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The German philosopher Moses Mendelssohn (1729-1786) was a major figure of the German Enlightenment. An intellectually emancipated and cultured German as well as a faithful Jew, he was referred to as the "German Socrates" and as the "Jewish Socrates."
Moses Mendelssohn was born on Sept. 6, 1729, in Dessau. He suffered from curvature of the spine. His father was a Torah scribe. The young man followed traditional Talmudic studies under Rabbi David Frankel, who introduced him to the thought of the medieval Jewish thinker Maimonides. In 1743 Mendelssohn's teacher received an appointment to Berlin, and the young student accompanied him. During the next years Mendelssohn's intellectual training expanded to include Latin, French, and English as well as mathematics and science.
At 21, Mendelssohn began a chain of fortunate associations. He became a tutor to the family of Isaac Bernhard, and he rose successively to bookkeeper and partner in a silk manufacturing firm. This position made him financially independent and left him free to follow his studies. Bernhard also introduced him to Gotthold Ephraim Lessing, the writer and dramatist. Lessing and Mendelssohn began a lifelong friendship and active collaboration. The noble and enlightened Jew in Lessing's famous comedy Nathan the Wise is modeled after the philosopher. Lessing encouraged Mendelssohn in his writing and arranged for the publication of his first essays and his translation of Jean Jacques Rousseau's Discourse on Unequality (1756). With Friedrich Nicolai, Mendelssohn edited a radical and popular magazine, Letters on Literature, which made Mendelssohn well known. In 1762 Mendelssohn married, and he and his wife eventually became the parents of six children. Two of his sons established a famous banking house, and the world-renowned composer Felix Mendelssohn was the philosopher's grandson.
In 1764 Mendelssohn competed against Immanuel Kant and won the Berlin Academy prize with an essay, "Evidence of Metaphysical Science." His main philosophic reputation stemmed from his influential treatises on esthetics and on the philosophy of religion. In 1776 he published a work on immortality. The Phaedo was modeled on Plato's dialogue of the same name. This book became the most popular work in German philosophy. Mendelssohn's writing skill was also reflected in his translation of the Pentateuch from Hebrew into German (1778-1783) as well as in Morning Hours (1785), a volume dealing with the existence of God.
The remainder of Mendelssohn's important work stemmed from two specific controversies. He was challenged by Christian writers either to convert or to explain the compatibility of his philosophy with Judaism. In a response to the Swiss theologian J. K. Lavater (1769) and in Jerusalem (1783) Mendelssohn attempted to interpret Judaism as a religion of reason available to all enlightened humanitarians. After Lessing's death, Lessing was attacked as an atheist, and Mendelssohn produced a series of writings in defense of his friend. Mendelssohn died in Berlin on Jan. 4, 1786.
Further Reading
The only work of Mendelssohn to appear recently in English translation is Jerusalem and Other Jewish Writings (1969). Secondary literature includes Hermann Walter, Moses Mendelssohn: Critic and Philosopher (1930), and a chapter on his philosophy in Jacob B. Agus, The Evolution of Jewish Thought: From Biblical Times to the Opening of the Modern Era (1959).
Encyclopedia of Judaism:
Moses Mendelssohn |
Mendelssohn taught himself High German and, with the help of friends, Latin, Greek, French, and English as well as philosophy and mathematics. He was befriended by the writer and dramatist G.E. Lessing. Mendelssohn had been an ardent student of Maimonides' Guide for the Perplexed in his boyhood, and early in his career wrote a commentary on Maimonides' treatise on logic. He wrote metaphysical-psychological-esthetic treatises, such as Phaedon on immortality (1776) and Morning Hours on the existence of God and theodicy (1785), which won him a place as a leading philosopher of the European Enlightenment. His Jerusalem, with a more Jewish angle of vision, postulated the separation of Religion and State and freedom of worship and conscience and represented post-exilic Judaism as non-dogmatic, non-coercive revealed legislation rather than in terms of self-evident philosophical truths. As a literary critic he wrote review articles for a scientific-artistic journal, making him, with his pure and elegant style, a leader in German literature.
