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Missy Elliott

 
Who2 Profiles:

Missy Elliott, Rapper / Music Producer

Missy Elliott
Source

  • Born: 1 July 1971
  • Birthplace: Portsmouth, Virginia
  • Best Known As: Singer of the song "The Rain"

A one-woman hip-hop media machine, Missy "Misdemeanor" Elliot first made her mark in the music business as a writer, penning songs in the 1990s for artists such as Aaliyah, Mariah Carey and Puff Daddy. She released her own album, Supa Dupa Fly, in 1997 to popular and critical success; she's been writing, performing and producing chart-topping singles and albums ever since. Elliott has won numerous awards for her videos and has collaborated with a variety of pop and hip-hop stars, including Mya, Pink, Busta Rhymes and Lil Kim. Her albums include Da Real World (1999), Miss E...So Addictive (2001), Under Construction (2002), This Is Not A Test (2003) and The Cookbook (2005). She's recorded many dancehall favorites over the years, including "Get Ur Freak On," "Work It," "Lose Control," and, with Ciara, "1,2 Step." One of the top-selling female rappers and producers in the business, she is a multiple Grammy winner and a familiar face on music television and magazine ads.

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singer; rap musician; songwriter; music producer

Personal Information

Born Melissa Elliott in 1971, in Portsmouth, VA.

Career

Auditioned with group Sista for Devante Swing of Jodeci, 1991; with partner Timbaland, began writing and producing 1992; Sista cut first and only album, Brand New, 1995; wrote seven tracks for Aaliyah's One In A Million, 1996; received major songwriting, recording and production deal, including a label of her own from Elektra Entertainment, 1996; worked with Jodeci, Raven-Symone, 702, Whitney Houston, Janet Jackson, Mariah Carey, Paula Cole, Scary Spice, and Nicole; released debut solo album, Supa Dupa Fly, 1997; Da Real Life, 1999; Missy E ... So Addictive, 2001; won MTV Video Music Awards for video of the year and best hip-hop video for Work It, 2003; won American Music Award for favorite female rap/hip-hop artist, 2003; won Grammy Award for top solo performance, for Work It, 2004; shared BET Award for best collaboration, for 1, 2, Step with Ciara, 2005; won MTV Video Music Awards for best dance video and best hip-hop video, for Lose Control with Ciara and Fat Man Scoop.

Life's Work

As a singer/rapper, songwriter, arranger, and producer with successful albums under her belt, Missy "Misdemeanor" Elliott has taken the recording industry by storm. She won a Grammy Award in 2004 for best female rap solo performance, for Work It. The head of her own record label, Elliott has become known as versatile and original. "Missy is one of those talented artists who always finds a way to reinvent herself," Sean R. Taylor, music director for WQHT in New York, told Billboard. "Her music is always pounding, moving, vibrant."

Melissa Elliott was born in Portsmouth, Virginia. Her earliest musical experiences were with a church choir. Elliott knew at an early age that she was going to be a star, and she told her mother so repeatedly. She began playing the part of the star singer early, too. Elliott would sing in her room with a broomstick microphone to an audience of her dolls. "In my mind I pictured them screaming for me. I would go into a whole other zone," she told of Essence. Elliott wrote her own songs about butterflies, birds, whatever happened to be around. She sang them to passing cars from overturned trash cans, or to her family from atop picnic tables in the park.

Elliott not only vividly imagined herself on stage, she could see her heroes coming to take her to music stardom. "I remember in school writing Janet Jackson and Michael Jackson and asking them to come get me out of class," she told Interview. "I would imagine them running down the hall and asking my teacher, 'Ms. Daniels, can we get Missy out of class? We're here to see Missy.' My imagination was always wild like that. So when I got a call from Janet, just to hear her say she loved my music, it was like a blessing. It was a dream come true to get a call from Mariah [Carey]...and now I'm just waiting for Michael Jackson to call."

Despite the fact that many of her dreams came true and the impressive power she accumulated in the recording industry, Elliott remained a little star-struck by the artists who used to be just voices on records. Whitney Houston once called her, and, she told Interview, "when I got off the phone I screamed so loud." Elliott's feet remained firmly planted on the ground, however, and often signed autographs patiently for the fans who recognize her on the streets of Manhattan. More significantly, Elliott has courageously made public her father's physical abuse of her mother and her own sexual abuse at the hands of a cousin. For her, speaking out publicly was a way of taking control of a past that had previously controlled her, as well as drawing attention to a serious social problem that frequently gets swept under the rug.

Elliott got her first musical break in 1991 when the group Jodeci, came to Portsmouth. She took her group, Sista, made up of some of her friends from junior high, to the hotel where Devante Swing, one of the members of Jodeci was staying. He was so impressed by their performance--a set of original tunes written by Elliott--that he signed them to his production company. "We thought we were too hot," Elliott told Imusic.com. "We tried to look just like Jodeci during that audition. We had our pants tucked in our boots. We had begged our mothers to get us these outfits. We even had our canes. We thought we were four hot Devantes."

Teamed up With Timbaland

Sista cut their first album in 1995, and broke up when it became clear that Elektra Records could not afford to release it. Elliott then formed a production team at the company with Timbaland, a childhood friend, and began writing songs for artists such as Jodeci, Raven-Symone, and 702. Timbaland produced the records. It was a combination that worked. "When we come together, we are able to be a lot more creative because there are no bars," Elliott told the New York Times Upfront. "We're just, 'Let's do it,' instead of worrying about what people might say."

Despite Sista's apparent failure, Elliott had gotten noticed. "People started to call for songs, or ask me to rap or something," she told Imusic.com. One call came from the late singer Aaliyah, who was looking for a new producer. Elliott and Timbaland entered the picture and the result was four big singles from Aaliyah's CD One In A Million: "4 Page Letter," "Hot Like Fire," "If Your Girl Only Knew" and the title track. Sylvia Rhone, the chairman and CEO of the Elektra Entertainment Group, took notice. She offered Elliott, then a mere 22-year-old, a deal that included writing and producing opportunities, her own recording label (The Gold Mind, Inc.), and eventually a contract as an artist. "You could recognize instantly that Missy possessed star potential," Rhone told Essence.

Elliott has since worked with a number of other superstar singers, including Whitney Houston, Janet Jackson, Mariah Carey, Paula Cole, and Scary Spice. In addition to writing, arranging and producing, Elliott began making guest appearances, notably on Gina Thompson's "The Things You Do," in which she displayed her infectious laughter and did a one-of-a-kind slide. "That one caused people to start coming up to me on the street and say 'Ain't you the 'Hee Ha' girl?,'" she told Imusic.com. "They don't even know my name and they'll say, 'Hee Ha girl, do that slide across the floor.'"

