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Montmartre

 
 
Paris: Getting Oriented: Paris by Neighborhood: Place des Victoires & Palais Royal: Montmartre & Pigalle

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Montmartre has always attracted the crowds to its basilica-topped butte. Many come to lose themselves in the historic village atmosphere of cobblestoned passages, secret gardens, and tiny cabarets immortalized by their favorite artists and writers. But Montmartre is more than just a pretty postcard from the past. It’s also a lively Parisian neighborhood full of young designer boutiques and trendy local bars. You’ll discover here the magical mix of quirky inhabitants, sex shops, and modern romance featured in the film Amélie. So admire the view from Sacré-Coeur and drink the local wine at Place du Tertre, but be prepared to do a bit of exploration off the beaten track for a glimpse of the real Montmartre beyond the tour buses and souvenir shops.

Begin at the métro Abbesses, with its original 1900 Art Nouveau entrance and a never-ending spiral stairwell decorated top to bottom by local artists. Take the elevator if you must, but those aren’t the last stairs you’ll see in this neighborhood! Hopeless romantics should visit the Square Jehan Rictus, where a 430-square-foot mural created in 2000 is covered with the words I Love You, written in 311 languages. Follow the Rue Yvonne Le Tac to the Place St-Pierre, at the foot of the Square Willette. This is the heart of the Paris textiles market, with shop after shop of luxurious fabrics sold at wholesalers’ prices.

The Halle St-Pierre, a former 19th-century covered market of glass and iron, houses the Musée International d’Art Naîf (Halle St-Pierre, 2 Rue Ronsard, 18th, M° Abbesses, ☎ 01 42 58 72 89, www.midan.org), a primitive and folk-art museum and library. Open daily, 10am to 6pm; entry €6. There’s no fee to stop by the museum’s café, where you can enjoy the lovely views of Sacré-Coeur with a cup of tea and a slice of pie.

Continue up Rue Ronsard (or sneak back to the funicular railway, which works with regular métro tickets) to the steps of the Sacré-Coeur Basilica. The panoramic views here are a bit overrated, since perpetual smog and its distance from central Paris make it hard to distinguish much besides the Eiffel Tower and the Tour Montparnasse.

Construction of the Roman-Byzantine Sacré-Coeur Basilica (Parvis du Sacré-Coeur, 18th, M° Anvers, ☎ 01 53 41 89 00) began after the Franco-Prussian war of 1870, funded by donations from all over the country by those convinced that the occupation (and subsequent Paris Commune uprising) was a punishment from God for their lack of faith. The grand wedding-cake structure was finally consecrated in 1919. Because of the nature of the stone used to build the basilica, each time it rains it actually gets whiter. The basilica is open daily, 6am to 11pm. The dome (656 feet above sea level) and the crypt can be visited daily, 9am to 5:45pm (entry €4.50).

Follow the Rue Azais around to the small Eglise St-Pierre-de-Montmartre (2 Rue du Mont-Cénis, 18th), the only surviving vestige of Montmartre’s ancient Benedictine Abbey, which was destroyed during the French Revolution. Consecrated in the 12th century, St-Pierre’s is one of the oldest churches in Paris (along with St-Germain-des-Prés and St-Martin-des-Champs). The tiny cemetery next door is only open to the public on All Saints’ Day (November 1).

Be ready to fend off the roving portrait artists as you enter the Place du Tertre, the historic heart of Montmartre. The official, tax-paying artists are the ones sitting patiently at their easels in the center of the square (you can try haggling a lower price if business is slow). It’s best to visit early in the morning, before the café terraces and postcard stands crowd the sidewalks. Be sure to stop into the community-run information center, the Syndicat d’Initiative de Montmartre (21 Place du Tertre, 18th, ☎ 01 42 62 21 21). There’s a large binder you can browse through for local information on food, hotels, sightseeing and events. They also sell local maps, detailed history guides, and the rare Clos de Montmartre wine. Open daily, 10am to 7pm.

Leave the crowded square by the Rue Poulbot. Devoted Salvador Dali fans won’t want to miss the “fantasmagoric universe” known as the Espace Dali (11 Rue Poulbot, 18th, M° Abbesses, ☎ 01 42 64 40 10), with over 300 of the Spanish surrealist’s prints and sculptures theatrically displayed. Open daily, 10am to 6:30pm, July and August until 9pm. Entry €7.

