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modulation

 
Dictionary: mod·u·la·tion   (mŏj'ə-lā'shən) pronunciation
n.
  1. The act or process of modulating.
  2. The state of being modulated.
  3. Music.
    1. A passing or transition from one key or tonality to another.
    2. The result of such a transition.
    1. A change in stress, pitch, loudness, or tone of the voice; an inflection of the voice.
    2. An instance of such a change or an inflection.
  4. The harmonious use of language, as in poetry or prose.
  5. Electronics. The variation of a property of an electromagnetic wave or signal, such as its amplitude, frequency, or phase.

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Sci-Tech Encyclopedia: Modulation
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A technique employed in telecommunications transmission systems whereby an electromagnetic signal (the modulating signal) is encoded into one or more of the characteristics of another signal (the carrier signal) to produce a third signal (the modulated signal), whose properties are matched to the characteristics of the medium over which it is to be transmitted. The encoding preserves the original modulating signal in that it can be recovered from the modulated signal at the receiver by the process of demodulation. The main purpose of modulation is to overcome any inherent incompatibilities between the electromagnetic properties of the modulating signal and those of the transmission medium. Of primary importance in this respect is the spectral distribution of power in the modulating signal relative to the passband of the medium. Modulation provides the means for shifting the power of the modulating signal to a part of the frequency spectrum where the medium's transmission characteristics, such as its attenuation, interference, and noise level, are favorable. See also Electromagnetic wave transmission; Radio-wave propagation.

Two forms of modulation are generally distinguished, although they have many properties in common: If the modulating signal's amplitude varies continuously with time, it is said to be an analog signal and the modulation is referred to as analog. In the case where the modulating signal may vary its amplitude only between a finite number of values and the change may occur only at discrete moments in time, the modulating signal is said to be a digital signal and the modulation is referred to as digital.

In most applications of modulation the carrier signal is a sine wave, which is completely characterized by its amplitude, its frequency, and its phase relative to some point in time. Modulating the carrier then amounts to varying one or more of these parameters in direct proportion to the amplitude of the modulating signal. In analog modulation systems, varying the amplitude, frequency, or phase of the carrier signal results in amplitude modulation (AM), frequency modulation (FM), or phase modulation (PM), respectively. Since the frequency of a sine wave expressed in radians per second equals the derivative of its phase, frequency modulation and phase modulation are sometimes subsumed under the general term “angle modulation” or “exponential modulation.”

If the modulating signal is digital, the modulation is termed amplitude-shift keying (ASK), frequency-shift keying (FSK), or phase-shift keying (PSK), since in this case the discrete amplitudes of the digital signal can be said to shift the parameter of the carrier signal between a finite number of values. For a modulating signal with only two amplitudes, “binary” is sometimes added before these terms.

Digital modulating signals with more than two amplitudes are sometimes encoded into both the amplitude and phase of the carrier signal. For example, if the amplitude of the modulating signal can vary between four different values, each such value can be encoded as a combination of one of two amplitudes and one of two phases of the carrier signal. Quadrature amplitude modulation (QAM) is an example of such a technique.

In certain applications of modulation the carrier signal, rather than being a sine wave, consists of a sequence of electromagnetic pulses of constant amplitude and time duration, which occur at regular points in time. Changing one or the other of these parameters gives rise to three modulation schemes known as pulse-position modulation (PPM), pulse-duration modulation (PDM), and pulse-amplitude modulation (PAM), in which the time of occurrence of a pulse relative to its nominal occurrence, the time duration of a pulse, or its amplitude are determined by the amplitude of the modulating signal. See also Pulse modulation.



In electronics, a technique for impressing information (voice, music, picture, or data) on a radio-frequency carrier wave by varying one or more characteristics of the wave in accordance with the signal. There are various forms of modulation, each designed to alter a particular characteristic of the carrier wave. The most commonly altered characteristics include amplitude (see AM), frequency (see FM), phase, pulse sequence, and pulse duration.

