded -- and got a moderate hit out of the single "I Feel Good (I Feel Bad)." It was around this time that the Monkees recorded Murphey's "What Am I Doing Hangin' 'Round?"

Murphey left Los Angeles in 1968 to take up residence in the San Gabriel Mountains, where his songwriting blossomed anew. He was signed to Screen Gems (the publishing arm of Columbia Pictures, which also owned Colgems) as a songwriter, and with the exposure that he received from this association, wrote songs recorded by Flatt & Scruggs and Bobbie Gentry. It was Kenny Rogers who gave Murphey his best showcase as a songwriter, however, by cutting an entire album, The Ballad of Calico, comprised of songs Murphey had written about a Mojave Desert ghost town.

Back in Texas, in the Austin area, during the early '70s, he resumed his singer/songwriter career and fell in with Jerry Jeff Walker, Willie Nelson, and B.W. Stevenson. He also put together a new band that specialized in country-rock and folk-rock. In 1971, he was signed to his first solo recording contract on A&M Records, and his first album, Geronimo's Cadillac (1972), yielded a modest hit in the title song, which was covered by several other artists, including Hoyt Axton, and also taken up as an anthem by Native American civil rights activists. A second album, Cosmic Cowboy Souvenir, was well received critically and also a modest hit in the Austin area.

In 1974, Murphey moved to Epic Records, a division of Columbia, and recorded the first of six albums, Michael Murphey, that same year. It was his second album, Blue Sky - Night Thunder, recorded in 1975, however, that marked Murphey's commercial breakthrough. He had first heard the story about a ghost horse rescuing people on the desert when he was a boy, from his grandfather, and Murphey dreamed of something similar one night as an adult and set it down to music and words in half an hour that same evening. The resulting song, "Wildfire," got to number three on the pop charts in 1975 and became Murphey's first gold record. Another song off of the same album, "Carolina in the Pines," also made the Top 30.

He saw more success with Swans Against the Sun -- which included his first country chart hit, "A Mansion on the Hill" and "Flowing Free Forever," both in 1976. "Cherokee Fiddle" off of that album was a modestly successful single for Murphey, but six years later Johnny Lee brought it into the Top Ten and into the movie Urban Cowboy. Up until 1981, he'd been known as Michael Murphey, but that year he began making a series of film acting appearances, starting with Gus Trikonis' Take This Job and Shove It, and began using his middle name in films and on albums, as a way of distinguishing himself from the actor Michael Murphy (Manhattan).

In 1982, Murphey signed a recording contract with Liberty Records, which yielded two original albums, Michael Martin Murphey and The Heart Never Lies, as well as a best-of -- made up of superb re-recordings of his A&M and Epic hits as well as his original Liberty hits "Still Taking Chances," "Love Affairs," "Don't Count the Rainy Days," "Will It Be Love," and "Radio Land," the latter a sort of country-flavored equivalent to "American Pie." By that time he'd been voted Best New Male Vocalist of the year 1983 by the American Country Music Association. Additionally, his re-recording of "Carolina in the Pines" rose to the country Top Ten in 1985, outperforming the original Epic version.

In 1985, Murphey moved to Warner Bros. Records, making his debut on the label with Tonight We Ride. A year later he got to the country Top Five with "A Face in the Crowd," recorded with Holly Dunn, and then reached the number one spot with "A Long Line of Love." Murphey's singles chart success slackened off after 1989 with "Never Givin' Up on Love," which had been used in the Clint Eastwood film Pink Cadillac that same year.

It was after this that Murphey returned to one of the first loves of his life, cowboy music. In 1990, he cut an album, Cowboy Songs, made up of traditional and well-known popular songs from the genre, including "The Yellow Rose of Texas" and "Tumbling Tumbleweeds." That record uncovered a niche waiting to be filled, selling several times more than any of Murphey's other Warner Bros. releases. That success, in turn, led the label to establish its Warner Western imprint, which, in addition to Murphey (who also produces a lot of the work), has also recorded the harmony group the Sons of the San Joachin, veteran singing cowboy Herb Jeffries, and poet Waddie Mitchell.