Explore the photogenic Rue Norvins and Rue St-Rustique, whose Auberge de la Bonne-Franquette (on the corner of Rue des Saules) was immortalized in Utrillo’s paintings, and frequented in the late 1800s by Pissarro, Cézanne, Monet, Renoir, Van Gogh and the writer Emile Zola. Want to know more about the artists of Montmartre? Just around the corner is the Musée de Montmartre (12 Rue Cortot, 18th, M° Anvers, ☎ 01 49 25 89 37, www.museedemontmartre.com), a 17th-century townhouse where Renoir, Dufy and Utrillo once lived, now a museum dedicated to the Butte’s Bohemian heyday. Don’t miss the great views from the windows. Open Tuesday through Saturday, 10am to 12:30pm and 1:30 to 6pm. Entry €4.50, students €3, free for kids under 10.

Cut back behind the Basilica along the Rue du Chevalier de la Barre to the romantic Parc de la Turlure, with its vine-covered pergola and lovely views over the rooftops. Follow the Rue de la Bonne (downhill, at last) to the cobblestoned Rue Saint-Vincent. Across from #14 is the Jardin Sauvage, a wildlife preservation garden only open to the public on Saturdays from April to October, 10am to 6pm. Next door is the Clos du Montmartre, the symbolic vineyard planted in 1933 to commemorate Montmartre’s history as a wine-growing hilltop. The annual grape harvest festival takes place the first week of October (and according to those in the know, the quality of the wine has improved significantly over the past decade).

Across from the vineyard is the historic cottage of the Cabaret du Lapin Agile (22 Rue des Saules, 18th, M° Lamarck-Caulaincourt, ☎ 01 46 06 85 87, www.au-lapin-agile.com) once the haunt of Montmartre’s artists and now a place to go hear all of the old classic French chansons in an authentic cabaret décor (see the Entertainment section for more information). Continue along Rue St-Vincent, with a peek into the tiny Cimetière de St-Vincent on your right (entrance on Rue Gaulard), where the artist Utrillo and other local parishioners are buried.

Time to head back up the hill along the curve of Avenue Junot. There are some charming townhouses built in the early 1900s at the Hameau des Artistes (#11) and Villa Léandre (#25). Turn right on Rue Giradon and again at Rue Lepic. Here stand Montmartre’s last two windmills, the Moulin Radet and the Moulin de la Galette, the famous dance hall immortalized in Renoir’s Bal du Moulin de la Galette (at the Musée d’Orsay). Vincent Van Gogh lived at his brother’s flat on the third floor of #54 from 1886-1888, painting the windmills and Montmartre’s quickly vanishing wheat fields.

Get ready for a change of scenery at the Place Blanche, where the neon red windmill of the Moulin Rouge (82 Boulevard de Clichy, 18th, M° Blanche, ☎ 01 53 09 82 82, www.clubmoulinrouge.com) stands proudly in the center of Pigalle’s sex shops, night clubs and peep shows. Although the public adored its frilly petticoated cancan dancers, the Moulin Rouge caused a real scandal in 1890 when the first woman appeared onstage as Cleopatra – completely nude! It’s had many ups and downs before evolving to its current Vegas-style show. Read all about it on their web site, or see the Entertainment section for information on booking a seat.

Just west of the Moulin Rouge is the Musée de l’Erotisme (72 Boulevard de Clichy, 18th, M° Blanche, ☎ 01 42 58 28 73) This museum suffers from its seedy location, because it’s not just a collection of dirty pictures. There are seven floors dedicated to evolution of eroticism in art, from primitive sculptures and Far Eastern illustrated books to Belle Epoque furniture and contemporary cartoons. Okay, and lots of dirty pictures. The most interesting part of the exhibition presents the glory days of 19th-century Parisian brothels. All of the descriptions are in French and English. The neighborhood may scare off some visitors, but the museum is tastefully done and not at all intimidating, even for solo female visitors. Open daily, 10am to 2am. Entry €7, €5 for students.

