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Miguel de Unamuno y Jugo

The Spanish philosopher and writer Miguel de Unamuno y Jugo (1864-1936) was the earliest 20th-century thinker to arrive at a perspective on man and the world that can be described as existentialist.

The total preoccupation of the philosophy of Miguel de Unamuno was "the man of flesh and bone" - the concrete individual with his passions, needs, hopes, and fears as the context within which human thinking and speaking occur. Unamuno was specifically concerned with the problem of faith in the modern world - "the agony of Christianity." He concluded that the split between faith and reason, heart and head, could not be healed by reason; that modern man must remain in a paradoxical and agonizing tension between faith and doubt, his religious beliefs only passionate hopes in the teeth of skepticism. Unamuno intensely lived out this modern predicament of faith in his own life, and he has been called the Spanish Kierkegaard.

Unamuno was born on Sept. 29, 1864, in Bilbao. Of Basque descent, he was raised and educated in the traditional piety and provincial learning of 19th-century Spanish Catholicism. From 1875 to 1880 he attended the Instituto Vizcaíno de Bilbao. In 1880 he entered the University of Madrid, where for the first time he was thrown into a cosmopolitan world of stimulating and sharply conflicting ideas. He received his baccalaureate degree in filosofía y letras in 1883 and his doctorate in 1884. During his university days Unamuno ceased being a practicing Catholic and espoused the scientific outlook and methods that he found in the works of leading European philosophers of the day. At this time he also began learning a number of languages in order to be able to read books in their original language.

Marriage and Professorship

Unamuno returned to Bilbao in 1884 and spent 6 years trying to secure a professorship at a university. During this period he began writing articles in his professional field, philology, but he was also beginning to explore philosophical matters. These years also witnessed a prolonged courtship between Unamuno and his childhood sweetheart, Concepción Lizárraga, whom he was unable to marry until he had secured a university appointment. At this time he began to raise serious questions about the adequacy of scientific positivism as a philosophical outlook and to turn in an existentialist direction. Always centrally concerned with language, he found that the vocabulary of love used by the actual "man of flesh and bone" simply could not be reduced to scientific categories. Even more sharply, it was the acutely personal contemplation of death as the great existential limiter of love and of life that led him to a philosophical outlook and method that concerned itself wholly with the concrete individual and with his rich vocabulary of desires and meanings, of which the language of science was only one.

In 1890 Unamuno secured an appointment as professor of Greek language and literature at the University of Salamanca, and the following year he married Concepción and went immediately to Salamanca to assume his scholarly duties. In 1897 he underwent a decisive religious crisis whose outcome was a return to faith, although not to the traditional teachings of Roman Catholicism but to an intensely personal, lifelong religious struggle that found its resources both in the Spanish mystics and in the great Protestant spiritual leaders Martin Luther and Søren Kierkegaard.

First Important Publications

Unamuno's years at Salamanca were tremendously productive. His Life of Don Quixote and Sancho, a study of the literary figure who seemed to Unamuno to symbolize the "soul of Spain, " was published in 1905. His best-known work, The Tragic Sense of Life in Men and in Peoples, appeared in 1913. In it he explored man's "hunger of immortality, " which he found could not be justified or satisfied on purely rational grounds but only through paradoxical and passionate affirmation of God and eternity by a faith and hope that continually battled with doubt and despair.

From 1901 to 1914 Unamuno was rector of the University of Salamanca. He was relieved of this position because he publicly favored the Allies in World War I. Always politically outspoken, in 1924 he was exiled to the Canary Islands because of his forceful opposition to the Spanish military dictatorship of Miguel Primo de Rivera. Unamuno managed to escape to France. Although pardoned a short time later, he refused to return to Spain. He lived first in Paris and then, after 1925, in the border town of Hendaye. While in Paris, Unamuno wrote one of his major works, The Agony of Christianity, published in 1925. It presents several variations on one of his favorite Gospel passages, "Lord, I believe; help my unbelief!" (Mark 9:23), discussing modern man's agony of faith and doubt.

Final Years

After the fall of Primo de Rivera, Unamuno returned to Spain in 1930 and was reinstated at the University of Salamanca. When the Spanish Republic was proclaimed in 1931, he was officially exonerated and elected a member of the new Parliament. When the Spanish Civil War broke out in 1936, he found himself in Falangist territory. For several months he said nothing and was allowed to continue as rector. But in October, when a ceremonial assembly at the university was used by Francisco Franco's spokesmen for vicious political propaganda, Unamuno publicly denounced the Falangist as having only brute force and not "reason and right" on their side. He was immediately removed as rector and kept under house arrest until his death from a heart attack on Dec. 31, 1936.