Murphey has since recorded a number of additional albums featuring Western songs. Cowboy Songs III (1993) features a duet with the late Marty Robbins, no doubt inspired by the success of Natalie Cole's "Unforgettable" duet with her own father -- using a voice track recorded by Robbins in 1960 -- on the song "Big Iron." In 1996, Murphey released a live album on which he is backed by a full orchestra. He has also organized a series of annual celebrations of the American West, called West Fest, which he stages in various Western states. Cowboy Songs 4 appeared in 1998 and several collections followed. In summer 2002, his storytelling continued on Cowboy Classics: Playing Favorites II. Buckaroo Blue Grass appeared in 2009 from Rural Rhythm Records, followed by Cowboy Classics: Old West Cowboy Collection later that same year. Lone Cowboy, a solo live set recorded at the Western Jubilee Warehouse in Colorado Springs, appeared early in 2010. ~ Bruce Eder, Rovi
Wikipedia on Answers.com:

Michael Martin Murphey

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Michael Martin Murphey

Michael Martin Murphey at the Sportsman's Texaco in Lake City, Colorado, July 2, 2009
Background information
Born Dallas, Texas, United States
(1945-03-14) March 14, 1945 (age 67)
Genres Western, Country, Folk, Pop, Bluegrass
Occupations Singer, Songwriter
Instruments Vocals, Guitar, Banjo, Piano, Harmonica, Mandolin
Years active 1965–present
Labels A&M, Epic, Liberty,
Warner Bros.,
Valley Entertainment,
Real West Productions,
Rural Rhythm

Michael Martin Murphey (born March 14, 1945) is an American singer-songwriter best known for writing and performing Western music, Country music, and Popular music. A multiple Grammy nominee, Murphey has six gold albums, including Cowboy Songs, the first album of cowboy music to achieve gold status since Gunfighter Ballads and Trail Songs by Marty Robbins in 1959. He has recorded the hit singles "Wildfire", "Carolina in the Pines", "What's Forever For", "A Long Line of Love", "What She Wants", and "Don't Count the Rainy Days". Murphey is also the author of New Mexico's state ballad, "The Land of Enchantment". Murphey has become a prominent musical voice for the Western horseman, rancher, and cowboy.[1][2]

Contents

Early life

Michael Martin Murphey was born on March 14, 1945 in the Oak Cliff section of Dallas, Texas, the son of Pink and Lois (Corbett) Murphey.[3] He grew up in Dallas, Texas. His love of the outdoors began at an early age when his parents took him and his brother Mark (who was three years Michael's junior) on regular trips to the country to visit relatives. When he was six years old, Murphey started riding horses on his grandfather's and uncle's ranches. Years later he would remember sleeping on his grandfather's porch under the stars listening to the older man's stories and cowboy songs.[2] He also enjoyed being around these men of the land as they went about their work. These experiences made a deep impression on the young boy.[4]

During these early years, Murphey developed a special love for cowboy songs and stories. He was also an avid reader, especially drawn to the books of Mark Twain and William Faulkner. As a youth, he enjoyed writing poetry and loved listening to his uncle's old 78 rpm records—particularly the music of country and folk artists such as Hank Williams, Bob Wills, and Woody Guthrie. In junior high school, he began performing as an amateur, and later as a camp counselor at a summer camp called "Sky Ranch". At the age of seventeen, he took his first "professional" music job, playing western songs around a campfire at a Texas ranch. By the early 1960s, Murphey was playing the clubs in Dallas, performing country music, folk music, and rock music. He won over the conservative Texas audiences with his charm and talent, and soon formed a band that developed a significant following in the Dallas area.[1]

Songwriting success

After graduating from W. H. Adamson High School in Oak Cliff, Murphey studied Greek at the University of North Texas and joined the Folk Music Club where he met Steven Fromholz, Ray Wylie Hubbard, Spencer Perskin, and Eddie Wilson—co-founder of Armadillo World Headquarters. Murphey then moved to California, where he studied creative writing at the University of California at Los Angeles, majoring in medieval history and literature. He signed a publishing contract with the Sparrow Music company, and soon he made a name for himself in the Los Angeles folk music scene. By 1964, he formed a musical group with an old Texas friend, Michael Nesmith, John London, and John Raines, under the name the Trinity River Boys.

In 1967, Murphey formed the Lewis & Clarke Expedition with Owens Castleman, and recorded one self-titled album for Colgems Records. They had a modest hit with "I Feel Good (I Feel Bad)."[1]

Murphey's first big break came through his friend Michael Nesmith, who had become part of the popular television musical group, The Monkees. Nesmith asked Murphey to write them a song for the next Monkees album, and Murphey composed "What Am I Doing Hangin' Round." The album Pisces, Aquarius, Capricorn & Jones Ltd. sold over five million copies.[2]

In 1968, Murphey moved to Wrightwood, a village in the San Gabriel Mountains adjacent to the Mojave Desert of California to work on his songwriting. Based on the success of his songs, he signed a contract with the Screen Gems company, the publishing arm of Columbia Pictures. Some of his songs were recorded by Flatt and Scruggs and Bobbie Gentry. Kenny Rogers recorded an entire album of Michael Murphey songs called The Ballad of Calico, about a Mojave Desert ghost town.[1] Murphey wrote some additional songs for The Monkees, but he grew disillusioned with the poor financial rewards and the Southern California music scene.

