Mission to Moscow

Mission to Moscow
Title card for Mission to Moscow
Directed by	Michael Curtiz
Produced by	Robert Buckner Jack L. Warner (exec.)
Written by	Joseph E. Davies (book) Howard Koch (screenplay)
Starring	Walter Huston Ann Harding Oskar Homolka
Music by	Max Steiner
Cinematography	Bert Glennon
Distributed by	Warner Brothers
Release date(s)	United States May 22, 1943
Running time	124 minutes
Country	United States
Language	English

Mission to Moscow is a 1943 drama directed by Michael Curtiz, and book of the same name by Ambassador Joseph E. Davies.

The movie, starring Walter Huston, was made in response to a request by Franklin D. Roosevelt, and is one of the movies famously targeted by the House Committee on Un-American Activities. It chronicles the experiences of the second American ambassador to the Soviet Union.

The Book

Joseph E. Davies wrote a memoir about his stint as ambassador in 1941. This book is the basis for the film Mission to Moscow. While the storylines of both the book and movie are practically identical, the movie uses cinematic techniques and dialogue changes to overstate or change some controversial points in the book - changes that were made with Davies' approval.

The book was a critical and commercial success; 700,000 copies were sold and it was translated into thirteen different languages.^[1]

Film production

The film Mission to Moscow was scripted by screenwriter Howard Koch. Its musical score was penned by Max Steiner, with cinematography by Bert Glennon. The picture was produced and distributed by Warner Brothers. Ambassador Davies introduces the film; his part is played by Walter Huston. Ann Harding plays Marjorie Davies, Gene Lockhart is Soviet Foreign Minister Vyacheslav Molotov, Henry Daniell his German counterpart, Joachim von Ribbentrop, and Dudley Field Malone plays British Prime Minister Winston Churchill. Most parts, bar those of Davies' family, are taken by character actors who look like the famous politicians they are representing.

Plot

The movie chronicles Ambassador Davies' impressions of the Soviet Union, his meetings with Stalin, and his overall opinion of the Soviet Union and its ties with the United States. It is made in faux-documentary style, beginning with Davies meeting with President Franklin D. Roosevelt to discuss his new appointment as United States ambassador to the Soviet Union. It continues to show the Davies' family's trip by boat to Moscow, with stops in Europe.

Joseph Stalin greets U.S. Ambassador Joseph E. Davies (Walter Huston) in Mission to Moscow.

While in Moscow, the movie alternates between Davies' interpretations of Russian politics and communism and his family's impressions of Russian life. It includes a memorable scene with Mrs. Davies at a Russian department store. The movie gives Davies' perspective on various points in Soviet history. It begins with the real Ambassador Davies stating, while seated in an armchair, “No leaders of a nation have been so misrepresented and misunderstood as those in the Soviet government during those critical years between the two world wars.”^[2] The film then cuts to the film Davies and begins its narrative.

Victims of Stalin's purge trials of the 1930s were portrayed as fifth columnists.

Davies is shown witnessing the famous show trials conducted by Stalin in the 1930s (known as the Moscow Trials), which are portrayed as trials of Fifth Columnists working for Germany and Japan.

The voice-overs continue throughout the film, interspersing storyline with Davies' opinions. The basis of the film's narrative focuses on the journey of Davies and his family. First, their physical journey from the United States to the Soviet Union. And, second, their less tangible journey from skeptics of communism and the Soviet Union into converts and enthusiasts. The narrative of the movie and the book are almost identical.

Production notes

Mission to Moscow was the first pro-Soviet film of its time and was followed by others, including MGM’s Song of Russia (1944), United Artists’ Three Russian Girls (1943), Columbia’s Boy from Stalingrad (1943).