Unamuno's prolific literary production included essays, novels, and poems as well as technical works on a wide variety of philosophic, artistic, religious, and cultural themes. Very few of his writings have been translated into English. In addition to the books already mentioned, his The Christ of Velásquez (1920), a study, in verse, of the Spanish painter, is available in English, as are a book of poems and a volume of three short novels, Three Exemplary Novels and a Prologue (1920).

Further Reading

A thorough study of Unamuno's thought, which includes a detailed biographical account up to 1900, is Allen Lacy, Miguel de Unamuno: The Rhetoric of Existence (1967). Other critical works include Arturo Barea, Unamuno (1952); Julián Marías Aguilera, Miguel de Unamuno (trans. 1966); Paul Ilie, Unamuno: An Existential View of Self and Society (1967); and José Rubia Barcia and M.A. Zeitlin, eds., Unamuno: Creator and Creation (1967). Unamuno figures prominently in a study of modern Spanish poetry by Howard T. Young, The Victorious Expression: A Study of Four Contemporary Spanish Poets, Miguel de Unamuno, Antonio Machado, Juan Ramón Jiménez, Federico Garcia-Lorca (1964).

Additional Sources

Ferrater Mora, Jose, Unamuno, a philosophy of tragedy, Westport, Conn.: Greenwood Press, 1981, 1962.

Rudd, Margaret Thomas, The lone heretic: a biography of Miguel de Unamuno y Jugo, New York: Gordian Press, 1976, 1963.

 
 
Britannica Concise Encyclopedia: Miguel de Unamuno y Jugo

(born Sept. 29, 1864, Bilbao, Spain — died Dec. 31, 1936, Salamanca) Spanish philosopher and writer. He served twice as rector of the University of Salamanca (1901 – 14; 1931 – 36); he was dismissed first for espousing the Allied cause in World War I and later for denouncing Francisco Franco's Falangists. Though he also wrote poetry and plays, he was most influential as an essayist and novelist. In The Tragic Sense of Life in Men and Peoples (1913), he stressed the role spiritual anxiety plays in driving one to live the fullest possible life. His most famous novel is Abel Sánchez (1917), a modern re-creation of the biblical story of Cain and Abel. The Christ of Velázquez (1920), a study in poetic form of the great Spanish painter, is a superb example of modern Spanish verse.

For more information on Miguel de Unamuno y Jugo, visit Britannica.com.

 
Philosophy Dictionary: Miguel de Unamuno

Unamuno, Miguel de (1864-1936) Spanish poet and man of letters, and professor of Greek at Salamanca from 1891. Influenced by James and Kierkegaard he developed an existentialist Christian theology, premised on a tragic view of life and mortality. His views are largely developed in fiction and drama; his most significant philosophical text is The Tragic Sense of Life (1913).

 
Columbia Encyclopedia: Unamuno, Miguel de
(mēgĕl' dā ūnämū') , 1864–1936, Spanish philosophical writer, of Basque descent, b. Bilbao. The chief Spanish philosopher of his time, he was professor of Greek at the Univ. of Salamanca and later rector there. His criticism of the monarchy and especially of the dictator Miguel Primo de Rivera caused his removal from the university in 1920 and his exile from Spain (1924–30), but with the establishment of the republic (1931), he was reinstated as rector. At first a supporter of the republic, he became critical of it and sided briefly (1936) with the rebels, only to rebuke them sharply just before his death. In his chief work, Del sentimiento trágico de la vida en los hombres y los pueblos (1913; Bollingen Series tr., The Tragic Sense of Life in Men and Nations, 1968), he expresses his highly individualistic philosophy—one of faith in faith itself, not in any affirmation or denial of faith. Other important volumes are La vida de don Quijote y Sancho (1905; Bollingen Series tr., Our Lord Don Quixote, 1958–59) and La Agonía del cristianismo (1925; Bollingen Series tr., The Agony of Christianity, 1973). His poetry, as serious as his essays, includes Poesías (1907), Rosario de sonetos líricos (1911), and El Cristo de Velázquez (1920). His novels also express his impassioned concern with life and death; they are Niebla (1914; tr. Mist, 1928), Tres novelas ejemplares y un prólogo (1920; tr. Three Exemplary Novels and a Prologue, 1930), and La tía Tula (1921). His complete works were published in Spanish in 1951–52.

Bibliography

See studies by D. Basdekis (1969), M. Nozick (1971), M. J. Valdes (1973), and V. Oumiette (1974).

 
Quotes By: Miguel De Unamuno

Quotes:

"Man dies of cold, not of darkness."

"Life is doubt, and faith without doubt is nothing but death."

"That which the Fascists hate above all else, is intelligence."

"We need God, not in order to understand the why, but in order to feel and sustain the ultimate wherefore, to give a meaning to the universe."

"To fall into a habit is to begin to cease to be."

"When a thing is said to be not worth refuting you may be sure that either it is flagrantly stupid -- in which case all comment is superfluous -- or it is something formidable, the very crux of the problem."