Michael Musto asked Elliott in Interview if she ever worried that her work as a label executive, songwriter, and producer would distract her from making her own music. "No," she replied, "because I really enjoy writing and producing for other artists. Some people save their best songs for their own albums. I'd rather give another artist one of my songs. At the end of the day, it still represents me."

Released "Supa" Debut Album

Despite the fact that the world seemed to be waiting with baited breath, it took Elliott some time before she finally released the first CD of her own. "I was not going to make a record just to make one, if you know what I mean," she told Imusic.com. "I wasn't going to do a record if I couldn't mix it up." The result was 1997's Supa Dupa Fly, a record critically praised as forging an innovative new direction for hip-hop. John Bartleson wrote that "open-minded hip-hop heads may find Elliott's intelligent yet indulgent, anesthetized electro-funk flow a persuasive argument for the unification of rap and R&B." In "The Rain (Supa Dupa Fly)," for example, she deliberately distanced herself from the violent themes that run through so much other hip-hop. "I don't knock nobody's hustle," she told Imusic.com, "but everybody don't want to hear that. You get that on the news and it depresses you enough." Supa Dupa Fly ended up going platinum and receiving a Grammy nomination.

Her second album, Da Real World, had more of a street feel. It produced a controversial single, "She's a B****," a song which addressed her power--and attitude--as a woman. "Music is a male-dominated field," Elliott told Interview. "Women are not always taken as seriously as we should be, so sometimes we have to put our foot down. To other people, that may come across as being a b****, but it's just knowing what we want and being confident." Da Real World also went platinum, and garnered both a Grammy nomination and three MTV Video Music awards.

Elliott stepped back out of the spotlight in 2000, concentrating on her record label. With releases from Gold Mind artists T.C., Mocha, and Nicole slated for release that year, Elliott found herself busy overseeing these new projects. "These are my babies," Elliott said in Billboard. "I'm very proud of the work they're doing; they're kicking it hard."

For the 2001 film Moulin Rouge, Elliott produced and was briefly featured in a cover of Patti LaBelle's "Lady Marmalade." Performed by Christina Aguilera, Lil' Kim, Mya, and Pink, the song was an instant hit. The video for the song went into heavy rotation, and won both the Best Video from a Film and Video of the Year awards at the MTV Video Music Awards.

Stars Collaborated on Third Album

Also in 2001, Elliott released her third album, Missy E ... So Addictive. Dimitri Ehrlich, Interview's Music Editor at Large, said that the album served "up frenetic, freaky soundscapes that seem to have no precedent anywhere." The album's first single, "Get Ur Freak On," featured, according to Gareth Thomas of Music & Media, "a hypnotic, looped riff that sticks in your head." Pop singer Nelly Fertado appeared on the remixed version, much to Elliott's delight. "People are going to bug out when they hear it," Elliott enthused in Billboard.

Produced by Timbaland, the album also included several collaborations. "One Minute Man," the album's second single featured Jay-Z and Ludacris on two separate versions. On "This Is for My People," rising rap star Eve added, according to Billboard's Marci Kenon, "an out of character flow on the hot techno number." R&B singer Ginuwine appeared on "Take Away" and gospel singers Kim Burrell, Yolanda Adams, and Mary Mary joined Elliott on the inspirational "I'm Moving On." Elliott was accompanied by Redman and Method Man on "Dog in Heat." "They can always add party to a track," Elliott told Billboard. "There's something about both their voices that gives energy to a track."

Elliott's artistic success was reflected in the prices she has been able to command for her services. Earning six-figure checks for single tracks, Elliott has used her wealth to buy three Mercedes Benzes, a Cadillac SUV, a Lexus, and a Jaguar XK8. She has also lavished gifts, including flowers, minks, and cash, on her mother with whom she remained very close. She was even building a small mansion in Portsmouth for the two of them. She has invested part of her fortune in her own lipstick brand, Misdemeanor Lipstick, produced by a cosmetic company headed by former super-model Iman. Part of the profits from the product go to Break the Cycle, a group that helps victims of domestic violence.

Later awards for Elliott included two MTV Video Music Awards in 2003 for best video of the year and best hip-hop video for Work It. The awards preceded her Grammy for that title. Also in 2003, Elliott won the American Music Award for favorite female rap/hip-hop artist. In 2004, Elliott agreed to do a reality series for United Paramount Network, in which she toured with a group of aspiring musicians with one chosen to gain access to music industry power players. Elliott in 2005 shared the BET Award for best collaboration, for 1, 2, Step with Ciara. Also that year, Elliott won two MTV Video Music Awards, including best dance video and best hip-hop video, both for Lose Control with Ciara and Fat Man Scoop.

While already spending mornings in meetings at her label and afternoons and evenings in the studio, Elliott intended to continue expanding her activities. She has done ads for Gap and Sprite, made television appearances, and hoped to break into movies. "It ain't easy but I've got goals in life. And I'm going to step forth and do all of them," she told Essence. But with her music, Elliott remained committed to creating something fresh and new. "Once you make an impact on the world you kinda gotta come back and make sure your new music don't really sound like the last time," Elliott told Interview. "I'm never scared to try whatever," she later added, "and I feel that's what people like me for, for doing something different."

Works

Selected discography

  • With Sista
  • Brand New, Elektra, 1995.
  • Solo
  • Supa Dupa Fly, East-West, 1997.
  • Da Real World, East-West, 1999.
  • Miss E ... So Addictive, 2001.
  • Under Construction (Clean), 2002.
  • This Is Not a Test, 2003.
  • Cookbook, 2005.

Further Reading

Books

  • Contemporary Musicians, Volume 30. Gale Group, 2001.
Periodicals
  • Billboard, March 11, 2000; April 14, 2001.
  • Dallas Morning News, September 7, 2001.
  • Essence, March 2000.
  • Interview, June 1999; May 2001.
  • Music & Media, April 28, 2001.
  • New York Times Upfront, May 14, 2001.
Online
  • ABCNews.com, www.abcnews.go.com/sections/Entertainment/GoodMorningAmerica/American_Music_Awards_031117-1.html (November 17, 2003).
  • All Music Guide, http://allmusicguide.com (September 21, 2001).
  • Biography Resource Center, Gale, 2001, http://www.galenet.com/servlet/BioRC.
  • chiff.com, www.chiff.com/pop-culture/bet-awards.htm (August 2, 2005).
  • CNN.com, www.cnn.com (August 29, 2003).
  • E! Online, www.eonline.com, (March 4, 2004).
  • Elektra Records, http://missy-elliott.com (September 18, 2000).
  • Imusic, http://imusic.com/showcase/urban/missy.html (September 18, 2000).
  • MTV Online, http://www.mtv.com/sendme.tin?page=/news/gallery/m/missyfeature99.html (September 18, 2000).