Mendelssohn was publicly challenged by the Swiss pastor J.C. Lavater either to disprove the truth of Christianity or to convert. This forced him to publish a dignified reply, proudly proclaiming his Jewishness and his loyalty to Judaism. This incident represented a crisis in his life, and he now turned to more specifically Jewish concerns. He had always been a loyal and honored member of the Berlin Jewish community, for which he composed prayers, hymns, and sermons for various patriotic occasions. Communities and individuals turned to him for help in their distress, as did harassed Alsatian Jewry, and Mendelssohn prevailed on C.W. Dohm to write a memorandum for submission to the French government, "On the yCivil Improvement of the Jews" (1781), which proved to be a major event in the fight for the emancipation of European Jews. For the use of the Prussian courts, Mendelssohn wrote Ritualgesetze der Juden (1778), a precis of Jewish laws and customs. Again at government request, he reformulated the infamous More Judaico Oath into a milder version, not daring to demand its abolition.
Though always maintaining tradition, Mendelssohn realized the need for an inner religious emancipation as much as a civil one. To this end he published in 1783 a translation of the Pentateuch into German (in Hebrew characters), accompanied by a commentary (Bi'ur) written in part by himself. This project had a revolutionary impact on German Jewry, whom it taught High German and gave a rational explanation of their Torah, based on the main classical commentaries. Many contemporary rabbis welcomed the work, but some remained fiercely antagonistic. Mendelssohn also translated the Psalms and the Song of Songs. He supported attempts to reform Jewish education by means of modern schools and textbooks and at his initiative a Jewish Free School was opened in Berlin in 1781, an example followed in other communities, particularly in the Austro-Hungarian Empire.
The new cultural tendencies included the revival of classical Hebrew. Mendelssohn himself wrote an excellent Hebrew, and as early as 1758 published (anonymously) with the help of a friend a Hebrew journal (Kohelet Musar), of which only two issues appeared. He supported, and contributed to Ha-Me'assef, the periodical of Berlin Enlightenment. When approached about plans to settle Jews in their own land and state, he considered this premature but prophetically thought that such a project would have to await a major European war. He was also a pioneer of understanding between Judaism and Christianity, writing: "What a world of bliss we would live in if all men adopted the true principles which the best of the Christians and the best of the Jews hold in common."
Mendelssohn broke through the barriers of prejudice to become the most widely admired Jew of his time (he inspired Lessing's "Nathan the Wise"). He guided the Jews of Germany out of the ghetto and into the environment of Emancipation and Enlightenment.
Oxford Companion to German Literature:
Moses Mendelssohn |
Mendelssohn, Moses (Dessau, 1729-86, Berlin), at first a tutor and later secretary to a silk manufacturer in Berlin, was a friend of G. E. Lessing and F. Nicolai. His writings are primarily philosophical, and derive mainly from Leibniz, Locke, and Shaftesbury. His principal works are Brief über die Empfindungen (1755), Abhandlung über die Evidenz in den metaphysischen Wissenschaften (1764), and Phädon oder über die Unsterblichkeit der Seele (1767), which his contemporaries regarded as his most important contribution. In Über die Hauptgrundsätze der schönen Künste und Wissenschaften (1757) and Betrachtungen über das Erhabene und Naive in den schönen Wissenschaften (1758) he grappled with aesthetic problems, and in the latter he anticipated in some degree Schiller's views. In the purely literary field Mendelssohn contributed to Nicolai's Bibliothek der schönen Wissenschaften und der freien Künste and to Lessing's Literaturbriefe. Lessing cited his character to justify the courageous and gentlemanly Jew (Der Reisende) in Die Juden, and probably had him in mind in the composition of Nathan der Weise. Himself an outstanding representative of the enlightened Jew of high character and humane rationalism, he strove in his later years for Jewish emancipation (Jerusalem oder über religiöse Macht und Judentum, 1783). His rejection of the assertion, made in 1775 by F. H. Jacobi, that Lessing inclined to Spinoza's philosophy (Über die Lehre des Spinoza) is conveyed in Moses Mendelssohn an die Freunde Lessings (1786).