For more information on modulation, visit Britannica.com.

 
Columbia Encyclopedia: modulation
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in communications
in music

modulation, in communications, process in which some characteristic of a wave (the carrier wave) is made to vary in accordance with an information-bearing signal wave (the modulating wave); demodulation is the process by which the original signal is recovered from the wave produced by modulation. The original, unmodulated wave may be of any kind, such as sound or, most often, electromagnetic radiation, including optical waves. The carrier wave can be a direct current, an alternating current, or a pulse chain. In modulation, it is processed in such a way that its amplitude, frequency, or some other property varies.

Amplitude Modulation

Amplitude modulation (AM) is the modulation method used in the AM radio broadcast band. In this system the intensity, or amplitude, of the carrier wave varies in accordance with the modulating signal. When the carrier is thus modulated, a fraction of the power is converted to sidebands extending above and below the carrier frequency by an amount equal to the highest modulating frequency. If the modulated carrier is rectified (see rectifier) and the carrier frequency filtered out, the modulating signal can be recovered. This form of modulation is not a very efficient way to send information; the power required is relatively large because the carrier, which contains no information, is sent along with the information.

In a variant of amplitude modulation, called single sideband modulation (SSB), the modulated signal contains only one sideband and no carrier. The information can be demodulated only if the carrier is used as a reference. This is normally accomplished by generating a wave in the receiver at the carrier frequency. SSB modulation is used for long-distance telephony (such as in the amateur radio bands) and telegraphy over land and submarine cables.

Frequency and Phase Modulation

In frequency modulation (FM), the frequency of the carrier wave is varied in such a way that the change in frequency at any instant is proportional to another signal that varies with time. Its principal application is also in radio, where it offers increased noise immunity and decreased distortion over the AM transmissions at the expense of greatly increased bandwidth. The FM band has become the choice of music listeners because of its low-noise, wide-bandwidth qualities; it is also used for the audio portion of a television broadcast.

Digital radio is based on frequency division multiplexing (FDM), which allows transmission of multiple signals simultaneously over a single transmission path, such as a cable or wireless system. Each signal travels within its own unique frequency range (carrier), which is modulated by the data (audio, video, etc.). Orthogonal frequency-division multiplexing (OFDM) takes this concept further, separating an individual transmission into multiple low-frequency signals with a high resistance to interference. A further extension of the technology, coded orthogonal frequency-division multiplexing (COFDM), is widely used in Europe and elsewhere where the digital audio broadcast (DAB) standard has been adopted. OFDM and COFDM offer the benefits of high spectral efficiency, resilience to radio-frequency (RF) interference, and lower multipath distortion.

Phase modulation, like frequency modulation, is a form of angle modulation (so called because the angle of the sinewave carrier is changed by the modulating wave). The two methods are very similar in the sense that any attempt to shift the frequency or phase is accomplished by a change in the other.

Pulse Modulation

Pulse modulation involves modulating a carrier that is a train of regularly recurrent pulses. The modulation might vary the amplitude (PAM or pulse amplitude modulation), the duration (PDM or pulse duration modulation), or the presence of the pulses (PCM or pulse code modulation). PCM can be used to send digital data; audio signals on a compact disc use pulse code modulation. Developed in 1939 by the English inventor Alec H. Reeves, pulse code modulation is the most important form of pulse modulation because it can be used to transmit information over long distances with hardly any interference or distortion; for this reason it has become increasingly important in the transmission of data in the space program and between computers. Although PCM transmits digital instead of analog signals, the modulating wave is continuous. Digital modulation begins with a digital modulating signal. The two most common digital modulating techniques are phase-shift keying (PSK) and frequency-shift keying (FSK).

modulation, in music, shift in the key center of a composition. For its accomplishment use is made of the fact that each chord figures in the harmonic relationships of several keys. In modulating from one key to another, a chord that is common to both keys is used as a pivot chord. If there is no chord common to the two keys, a passage may move through several keys before the desired modulation has been effected. Modulation is commonly employed as a means of achieving variety in a composition and has been in use since the late 15th cent.