Continue along the same side of the boulevard to the tiny Avenue Rachel, a tree-lined pedestrian street with a few cafés and restaurants spilling out onto the sidewalk in nice weather. At the end of the street is the main entrance to the Cimetière de Montmartre (20 Avenue Rachel, 18th, M° Blanche, ☎ 01 53 42 36 30), with the elevated Rue Caulaincourt passing right overhead. Set in the hills, it’s deceptively small until you start going up and down the steps. Ask for a printed plan at the office just inside, which has the locations of famous residents such Berlioz, Offenbach, Degas, Stendhal, Fragonard and Dalida. Open weekdays 8am to 5:30pm (from 8:30am on Saturday, and 9am on Sunday).

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  • Location: Paris' highest hill, 426 ft/130 m high

The name Montmartre comes from "Mont des Martyrs" (Hill of Martyrs) — the bishop St. Denis, the priest Rustique and the archdeacon Eleuthère were all decapitated there around the year 250. A Benedictine monastery was built there in the 12th century.

In the late 1800s, Montmartre became a hub for artists and bohemians. Van Gogh, Berlioz, Utrillo, Toulouse-Lautrec, Picasso, Renoir and many others lived and created in their small quarters on Montmartre. The area is still a popular artists center and the home of the Lapin Agile and the Moulin Rouge. It is particularly crowded on weekends — you may want to save your visit for weekdays, preferably early in the day.

Dictionary: Mont·mar·tre   (môN-mär'trə) pronunciation
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A hill and district of northern Paris, France, on the Right Bank. It is noted for its nightlife and for its associations with artists such as Van Gogh, Toulouse-Lautrec, and Utrillo. The original village of Montmartre was annexed by Paris in 1860.

 

Hill to the north of Paris, now in the 18th arrondissement. The ‘Butte’ saw fierce fighting during the Commune of 1871, after which the pompous basilica of the Sacré-Cœur was erected there as an act of expiation. It remained rustic in character until the end of the 19th c. and was a popular pleasure resort, with many bars, cabarets, and dance-halls (e.g. the Moulin Rouge), which were much frequented by artists and writers around the turn of the century.

[Peter France]

 
Columbia Encyclopedia: Montmartre
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Montmartre (môNmär'trə) [Fr.,=hill of the martyrs], hill in Paris, on the right bank of the Seine River. The highest point of Paris, it is topped by the famous Church of Sacré-Cœur. Parts of the ancient quarter on its slopes were long a favorite residence of the bohemian world. Until the 20th cent. Montmartre retained a rural look and provided material for Van Gogh, Pissarro, Utrillo, and other artists. Montmartre is also famed for its nightlife; among its many nightclubs is the Moulin Rouge. The cemetery of Montmartre contains the tombs of Stendhal, Renan, Heine, Berlioz, and Alfred de Vigny. The town of Montmartre was annexed to Paris in 1860. The hill, a natural fortress, played a military role during the Paris Commune (1871) and other periods.


Wikipedia: Montmartre
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Montmartre seen from the centre Georges Pompidou
Montmartre is located in Paris
Montmartre
Location of Montmartre in Paris

Montmartre is a hill (the butte Montmartre) which is 130 meters high, giving its name to the surrounding district, in the north of Paris in the 18th arrondissement, a part of the Right Bank. Montmartre is primarily known for the white-domed Basilica of the Sacré Cœur on its summit and as a nightclub district. The other, older, church on the hill is Saint Pierre de Montmartre, which claims to be the location at which the Jesuit order of priests was founded. Many artists had studios or worked around the community of Montmartre such as Salvador Dalí, Modigliani, Claude Monet, Pablo Picasso and Vincent van Gogh. Montmartre is also the setting for several hit films. This site is served by metro line 2 stations of Anvers, Pigalle and Blanche and the line 12 stations of Pigalle, Abbesses, Lamarck - Caulaincourt and Jules Joffrin.

Contents

Name origin

The toponym Mons Martis ("Mount of Mars") survived into Merovingian times, Christianised as Montmartre,[1] signifying 'mountain of the martyr'; it owes this name to the martyrdom of Saint Denis,[2] who was decapitated on the hill around 250 AD. Saint Denis was the Bishop of Paris and is the patron saint of France.

The hill's religious symbolism is thought to be even older, as it has been suggested as a likely druidic holy place because it is the highest point in the area. No archeological evidence supports the claim.[3]

In the 18-19th c., there were a number of gypsum mines in Montmartre. A fossil tooth found in one of these was identified by Georges Cuvier as an extinct equine, the paleotherium. His sketch of the entire animal in 1825 was matched by a skeleton discovered later[4].