Oxford Dictionary of Philosophy:
Moses Mendelssohn |
Mendelssohn, Moses (1729-86) The most influential German Jewish philosopher of the 18th century. Born in Dessau, Mendelssohn received a rabbinic education. He is mainly remembered for his work on aesthetics, which had some influence on Kant, although his proof of the immortality of the soul (the soul is simple, therefore indestructible) is one of Kant's most famous targets. Mendelssohn was a friend of Lessing and in his later years became involved in the Pantheismusstreit or pantheism controversy, whose ostensible point was whether Lessing was a closet Spinozist, but which drew all the central German philosophers of the time into the muddy waters of teleology and theology.
Columbia Encyclopedia:
Moses Mendelssohn |
Bibliography
See biography by A. Altman (1973).
Gale Encyclopedia of the Early Modern World:
Moses Mendelssohn |
Mendelssohn, Moses (Moshe ben Mendel mi-Dessau; 1729–1786), philosopher of the German and Jewish Enlightenments, leading literary critic in Prussia, biblical scholar, and Jewish communal leader and advocate. Mendelssohn was born to a poor Jewish family in Dessau. His father, Mendel Heymann, was a Jewish religious teacher and scribe. His mother, Bela Rachel Sarah, was descended from an illustrious line of rabbis. As a child, he received a traditional Jewish education, studying the Bible with its commentaries, the Mishna and Talmud, and Jewish legal codes. At age ten, he became a student of the famous Talmudist David Fränkel, and in 1743 followed Fränkel to Berlin when the rabbi received a post there.
In Berlin, Mendelssohn met the Jewish philosophers Israel Samoscz and Aaron Salomon Gumpertz. Under their guidance he studied Latin, Greek, English, and French and read the works of the Enlightenment philosophers Gottfried Wilhelm Leibniz, Christian Wolff, and John Locke. These thinkers formed Mendelssohn's philosophical orientation, from which he never departed. He espoused "moderate Enlightenment"—a belief in rational or "natural" theology.
In 1754, Gumpertz introduced Mendelssohn to the young Gotthold Ephraim Lessing, with whom Mendelssohn developed a lifelong friendship. Lessing encouraged the young Mendelssohn to develop his ideas about metaphysics and aesthetics, as well as to write pieces of literary criticism. In 1763, Mendelssohn won a prize competition held by the Berlin Academy of Sciences on the question whether metaphysical truths allowed of the same certainty as mathematical truths. His essay defeated an entry by Immanuel Kant.
In 1767, Mendelssohn published his Phädon (Phaedo), a reworking of Plato's famous dialogue of the same name. This work used Leibnizian-Wolffian arguments to prove the immortality of the soul. The work was a sensation, running into four editions, and was translated in Mendelssohn's own lifetime into Italian, French, Danish, and Russian. Mendelssohn became recognized as a leading philosopher of the German Enlightenment and was dubbed by his contemporaries "the German Socrates."
While as a youth he had published a few pieces in Hebrew seeking to promote enlightenment among his coreligionists, initially Jewish apologetic concerns were not in the foreground. This changed in 1769 when the Pietist Swiss theologian and preacher Johann Caspar Lavater challenged him to either refute Christianity or convert. Mendelssohn defended himself by contrasting the religious tolerance in Judaism with Christianity's theological intolerance, but the "Lavater affair" shook his faith in the ability of Jews to be accepted in Prussian society.