Bibliography

See C. Zöller, The Art of Modulation (1930); M. Reger, On the Theory of Modulation (tr. 1948).


Veterinary Dictionary: modulation
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The capacity to regulate; widely used in biology, e.g. modulation of immune responses, food intake, etc.

  • antigenic m. — the alteration of antigenic determinants in a living cell surface membrane following interaction with an antibody.
  • covalent m. — activation or inactivation of enzymes, either by phosphorylation/dephosphorylation or by proteolytic cleavage. A major means of regulation of enzyme action by hormones.
Electronics Dictionary: modulation
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Process by which an information signal (audio for example) is used to modify some characteristic of a higher frequency wave known as a carrier (radio for example).


Music: Modulation
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To change keys, the movement from one tonic center to another.

Poetry Glossary: Modulation
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In poetry, the harmonious use of language relative to the variations of stress and pitch.

Wikipedia: Modulation
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Modulation techniques
Analog modulation
AM · SSB  · QAM  · FM · PM · SM
Digital modulation
FSK · ASK · OOK · PSK · QAM
MSK · CPM · PPM · TCM · OFDM
Spread spectrum
CSS  · DSSS  · FHSS  · THSS
See also: Demodulation, modem

Modulation is the process of varying one waveform in relation to another waveform. In telecommunications, modulation is used to convey a message, or a musician may modulate the tone from a musical instrument by varying its volume, timing and pitch. Often a high-frequency sinusoid waveform is used as carrier signal to convey a lower frequency signal. The three key parameters of a sine wave are its amplitude ("volume"), its phase ("timing") and its frequency ("pitch"), all of which can be modified in accordance with a low frequency information signal to obtain the modulated signal.

A device that performs modulation is known as a modulator and a device that performs the inverse operation of modulation is known as a demodulator (sometimes detector or demod). A device that can do both operations is a modem (short for "Modulator-Demodulator").

Contents

Aim

The aim of digital modulation is to transfer a digital bit stream over an analog passband channel, for example over the public switched telephone network (where a bandpass filter limits the frequency range to between 300 and 3400 Hz), or over a limited radio frequency band.

The aim of analog modulation is to transfer an analog baseband (or lowpass) signal, for example an audio signal or TV signal, over an analog passband channel, for example a limited radio frequency band or a cable TV network channel.

Analog and digital modulation facilitate frequency division multiplexing (FDM), where several low pass information signals are transferred simultaneously over the same shared physical medium, using separate passband channels.

The aim of digital baseband modulation methods, also known as line coding, is to transfer a digital bit stream over a baseband channel, typically a non-filtered copper wire such as a serial bus or a wired local area network.

The aim of pulse modulation methods is to transfer a narrowband analog signal, for example a phone call over a wideband baseband channel or, in some of the schemes, as a bit stream over another digital transmission system.

Analog modulation methods

In analog modulation, the modulation is applied continuously in response to the analog information signal.

A low-frequency message signal (top) may be carried by an AM or FM radio wave.

Common analog modulation techniques are:

Digital modulation methods

In digital modulation, an analog carrier signal is modulated by a digital bit stream. Digital modulation methods can be considered as digital-to-analog conversion, and the corresponding demodulation or detection as analog-to-digital conversion. The changes in the carrier signal are chosen from a finite number of M alternative symbols (the modulation alphabet).

A simple example: A telephone line is designed for transferring audible sounds, for example tones, and not digital bits (zeros and ones). Computers may however communicate over a telephone line by means of modems, which are representing the digital bits by tones, called symbols. If there are four alternative symbols (corresponding to a musical instrument that can generate four different tones, one at a time), the first symbol may represent the bit sequence 00, the second 01, the third 10 and the fourth 11. If the modem plays a melody consisting of 1000 tones per second, the symbol rate is 1000 symbols/second, or baud. Since each tone represents a message consisting of two digital bits in this example, the bit rate is twice the symbol rate, i.e. 2000 bits per second.

