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Mischa Auer

 
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Mischa Auer

Biography

The screen's foremost "Mad Russian" (though he was more dour than demented in most of his movie appearances), Mischa Auer was the son of a Russian navy officer who died in the Russo-Japanese war. Auer's family scattered during the Bolshevik revolution, forcing the 12-year-old Mischa to beg, borrow, and steal to survive. Orphaned during a typhus epidemic, Auer moved to New York where he lived with his maternal grandfather, violinist Leopold Auer. Inspired by the elder Auer to become a musician, Mischa entered the Ethical Culture School in New York, where he developed an interest in acting. Playing small parts on Broadway and with Eva LeGalleine's company, Auer persisted until his roles increased in size and importance. While appearing with the Bertha Kalich Company in Los Angeles, Auer was hired by Hollywood director Frank Tuttle for a minor role in the Esther Ralston comedy Something Always Happens (1927). During his first nine years in films, the tall, foreboding Auer was typecast as sinister foreigners, often playing villainous Hindu priests, Arab chieftains, and feverish anarchists. His comic gifts were finally tapped by improvisational director Gregory La Cava, who cast Auer as society matron Alice Brady's free-loading "protege" in My Man Godfrey (1936). Thereafter, the actor flourished in eccentric comedy roles in such films as 100 Men and a Girl (1937), You Can't Take It With You (1938) (in which he popularized the catchphrase "Confidentially, it stinks!"), Destry Rides Again (1939), and Hellzapoppin' (1941). During the 1940s, Auer starred in the radio series Mischa the Magnificent and headlined several Broadway flops. The following decade, he spent most of his time in Europe, playing aging oddballs in films like Orson Welles' Mister Arkadin (1955). Among Mischa Auer's last professional engagements was a 1964-1965 revival of The Merry Widow -- one of his few successful stage ventures. ~ Hal Erickson, Rovi
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Mischa Auer

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Mischa Auer

from the trailer for the film Sweethearts (1938).
Born 17 November 1905(1905-11-17)
St. Petersburg, Russia
Died 5 March 1967(1967-03-05) (aged 61)
Rome, Italy

Mischa Auer (17 November 1905 – 5 March 1967) was a Russian-born American actor.

Contents

Early life

Auer was born Mikhail Semyonovich Unskovsky (Михаил Семёнович Унсковский) in St. Petersburg, Russia. His name is usually seen as Mischa Ounskowsky, Mischa being the German transliteration of Misha (the diminutive form of Mikhail), and Ounskowsky being the French transliteration of his surname. Auer's maternal grandparents were Hungarian-born violinist Leopold Auer, and his Russian wife, Nadine Pelikan. Mischa renamed himself after his grandfather.

Career

He began stage work in the 1920s, then moved to Hollywood, where he first appeared in 1928 in Something Always Happens. He appeared in several small and mostly uncredited roles into the 1930s, appearing in such films as Rasputin and the Empress, Viva Villa!, The Yellow Ticket, the George Gershwin musical Delicious, the Paramount Pictures all-star revue Paramount on Parade and The Lives of a Bengal Lancer.

In 1936, Auer was cast as Alice Brady's protégé in the comedy My Man Godfrey, for which he was nominated for the Academy Award for Best Supporting Actor. From then on, he was regularly cast in zany comedy roles. Auer is at his zenith in such roles as the ballet instructor, Kolenkov, in the Best Picture-winning You Can't Take It with You (wherein he instructs Ann Miller with the line, "Ah, my little Pavlowa!") and the prince-turned-fashion designer in Walter Wanger's Vogues of 1938.

Auer can also be seen cavorting in such films as: Arsène Lupin (1932), One Hundred Men and a Girl, Hold That Ghost, Destry Rides Again, Spring Parade, Hellzapoppin', Cracked Nuts, Lady in the Dark, and Up in Mabel's Room (1944).[1] He was also one of the large cast of And Then There Were None, as well as the vehicles for Lily Pons.

In the 1950s, Auer appeared on several episodic television series, like Westinghouse Desilu Playhouse, Studio One, Broadway Television Theatre and The Chevrolet Tele-Theatre as well as in Orson Welles' Mr. Arkadin. In the 1960s, he made several films in France and Italy, including The Christmas That Almost Wasn't.

Death

Auer married four times, and had three children. He died of cardiovascular disease in Rome in 1967 and was interred at Prospect Hill Cemetery in Gloversville, New York.

Filmography

References

  1. ^ Higham, Charles; Greenberg, Joel (1968). Hollywood in the Forties. London: A. Zwemmer Limited. p. 161. ISBN Not Given. 

1939. East Side of Heaven, with Bing Crosby and Joan Blondell. One of his best comedy roles

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Related topics:
Merry-Go-Round of 1938 (1937 Musical Film)
Rhythm on the Range (1936 Musical Film)
Corruption (1933 Crime Film)

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