— Evelyn Hauser and Jennifer M. York

Gale Musician Profiles:

Missy Elliott

Top

Rap musician, music producer

Missy "Misdemeanor" Elliott is a phenomenon. She did not merely take the traditionally male-dominated recording industry by storm as a singer, songwriter, arranger, producer, and head of her own label, she did so in one of the most macho, testosterone-laden of all genres, hip-hop—and, remarkably, she achieved all this in only six years time, by the time she was 28 years of age. Besides Elliott's work writing for and producing the cream of hip-hop and R&B, she has released six CDs to critical and popular acclaim. She was the first hip-hop artist to perform on the Lilith Fair tour. Elliott has been featured in a major ad campaign for the Gap, but she has not hesitated to have fun at the expense of her image in her videos. Elliott has "established herself as a singer-rapper-writer with a welcome penchant for humor and positivity," wrote Michael Musto in Interview. "And with her unconventional approach and severe distaste for BS, she's probably da realest girl in da biz right now."

Melissa Elliott was born in Portsmouth, Virginia. Her earliest musical experiences were with a church choir. Elliott seems to have known from an early age that she was going to be a star—she told her mother so repeatedly. She began playing the part of the star singer early too. Elliott would sing in her room with a broomstick microphone to an audience of her dolls. "In my mind I pictured them screaming for me. I would go into a whole other zone," she told Joan Morgan of Essence. Elliott wrote her own songs about butterflies, birds, whatever happened to be around. She sang them to passing cars from overturned trash cans, or to her family from atop picnic tables in the park.

Dreams of Stardom
Elliott not only vividly imagined herself on stage, she could see her heroes coming to take her to music stardom. "I remember in school writing Janet Jackson and Michael Jackson and asking them to come get me out of class," she told Michael Musto. "I would imagine them running down the hall and asking my teacher, 'Ms. Daniels, can we get Missy out of class? We're here to see Missy.' My imagination was always wild like that. So when I got a call from Janet, just to hear her say she loved my music, it was like a blessing. It was a dream come true to get a call from Mariah [Carey] … and now I'm just waiting for Michael Jackson to call."

Despite the fact that many of her dreams came true and the impressive power she has in the recording industry, Elliott remains a little star struck by the artists who used to be just voices on records. Whitney Houston called her, she told Musto, and "when I got off the phone I screamed so loud." Elliott's feet are still planted firmly on the ground, however, and she signs autographs patiently for the fans who recognize her on the streets of Manhattan. More significantly, Elliott courageously made public her father's physical abuse of her mother and her own sexual abuse at the hands of a cousin. It was for her a way of taking control of a past that had previously controlled her, as well as drawing attention to a serious social problem that frequently gets swept under the rug.

Elliott got her first musical break in 1991 when the group Jodeci, came to Portsmouth. She took her group, Sista, made up of some of her friends from junior high, to the hotel where Devante Swing, one of the members of Jodeci was staying. He was so impressed by their performance—a set of original tunes written by Elliott—that he signed them to his production company. "We thought we were too hot," Elliott told imusic. "We tried to look just like Jodeci during that audition. We had our pants tucked in our boots. We had begged our mothers to get us these outfits. We even had our canes. We thought we were four hot Devantes."

Sista cut their first album in 1995, and broke up when it became clear that Elektra Records could not afford to release it. Elliott had formed a production team at the company with Timbaland, a childhood friend. Elliott wrote the songs for artists such as Jodeci, Raven-Symone, and 702, and Timbaland produced the records. It was a combination that worked. The two were still working together in late 2000. Despite Sista's apparent failure, Elliott had gotten noticed. "People started to call for songs, or ask me to rap or something, she told imusic.

Led Aaliyah to Fame
One call came from singer Aaliyah, who was looking for a new producer. Elliott and Timbaland entered the picture and the result was four big singles from Aaliyah's CD One In A Million: "4 Page Letter," "Hot Like Fire," "If Your Girl Only Knew" and the title track. Sylvia Rhone, the chairman and CEO of the Elektra Entertainment Group, took notice. She offered Elliott, then a mere 22 years of age, a deal that included writing and producing opportunities, her own recording label (The Gold Mind, Inc.), and eventually a contract as an artist. "You could recognize instantly that Missy possessed star potential," Rhone told Morgan.

Elliott has since worked with a number of other superstar singers, including Houston, Janet Jackson, Carey, and Paula Cole.

Musto asked Elliott if she ever worried that her work as a label executive, songwriter and producer would distract her from making her own music. "No," she replied, "because I really enjoy writing and producing for other artists. Some people save their best songs for their own albums. I'd rather give another artist one of my songs. At the end of the day, it still represents me."

An Innovative Debut
Despite the fact that the world seemed to be waiting with baited breath, it took Elliott some time before she finally released the first CD of her own. "I was not going to make a record just to make one, if you know what I mean," she told imusic. "I wasn't going to do a record if I couldn't mix it up." The result was 1997's Supa Dupa Fly, a record critically praised as forging an innovative new direction for hip-hop. John Bartleson wrote that "open-minded hip-hop heads may find Elliott's intelligent yet indulgent, anesthetized electro-funk flow a persuasive argument for the unification of rap and R&B." In "The Rain (Supa Dupa Fly)," for example, she deliberately distanced herself from the violent themes that run through so much other hip-hop. "I don't knock nobody's hustle," she told imusic, "but everybody don't want to hear that. You get that on the news and it depresses you enough." Supa Dupa Fly ended up going platinum and receiving a Grammy nomination.

Her second album, Da Real World, had more of a street feel. It produced a controversial single, "She's a B∗∗∗∗," a song which addressed her power—and attitude—as a woman. "Music is a male-dominated field," Elliott explained to Musto. "Women are not always taken as seriously as we should be, so sometimes we have to put our foot down. To other people, that may come across as being a b∗∗∗∗, but it's just knowing what we want and being confident." Da Real World also went platinum, and garnered both a Grammy nomination and three MTV Video Music awards.