According to one definition of digital signal, the modulated signal is a digital signal, and according to another definition, the modulation is a form of digital-to-analog conversion. Most textbooks would consider digital modulation schemes as a form of digital transmission, synonymous to data transmission; very few would consider it as analog transmission.

Fundamental digital modulation methods

These are the most fundamental digital modulation techniques:

  • In the case of PSK, a finite number of phases are used.
  • In the case of FSK, a finite number of frequencies are used.
  • In the case of ASK, a finite number of amplitudes are used.
  • In the case of QAM, a finite number of at least two phases, and at least two amplitudes are used.

In QAM, an inphase signal (the I signal, for example a cosine waveform) and a quadrature phase signal (the Q signal, for example a sine wave) are amplitude modulated with a finite number of amplitudes, and summed. It can be seen as a two-channel system, each channel using ASK. The resulting signal is equivalent to a combination of PSK and ASK.

In all of the above methods, each of these phases, frequencies or amplitudes are assigned a unique pattern of binary bits. Usually, each phase, frequency or amplitude encodes an equal number of bits. This number of bits comprises the symbol that is represented by the particular phase.

If the alphabet consists of M = 2N alternative symbols, each symbol represents a message consisting of N bits. If the symbol rate (also known as the baud rate) is fS symbols/second (or baud), the data rate is NfS bit/second.

For example, with an alphabet consisting of 16 alternative symbols, each symbol represents 4 bits. Thus, the data rate is four times the baud rate.

In the case of PSK, ASK or QAM, where the carrier frequency of the modulated signal is constant, the modulation alphabet is often conveniently represented on a constellation diagram, showing the amplitude of the I signal at the x-axis, and the amplitude of the Q signal at the y-axis, for each symbol.

Modulator and detector principles of operation

PSK and ASK, and sometimes also FSK, are often generated and detected using the principle of QAM. The I and Q signals can be combined into a complex-valued signal I+jQ (where j is the imaginary unit). The resulting so called equivalent lowpass signal or equivalent baseband signal is a complex-valued representation of the real-valued modulated physical signal (the so called passband signal or RF signal).

These are the general steps used by the modulator to transmit data:

  1. Group the incoming data bits into codewords, one for each symbol that will be transmitted.
  2. Map the codewords to attributes, for example amplitudes of the I and Q signals (the equivalent low pass signal), or frequency or phase values.
  3. Adapt pulse shaping or some other filtering to limit the bandwidth and form the spectrum of the equivalent low pass signal, typically using digital signal processing.
  4. Perform digital-to-analog conversion (DAC) of the I and Q signals (since today all of the above is normally achieved using digital signal processing, DSP).
  5. Generate a high-frequency sine wave carrier waveform, and perhaps also a cosine quadrature component. Carry out the modulation, for example by multiplying the sine and cosine wave form with the I and Q signals, resulting in that the equivalent low pass signal is frequency shifted into a modulated passband signal or RF signal. Sometimes this is achieved using DSP technology, for example direct digital synthesis using a waveform table, instead of analog signal processing. In that case the above DAC step should be done after this step.
  6. Amplification and analog bandpass filtering to avoid harmonic distortion and periodic spectrum

At the receiver side, the demodulator typically performs:

  1. Bandpass filtering.
  2. Automatic gain control, AGC (to compensate for attenuation, for example fading).
  3. Frequency shifting of the RF signal to the equivalent baseband I and Q signals, or to an intermediate frequency (IF) signal, by multiplying the RF signal with a local oscillator sinewave and cosine wave frequency (see the superheterodyne receiver principle).
  4. Sampling and analog-to-digital conversion (ADC) (Sometimes before or instead of the above point, for example by means of undersampling).
  5. Equalization filtering, for example a matched filter, compensation for multipath propagation, time spreading, phase distortion and frequency selective fading, to avoid intersymbol interference and symbol distortion.
  6. Detection of the amplitudes of the I and Q signals, or the frequency or phase of the IF signal.
  7. Quantization of the amplitudes, frequencies or phases to the nearest allowed symbol values.
  8. Mapping of the quantized amplitudes, frequencies or phases to codewords (bit groups).
  9. Parallel-to-serial conversion of the codewords into a bit stream.
  10. Pass the resultant bit stream on for further processing such as removal of any error-correcting codes.