The outlaw years

In 1971, Murphey returned to Texas and became part of the so-called Outlaw country movement, playing alongside other maverick performers such as Willie Nelson and Jerry Jeff Walker. He created a unique sound that combined his country, rock, and folk influences.[2] It was during this period that Murphey wrote "Geronimo's Cadillac", a song about Indian rights that later became an unofficial anthem for the American Indian Movement in the early 1970s.[2]

In 1971, Murphey was signed to A&M Records by Bob Johnston, who discovered him in a Dallas club, the Rubiayat. Johnston had produced some of the country's most popular recording artists, including Bob Dylan, Johnny Cash, and Simon and Garfunkel. In 1972, Johnston produced Murphey's first album Geronimo's Cadillac in Nashville, Tennessee. The sound of the album reflects Murphey's love of country, folk, and blues music. Murphey's early gospel influences are also evident throughout the album. The title track was released as a single, and reached the Top 40 on the US pop charts. In addition to the title track, the album included "Boy from the Country", "What Am I Doin' Hangin' Around?", and "Michael Angelo's Blues". Rolling Stone Magazine proclaimed, "On the strength of his first album alone, Michael Murphey is the best new songwriter in the country."[5]

In 1973, Murphey followed up with the album Cosmic Cowboy Souvenir, which continued the urban cowboy theme of the first album. The album included "Cosmic Cowboy, Pt. 1", "Alleys of Austin", and "Rolling Hills".

Throughout this period, Murphey's band included Bob Livingston and Gary P. Nunn, the author of "London Homesick Blues". He performed a number of times at the Armadillo World Headquarters, and his photo was even used for the original cover of Jan Reid's book, The Improbable Rise of Redneck Rock.[6] But Michael Murphey's musical vision was expanding beyond the confines of the outlaw country sound and moving toward a much more ambitious musical tapestry.

Wildfire and the Epic years

In 1973, Murphey signed to Epic Records and released the album Michael Murphey that same year. Produced by Bob Johnston, the album included the beautiful "Southwestern Pilgrimage".

In 1975, Murphey released his seminal album, Blue Sky – Night Thunder, also produced by Bob Johnston. The album generated two hit singles: "Carolina in the Pines" and his masterpiece "Wildfire", a sentimental song about the ghosts of a woman and her horse. As a boy, he first heard from his grandfather the story of a ghost horse rescuing people in the desert. Years later, Murphey had a dream about this ghost horse and wrote the words and music the same day with songwriter Larry Cansler.

In May 1975, "Wildfire" became a number one hit on the Radio and Records Charts, reached number three on Billboard's Pop Chart, and number one on all Adult Contemporary Charts, giving Murphey a new level of commercial success and exposure. It sold over one million copies, and was awarded a gold disc by the R.I.A.A. in July 1975.[7] The song's success was due, in large part, to the unique harmonies supplied by Jeff Hanna and Jimmy Ibbotson from the Nitty Gritty Dirt Band, and the beautiful piano introduction and ending coda played by master jazz pianist Jac Murphy, based on Prelude in D-flat, Op. 11 No. 15 by the Russian classical composer Alexander Scriabin.

During the late 1970s, Murphey recorded four albums: Swans Against the Sun (1976), Flowing Free Forever (1976), Lone Wolf (1978), and Peaks, Valleys, Honky Tonks & Alleys (1979). The album Swans Against the Sun produced his first country hits "A Mansion on the Hill", "Flowing Free Forever", and "Cherokee Fiddle", which also became a top ten hit for Johnny Lee. Murphey's friends, John Denver, Willie Nelson, Charlie Daniels, and Steve Weisberg appeared on the album. Despite some success on the country music charts, none of these albums generated the enthusiasm or sales of Blue Sky – Night Thunder.