See more famous quotes by Miguel De Unamuno

 
Wikipedia: Miguel de Unamuno
Don Miguel de Unamuno
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Don Miguel de Unamuno

Miguel de Unamuno y Jugo (September 29, 1864December 31, 1936) was an essayist, novelist, poet, playwright and philosopher from Spain.

Introduction

Unamuno was born in the medieval centre of Bilbao, the son of Félix de Unamuno and Salomé Jugo. As a young man, he was interested in the Basque language, and competed for a teaching position in the Instituto de Bilbao, against Sabino Arana. The contest was finally won by the Basque scholar Resurrección María de Azcue. Unamuno later doubted that Basque would endure another century, but the momentum given by Basque nationalism has in fact helped keep it alive, even though only 20% of Basques speak the language.

Unamuno worked in all major genres: the essay, the novel, poetry and theatre, and, as a modernist contributed greatly to dissolving the boundaries between genres. There is some debate as to whether Unamuno was in fact a member of the Generation of '98 (an ex post facto literary group of Spanish intellectuals and philosophers that was the creation of José Martínez Ruiz — a group that includes Antonio Machado, Azorín, Pío Baroja, Ramón del Valle-Inclán, Ramiro de Maeztu and Ángel Ganivet, among others).

In addition to his writing, Unamuno played an important role in the intellectual life of Spain. He served as rector of the University of Salamanca for two periods: from 1900 to 1924 and 1930 to 1936, during a time of great social and political upheaval. Unamuno was removed from his post by the government in 1924, to the protest of other Spanish intellectuals. He lived in exile until 1930, first banned to Fuerteventura (Canary Islands), from where he escaped to France. Unamuno returned after the fall of General Primo de Rivera's dictatorship and took up his rectorship again. It is said in Salamanca that the day he returned to the University, Unamuno began his lecture by saying "As we were saying yesterday, ...", as Fray Luis de León had done in the same place four centuries before, as though he had not been absent at all. After the fall of Rivera's dictatorship, Spain embarked on its second Republic, a short-lived attempt by the people of Spain to take democratic control of their own country. He was a candidate for the small intellectual party Al Servicio de la República.

The burgeoning Republic was eventually quashed when a military coup headed by General Francisco Franco caused the outbreak of the Spanish Civil War. Having begun his literary career as an internationalist, Unamuno gradually became a convinced Spanish nationalist, feeling that Spain's essential qualities would be destroyed if influenced too much by outside forces. Thus for a brief period he actually welcomed Franco's revolt as necessary to rescue Spain from radical influence. However, the harsh tactics employed by the Francoists in the struggle against their republican opponents caused him to oppose both the Republic and Franco. As a result of his opposition to Franco, Unamuno was effectively removed for a second time from his University post. Also, in 1936 Unamuno had a brief public quarrel with the Nationalist general Millán Astray at the University in which he denounced both Astray and the Francoists as a whole. Shortly after that, he was placed under house arrest, where he remained until his death.

Fiction

Unamuno wrote the following books, in chronological order:

  • Paz en la guerra (Peace in War) (1895) — a novel that explores the relationship of self and world through the familiarity with death. It is based on his experiences as a child during the Carlist siege of Bilbao in the Third Carlist War.
  • Amor y pedagogía (Love and Pedagogy) (1902) — a novel uniting comedy and tragedy in an absurd parody of positivist sociology.
  • El espejo de la muerte (The Mirror of Death) (1913) — a collection of stories.
  • Niebla (Mist) (1914) — one of Unamuno's key works, which he called a nivola to distinguish it from the supposedly fixed form of the novel ("novela" in Spanish).
  • Abel Sánchez (1917) — a novel that uses the story of Cain and Abel to explore envy.
  • Tulio Montalbán (1920) — a short novel on the threat of a man's public image undoing his true personality, a problem familiar to the famous Unamuno.
  • Tres novelas ejemplares y un prólogo (Three Exemplary Novels and a Prologue) (1920) — a much-studied work with a famous prologue. The title deliberately recalls the famous novelas ejemplares of Miguel de Cervantes.
  • La tía Tula (Aunt Tula) (1921) — his final large-scale novel, a work about maternity, a theme that he had already examined in Amor y pedagogía and Dos madres.
  • Teresa (1924) — a narrative work that contains romantic poetry, achieving an ideal through the re-creation of the beloved.
  • Cómo se hace una novela (How to Make a Novel) (1927) — the autopsy of an Unamuno novel.
  • Don Sandalio, jugador de ajedrez (Don Sandalio, Chess Player) (1930).
  • "San Manuel Bueno, mártir" (''Saint Manuel the Good, Martyr) (1930) — a brief novella that synthesizes virtually all of Unamuno's thought. The novella centres on a heroic priest who has lost his faith in immortality, yet says nothing of his doubts to his parishioners, not wanting to disturb their faith, which he recognizes is a necessary support for their lives.