One Hot Single after Another
2001 was the year Elliott became a mainstream artist that never left the radio. With the release of Miss E … So Addictive, Elliott scored two smash hits including "one Minute Man" and "Get Ur Freak On," which NME described as, "one of the greatest singles ever…. The sort of song that parts waters, causes planets to collide and pretty much obliterates the batty notion that music should somehow be divided into 'genres' that some people are allowed to like and others not." The track won Elliott her first Grammy Award for Best Female Rap Solo Performance in 2001. On the album, she strut her stuff along with guests like Jay-Z, Redman, Eve, and Ludacris. Miss E … had more of a dance/club feel than her past albums as Elliott described to MTV.com. "I think dance does play a [bigger role] in hip-hop now. People wanna go in a club and they just wanna have fun, instead of it being so violent."

Elliott continued her chart-topping success with 2002's quick follow up, Under Construction. The catchy track "Work It" won her another Grammy for Best Female Rap Solo Performance at the 2003 Grammy Awards. That same year, she returned with the new album This Is Not A Test! The popular song "Pass That Dutch" was a hit, and while voices like R. Kelly, Mary J. Blige, Nelly, and Jay-Z graced the album, it wasn't Elliott's best or most popular record. Elliott was now in a cycle of releasing albums almost every year as Rolling Stone's Rob Sheffield noted, "… the star who drops the bomb of the year, every damn year."

After a short cameo in the 2003 film Honey, and becoming a spokesperson for clothing giant the Gap, Elliott set her eyes on reality TV. In early 2004, Elliott stepped aside from the beats to create a reality TV show with UPN. On The Road to Stardom with Missy Elliott 13 aspiring performers traveled with Elliott on her tour competing to be the Next Big Superstar. And like many hip-hop stars of the day, Elliott moved into the fashion world when she created a sneaker line with Adidas called Respect Me. In the spring, she got back on stage and went on a cross-country tour with Alicia Keys and Beyonce Knowles.

In the summer of 2005, Elliott released The Cookbook, which debuted at number two on the Billboard charts. Preluded by the single "Lose Control"—a manic track featuring hot singer Ciara—The Cookbook marked a change in Elliott's usual recording style. Where Timbaland had been clearly present on albums in the past, on The Cookbook, the producer only appeared on two. In an interview with MTV.com, Elliott explained Timbaland's absence. "Me and Tim, this like our six album, so if we go any further left, we gonna be on Mars somewhere," she said. "We've done everything it is to do. I think both of us came to a spot where we didn't know where to go with each other. But Tim is very involved, he said 'nay' or 'yay' to [certain] producers. I was eight songs deep and I let Tim listen and he was like, 'Nah, you're going in the wrong direction.'" Instead of strictly Timbaland, Elliott brought in producers like the Neptunes, Rich Harrison and Scott Storch.

Selected discography

With Sista
Brand New, Elektra, 1995.
Solo albums
Supa Dupa Fly, East-West, 1997.Da Real World, East-West, 1999.Miss E … So Addictive, Elektra, 2001.Under Construction, Elektra, 2002.This is Not a Test!, Elektra, 2003.The Cookbook, Goldmind/Atlantic, 2005.

Sources
Periodicals
Essence, March, 2000.
Interview, June 1999.
Rolling Stone, December 25, 2003.

Online
MTV Online, http://www.mtv.com/news/articles/1505732/07142005/elliott_missy.jhtml (September 1, 2005).
NME, http://www.nme.com/reviews/11454.htm (September 1, 2005).
  • Genres: Rap

Biography

No female rap artist paralleled the success of Missy Elliott, neither during her reign nor before, and none was more deserving. Unlike most of urban music's female superstars, Missy writes her own songs as well as performs them, and her creative wit in on a par with her stylish demeanor. In addition to her talent and showmanship, she established herself as a genuine hitmaker alongside her longtime producer, Timbaland. She initially scored hits for others, namely Aaliyah ("One in a Million," "If Your Girl Only Knew") and to a lesser extent 702 ("Steelo"), before moving on to score a dazzling run for herself. Her debut album, Supa Dupa Fly (1997), spawned a number of hits such as "The Rain" that were more trend-setting than they were chart-topping. The chart-toppers, of course, came soon after: "She's a Bitch" and "Hot Boyz" (1999); "Get Ur Freak On" and "One Minute Man" (2001); and "Work It" and "Gossip Folks" (2002). In each of these, Missy proved that, with both dignity and joviality, women could be sexual as well as forceful. As a result, she defied every stereotype imaginable without forsaking her broad fan base.

Born in Portsmouth, VA, in 1971 as Melissa Elliott, Missy's professional music career began when Jodeci member/producer Devante Swing signed her and her group, Sista, to his Swing Mob record label. Unfortunately, Swing Mob Records fell through and along with it the plans for Sista's debut album. Determined to move forward, Missy turned to longtime acquaintance Timbaland, who happened to be producing some tracks for Aaliyah's One in a Million (1996) album. It proved to be a key move for Missy, as the album racked up enormous sales. Soon record execs were knocking on her door. Missy began working with a number of artists as either a songwriter or a vocalist/rapper before finally signing herself a deal with Elektra in 1996. A year later, Supa Dupa Fly hit the streets and soon after went platinum thanks to "The Rain." Besides the sales numbers, the album also proved critically successful, impressing nearly everyone who heard it. It had not only radio-ready singles ("Sock It 2 Me," "Beep Me 911," "Hit 'Em Wit da Hee") but also an astounding array of album tracks that showcases just how multi-talented Missy indeed was, singing on some, rapping on others.

In 1999, she returned with her much-awaited follow-up album, Da Real World, an even more ambitious album that featured two mammoth hits -- "She's a Bitch" and "Hot Boyz" -- along with an array of often daring collaborations with such unlikely candidates as Eminem. Around this same time, she began appearing in TV ads for the Gap and Sprite, proving that not only was she a musical talent but also an important icon for the era. The cycle repeated itself in 2001 when she released Miss E...So Addictive, again powered by two huge hits: "Get Ur Freak On" and "One Minute Man." Her remarkable popularity continued a year later with her next album, Under Construction, and its hit singles, "Work It" and "Gossip Folks." Missy's music machine continued pummeling the charts, with Timbaland & Magoo's follow-up Under Construction, Pt. II appearing in mid-November and the new Elliott LP This Is Not a Test! released a week later. Ciara, Slick Rick, Mary J. Blige, and American Idol winner Fantasia were some of the guests on Missy's 2005 album The Cookbook. ~ Jason Birchmeier, Rovi
Wikipedia on Answers.com:

Missy Elliott

Top
Missy Elliott

Missy Elliott in May 2009
Background information
Birth name Melissa Arnette Elliott
Also known as Misdemeanor, Missy Elliot
Born July 1, 1971 (1971-07-01) (age 40)
Portsmouth, Virginia, U.S.
Genres Hip hop, contemporary R&B
Occupations Rapper, singer-songwriter, Dancer, record producer, actress
Instruments Vocals
Years active 1991–present
Labels The Goldmind, East West, Elektra, Atlantic, Violator
Associated acts Timbaland, Magoo, Playa, Aaliyah, Ginuwine, Jodeci, Ciara, Skillz, Ludacris
Website missy-elliott.com

Melissa Arnette "Missy" Elliott (born July 1, 1971) is an American rapper, singer-songwriter, record producer, dancer and actress.