It was FDR himself who approved the creation of the film version of Mission to Moscow. FDR and Davies even met several times (Jul, Oct, and Nov of 1942 and March 1943) during production and had discussed the progress of the film.^[3]

As part of his contract with Warner Brothers, Davies had absolute right of control over the script, and could veto any dialogue not to his liking.^[4]

During production, Office of War Information officials reviewed screenplay revisions and prints of the film and commented on them. By reviewing the scripts and prints, OWI officials exercised authority over Mission to Moscow, insuring that it promoted the "United Nations" theme. An administration official advised the film's producers to offer explanations for the Nazi-Soviet Pact and the Red Army's invasion of Finland. After reading the final script, in November 1942 the OWI expressed its hope that Mission to Moscow would "make one of the most remarkable pictures of this war" and "a very great contribution to the war information program."^{[citation needed]}

The OWI report on Mission to Moscow concluded that it would "be a most convincing means of helping Americans to understand their Russian allies. Every effort has been made to show that Russians and Americans are not so very different after all. The Russians are shown to eat well and live comfortably, which will be a surprise to many Americans. The leaders of both countries desire peace and both possess a blunt honesty of address and purpose...One of the best services performed by this picture is the presentation of Russian leaders, not as wild-eyed madmen, but as far-seeing, earnest, responsible statesmen. They have proved very good neighbors, and this picture will help to explain why, as well as to encourage faith in the feasibility of post-war cooperation."^[5]

Government information specialists were equally enthusiastic about the completed print. Judging it "a magnificent contribution" to wartime propaganda, the OWI believed the picture would "do much to bring understanding of Soviet international policy in the past years and dispel the fears which many honest persons have felt with regard to our alliance with Russia." That was particularly so since "the possibility for the friendly alliance of the Capitalist United States and the Socialist Russia is shown to be firmly rooted in the mutual desire for peace of the two great countries."^[6]

Historical accuracy

The movie, made during World War II, showed the Soviet Union under Joseph Stalin in an extremely positive light. Completed in late April 1943, the film was, in the words of Robert Buckner, the film's producer, "an expedient lie for political purposes, glossily covering up important facts with full or partial knowledge of their false presentation."^{[citation needed]} It whitewashed the Moscow trials, rationalized Moscow's participation in the Nazi-Soviet Pact and its unprovoked invasion of Finland, and portrayed the Soviet Union as a non-totalitarian state that was moving towards the American democratic model, a Soviet Union committed to internationalism. The book was vague on the guilt or innocence of defendants in the Moscow trials, but the final screenplay portrayed the defendants as undeniably guilty. It also showed the purges as an attempt by Stalin to rid his country of pro-German fifth columnists.^[7] The fifth columnists are described in the film as acting on behalf of Germany and Japan.

In the film, Davies proclaims at the end of the trial scene: “Based on twenty years’ trial practice, I’d be inclined to believe these confessions.”^[8]

Reception

Movie critics generally disliked the movie. The critic for the New York Times, Bosley Crowther, chided the film by saying it should show "less ecstasy," and said "It is just as ridiculous to pretend that Russia has been a paradise of purity as it is to say the same thing about ourselves."^[9]

Mission to Moscow was not a commercial success. Although Warner Brothers spent $250,000 advertising the film before its release on April 30, 1943, the company lost around $600,000 overall at the final accounting.^[10] Mission to Moscow's numerous factual inaccuracies and outright false portrayals of Soviet leaders and events resulted in criticism from those on both the left and the right of the political spectrum.^[11].

Mission to Moscow was nominated for an Academy Award for Best Art Direction-Interior Decoration in a Black-and-White film (Carl Jules Weyl, George James Hopkins). ^[12]

Postwar controversy

The House Committee on Un-American Activities would later cite Mission to Moscow as one of the three noted examples of pro-Soviet films made by Hollywood, the other two being RKO's The North Star and MGM's Song of Russia.^{[citation needed]}

In 1950, the film became an object of attention by Congress, who saw it as pro-Soviet propaganda. Davies was largely silent on his role in the film, though he did submit a letter to the House Committee on Un-American Activities Committee (HCUA) in 1947.^[13] Called to testify under oath before Congress, Jack Warner at first claimed that the film was made at the request of Davies, who with the approval of FDR had asked Warner Brothers to make the film (this version of the facts was confirmed by Davies' letter as well).^[14] Warner later recanted this version, stating that Harry Warner first read Mission to Moscow and then contacted Davies to discuss movie rights.^[15]

References

External links

• Mission to Moscow at the Internet Movie Database