19th century

Boulevard Montmartre. (1897), a painting by Camille Pissarro of the boulevard that led to Montmartre as seen from his hotel room.

When Napoleon III and his city planner Baron Haussmann planned to make Paris the most beautiful city in Europe, a first step was to grant large sweeps of land near the centre of the city to Haussmann's friends and financial supporters. This drove the original inhabitants to the edges of the city — to the districts of Clichy, La Villette, and the hill with a view of the city, Montmartre.

Russians occupied Montmartre when invading Paris. They used the altitude of the hill for artillery bombardment of the city.[5]

There is a memorial sign on one of the restaurants on Montmartre that says: On 30 March 1814 - here the Cossacks first launched their famous "Bistro" and thus on this summit occurred the worthy ancestor of our Bistros.[6]

LE 30 MARS 1814
LES COSAQUES LANCERENT ICI
EN PREMIER, LEUR TRES FAMEUX "BISTRO"
ET, SUR LA BUTTE, NAQUIT AINSI
LE DIGNE ANCÊTRE DE NOS BISTROTS.
180eme ANNIVERSAIRE
SYNDICAT D'INTIATIVE DU VIEUX MONTMARTRE

Basilica of the Sacré Cœur, Montmartre, Paris.

Since Montmartre was outside the city limits, free of Paris taxes and no doubt also due to the fact that the local nuns made wine, the hill quickly became a popular drinking area. The area developed into a centre of free-wheeling and decadent entertainment at the end of the 19th century and the beginning of the 20th century. In the popular cabaret the Moulin Rouge, and at Le Chat Noir, artists, singers and performers regularly appeared including Yvette Guilbert, Marcelle Lender, Aristide Bruant, La Goulue, Georges Guibourg, Mistinguett, Fréhel, Jane Avril, Damia and others.

The Basilica of the Sacré Cœur was built on Montmartre from 1876 to 1912 by public subscription as a gesture of expiation of the "crimes of the communards", after the Paris Commune events, and to honour the French victims of the 1871 Franco-Prussian War. Its white dome is a highly visible landmark in the city, and just below it artists still set up their easels each day amidst the tables and colourful umbrellas of Place du Tertre.

At the beginning of his political career, the future French statesman Georges Clemenceau (1841–1929) was mayor of Montmartre.

Artists gather

Théophile Steinlen's famous advertisement for the tour of the Le Chat Noir cabaret

In the mid-1800s artists, such as Johan Jongkind and Camille Pissarro, came to inhabit Montmartre. By the end of the century, Montmartre and its counterpart on the Left Bank, Montparnasse, became the principal artistic centers of Paris. A restaurant opened near the old windmill near the top, the Moulin de la Galette.

Pablo Picasso, Amedeo Modigliani, and other impoverished artists lived and worked in a commune, a building called Le Bateau-Lavoir during the years 1904–1909.

Artist associations such as Les Nabis and the Incoherents were formed and individuals including Vincent van Gogh, Pierre Brissaud, Alfred Jarry, Gen Paul, Jacques Villon, Raymond Duchamp-Villon, Henri Matisse, André Derain, Suzanne Valadon, Pierre-Auguste Renoir, Edgar Degas, Maurice Utrillo, Henri de Toulouse-Lautrec, Théophile Steinlen, and African-American "expatriates" such as Langston Hughes worked in Montmartre and drew some of their inspiration from the area.

Composers, including Satie (who was a pianist at Le Chat Noir), also lived in the area.

The last of the bohemian Montmartre artists was Gen Paul (1895–1975), born in Montmartre and a friend of Utrillo. Paul's calligraphic expressionist lithographs, sometimes memorializing picturesque Montmartre itself, owe a lot to Raoul Dufy.

Contemporary Montmartre

The view from the butte looking towards Centre Georges Pompidou
The Montmartre "petit train" doing its rounds near the Moulin Rouge cabaret.
The stairs of Rue Foyatier

In La Bohème (1965), perhaps the best-known song by popular singer-songwriter Charles Aznavour, a painter recalls his youthful years in a Montmartre that has ceased to exist: Je ne reconnais plus/Ni les murs, ni les rues/Qui ont vu ma jeunesse/En haut d'un escalier/Je cherche l'atelier/Dont plus rien ne subsiste/Dans son nouveau décor/Montmartre semble triste/Et les lilas sont morts ('I no longer recognize/Neither the walls nor the streets/That had seen my youth/At the top of a staircase/I look for a studio-apartment/Of which nothing survives/In its new décor/Montmartre seems sad/And the lilacs are dead'). The song is a farewell to what, according to Aznavour, were the last days of Montmartre as a site of bohemian activity.

