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Muggsy Spanier

 
Artist: Muggsy Spanier
  • Born: November 09, 1906, Chicago, IL
  • Died: February 12, 1967, Sausalito, CA
  • Active: '20s, '30s, '40s, '50s, '60s
  • Genres: Jazz
  • Instrument: Cornet
  • Representative Albums: "Manhattan Masters," "Muggsy Spanier (1924-1928)," "The Great Sixteen"
  • Representative Songs: "Relaxin' at the Touro," "At the Jazz Band Ball," "That's A-Plenty"

Biography

Muggsy Spanier was a predictable but forceful cornetist who rarely strayed far from the melody. Perfectly at home in Dixieland ensembles, Spanier was also an emotional soloist (equally influenced by King Oliver and Louis Armstrong) who was an expert at using the plunger mute. He started on cornet when he was 13, played with Elmer Schoebel's band in 1921, and first recorded in 1924. Spanier was a fixture in Chicago throughout the decade (appearing on several important early records) before joining Ted Lewis in 1929. Although Lewis was essentially a corny showman, Spanier's solos gave his band some validity during the next seven years. After a stint with Ben Pollack's orchestra (1936-1938), Spanier became seriously ill and was hospitalized for three months. After he recovered, the cornetist formed his famous eight-piece "Ragtime Band" and recorded 16 Dixieland performances for Bluebird (later dubbed The Great Sixteen) that virtually defined the music of the Dixieland revival movement. But because his group actually preceded the revival by a couple years, it soon had to break up due to lack of work. Muggsy joined Bob Crosby for a time, had his own short-lived big band, freelanced with Dixieland bands in New York, and starting in 1950 he gradually relocated to the West Coast. During 1957-1959 Spanier worked with Earl Hines' band and he continued playing up until his retirement in 1964, touring Europe in 1960 and always retaining his popularity in the Dixieland world. ~ Scott Yanow, All Music Guide
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Wikipedia: Muggsy Spanier
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Muggsy Spanier
Background information
Birth name Francis Joseph Julian Spanier
Also known as Joseph Spanier
Born November 9, 1906
Origin Chicago, Illinois
Died February 12, 1967
Genre(s) Jazz
Occupation(s) Trumpeter/Cornettist
Instrument(s) Trumpet, Cornet

Francis Joseph Julian "Muggsy" Spanier (November 9, 1906February 12, 1967) was a prominent white cornet player based in Chicago. He was renowned as the best trumpet/cornet in Chicago until Bix Beiderbecke entered the scene.

Muggsy led several traditional/"hot" jazz bands, most notably Muggsy Spanier and His Ragtime Band (which did not, in fact, play ragtime but, rather, "hot jazz" that would now be called Dixieland). This band set the style for all later attempts to play traditional jazz with a swing rhythm section. Its key members, apart from Muggsy, were: George Brunies - later Brunis - (trombone and vocals), Rodney Cless (clarinet), George Zack or Joe Bushkin (piano), Ray McKinstry, Nick Ciazza or Bernie Billings (tenor sax), and Bob Casey (bass). A number of competent but unmemorable drummers worked in the band.

The Ragtime Band's theme tune was "Relaxin' at the Touro", named for Touro Infirmary, the New Orleans hospital where Muggsy had been treated for a perforated ulcer early in 1938. He had been at the point of death when he was saved by one Dr. Alton Ochsner who drained the fluid and eased Muggsy's weakened breathing.

"Relaxin' At The Touro" is a fairly straightforward 12-bar blues, with a neat piano introduction and coda by Joe Bushkin. The pianist recalled, many years later: "When I finally joined Muggsy in Chicago (having left Bunny Berigan's failing big band) we met to talk it over at the Three Deuces, where Art Tatum was appearing. Muggsy was now playing opposite Fats Waller at the Sherman hotel and we worked out a kind of stage show for the two bands. Muggsy was a man of great integrity. We played a blues in C and I made up a little intro. After that I was listed as the co-composer of "Relaxin' at the Touro".

In his time, Muggsy made numerous Dixieland recordings that still serve as favorites today. Apart from the famous Ragtime Band, his other most important venture was the traditional band he co-led with pianist Earl Hines at the Club Hangover in San Francisco in the 1950s.

Although Muggsy's real name was Francis Joseph Julian Spanier, he acquired the nickname "Muggsy" either because of his youthful enthusiasm for a baseball hero ("Muggsy" McGraw), or because of his obsession with King Oliver and Louis Armstrong. He was known to have shadowed and "mugged" both of them, copying their styles and incorporating them into his own music. He was allowed, on at least one occasion, to sit in with King Oliver's band (with Louis Armstrong on second cornet) at the Lincoln Gardens, Chicago, in the early 1920s.

He ended his days in the 1960s, leading a traditional jazz band that included old friends like Joe Sullivan (piano), Pops Foster (bass) and Darnell Howard (clarinet). He was not a great technician or virtuoso, but he could lead a traditional ensemble with fire and guts. The (then) young pianist Joe Bushkin was in the Ragtime Band in 1939 and later said of Muggsy: "When he nailed something right, he stayed with it; he wouldn't fix it if it wasn't broke".

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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