Philosophy

Homage to Unamuno in Bilbao.
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Homage to Unamuno in Bilbao.

Unamuno's philosophy was not systematic, but rather a negation of all systems and an affirmation of faith "in itself." He developed intellectually under the influence of rationalism and positivism, but during his youth he wrote articles that clearly show his sympathy for socialism and his great concern for the situation in which he found Spain at the time. The title of Unamuno's most famous work, Del Sentimiento Trágico de la Vida (The Tragic Sense of Life), refers to the human condition of the desire above all else for immortality when faced with the certainty of death. Later authors such as Jean-Paul Sartre reinforced this human desire for immortality, but Unamuno goes even further than Sartre is willing to go. According to Unamuno, not only do we desire immortality, but the immortality of our friends and family, of our homes and nations, and of all aspects of life. This desire to live forever exactly as we do now is, of course, an irrational desire, but it is this desire that makes us human, and to be human is to be quixotic. Thus there is a conflict between our perpetual desire for immortality and our reason — which contradicts it; out of this conflict comes the desire to believe in God, the need for faith, which reason of course cannot confirm. An important concept for Unamuno was intrahistoria. He thought that history could best be understood by looking at the small histories of anonymous people, rather than by focusing on major events such as wars and political pacts.

Unamuno's Del Sentimiento Trágico de la Vida as well as two other works — La Agonía del Cristianismo (The Agony of Christianity) and his novella "San Manuel Bueno, mártir" — were included on the Index Librorum Prohibitorum of the Catholic Church until the Second Vatican Council of the 1960s and are still considered works that orthodox Roman Catholics are encouraged not to read.

Unamuno summarized his personal creed thus: "My religion is to seek for truth in life and for life in truth, even knowing that I shall not find them while I live."

Poetry

For Unamuno, art was a way of expressing spiritual problems. His themes were the same in his poetry as in his other fiction: spiritual anguish, the pain provoked by the silence of God, time and death.

Unamuno was always attracted to traditional meters and, though his early poems did not rhyme, he subsequently turned to rhyme in his later works.

Among his outstanding works of poetry are:

  • Poesías (Poems), (1907) — his first collection of poetry, in which he outlined the themes that would dominate his poetics: religious conflict, Spain, and domestic life
  • Rosario de sonetos líricos (Rosary of Lyric Sonnets) (1911)
  • El Cristo de Velázquez (The Christ of Velázquez) (1920) — a religious work, divided into four parts, where Unamuno analyzes the figure of Christ from different perspectives: as a symbol of sacrifice and redemption, as a reflection on his Biblical names (Christ the myth, Christ the man on the cross, Christ, God, Christ the Eucharist), as poetic meaning, as painted by Diego Velázquez, etc.
  • Andanzas y visiones españolas (1922) — something of a travel book, in which Unamuno expresses profound emotion and experiments with landscape both evocative and realistic (a theme typical of his generation of writers)
  • Rimas de dentro (Rhymes from Within) (1923)
  • Rimas de un poeta desconocido (Rhymes from an Unknown Poet) (1924)
  • De Fuerteventura a París (From Fuerteventura to Paris) (1925)
  • Romancero del destierro (Ballads of Exile) (1928)
  • Cancionero (Songbook) (1953, published posthumously)

Drama

Unamuno's dramatic production presents a philosophical progression.

Questions such as individual spirituality, faith as a "vital lie", and the problem of a double personality were at the center of La esfinge (1898), La verdad (Truth), (1899), and El otro (The Other), (1932).

In 1934, he wrote El hermano Juan o El mundo es teatro (Brother Juan or The World is a Theatre).

Unamuno's theatre is schematic; he did away with artifice and focused only on the conflicts and passions that affect the characters. This austerity was influenced by classical Greek theatre. What mattered to him was the presentation of the drama going on inside of the characters, because he understood the novel as a way of gaining knowledge about life.

By symbolizing passion and creating a theatre austere both in word and presentation, Unamuno's theatre opened the way for the renaissance of Spanish theatre undertaken by Ramón del Valle-Inclán, Azorín, and Federico García Lorca.]]

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Persondata
NAME Unamuno, Miguel de
ALTERNATIVE NAMES Unamuno y Jugo, Miguel de (full name)
SHORT DESCRIPTION author and philosopher
DATE OF BIRTH September 29, 1864
PLACE OF BIRTH Bilbao, Spain
DATE OF DEATH December 31, 1936
PLACE OF DEATH Spain

 
 

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Biography. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
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Philosophy Dictionary. The Oxford Dictionary of Philosophy. Copyright © 1994, 1996, 2005 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
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Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Miguel de Unamuno" Read more

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