A five-time Grammy Award winner, Elliott, with record sales of over seven million in the United States,[1] is the only female rapper to have six albums certified platinum by the RIAA, including one double platinum for her 2002 album Under Construction.[2] Elliott is known for a series of hits and diverse music videos, including "The Rain (Supa Dupa Fly)", "Hot Boyz", "Get Ur Freak On", "One Minute Man", "Work It", "Pass That Dutch", and "Lose Control".[3] In addition, she has worked extensively as a songwriter and producer for other artists, both alone and with her fellow producer and childhood friend Timbaland, with whom she received her first production credit on R&B singer Ginuwine's 1996's album Ginuwine...the Bachelor.

Contents

Early life

Elliott was born on July 1, 1971, in Portsmouth, Virginia.[4] She is the only child of mother Patricia, a power-company coordinator, and father Ronnie, a Marine.[5][6] At the age of four in 1975, she wanted to be a performer, though she knew no one took her seriously, as she was always the class clown.[7] While her father was a Marine, the family lived in Jacksonville, North Carolina, in a mobile home. Elliott enjoyed school for the friendships she formed and had little interest in school work, though an IQ test classified her above average and she was able to jump two years ahead of her class.[7] This made her feel increasingly isolated, so she purposely failed all her classes, eventually returning to her age-appropriate class. When her father returned from the Marines, they moved back to Virginia, where they lived in a vermin-infested shack.[5]

Elliott's childhood was strongly affected by domestic abuse. At the age of eight, Elliott was raped nearly every day by a 16 year old cousin, until an aunt discovered the abuse almost a year later.[6] Elliott had an abusive father who beat her mother every day and beat Elliott once. At one point, he pulled a gun on them and they were forced outside naked. Elliott refused to stay over at any of her friends' homes for the fear that she would return and find her mother dead.[5] When Elliott was fourteen, she and her mother finally escaped from the father. Her mother told her to pack her things and go to the bus stop as usual. When her father drove past on his way to work, her mother picked Elliott up and took her home to where family relatives were loading the family possessions into a U-Haul truck, leaving her father with only a fork, a spoon, a cup and a blanket.[5] Elliott and her father occasionally talk, but she claims she hasn't forgiven him. She later stated "When we left, my mother realized how strong she was on her own, and it made me strong. It took her leaving to realize."[5][7]

Recording career

Early career

In the early 1990s, Elliott formed an R&B group, called Fayze (later renamed Sista), with friends LaShawn Shellman, Chonita Coleman, and Radiah Scott. She recruited her neighborhood friend Timothy Mosley as the group's producer and began making demo tracks.[8] In 1991, Fayze caught the attention of Jodeci member and producer DeVante Swing by performing Jodeci songs a cappella for him backstage after one of his group's concerts. In short order, Fayze moved to New York City and signed to Elektra Records through DeVante's Swing Mob imprint, also renaming the group Sista.[3] Elliott took Mosley — whom DeVante re-christened Timbaland — and their friend Melvin "Magoo" Barcliff along with her.

All 20-plus members of the Swing Mob — among them future stars such as Ginuwine, Playa, and Tweet[9] — lived in a single two-story house in New York and were often at work on material both for Jodeci and their own projects.[6] While Elliott wrote and rapped on Raven-Symoné's 1993 debut single, "That's What Little Girls Are Made Of", she also contributed songwriting duties, credited and uncredited, to the final two Jodeci albums Diary of a Mad Band (1993) and The Show, The After Party, The Hotel (1995). Timbaland and DeVante jointly produced a Sista album, entitled 4 All the Sistas Around da World and completed in 1994. Though videos were released for the original and remix versions of the single "Brand New", the album was shelved and never released.[8] One of the group's tracks, "It's Alright" featuring Craig Mack, did however make the cut on the soundtrack of the 1995 motion picture Dangerous Minds. But by the end of 1995, Swing Mob had folded and many of its members dispersed; Elliott, Timbaland, Magoo, Ginuwine, and Playa remained together and collaborated on each others' records for the rest of the decade.

After Swing Mob

After leaving Swing Mob, Elliott and Timbaland worked together as a songwriting/production team, crafting tracks for acts including SWV and 702, but the most notable of them was Aaliyah.[9] The pair wrote and produced nine tracks for Aaliyah's second album, One in a Million (1996), among them the hit singles "If Your Girl Only Knew", "One in a Million", "Hot Like Fire", and "4 Page Letter".[3] Elliott contributed background vocals and/or guest raps to nearly all of the tracks on which she and Timbaland worked. One in a Million went double-platinum and made stars out of the production duo.

Elliott and Timbaland continued to work together for other artists, later creating hits for artists such as Total ("What About Us", 1997), Nicole Wray ("Make It Hot", 1998), and Destiny's Child ("Get on the Bus", 1998), as well as one final hit for Aaliyah, "I Care 4 U" before her death in 2001.

Elliott began her career as a featured vocalist rapping on Sean "Puffy" Combs's Bad Boy remixes to Gina Thompson's "The Things That You Do", (which had a video featuring cameo appearances by Notorious B.I.G and Puff Daddy), MC Lyte's 1996 single "Cold Rock a Party" (backup vocals by Gina Thompson), and New Edition's 1996 single "You Don't Have to Worry." Combs had hoped to sign Elliott to his Bad Boy record label. Also that year Elliott appeared on the Men of Vizion's remix of "Do Thangz" which was produced by Rodney Jerkins (coincidentally the producer of the original version of "The Things That You Do").

She instead signed a deal with EastWest Records, a division of Elektra Entertainment Group at that time, in 1996 to create her own imprint, The Goldmind Inc., for which she would record as a solo artist.[9] Timbaland was again recruited as her production partner, a role he would hold on most of Elliott's solo releases.

