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Mike Post

 
Artist:

Mike Post

Mike Post

Similar Artists:

Pete Carpenter, Laurie Johnson

Worked With:

See Mike Post Lyrics
  • Born: September 29, 1944, San Fernando, CA
  • Active: '70s, '80s, '90s
  • Genres: Soundtrack
  • Instrument: Keyboards
  • Representative Albums: "NYPD Blue: The Best of Mike Post", "Hill Street Blues", "Music from L.A. Law & Otherwise"
  • Representative Songs: "The Rockford Files", "Hill Street Blues", "Magnum, P.I."

Biography

The most famous and prolific composer ever to grace the field of television music, Mike Post contributed some of the most memorable themes in the medium's history, writing scores for programs including Hill Street Blues, Magnum, P.I., L.A. Law, The Rockford Files, and The Phil Donahue Show. Born September 29, 1944, in Los Angeles, Post first emerged as a backing musician for the Markettes and the duo Paul & Paula; a stint in the house band at an area strip joint inspired him to return to college to study music, and after graduation he formed a folk ensemble dubbed the Wellingbrook Singers. Tenures with performers including Sammy Davis, Jr. and Dean Martin followed, and after playing guitar on the Sonny & Cher smash "I Got You Babe," Post produced Kenny Rogers & the First Edition's "I Just Dropped In (To See What Condition My Condition Was In)." For his arrangement work on Mason Williams' 1968 effort The Phonograph Record, Post won his first Grammy.

Also in 1968, Post accepted the position of musical director for The Andy Williams Show; he soon teamed with veteran jazz trombonist and arranger Pete Carpenter, forging a songwriting partnership that lasted until Carpenter's death in 1987. Together, beginning with 1973's Toma, the duo scored over 1,800 hours of television, often for noted producers Stephen J. Cannell and Steven Bochco; in addition to Bochco's Hill Street Blues, for which Post earned four Grammy awards, they also composed for series including Wiseguy, The A-Team, Law and Order, and NYPD Blue. Post also co-wrote, arranged, and produced the theme to The Greatest American Hero, a number one hit for singer Joey Scarbury, and outside of television worked with Ray Charles, Dolly Parton, and Peter Allen. In 1994 he won BMI's Richard Kirk Award, given in recognition of significant lifetime achievements in the field of film or television music. A Post CD entitled Inventions from the Blue Line was released that year; a pair of collections, It's Post Time: Encore Collection and NYPD Blue: The Best of Mike Post, followed in 1998 and 1999, respectively. ~ Jason Ankeny, All Music Guide
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Wikipedia:

Mike Post

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Mike Post (born Leland Michael Postil on September 29, 1944) is a Grammy and Emmy award-winning composer of music best known for his scoring of numerous TV theme songs in the United States. He was born in Berkeley, California.

Contents

Early musical career

Post's first credited work in music was cutting demos using two singing sisters, Terry and Carol Fischer; with Sally Gordon, they went on to become The Murmaids (their first single, "Popsicles and Icicles" was a #3 hit song in 1963). He also provided early guidance for a garage rock band called the Outcasts while in basic training in San Antonio, Texas; he was the songwriter and producer for both songs on the band's first single, released in 1965, and also arranged a local concert where they served as the back-up band.

He won his first Grammy at age 23 for Best Instrumental Arrangement on Mason Williams' "Classical Gas", a #2 hit song in 1968.

Post also worked with Kenny Rogers and produced the first three albums he recorded with his country/rock group the First Edition (between 1967 and 1969). Post also produced Dolly Parton's hit album 9 to 5 and Odd Jobs in 1981. Much later, in 1997, he produced Van Halen's 'Van Halen III' album.

Television theme music

One of his first jobs in television started when he was 24, as the musical director on The Andy Williams Show. Another early job was writing the theme music for the short-lived detective series Toma in 1973, but his big breakthrough (together with co-composer Pete Carpenter) came in the following year with his theme song for The Rockford Files, another series by producer Stephen J. Cannell. The theme also got cross-over Top 40 radio airplay and earned a second Grammy for Post.[1] Post subsequently won Grammys for Best Instrumental Composition for the themes for the television shows Hill Street Blues in 1981 and L.A. Law in 1988 as well as another Grammy in 1981 for Best Instrumental Performance for the Hill Street Blues theme.[1]

Post won an Emmy for his Murder One theme music, and had previously been nominated for NYPD Blue, among others. He has won BMI Awards for the music for L.A. Law, Hunter, and the various Law & Order series. The theme for The Greatest American Hero is one of the few television themes to reach #1 as a single record on the Billboard charts.[1]

Other TV music works include The A-Team, Baa Baa Black Sheep, Blossom, CHiPs, The Commish, Doogie Howser, M.D., Hardcastle & McCormick, Hooperman, Hunter, MacGyver, Magnum, P.I., NewsRadio, Profit, Quantum Leap, Remington Steele, Renegade, Riptide, Silk Stalkings, Stingray, Tenspeed and Brown Shoe, Wiseguy and the BBC series Roughnecks.

Inventions from the Blue Line

In 1994, Mike Post released a CD, called Inventions from the Blue Line. The CD contains several of his well-known cop-show themes as of then, featuring NYPD Blue and also including Law & Order, Silk Stalkings and Renegade. In the liner notes, he discusses his late father, Sam Postil, and the admiration for law enforcement officers that Sam instilled in Mike. He also refers to police in the traditional nickname of "blues", as in The Thin Blue Line which refers to the police in general and to police camaraderie (one of the tracks is called "The Blue Line", which Post calls "the comradery [sic] theme").

References

External links


 
 
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Southwest (1976 Album by Herb Pedersen)
Day Parts: Party Music That Cooks (1992 Album by Chip Davis' Day Parts)
Quantum Leap [Television Soundtrack] (1994 Album by TV Soundtrack)

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