In 1981, Murphey made his first film appearance in Hard Country, which he cowrote. To distinguish himself from another well-known actor named Michael Murphy, the singer began using his middle name for film and music credits. To this day, he is known to the world as Michael Martin Murphey.[8]

Mainstream success

In 1982, Murphey signed with Liberty Records and produced two original albums, Michael Martin Murphey and The Heart Never Lies, as well as a compilation of re-recorded versions of his A&M, Epic, and Liberty hits called The Best of Michael Martin Murphey. During the early 1980s, Murphey had significant commercial success with hits like "Still Taking Chances", "Disenchanted", "Don't Count the Rainy Days", "Will It Be Love By Morning", "Radio Land", and the number one hit "What's Forever For", written by Rafe VanHoy, which also crossed over to number three at AC Radio and number nineteen on the Billboard Hot 100 Pop Singles Chart.

In 1983, Murphey was voted Best New Male Vocalist of the Year by the Academy of Country Music. In 1985, his rerecorded version of "Carolina in the Pines" reached the Top 10.

In 1985, Murphey signed a new recording contract with Warner Bros. Records and continued his streak of successful recordings. In 1986, he released the album Tonight We Ride, which included "Rollin' Nowhere", "Fiddlin' Man", and "Sante Fe Cantina". In 1987, he released the album Americana, which included "Once Upon a Time", "My Darling Wherever You Are", and another number one country hit with the song "A Long Line Of Love". That same album produced the hit single "A Face in the Crowd" with Holly Dunn, which was nominated for a Grammy Award.

In 1988, Murphey released the album River of Time, which produced three hit singles that reached number three on the charts: Jesse Winchester's "I'm Going to Miss You, Girl", his own "From The Word Go", and "Talkin' to the Wrong Man", which featured his son Ryan.

In 1989, Murphey closed out a successful decade of recording with the album Land of Enchantment, which contained "Never Givin' up on Love", "Got to Pay the Fiddler", "Route 66", and "Land of Enchantment", which became New Mexico's state ballad.

Cowboy songs

Despite the impressive critical and commercial success he achieved throughout the 1980s, Michael Martin Murphey's creative heart and spirit began to focus on the Western music that first captured his imagination as a boy growing up in Texas. As early as 1985, Murphey performed with the New Mexico Symphony in a show called A Night in the American West, which led to many subsequent performances with American and Canadian symphonies, including the National Symphony Orchestra of Washington, D.C. These western shows, and the songs he was writing and recording at the time, presaged a major change in Murphey's career—a change that would lead the artist down the unlikely trail of Cowboy music.

In 1990, Murphey released the album Cowboy Songs—a project he'd been working on for several years. This was a pure labor of love, since no one had recorded an album of authentic cowboy songs in more than twenty years. The album contained Murphey's versions of old cowboy songs from the public domain such as "Tumbling Tumbleweeds", "The Old Chisholm Trail", the beautiful "Spanish is the Loving Tongue", the classic "The Streets of Laredo", and his tip of the hat to Roy Rogers, "Happy Trails". The album also contained Murphey's own "Cowboy Logic".

Murphey was reluctant to promote the project, but he eventually released "Cowboy Logic" as a single and it quickly became a hit. Soon after, the album caught on and sold much better than expected. Cowboy Songs earned widespread praise from country and folk music critics, such as Jack Hurst from the Chicago Tribune who wrote, "[This is] not only one of the finest albums of [the] year but also one of the finest of the last decade. Its 22 riveting cuts represent a labor of not only love but also scholarship; it raises a cult musical genre to the level of mainstream art."[2] Cowboy Songs went on to achieve Gold status, the first western album to do so since Marty Robbins' No. 1 Cowboy in 1980.

In 1991, Murphey followed up with two additional albums of cowboy songs. His innovative concept album Cowboy Christmas: Cowboy Songs II contained versions of traditional and original western Christmas songs, including "The Christmas Trail," "The Cowboy Christmas Ball," and "Two-Step 'Round the Christmas Tree." An accompanying video was later released of one of Murphey's Cowboy Christmas Ball concerts, which included many of these songs. Cowboy Songs III contained a mix of traditional and original cowboy songs, including a virtual duet with Marty Robbins, "Big Iron," which used an early Marty Robbins' vocal track.

Cowboy Songs and its followup albums were so successful that they inspired the formation of Warner Western, a new subsidiary label of Warner Bros. Records devoted to western music and cowboy poetry.[9] In 1992, Warner Western issued albums by Don Edwards, Waddie Mitchell, and the Sons of the San Joaquin. All three records were produced by Michael Martin Murphey.