The Dubstar song La Bohème, released as a filler track for the single "No More Talk", from the album Goodbye is remake of the French song in English, also as a wistful recollection of young adulthood spent in the Montmartre area.

The Musée de Montmartre is in the house where the painter Maurice Utrillo lived and worked in a second-floor studio. The mansion in the garden at the back is the oldest hotel on Montmartre, and one of its first owners was Claude Roze, also known as Roze de Rosimond, who bought it in 1680. Roze was the actor who replaced Molière, and, like his predecessor, died on stage. The house was Pierre-Auguste Renoir's first Montmartre address and many other names moved through the premises.

Just off the top of the butte, Espace Dalí showcases surrealist artist Salvador Dalí's work. Nearby, day and night, tourists visit such sights as the artists in Place du Tertre and the cabaret du Lapin Agile. Many renowned artists are buried in the Cimetière de Montmartre and the Cimetière Saint-Vincent.

Montmartre was the setting of the film La Môme, [English release title, La Vie En Rose] which elaborates the life of famous French singer Edith Piaf and her times in the slums of Paris, and of Amélie, the story of a young Parisian woman determined to help the lives of others and find her true love, is set in an exaggeratedly quaint version of contemporary Montmartre. 2001's Moulin Rouge! was also set here, the story of a young man who believes in truth, beauty, freedom, and love, and who falls in love with a famous courtesan. 1954's Moulin Rouge, solely about the life and lost loves of painter Henri de Toulouse-Lautrec, also took place here.

Montmartre is an officially designated historic district with limited development allowed in order to maintain its historic character.

A funicular railway, the Funiculaire de Montmartre, operated by RATP, ascends the hill from the south while the Montmartre Bus circles the hill.

Downhill to the southwest is the red-light district of Pigalle. That area is, today, largely known for a wide variety of sex shops and prostitutes. It also contains a great number of stores specializing in instruments for rock music. There are also several concert halls, also used for rock music.

Vineyard in the Rue Saint-Vincent; the day of the Feast of gardens, 15 days after harvest.

There is a small vineyard in the Rue Saint-Vincent, which continues the tradition of wine production in the Île de France; it yields about 500 litres per year.[7]

See also

References

Notes

  1. ^ Bailey K. Young, "Archaeology in an Urban Setting: Excavations at Saint-Pierre-de-Montmartre, Paris, 1975-1977" Journal of Field Archaeology 5.3 (Autumn 1978:319-329) p 321: "The tradition that a Temple of Mars stood on the south bluff and a Temple of Mercury farther west was known to Eatly Modern érudits.
  2. ^ The "place called the mont of Mars, now by a happy mutation known as the Mont of Martyrs", Miracles of Saint Denis (831) quoted in Young 1978:321 note5.
  3. ^ Young (1978:312) reports of Saint Pierre de Montmartre, the oldest institution on the butte "Though we know that impressive vestiges of antique walls stood into modern times, archaeological testimony is meagre."
  4. ^ Knell, Simon J.; Suzanne Macleod; Sheila E. R. Watson; Museum revolutions: how museums and change and are changed Routledge, 2007, 385 pages ISBN 0415444675, 9780415444675
  5. ^ Leonid Parfyonov.. Russian Empire: Vol. 2, Disk 4, Part 2 (Alexander I). [DVD]. Russia: NTV. Event occurs at 00:27:40. 
  6. ^ Leonid Parfyonov.. Russian Empire: Vol. 2, Disk 4, Part 2 (Alexander I). [DVD]. Russia: NTV. Event occurs at 00:28:53. 
  7. ^ Information on the Clos Montmartre by Syndicat d'Initiative, retrieved 2008-09-26

Bibliography

Vie quotidienne a Montmartre au temps de Picasso, 1900-1910 (Daily Life on Montmartre in the Times of Picasso) was written by Jean-Paul Crespelle, an author-historian who specialized in the artistic life of Montmartre and Montparnasse.

External links

Coordinates: 48°53′13″N 2°20′28″E / 48.88694°N 2.34111°E / 48.88694; 2.34111


 
 

 

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