Throughout the 1770s, the German Enlightenment came under increasing attack from the counter-Enlightenment Sturm und Drang ('storm and stress') movement as well as from English empiricism, idealism, and skepticism. Despite being plagued by a nervous debility from the 1770s to the end of his life, Mendelssohn worked tirelessly on three projects: improving the civil status of the Jews, defending Jewish particularity, and defending the German Enlightenment.
In 1779, Lessing wrote his most famous play, Nathan der Weise (Nathan the wise), an apology for religious tolerance. The hero, the Jewish merchant Nathan, was widely seen as having been modeled on Mendelssohn. In 1781, Mendelssohn sought to actualize the tolerant ideals espoused by Nathan by commissioning the Christian German ministerial councillor Christian Wilhelm Dohm to write a book advocating Jewish civil improvement. In 1781 Dohm's Über die bürgliche Verbesserung der Juden (On the civil improvement of the Jews) appeared and was widely debated.
In 1783, Mendelssohn wrote his philosophical masterpiece Jerusalem oder über religiöse Macht und Judentum (Jerusalem or on religious power and Judaism). The book comprised two parts. In the first part Mendelssohn argued that religious institutions had no right to exercise political power. In the second part he offered a philosophical defense of Judaism showing that the applicability of Jewish ceremonial law did not depend on religious coercion. Through the 1770s and 1780s Mendelssohn multiplied his Hebrew literary work, most notably producing a highly regarded translation and commentary on the Pentateuch known as the Biur (Elucidation). In 1783, Friedrich Heinrich Jacobi disclosed to Mendelssohn that Lessing, who had died in 1781, had been a Spinozist at the end of his life. Spinozism was then widely equated with atheism, and Mendelssohn understood Jacobi's disclosure as an attempt to undermine the rational theology of the German Enlightenment. This sparked the so-called Pantheism Controversy. In Mendelssohn's contributions to the controversy, the Morgenstunden (Morning hours) and An die Freunde Lessing (To Lessing's friends), he attacked Spinozism and revised his metaphysics and epistemology.
At the end of his career, Mendelssohn aimed to achieve a synthesis of rationalism and empiricism and thereby save the German Enlightenment. In this respect, his project was quite similar to that of his friend and fellow Aufklärer Immanuel Kant, though Kant's critical synthesis was far more philosophically sophisticated and influential.
Mendelssohn is widely considered the father of modern Jewish philosophy. His was the first attempt to articulate a conception of Judaism using modern philosophical concepts. Furthermore, he is seen as the spiritual ancestor of two of the main forms of nineteenth-century German Judaism—Neo-Orthodoxy and Reform. His defense of Jewish ceremonial law as "living symbols" of theological truth prefigures Samson Raphael Hirsch's Neo-Orthodoxy, while his defense of the rational, universal foundation of Jewish belief prefigures Reform Judaism. His attempt to develop a German-Jewish symbiosis likewise set the agenda for later German-Jewish thought, and his work on behalf of Jewish civil improvement anticipated later attempts to achieve Jewish emancipation in Europe.
Despite his importance as a philosopher, Judaic thinker, and mediator of German and Jewish culture, Mendelssohn's reputation shrank after his death. His metaphysics and epistemology were thought to have been overshadowed by Kant. His Jewish philosophy was seen to have been an unacceptable compromise between obedience to particularistic Jewish law and espousal of universal religious ideas. His interpretation of Judaism was accused of being inattentive to Judaism's historical development.
Recent scholars have debated the relationship between Mendelssohn's philosophical positions and his Jewish commitments. Some have subordinated his Jewish commitments to his philosophical concerns, and others have done the opposite. Of late, Mendelssohn's defense of religious pluralism on the basis of profound Jewish learning and subtle philosophical thought, along with his espousal of political liberalism, have made him appear a particularly prescient thinker.
Bibliography
Primary Sources
Mendelssohn, Moses. Gesammelte Schriften Jubiläumsausgabe. Edited by Alexander Altmann, et al. Stuttgart–Bad Cannstatt, 1971–.