Missy also appeared in LSG's song "All the Time" with Gerald Levert, Keith Sweat, Johnny Gill, Faith Evans, and Coko in 1997 on Levert Sweat Gill classic album. The same year, she rapped in "Keys To My House" with old friends group LeVert.

Supa Dupa Fly

In the center of a busy period making guest appearances and writing for other artists, Elliott's debut album, Supa Dupa Fly, was released in mid-1997; the success of its lead single "The Rain" led the album to be certified platinum.[3] The success was also a result of the music videos of her single releases which had been directed by Harold "Hype" Williams, who created many groundbreaking hip hop videos at the time. The album was also nominated for Best Rap Album at the 1998 Grammy Awards, but lost to Puff Daddy's No Way Out. The year also saw Elliott perform live at the MTV Video Music Awards show on a remix to Lil' Kim's "Ladies Night" with fellow rappers Da Brat, Angie Martinez and TLC-rapper Left Eye.

In 1998, Elliott continued her successful career in the background as a producer and writer on Total's single "Trippin'", as well as working with several others in the hip-hop and R&B communities. The same year, Elliott also produced and made a guest appearance on Spice Girl Melanie B's debut solo single, "I Want You Back", which topped the UK Singles Chart.

Da Real World

Although a much darker album than her debut, Elliott's second album was just as successful as the first,[10] selling 1.5 million copies and 3 million copies worldwide. She remarked, "I can't even explain the pressure. The last album took me a week to record. This one took almost two months…I couldn't rush it the second time because people expect more."[10] Da Real World (1999) included the singles "All n My Grill", a collaboration with Nicole Wray and Big Boi (from OutKast), a remix to "Hot Boyz" and "She's a Bitch". Also in 1999, Elliott was featured, alongside Da Brat, on the official remix to the popular Mariah Carey single "Heartbreaker".

Miss E… So Addictive

Missy Elliott next released Miss E… So Addictive in 2001. The album spawned the massive pop and urban hits "One Minute Man", featuring Ludacris and Trina, and "Get Ur Freak On", as well as the international club hit "4 My People" and the less commercially-successful single *"Take Away"*. The double music video for "Take Away/4 My People" was released in the fall of 2001, shortly after the 9-11 terrorist attacks and the death of Elliott's good friend Aaliyah in August. The "Take Away" video contained images of and words about Aaliyah, and the slow ballad acted as a tribute to her memory. The remainder of the video was the more upbeat "4 My People", contained scenes of people dancing happily in front of American flags and Elliott dressed in red, white and blue. Though "Take Away" was not a success on radio, "4 My People" went on to become an American and European club hit due to a popular techno Basement Jaxx remix in 2002.

Tweet's appearance on Elliott's "Take Away" as well as her cameo at Elliott's house on MTV Cribs helped to create a buzz about the new R&B singer. Tweet's own debut single, "Oops (Oh My)", was co-written by Elliott and released through Goldmind in February 2002. The single was a top ten hit, thanks partially to Elliott's songwriting and guest rap, and to Timbaland's unusual production on the track. Elliott co-produced the Christina Aguilera, Lil' Kim, Mýa and Pink cover of "Lady Marmalade" for the Moulin Rouge! Music from Baz Luhrmann's Film album, which went to number one on the Billboard Hot 100 in 2001.

Under Construction

For her next outing, Elliott and Timbaland focused on an old school sound, utilizing many old school rap and funk samples, such as Run DMC's "Peter Piper" and Frankie Smith's "Double Dutch Bus" (in "Work It" and "Gossip Folks", respectively). Elliott's fourth album, 2002's Under Construction (see 2002 in music), included the aforementioned singles "Work It", Elliott's second biggest hit to date, and the successful duet with Ludacris, "Gossip Folks". As the "Work It" video had done during 2002, "Gossip Folks" became one of the most-played music videos on MTV, MTV2, MTV Jams, and BET in 2003. It received significantly less attention than "Work It" at urban radio, but was embraced by the dance community, as well as the mainstream, due to a Fatboy Slim remix.[11] Although not released as single and with no video, "Pussycat", peaked at number 77 on the Billboard Hot 100. The album is known as the best selling female rap album ever with 2.1 million copies sold in the United States.[12] In 2003, Under Construction received Grammy nominations for Best Rap Album and Album of the Year.[13]

The New York Times called Under Construction "this year's best hip-hop album."[14]

Under Construction also included a track called "Back In The Day", a nostalgic ode to old school hip hop music and fashion that featured guest vocals from Jay-Z and Tweet. A video was shot and an article on MTV.com was posted, but the video was never released.[15] Additionally, Missy was also set to release the sexual-themed, "P***ycat", as the album's final single with a remixed version featuring Janet Jackson, however due to undisclosed reasons it never happened; by late 2003, a mixtape remix featuring Rah Digga was released instead.

Early 2003, Elliott produced the "American Dream Remix" (featuring Tweet's additional vocals) of Madonna's single "American Life". In the summer of 2003, Elliott was the featured rapper on Timbaland & Magoo's long-awaited return single, "Cop That Shit"; the song was a modest hit at urban radio.

For the soundtrack to the Cuba Gooding, Jr. and Beyoncé Knowles movie by the same name, Elliott produced "Fighting Temptation" (featuring herself, Beyoncé, Free and MC Lyte) which reached the number one spot in Japan but failed to chart in the U.S. Hot 100.

This Is Not a Test!

A year after Elliott's most successful album to date was released, Elliott felt pressured by her label to release another album, hoping to capitalize on her recent success. Elliott's singles, "Pass That Dutch" and "I'm Really Hot", from her fifth album, This Is Not a Test! (released November 2003), both rose the urban charts. However, both were not as successful at pop radio in comparison to many of her previous efforts. Elliott has since stated "This Is Not A Test! came out extremely too quickly for me. I didn't want it to come out when it did."[16]

Also in 2003, Elliott was featured on Wyclef Jean's "Party to Damascus" and Ghostface Killah's "Tush" singles, the latter of which became a minor 2004 dance hit, and had a pivotal role in the film Honey, starring Jessica Alba. Gap approached Elliott later in the year to co-star in a commercial with Madonna, which received much media attention.[17] Elliott furthered her relationship with Madonna by performing the controversial 2003 MTV Video Music Awards show opening alongside Madonna, Britney Spears and Christina Aguilera.

In 2004, Elliott was featured on Ciara's hit single "1, 2 Step", with her verse interpolating Teena Marie's single, "Square Biz".