In 1995, Murphey further demonstrated his musical ambitions with the concept album Sagebrush Symphony, recorded live with the San Antonio Symphony Orchestra, Herb Jeffries, and the Sons of the San Joaquin.

In 1997, Murphey released the album The Horse Legends, a musical tribute to this majestic animal. The album included several new Murphey songs, a new version of "Wildfire," and covers of some well-known songs, such as Dan Fogelberg's "Run for the Roses" and Gordon Lightfoot's "The Pony Man."

In 1998, Murphey left Warner Bros. Records and started his own record label, WestFest/Real West Productions. That year, he released Cowboy Songs Four, which contained both traditional and original cowboy songs, including "Utah Carroll," "Little Joe, the Wrangler," and Murphey's "Song from Lonesome Dove." In 1999, he released Acoustic Christmas Carols: Cowboy Christmas II, which included Murphey's quiet renditions of traditional Christmas songs, and featured his son Ryan and daughter Laura.

In 2001, Murphey released a compilation of some of his best-loved songs, Playing Favorites, which included rerecorded versions of such songs as "Carolina in the Pines," "Cherokee Fiddle," "Cowboy Logic," "What's Forever For," and "Wildfire." He followed this up in 2002 with Cowboy Classics: Playing Favorites II, which again included re-recorded versions of some of his best-loved cowboy songs. That same year, Murphey released Cowboy Christmas III, which contained a new original song "The Kill Pen," as well as original cowboy poetry written and recited by his daughter Karen.

In 2004, Murphey released Live at Billy Bob's Texas, and in 2006, he released Heartland Cowboy: Cowboy Songs, Vol. 5.

During the past twenty years, Michael Martin Murphey has been a champion of western cowboy culture and the western wilderness. In 1986 he founded WestFest, an annual music festival held at Copper Mountain, Colorado that celebrates western art and culture. The festival has attracted the biggest names in Country Music as well as Western Music.

Murphey almost singlehandedly resurrected the cowboy song genre and its image throughout the country. Molly Carpenter, writing in the Richmond Times-Dispatch, noted, "Murphey's love for the American West clearly comes through in his songs, painted with vivid images of the rugged mountains and vast deserts of southwest landscapes, all evidence of his travels from his native Texas to California's Mojave Desert, Colorado's Rockies and the wild diversity of New Mexico, his home for the past 10 years."[10]

During the 1990s, in a further effort to preserve the traditions of the West, Murphey led a group of performers—including cowboy poet Waddie Mitchell and western music historian and troubadour Don Edwards—in a series of improvisational concerts called Cowboy Logic, which toured throughout the United States, including such unlikely locations as New York City and Las Vegas. Waddy Mitchell is the co-founder of the National Cowboy Poetry Gathering. Murphey met Mitchell there in 1986, the first such event he had ever attended. Murphey later described the transforming event as "a religious experience," noting, "I'd been collecting cowboy music and performing it among my friends. But when I saw a lot of other guys like me and also women performing this music and enjoying each other's company, it was the most important thing that had happened to me in years in my musical life."[11]

On May 22, 2007, Murphey made a rare appearance in New York City to perform "Wildfire" on the Late Show with David Letterman. The song had become one of Letterman's favorites and was included regularly on the show. That same month, Murphey organized and performed for John Wayne's 100th Birthday Celebration, with the approval of the John Wayne Family. Murphey was commended by the White House for his activities. Later that year, Murphey released three DVDs detailing his love of the cowboy ways, life, and preservation of the American West traditions. The DVDs document his trail rides, cattle drives, and Cowboy Poetry gatherings. One of Murphey's Cowboy Christmas Ball concerts, recorded in Oklahoma City, was included as a fourth DVD in the combination CD/DVD set. In December 2007, Murphey released "A Soldier's Christmas" based on a poem by Michael E. Marks, a soldier serving in Iraq. Marks sent the poem to Murphey, who was so moved by the poem he sought permission to set it to music, which he did. Murphey started including the song in all his concerts, including his Cowboy Christmas Ball concerts, to long standing ovations after its performance, which prompted its release in December 2007.