——. Jerusalem, or On Religious Power and Judaism. Translated by Allan Arkush. Edited with introduction and commentary by Alexander Altmann. Hanover, N.H., 1983. Translation of Jerusalem oder über religiöse Macht und Judentum (1783).
——. Philosophical Writings. Translated and edited by Daniel Dahlstrom. Cambridge, U.K., and New York, 1997. Translation of Philosophische Schriften (1761).
Secondary Sources
Altmann, Alexander. Moses Mendelssohn: A Biographical Study. Tuscaloosa, Ala., 1973. Classic study by the leading Mendelssohn scholar of his generation. The starting point for all subsequent Mendelssohn scholarship.
Arkush, Allan. Moses Mendelssohn and the Enlightenment. Albany, N.Y., 1994. Provocative reading of Mendelssohn as an esoteric deist who sought to transform Judaism into a civil religion.
Breuer, Edward. The Limits of Enlightenment: Jews, Germans, and the Eighteenth Century Study of Scripture. Cambridge, Mass., 1996. Study of Mendelssohn's biblical work that argues that this work must be viewed as both an extension and response to its contemporary Christian biblical scholarship.
Sorkin, David. Moses Mendelssohn and the Religious Enlightenment. Berkeley and London, 1996. A reading of Mendelssohn's Jewish works in the context of the German religious Enlightenment. Claims that Mendelssohn limited speculative metaphysics to make room for Jewish piety and ritual observance.
—MICHAH GOTTLIEB
Wikipedia on Answers.com:
Moses Mendelssohn |
Moses Mendelssohn - Portrait by Anton Graff, 1773 |
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| Full name | Moses Mendelssohn |
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| Born | September 6, 1729 |
| Died | January 4, 1786 (aged 56) |
| Era | Age of Enlightenment |
| Region | Western philosophy |
| School | Haskalah |
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Moses Mendelssohn (6 September 1729[1] – 4 January 1786) was a German Jewish philosopher to whose ideas the renaissance of European Jews, Haskalah (the Jewish Enlightenment) is indebted. Although himself a practising orthodox Jew, he has been referred to as the father of Reform Judaism.[2]
Born to a poor Jewish family in Dessau and originally destined for a rabbinical career, Mendelssohn educated himself in German thought and literature and from his writings on philosophy and religion came to be regarded as a leading cultural figure of his time by both Germans and Jews. He also established himself as an important figure in the Berlin textile industry, which was the foundation of his family's wealth.
Moses Mendelssohn's descendants include the composers Fanny and Felix Mendelssohn and the founders of the Mendelssohn & Co. banking house.
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Moses Mendelssohn was born in Dessau. His father's name was Mendel and he later took the surname Mendelssohn ("Mendel's son"). Mendel Dessau was a poor scribe — a writer of torah scrolls — and his son Moses in his boyhood developed curvature of the spine. His early education was cared for by his father and by the local rabbi, David Fränkel, who besides teaching him the Bible and Talmud, introduced to him the philosophy of Maimonides. Fränkel received a call to Berlin in 1743. A few months later Moses followed him.
A refugee Pole, Zamoscz, taught him mathematics, and a young Jewish physician taught him Latin. He was, however, mainly self-taught. He learned to spell and to philosophize at the same time (according to the historian Graetz). With his scanty earnings he bought a Latin copy of John Locke's An Essay Concerning Human Understanding, and mastered it with the aid of a Latin dictionary. He then made the acquaintance of Aaron Solomon Gumperz, who taught him basic French and English. In 1750, a wealthy silk-merchant, Isaac Bernhard, appointed him to teach his children. Mendelssohn soon won the confidence of Bernhard, who made the young student successively his bookkeeper and his partner.
Either Gumperz or Hess (it is not known which) introduced Mendelssohn to Gotthold Ephraim Lessing in 1754, who became one of his greatest friends. The story goes that the first time Mendelssohn met Lessing, they played chess; therefore, in Lessing's play Nathan the Wise Nathan and Saladin first meet during a game of chess.