Elliott premiered her own reality show on the UPN Network, The Road to Stardom with Missy Elliott in mid-2005. Although the series never made impressive ratings, it did maintain a solid audience. The winner, Jessica Betts, has yet to release an album or single, which was the prize of the show.

This Is Not A Test sold 143,600 in its first week of being released and sold 690,000 copies in the United States and has been certified Platinum by the Recording Industry Association of America (RIAA).

The Cookbook

Following her less than usual sales from her previous album, Elliott wanted to "give people the unexpected" by utilizing producers other than Timbaland and a "more to the center" sound not as far left as her other music.[16] Her sixth solo album, The Cookbook was released in July 2005 and debuted at number two on the U.S. charts. Its first single, "Lose Control", which featured Ciara and Fatman Scoop, became a Top 5 hit in the early summer (peaking at number three on the Billboard Hot 100), and the other album tracks featured guest appearances from Mike Jones, Fantasia, M.I.A., Slick Rick, Mary J. Blige, and Pharrell. The video for "Lose Control" garnered Elliott six 2005 MTV VMA award nominations, ultimately winning two awards in the categories Best Dance Video and Best Hip-Hop Video in August 2005. After the VMA's, Elliott released "Teary Eyed" which charted lowly, although the video charted on MTV's TRL for a few weeks, and BET's 106 & Park for a few days. "Teary Eyed" is one of the few tracks that showcases Elliott's singing.[citation needed]

In early September, Elliott tore her Achilles tendon while shooting the music video for her song "We Run This", requiring surgery and a long recovery, thus dampening promotion efforts for The Cookbook. In November 2005, Elliott won Best Female Hip Hop Artist at the 2005 American Music Awards, defeating colleagues Lil' Kim and Trina. Also in November, Elliott's remixed version of Ashlee Simpson's "L.O.V.E." (from her second album, I Am Me) was included on the CD single.

In December 2005, Elliott was nominated for five Grammy Awards, including two for "Lose Control" (Best Short Form Video, which she won and Best Rap Song), one for The Cookbook (Best Rap Album), one for writing Fantasia's "Free Yourself" (Best R&B Song), and one for "1, 2 Step" with Ciara (Best Rap/Sung Collaboration). Elliott was also nominated for Best International Female Artist at the 2006 BRIT Awards.

In early 2006, Elliott's single and video for "We Run This" was released with heavy airplay on VH1, MTV, and BET. It served as the lead single for the soundtrack to the gymnastics-themed film Stick It.

Missy Elliott was nominated for a Grammy Award in the Best Rap Solo Performance category for "We Run This".

The Cookbook received overall favorable reviews from critics and peaked at number two on the Billboard 200. It was certified Gold by the Recording Industry Association of America, (RIAA), selling 645,000 copies in the United States and received a Grammy nomination for Best Rap Album.

Respect M.E.

Respect M.E., Elliott's first greatest hits album, was released outside the United States and Canada on September 4, 2006, only in South Africa, Australia, Europe, Japan, and Brazil. The collection became her second top ten album in the UK and her highest charting album to date, peaking at number seven there. According to the BPI, it has been certified Gold for sales of over 100,000 units in the UK and 500,000 copies world wide.[citation needed] In 2007, the album became available in Best Buy stores in the US.

The album cover shows Missy Elliott riding a Friesian horse with a dark, cloudy background. The M.E. can be understood as either the word 'me' or could be referring to Missy Elliott. "Respect M.E." is also the name of her clothing line produced by Adidas. "Take Away" did not make the album cut but was replaced with the more successful Basement Jaxx dance remix of "4 My People".

Elliott was an honoree of the 2007 VH1 Hip Hop Honors. In honor of her career, many artists performed some of her biggest hits. Timbaland and Tweet performed "The Rain (Supa Dupa Fly)", Eve and Keyshia Cole performed "Hot Boyz" and "Work It", Fatman Scoop and Ciara performed "Lose Control", and Nelly Furtado performed "Get Ur Freak On (The Remix)." The show aired October 8, 2007.[18]

Block Party

In January 2008, Ching-a-Ling was released as the lead single for the Step Up 2 the Streets soundtrack. Shake Your Pom Pom, produced by Timbaland, is also on the soundtrack. Both songs were at first in consideration to be included on the album, however in 2011, Elliott revealed the songs would not be featured.

In an interview with Elle Magazine in June 2009, Elliott announced an Autumn 2009 release of Block Party, her seventh studio album, but was later pushed back a 4th time to 2010. She revealed that "there are a lot of great collaborations on the record, but I can only give one away right now, and that's Lil Wayne."[19]

Elliott's seventh studio album will also feature production from Timbaland (who will serve as the main producer for the album) and rumored additional production from Danja, Pharrell Williams, Souldiggaz, T-Pain, Sef Millz & Mista Raja of Coalition Forces and Pointguard.[20]

Missy Elliott hinted to Billboard.com that "this album is probably more musical and melodic than my previous ones. A lot of my albums are really hip-hop-driven, with tinges of other music genres. But this album is hip-hop, with a sort of U.K. hip-hop sound to it." When asked why she chose the title "Block Party", she replied that "because there are a lot of dance joints on there. It's one of those albums you can play out in the streets."[20] In 2009, R&B singers, Keyshia Cole and Monica, confirmed Missy was producing their albums; Missy produced Monica's Still Standing, however her production for Keyshia Cole's Calling All Hearts, was never released.

In the summer of 2010, Elliott embarked on a 2 part tour which included such continents as Europe, Asia, Africa and Australia.[21]

On June 7, 2010, Missy performed at VH1's "Hip Hop Honors: The Dirty South" to do a tribute to long-time collaborator and friend Timbaland. Her performance included the hits "Get Ur Freak On" and "Work It", both produced by Timbaland.

On August 8, 2011 a remix of Katy Perry's "Last Friday Night (T.G.I.F.)" featuring Missy was released, and due to Missy's remix of the song, "T.G.I.F." went to #1 on the Billboard Hot 100.

In the latter era of 2011, Missy produced Monica's lead single "Anything (To Find You)" and other tracks on her forthcoming album New Life; she was also featured on Demi Lovato's song "All Night Long" produced and featuring Timbaland, on her album Unbroken, and on J. Cole's song "Nobody's Perfect" from his debut album Cole World: The Sideline Story.

Elliott will be producing Trina's sixth studio album and Free's debut, Pressure Free.[citation needed] She is to also serve as the main collaborator for her protégée, Sharaya, on her debut[citation needed] and appear on Timbaland's fourth solo album, Shock Value 3.