Bluegrass years

In February 2009, Murphey released Buckaroo Blue Grass, which marked a return to his bluegrass musical roots. Murphey's love of Bluegrass music dates back to when he sang lead vocals with the Earl Scruggs Band. Over the years, Murphey's songs have been recorded by Bluegrass artists such as Flatt and Scruggs, Doyle Lawson and Quicksilver, the Country Gentlemen, and the Nitty Gritty Dirt Band. On Buckaroo Bluegrass, Murphey offers new versions of his famous Bluegrass songs, such as "Carolina in the Pines", "Fiddlin' Man", "Lost River", and "What Am I Doing Hanging Around". Murphey also includes new Bluegrass versions of several of his classics, such as "Boy from the Country", "Dancing in the Meadow", and "Healing Spring". The album includes two new songs, "Close to the Land", the theme song of the PBS documentary television series America's Heartland, and "Lone Cowboy", a song that reflects Murphey's experiences as a solo artist performing throughout the West at music festivals, cowboy gatherings, historical theaters, and trail rides. Murphey has always used Bluegrass musicians on his records—people like Ricky Skaggs, John McEuen, Jerry Douglas, and Mark O'Conner. For Buckaroo Bluegrass, Murphey added Ronnie McCoury, Charlie Cushman, Rob Ickes, Andy Leftwich, and Rhonda Vincent to this roster of top Bluegrass players. Michael's son, Ryan Murphey, produced the album, and added acoustic guitar and vocals.[12]

In February 2010, Murphey released a followup album, Buckaroo Blue Grass II – Riding Song, which follows the production approach of the first album. This album contains fully acoustic Bluegrass versions of songs about the region to which Murphey has been deeply connected throughout his life, the American Southwest. Backed by an impressive list of Bluegrass veterans such as Carrie Hassler, Audie Blaylock, Sam Bush, Andy Hall, Ronnie McCoury, Pat Flynn, Charlie Cushman, Andy Leftwich, Murphey delivers Bluegrass versions of songs mainly from his early-to-mid 1970s albums. Ryan Murphey's production and Bluegrass arrangements breath new life into songs like "Blue Sky Riding Song", "Backslider's Wine", "Southwestern Pilgrimage", "Cosmic Cowboy", "Wildfire", "Renegade", and "Swans Against the Sun".[13]

In May 2011, Murphey gave a benefit concert at the Prairie Rose Chuckwagon Supper near Benton, Kansas to help save the cabin where Brewster Higley wrote the song "Home on the Range", Kansas' state song. "He might have been living anywhere," Murphey noted, "but he was inspired by that place. This song gives focus to the heritage of the American West, to the prairie and its songs, poems and literature." Murphey made his first pilgrimage to the cabin prior to the concert, where he performed the song.[14]

In June 2011, Murphey released Tall Grass & Cool Water, subtitled Cowboy Songs VI and Buckaroo Blue Grass III, which contains some of Western music's all-time classics. Backed again by a roster of top Bluegrass musicians and his son's solid production, Murphey delivers an inspired album that moves effortlessly between Bluegrass and Cowboy music. The CD includes two classics from the Sons of the Pioneers, "Cool Water" and "Way Out There", as well as other Western classics such as "Texas Cowboy", "Santa Fe Trail", and "The James Gang Trilogy". Murphey closes out the album with a beautiful duet with Carin Mari, "Springtime in the Rockies".[15]

On September 4, 2011, Murphey performed at the wedding of long-time friend David Lauren and Lauren Bush, the niece of former President George W. Bush, at Ralph Lauren's Double RL Ranch near Ridgeway, Colorado. The event was called "America's Royal Wedding". Murphey, who helped Ralph Lauren find the ranch they now call home, has been friends with the Lauren family for nearly 30 years. "I go there to write songs from time to time," Murphey noted, "It's the most spectacular ranch in the Rockies." At David Lauren's request, Murphey performed "Vanishing Breed" for the couple's first dance. Murphey wrote the song at a cabin on the Lauren ranch in the 1980s. Murphey and his Rio Grande Band played nearly six hours for the Lauren and Bush families.[16]

In January 2012, Tall Grass & Cool Water became the number 1 album on the Top 20 Western Music Albums Chart of the Western Music Association.[17]

Legacy

Michael Martin Murphey has had a successful music career that has spanned four decades and included such musical genres as folk, country, rock, popular, western, and cowboy music. As a singer, songwriter, and producer, he has contributed some of the best-loved songs of his generation. His songs have been recorded by Kenny Rogers, John Denver, Cher, Lyle Lovett, Flatt and Scruggs, Claire Hamill, Hoyt Axton, Roger Miller, Bobbie Gentry, Michael Nesmith, and the Monkees. Murphey is the narrator of the short film Spirit of the Cowgirl at the National Cowgirl Museum and Hall of Fame in Fort Worth, Texas

Murphey played a major role in the resurrection of the cowboy song genre, recording and producing some of the most successful cowboy music of the past forty years. His album Cowboy Songs inspired a whole series of albums. For his accomplishments in the Western and Cowboy Music field, Murphey received five awards from the National Cowboy and Western Heritage Museum, formerly known as the National Cowboy Hall of Fame in Oklahoma City.