The Berlin of the day – the day of Frederick the Great – was in a moral and intellectual ferment. Lessing had recently produced the drama Die Juden, whose moral was that a Jew can possess nobility of character. This notion was then generally ridiculed as untrue. Lessing found in Mendelssohn the realization of his dream. Within a few months of the same age, the two became brothers in intellectual and artistic camaraderie. Lessing also brought Mendelssohn to public attention for the first time: Mendelssohn had written an essay attacking Germans' neglect of their native philosophers (principally Gottfried Leibniz), and lent the manuscript to Lessing. Without consulting the author, Lessing published Mendelssohn's Philosophical Conversations (Philosophische Gespräche) anonymously in 1755. In the same year there appeared in Danzig (Gdańsk) an anonymous satire, Pope a Metaphysician (Pope ein Metaphysiker), which turned out to be the joint work of Lessing and Mendelssohn.
Mendelssohn became (1756–1759) the leading spirit of Friedrich Nicolai's important literary undertakings, the Bibliothek and the Literaturbriefe, and ran some risk (which Frederick's good nature mitigated) by criticizing the poems of the King of Prussia. In 1762 he married Fromet Guggenheim, who survived him by twenty-six years. In the year following his marriage Mendelssohn won the prize offered by the Berlin Academy for an essay on the application of mathematical proofs to metaphysics, On Evidence in the Metaphysical Sciences; among the competitors were Thomas Abbt and Immanuel Kant (who came second).[3] In October 1763 the king granted Mendelssohn, but not his wife or children, the privilege of Protected Jew (Schutzjude) – which assured his right to undisturbed residence in Berlin.[4]
As a result of his correspondence with Abbt, Mendelssohn resolved to write on the Immortality of the Soul. Materialistic views were at the time rampant and fashionable, and faith in immortality was at a low ebb. At this favourable juncture appeared the Phädon oder über die Unsterblichkeit der Seele (Phädon or On the Immortality of Souls; 1767). Modelled on Plato's dialogue of the same name, Mendelssohn's work possessed some of the charm of its Greek exemplar and impressed the German world with its beauty and lucidity of style. The Phädon was an immediate success, and besides being often reprinted in German was speedily translated into nearly all the European languages, including English. The author was hailed as the "German Plato," or the "German Socrates"; royal and other aristocratic friends showered attentions on him, and it was said that "no stranger who came to Berlin failed to pay his personal respects to the German Socrates."
So far, Mendelssohn had devoted his talents to philosophy and criticism; now, however, an incident turned the current of his life in the direction of the cause of Judaism. In April 1763, Johann Kaspar Lavater, then a young theology-student from Zurich, made a trip to Berlin, where he visited the already famous Jewish philosopher with some companions. They insisted on Mendelssohn telling them his views on Jesus and managed to get from him the statement, that, provided the historical Jesus had kept himself and his theology strictly within limits of orthodox Judaism, Mendelssohn "respected the morality of Jesus' character".[5] Six years later, in October 1769, Lavater sent Mendelssohn his German translation of Charles Bonnet's essay on Christian Evidences, with a preface where he publicly challenged Mendelssohn to refute Bonnet or if he could not then to "do what wisdom, the love of truth and honesty must bid him, what a Socrates would have done if he had read the book and found it unanswerable".[6] Mendelssohn answered in an open letter in December 1769: "Suppose there were living among my contemporaries a Confucius or a Solon, I could, according to the principles of my faith, love and admire the great man without falling into the ridiculous idea that I must convert a Solon or a Confucius." The ongoing public controversy cost Mendelssohn much time, energy and strength.