As is common to all digital communication systems, the design of both the modulator and demodulator must be done simultaneously. Digital modulation schemes are possible because the transmitter-receiver pair have prior knowledge of how data is encoded and represented in the communications system. In all digital communication systems, both the modulator at the transmitter and the demodulator at the receiver are structured so that they perform inverse operations.

Non-coherent modulation methods do not require a receiver reference clock signal that is phase synchronized with the sender carrier wave. In this case, modulation symbols (rather than bits, characters, or data packets) are asynchronously transferred. The opposite is coherent modulation.

List of common digital modulation techniques

The most common digital modulation techniques are:

MSK and GMSK are particular cases of continuous phase modulation. Indeed, MSK is a particular case of the sub-family of CPM known as continuous-phase frequency-shift keying (CPFSK) which is defined by a rectangular frequency pulse (i.e. a linearly increasing phase pulse) of one symbol-time duration (total response signaling).

OFDM is based on the idea of frequency-division multiplexing (FDM), but is utilized as a digital modulation scheme. The bit stream is split into several parallel data streams, each transferred over its own sub-carrier using some conventional digital modulation scheme. The modulated sub-carriers are summed to form an OFDM signal. OFDM is considered as a modulation technique rather than a multiplex technique, since it transfers one bit stream over one communication channel using one sequence of so-called OFDM symbols. OFDM can be extended to multi-user channel access method in the orthogonal frequency-division multiple access (OFDMA) and multi-carrier code division multiple access (MC-CDMA) schemes, allowing several users to share the same physical medium by giving different sub-carriers or spreading codes to different users.

Of the two kinds of RF power amplifier, switching amplifiers (Class C amplifiers) cost less and use less battery power than linear amplifiers of the same output power. However, they only work with relatively constant-amplitude-modulation signals such as angle modulation (FSK or PSK) and CDMA, but not with QAM and OFDM. Nevertheless, even though switching amplifiers are completely unsuitable for normal QAM constellations, often the QAM modulation principle are used to drive switching amplifiers with these FM and other waveforms, and sometimes QAM demodulators are used to receive the signals put out by these switching amplifiers.

Digital baseband modulation or line coding

The term digital baseband modulation (or digital baseband transmission) is synonymous to line codes. These are methods to transfer a digital bit stream over an analog baseband channel (a.k.a. lowpass channel) using a pulse train, i.e. a discrete number of signal levels, by directly modulating the voltage or current on a cable. Common examples are unipolar, non-return-to-zero (NRZ), Manchester and alternate mark inversion (AMI) coding.

Pulse modulation methods

Pulse modulation schemes aim at transferring a narrowband analog signal over an analog baseband channel as a two-level signal by modulating a pulse wave. Some pulse modulation schemes also allow the narrowband analog signal to be transferred as a digital signal (i.e. as a quantized discrete-time signal) with a fixed bit rate, which can be transferred over an underlying digital transmission system, for example some line code. These are not modulation schemes in the conventional sense since they are not channel coding schemes, but should be considered as source coding schemes, and in some cases analog-to-digital conversion techniques.

Analog-over-analog methods:

Analog-over-digital methods:

Miscellaneous modulation techniques

See also

References


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Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.  Read more
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Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
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Electronics Dictionary. Copyright 2001 by Twysted Pair. All rights reserved.  Read more
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Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Modulation" Read more