Personal life

Michael Martin Murphey married his first wife, Diana Vero, in Dallas, Texas on June 17, 1967.[18] Vero was the former secretary to Brian Epstein, and traveled with the Beatles during their first North American tour in the summer of 1964. Murphey married his second wife, Caroline, in 1973. They were divorced in 1978.

Murphey met his third wife, New York model Mary Maciukas, in May 1978 at the Bottom Line in New York City. They were married in August 1978.[19]

Murphy, his current wife Karen, and their six children are all involved in the family businesses of music, ranching, and recreational and competitive horseback riding. The Murphey family have residences in Colorado and Wisconsin, as well as a private fishing lake in Linden, Texas, not far from where Michael Martin Murphey's pioneer ancestors came to Texas in 1858.[5]

Political views

Murphey has long been a champion of the western wilderness and wildlife, and has lent his support to various political causes associated with western culture and ideals.[2] Early in his career, for example, he supported the Native American rights movement, which used his song, "Geronimo's Cadillac", as an anthem. In 1986, he founded an annual festival, WestFest, celebrating western art and culture in an effort to preserve the traditions of the West. He has been a long-time supporter of the conservation movement, attempting to find a middle ground between ranchers and activists on opposite sides of environmental issues.[20]

In the past decade, Murphey has focused his political energies on the issue of private property rights—especially in the western and southwestern United States. In 2006, he released "The Ballad of Kit Laney" in support of the New Mexico rancher's fight with the United States Forest Service over water rights. Laney was imprisoned for assault after standing up to federal agents who seized his ranch in 2004. Murphey helped form the Farmers' Freedom Agriculture Alliance and scheduled a benefit—The Farmers' Freedom Concert—to protest unfair land acquisitions across the western states.[20][21] Murphey's opposition to the political forces threatening the American family farmer and rancher transcends political party affiliation. "I can tell you," Murphey observed, "that politics—doesn't matter whether it's Democrats or Republicans—have been involved with big agribusiness for a long, long time."[22]

Honors and awards

  • 2009 Grammy Award Nomination for Best Bluegrass Album, for Buckaroo Blue Grass
  • 2009 Texas Country Music Hall of Fame
  • 2007 National Cowboy & Western Heritage Museum Wrangler Award for Best Song, for "Long and Lonesome Road to Dalhart"
  • 2007 Texas Music Award for Best Song, for "Close the Land (America's Heartland)"
  • 2007 Letter of Commendation from the President of the United States, for Murphey's involvement producing John Wayne's 100th Birthday Celebration
  • 2004 Western Music Association Hall of Fame
  • 2000 The New Mexico Distinguished Public Service Lifetime Achievement Award
  • 1999 Academy of Western Artists Award for Best Album, for Cowboy Songs Four[23]
  • 1998 The Golden Smokey Award for Outstanding Service to the U.S. National Park Service
  • 1997 Will Rogers Cowboy Philosopher Award, Will Rogers Memorial Commission
  • 1982 Academy of Country Music Top New Male Vocalist
  • 1972 Rolling Stone Magazine Best New Singer-Songwriter in the Nation, for the album Geronimo's Cadillac
  • American Quarter Horse Association Lifetime Honorary Member
  • CMA Award Nominations (three times)
  • BMI Gold Record, for the song "Wildfire"
  • BMI Gold Record, for the album Cowboy Songs, the first Gold album in Cowboy music since Marty Robbins
  • King of the Cowboys Award for Outstanding Contribution to Western Family Entertainment by the Cody Order of Scouts, State of Nebraska
  • Cody Order of Scouts, Nebraska
  • Nebraska Country Music Hall of Fame
  • Colorado Country Music Hall of Fame
  • Western Heritage Awards from the Cowboy Hall of Fame (six-time winner)
  • International Charley Russell Western Heritage Society Red Sash Award for Outstanding Service in Preservation of Western Heritage, 1999–2000