Lavater later described Mendelssohn in his book on physiognomy, "Physiognomische Fragmente zur Beförderung der Menschenkenntnis und Menschenliebe" (1775–1778), as "a companionable, brilliant soul, with piercing eyes, the body of an Aesop—a man of keen insight, exquisite taste and wide erudition [...] frank and open-hearted"—ending his public praise with the wish of Mendelssohn recognizing, "together with Plato and Moses... the crucified glory of Christ". When, in 1775 the Swiss-German Jews, faced with the threat of expulsion, turned to Mendelssohn and asked him to intervene on their behalf with "his friend" Lavater, Lavater, after receiving Mendelssohn's letter, promptly and effectively secured their stay.
In March 1771 Mendelssohn's health deteriorated so badly that Marcus Elieser Bloch, his doctor, decided his patient had to give up philosophy, at least temporarily.[7] After a short and restless sleep one evening, Mendelssohn found himself incapable of moving and had the feeling of something lashing his neck with fiery rods, his heart was palpitating and he was in an extreme anxiety, yet fully conscious. This spell was then broken suddenly by some external stimulation. Attacks of this kind recurred. The cause of his disease was ascribed to the mental stress due to his theological controversy with Lavater.[8] However, this sort of attack, in milder form, had presumably occurred many years earlier. Bloch diagnosed the disease as due to 'congestion of blood in the brain' (a meaningless diagnosis in modern medical practice as such congestion is anatomically impossible), and after some controversy this diagnosis was also accepted by the famous Hanoverian court physician, Johann Georg Ritter von Zimmermann, an admirer of Mendelssohn.[9] In retrospect, his illness might be diagnosed as a heart-rhythm-problem and/or a mild form of familial dysautonomia, a hereditary disease of Ashkenazi Jews, which often brings with it a curvature of the spine and epilepsy-like symptoms in times of stress.[10]
Mendelssohn was treated with China bark, blood lettings on the foot, leeches applied to the ears, enemas, foot baths, lemonade and mainly vegetarian food. “No mental stress whatsoever” was ordered. However, although he remained subject to periods of setback, he eventually recovered sufficiently to write the major works of his later career.[11]
It was after the breakdown of his health that Mendelssohn decided to "dedicate the remains of my strength for the benefit of my children or a goodly portion of my nation" – which he did by trying to bring the Jews closer to "culture, from which my nation, alas! is kept in such a distance, that one might well despair of ever overcoming it". One of the means of doing this was by "giving them a better translation of the holy books than they previously had".[12] To this end Mendelssohn undertook his German translation of the Pentateuch and other parts of the Bible. This work called was called the Bi'ur (the explanation) (1783) and also contained a commentary, only that on Exodus having been written by Mendelssohn himself. The translation was in an elegant High German, designed to allow Jews to learn the language faster. Most of the German Jews in that period spoke Yiddish and many were literate in Hebrew (the original language of the scripture). The commentary was also thoroughly rabbinic, quoting mainly from medieval exegetes but also from Talmud-era midrashim. Mendelssohn is also believed to be behind the foundation of the first modern public school for Jewish boys, "Freyschule für Knaben", in Berlin in 1778 by one of his most ardent pupils, David Friedländer, where both religious and worldly subjects were taught.
Mendelssohn also tried to better the Jews' situation in general by furthering their rights and acceptance. He induced Christian Wilhelm von Dohm to publish in 1781 his work, On the Civil Amelioration of the Condition of the Jews, which played a significant part in the rise of tolerance. Mendelssohn himself published a German translation of the Vindiciae Judaeorum by Menasseh Ben Israel.
The interest caused by these actions led Mendelssohn to publish his most important contribution to the problems connected with the position of Judaism in a Gentile world. This was Jerusalem (1783; Eng. trans. 1838 and 1852). It is a forcible plea for freedom of conscience, described by Kant as "an irrefutable book". Mendelssohn wrote:
Brothers, if you care for true piety, let us not feign agreement, where diversity is evidently the plan and purpose of Providence. None of us thinks and feels exactly like his fellow man: why do we wish to deceive each other with delusive words?[13]
Its basic thrust is that the state has no right to interfere with the religion of its citizens, Jews included. While it proclaims the mandatory character of Jewish law for all Jews (including, based on Mendelssohn's understanding of the New Testament, those converted to Christianity), it does not grant the rabbinate the right to punish Jews for deviating from it. He maintained that Judaism was less a "divine need, than a revealed life". Jerusalem concludes with the cry "Love truth, love peace!"—in a quote from Zacharias 8:19.