Biographical film

In 2005, it was announced that there are plans to make a biographical film about the life story of Elliott and is to be shown in theaters.[22] Producers include Robert De Niro and Jane Rosenthal, and the film is being written and directed by Diane Houston. In mid-June 2007, Elliott said she was still working on the script with Diane Houston in order "to come up with the right stuff 'cause I don’t want it to be watered down. I want it to be raw and uncut the way my life was"[23] Initially, it seemed Timbaland wouldn't be a part of the movie. When Missy asked him, he refused, citing he felt it dramatized his character; "the movie is about her life, her story, that goes deeper than putting me into the movie".[24] However, Timbaland has since stated that he would reconsider if she could get others, including Ginuwine & Magoo to sign on.

Personal life

Elliott has also said that she wants to start a family, but is afraid of giving birth.[25] She states, "I don't know if I can take that kind of pain [of labor]. Maybe in the year 2020 you could just pop a baby out and it'd be fine. But right now I'd rather just adopt. "[25]

In June 2011, Elliott told People Magazine that her absence from the music industry was due to an autoimmune disorder known as Graves disease. She experienced severe symptoms from the condition, and explained that she could not even hold a pen up to write songs. After treatment, her symptoms stabilized and she has announced that she would like to get back to her career.[26]

Charity work

For the reality show The Road to Stardom, there was a contest for viewers to create a public service ad for the Break the Cycle fund. In 2004, Missy Elliott joined forces with MAC Cosmetics to promote their "Viva Glam" campaign. In addition to the ad campaign, Elliott promoted the MAC Viva Glam V lipstick from which 100% of the sale goes to the M.A.C AIDS Fund.

In 2007, Elliott appeared on an ABC's Extreme Makeover and awarded four scholarships for a weight loss program to four underprivileged teens.

Discography

Albums
Tours
Compilation Albums
DVDs
  • Hits of Miss E… The Videos Vol.1 (2001)
  • Recipe of Hits: Music Video Anthology (2005)

Filmography

Television

Year Title Role Episode
1997 Family Matters Herself "Original Gangster Dawg" (season 9, episode 203)
1998 The Wayans Bros. "The Kiss"
2003 Eve Herself, Guest appearance "Missy Elliott In The Place"
2005 MTV Cribs Herself
The Road to Stardom
2008 Ego Trip's Miss Rap Supreme Season 1
America's Best Dance Crew Herself, Guest Judge "Missy Elliott "Shake Ya Pom Pom" Challenge" (season 2, episode 7)
2010 What Chilli Wants Herself
2011 "Behind the Music"

Films

Year Film Role
2001 Pootie Tang Diva
2003 Honey Herself
2004 Fade to Black
Shark Tale (Singing Voice)
2005 Just for Kicks Herself

See also

Notes

  1. ^ Watson, Margeaux (September 15, 2006). "Rhymes and Reasons". Entertainment Weekly (Time Inc.). http://www.ew.com/ew/article/0,,1535082,00.html. Retrieved 2008-11-21. 
  2. ^ RIAA - Gold & Platinum search
  3. ^ a b c d Birchmeier, Jason (2005). "Missy Elliott - Biography". Allmusic. http://www.allmusic.com/artist/p212097/biography. Retrieved 2008-04-18. 
  4. ^ "Missy Elliott Biography". NME. Time Warner. http://www.nme.com/artists/missy-elliott#biography. Retrieved 2009-01-10. 
  5. ^ a b c d e Kessler, Ted (2001-08-05). "Missy in action". The Observer (London). http://www.guardian.co.uk/theobserver/2001/aug/05/life1.lifemagazine7. Retrieved 2008-10-28. 
  6. ^ a b c Lynch, Jason (2003-01-20). "Missy Universe". People. Time. http://www.people.com/people/archive/article/0,,20139061,00.html. Retrieved 2008-11-27. 
  7. ^ a b c Baker, Lindsay (2003-11-01). "Scary? Me?". The Guardian (London). http://www.guardian.co.uk/music/2003/nov/01/popandrock.missyelliott. Retrieved 2008-10-28. 
  8. ^ a b Brown, Ethan (2007-03-23). "Everyone Wants Timbaland". Entertainment Weekly. http://www.ew.com/ew/article/0,,20015777,00.html. Retrieved 2010-01-16. 
  9. ^ a b c Kimpel, 2006, p. 38.
  10. ^ a b Missy Elliott - Me, I'm Supa Dupa Fly VH1. Accessed September 14, 2008.
  11. ^ Missy Elliott - She Puts Her Thing Down, Flips It, Reverses It VH1. Accessed September 14, 2008.
  12. ^ Caulfield, Keith (2008-07-08). "Ask Billboard". Billboard. Nielsen Business Media. http://www.billboard.com/bbcom/esearch/article_display.jsp?vnu_content_id=1003825438. Retrieved 2008. 
  13. ^ Grammy Nominations Announced | Hollywood.com
  14. ^ Kelefa Sanneh (December 22, 2002). Hip-Hop Divides: Those Who Rap, Those Who Don't New York Times. Accessed September 14, 2008.
  15. ^ Corey Moss (January 21, 2003). Missy Elliott, Jay-Z Go 'Back in the Day' For New Video MTV. Accessed September 14, 2008.
  16. ^ a b Nekesa Mumbi Moody (June 29, 2005). Elliott Offers More Conventional Formula Yahoo. Accessed September 14, 2008.
  17. ^ Gap Cord Jeans Missy Elliot and Madonna
  18. ^ VH1 Presents Hip Hop Honors
  19. ^ Missy on her seventh album on ELLE.com Elle Magazine. Accessed June 12, 2009.
  20. ^ a b Mariel Concepcion (June 10, 2008). Missy Elliott Goes Back Around The 'Block' Billboard. Accessed June 13, 2008.
  21. ^ http://boards.atlanticrecords.com/artists/missyelliott/forums/a/tpc/f/295102864/m/43710855521
  22. ^ Moss, Corey (2005-11-29). "Missy Elliott Says She'll Expose Rape In Autobiographical Film". MTV News. http://www.mtv.com/news/articles/1515205/20051129/elliott_missy.jhtml. Retrieved 2008-11-23. 
  23. ^ The Making of 'Let it Go'
  24. ^ Timbaland Shuns Missy Elliott Biopic
  25. ^ a b Jessica Herndon, Michael Y. Park (July 31, 2008). It's All Dance and No Play for Missy Elliott People. Accessed September 14, 2008.
  26. ^ http://new.music.yahoo.com/blogs/amplifier/89362/missy-elliott-has-been-mia-for-a-very-good-reason

References

External links


 
 
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