Discography

References

  1. ^ a b c d Eder, Bruce. Allmusic "Michael Martin Murphey". http://www.allmusic.com/artist/michael-martin-murphey-p1740 Allmusic. Retrieved November 21, 2007. 
  2. ^ a b c d e f g Johnson, Anne Janette. Musician Guide "Michael Martin Murphey". http://www.musicianguide.com/biographies/1608001085/Michael-Martin-Murphey.html Musician Guide. Retrieved November 10, 2011. 
  3. ^ RootsWeb "Pink Lavary Murphey". http://archiver.rootsweb.ancestry.com/th/read/US-OBITS/2006-01/1137346470 RootsWeb. Retrieved November 10, 2011. 
  4. ^ Robinson, Lana. "Michael Martin Murphey" in Texas Agriculture. September 2, 2005.
  5. ^ a b Michael Martin Murphey Official Website "Michael Martin Murphey Bio". http://michaelmartinmurphey.com/bio/ Michael Martin Murphey Official Website. Retrieved November 10, 2011. 
  6. ^ News reports at the time suggested that Murphey was upset that his image was used on the book's cover, and his photo was removed in subsequent editions.
  7. ^ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 361. ISBN 0-214-20512-6. 
  8. ^ Michael Murphey the actor co-starred with Woody Allen in several films, including Annie Hall and Manhattan.
  9. ^ Sikes, O.J.. Western Music "Michael Martin Murphey". http://www.westernmusic.org/performers/hof-murphey.html Western Music. Retrieved November 10, 2011. 
  10. ^ Carpenter, Molly. Richmond Times-Dispatch
  11. ^ Holden, Stephen. "Pop/Jazz; Cowboy Revue in the Sky At Rainbow and Stars" in The New York Times, May 22, 1992.
  12. ^ Tackett, Travis. Bluegrass Journal "Michael Martin Murphey will release "Buckaroo Blue Grass" on Rural Rhythm". http://www.bluegrassjournal.com/2008/11/26/michael-martin-murphey-will-release-buckaroo-blue-grass-on-rural-rhythm/ Bluegrass Journal. Retrieved November 10, 2011. 
  13. ^ Poet, J. Allmusic "Buckaroo Blue Grass II – Riding Song". http://www.allmusic.com/album/buckaroo-blue-grass-ii-riding-song-r1728035/review Allmusic. Retrieved November 10, 2011. 
  14. ^ Tanner, Beccy. The Wichita Eagle "Michael Martin Murphey to help save historic cabin". http://www.kansas.com/2011/05/03/1833300/michael-martin-murphey-to-help.html The Wichita Eagle. Retrieved November 8, 2011. 
  15. ^ Jurek, Thom. Allmusic "Tall Grass & Cool Water". http://www.allmusic.com/album/tall-grass-cool-water-r2197695/review Allmusic. Retrieved November 10, 2011. 
  16. ^ Country Music News International "Michael Martin Murphey Special Musical Guest". http://countrymusicnewsinternational.blogspot.com/2011/09/michael-martin-murphey-special-musical.html Country Music News International. Retrieved September 21, 2011. 
  17. ^ "#1 for Michael Martin Murphey's Tall Grass and Cool Water". Cybergrass. http://www.cybergrass.com/node/820. Retrieved February 22, 2012. 
  18. ^ "Diana Vero, Mr. Murphey Read Vows" in The Dallas Morning News, June 18, 1967.
  19. ^ McMurran, Kristin. "Singer Michael Murphey and Model Mary Maciukas, His Saddle Pal, Get on Like Wildfire" in People Magazine August 20, 1979, Vol. 12 No. 8.
  20. ^ a b Johnson, Anne. Encyclopedia.com "Michael Martin Murphey". http://www.encyclopedia.com/doc/1G2-3492700057.html Encyclopedia.com. Retrieved November 10, 2011. 
  21. ^ Woodka, Chris. Chieftain "Murphey settles on spread in Beulah". http://www.chieftain.com/news/local/article_e0f26666-6d34-11df-896f-001cc4c002e0.html Chieftain. Retrieved July 27, 2011. 
  22. ^ McGee, David. The Bluegrass Special "Murph Rides Again". http://thebluegrassspecial.com/archive/2011/august2011/michael-martin-murphey-rides-again.html The Bluegrass Special. Retrieved November 10, 2011. 
  23. ^ Academy of Western Artists "Western Music Awards". http://www.awaawards.org/western.htm Academy of Western Artists. Retrieved November 12, 2011. 

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Mentioned in

Lost & Found (1994 Album by Marty Robbins)
Blue Sky - Night Thunder (1975 Album by Michael Murphey)
Flowing Free Forever (1976 Album by Michael Murphey)
Buzzy Buchanan (Rock Artist, '70s)
Americana (1987 Album by Michael Martin Murphey)