Kant called this "the proclamation of a great reform, which, however, will be slow in manifestation and in progress, and which will affect not only your people but others as well." Mendelssohn asserted the pragmatic principle of the possible plurality of truths: that just as various nations need different constitutions – to one a monarchy, to another a republic, may be the most congenial to the national genius—so individuals may need different religions. The test of religion is its effect on conduct. This is the moral of Lessing's Nathan the Wise (Nathan der Weise), the hero of which is undoubtedly Mendelssohn, and in which the parable of the three rings is the epitome of the pragmatic position.
To Mendelssohn his theory represented a strengthening bond to Judaism. But in the first part of the 19th century, the criticism of Jewish dogmas and traditions was associated with a firm adhesion to the older Jewish mode of living. Reason was applied to beliefs, the historic consciousness to life. Modern reform in Judaism has parted to some extent from this conception.
Mendelssohn grew ever more famous, and counted among his friends many of the great figures of his time. But his final years were overshadowed and saddened by the so called pantheism controversy. Ever since his friend Lessing had died, he had wanted to write an essay or a book about his character. When Friedrich Heinrich Jacobi, an acquaintance of both men, heard of Mendelssohn's project, he stated that he had confidential information about Lessing being a "spinozist", which, in these years, was regarded as being more or less synonymous with "atheist" — something which Lessing was accused of being anyway by religious circles.[15] This led to an exchange of letters between Jacobi and Mendelssohn which showed they had hardly any common ground. Mendelssohn then published his Morgenstunden oder Vorlesungen über das Dasein Gottes (Morning hours or lectures about God's existence), seemingly a series of lectures to his oldest son, his son-in-law and a young friend, usually held "in the morning hours", in which he explained his personal philosophical world-view, his own understanding of Spinoza and Lessing's "purified" ("geläutert") pantheism. But almost simultaneously with the publication of this book in 1785, Jacobi published extracts of his and Mendelssohn's letters as Briefe über die Lehre Spinozas, stating publicly that Lessing was a self confessed "pantheist" in the sense of "atheist". Mendelssohn was thus drawn into a poisonous literary controversy, and found himself attacked from all sides, including former friends or acquaintances such as Johann Gottfried von Herder and Johann Georg Hamann. Mendelssohn wrote a reply addressed To Lessing's Friends (An die Freunde Lessings) and died on January 4, 1786 as the result of a cold contracted while carrying this manuscript to his publishers on New Year's Eve; Jacobi was held by some to have been responsible for his death.[16]
Mendelssohn had six children, of whom only his second-oldest daughter, Recha, and his eldest son, Joseph, retained the Jewish faith. His sons were: Joseph (founder of the Mendelssohn banking house, and a friend and benefactor of Alexander von Humboldt), Abraham (who married Lea Salomon and was the father of Fanny and Felix Mendelssohn); and Nathan (a mechanical engineer of considerable repute). His daughters were Dorothea, the mother of Philipp Veit (and subsequently the consort, and then wife, of Friedrich von Schlegel), Recha and Henriette, all gifted women. Recha's only grandson (son of Heinrich Beer, brother of the composer Giacomo Meyerbeer), was born and educated as a Jew, but died very young, together with his parents, apparently from an epidemic. Joseph Mendelssohn's son Alexander (d. 1871) was the last male descendant of Moses Mendelssohn to practice Judaism.
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
Mendelssohn's complete works have been published in 19 volumes (in the original languages) (Stuttgart, 1971 ff., ed. A. Altmann and others)
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