Share on Facebook Share on Twitter Email
Answers.com

mural

 
Dictionary: mu·ral   (myʊr'əl) pronunciation
 
n.

A very large image, such as a painting or enlarged photograph, applied directly to a wall or ceiling.

adj.
  1. Of, relating to, or resembling a wall.
  2. Painted on or applied to a wall.

[Middle English, of a wall, from Old French, from Latin mūrālis, from mūrus, wall.]

muralist mu'ral·ist n.
Search unanswered questions...
Enter a word or phrase...
All Community Q&A Reference topics
 

Painting applied to and made integral with the surface of a wall or ceiling. Its roots can be found in the universal desire that led prehistoric peoples to create cave paintings — the desire to decorate their surroundings and express their ideas and beliefs. The Romans produced large numbers of murals in Pompeii and Ostia, but mural painting (not synonymous with fresco) reached its highest degree of creative achievement in Europe with the work of such Renaissance masters as Masaccio, Fra Angelico, Leonardo da Vinci, Michelangelo, and Raphael. In the 20th century, the mural was embraced by artists of the Cubist and Fauve movements in Paris, revolutionary painters in Mexico (e.g., Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros), and Depression-era artists under the sponsorship of the U.S. government (e.g., Ben Shahn, Thomas Hart Benton).

For more information on mural, visit Britannica.com.

 
Architecture: mural
Top


1. Pertaining to a wall.
2. A mural painting, decorative or figurative.


 

A mural is art painted directly on a wall, making it a visual component of a building. Throughout history, murals have been created for a spectrum of environments, including caves, churches, state capitals, factories, corporations, schools, libraries, post offices, courthouses, and residences. By nature of the medium, mural painting is typically restricted by several conditions, including scale, orientation, fixed spatial requirements, the purpose of the architectural structure, and the appropriateness of its subject matter for its patron or audience. Unlike an easel painter, the muralist must consider and overcome all or several of these factors in the construction of his or her imagery. Mural painting involves inherent social obligations and formal strategies that extend beyond the scope of a purely personal vision to a broader form of communication that is often rooted in shared social beliefs.

By the early 1900s, academic mural painting was flourishing in the United States and reflected many of the Progressive Era's themes, including big business, U.S. international involvement, conservation of the natural environment, and social issues concerning the poor, laborers, and women. Many of these issues, which were vigorously opposed during the 1920s, eventually became reemphasized during the New Deal era, often in the form of a mural. The New Deal mural movement exposed and affirmed the social role of mural art like no other period in American history.

The transformation that took place in the history of mural art during the 1920s and 1930s was highly influenced by the government sponsorship of public murals in Mexico. The Mexican president Alvaro Obregon began a nationalist cultural program in the 1920s. As part of this program, the Mexican Ministry of Education and other government entities commissioned artists to create public murals. The most prominent muralists were Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueiros, often referred to as "Los Tres Grandes" (the Three Giants), who later received private commissions in the United States. The program in Mexico became a model for the U.S. government's New Deal efforts beginning in 1933. The careers, styles, and techniques of the Mexican muralists inspired the emerging muralists of the New Deal era.

Franklin Delano Roosevelt's New Deal began in 1933 after four years of a devastating economic depression. Echoing Theodore Roosevelt's Square Deal, it reinstated Progressive Era priorities and expanded on the original Square Deal goals. In addition to these goals, it established a series of art programs dedicated to indigent artists, starting with the Public Works of Art Project (1933– 1934) and continuing with the Works Progress Administration's famous Federal Art Project (1935–1943), which sponsored a wide range of art activities, including a massive program to create murals in public institutions such as schools, libraries, hospitals, and courthouses. The unprecedented production of murals in the United States during this period remains a testimony to the government's effort to bring art to the American people. Mural art has continued to flourish since this period, and the murals seen on public walls throughout America serve as a reminder of art's ability to act as a record of a people, place, and time.

Bibliography

Becker, Heather. Art for the People. San Francisco: Chronicle Books, 2002.

O'Connor, Francis V., ed. Art for the Millions. Greenwich, Conn.: New York Graphic Society, 1973.

 

A painting, usually large, made directly on a wall.

  • The Mexican artist Diego Rivera was noted for his production of murals.

  •  

    Pertaining to or occurring in a wall of an organ or cavity.

     
    Word Tutor: mural
    Top
    pronunciation

    IN BRIEF: A large picture or photograph painted or put on a wall.

    pronunciation Centuries ago a great artist was engaged to paint a mural for the cathedral in a Sicilian town. — Hugh B. Brown (1883-1975).

     
    Wikipedia: Mural
    Top
    Ceiling painting, by Jean André Rixens. Salle des Illustres, Le Capitole, Toulouse, France.

    A mural is any piece of artwork painted directly on a wall, ceiling, or other large permanent surface.

    Contents

    History

    Murals of sorts date to prehistoric times such as the paintings on the Caves of Lascaux in southern France (18.000 BC). Many ancient murals have survived in Egyptian tombs, and in Pompeii.

    The term became more well-known with the Mexican "muralista" art movement (Diego Rivera, David Siqueiros, or José Orozco). There are many different styles and techniques. The best-known is probably fresco, which uses water-soluble paints with a damp lime wash, a rapid use of the resulting mixture over a large surface, and often in parts (but with a sense of the whole). The colors lighten as they dry. The marouflage method has also been used for millennia.

    Murals today are painted in a variety of ways, using oil or water-based media. The styles can vary from abstract to trompe-l'œil (a French term for "fool" or "trick the eye"). Initiated by the works of mural artists like Graham Rust or Rainer Maria Latzke in the 1980s, trompe-l'oeil painting has experienced a renaissance in privat and public buildings in Europe. Today, the beauty of a wall mural has become much more widely available with a technique whereby a painting or photographic image is transferred to poster paper which is then pasted to a wall surface (see wallpaper) to give the effect of either a hand-painted mural or realistic scene.

    Significance of murals

    Jataka tales from the Ajanta caves, c. 200 BCE - 600 CE

    Murals are important in that they bring art into the public sphere. Due to the size, cost, and work involved in creating a mural, muralists must often be commissioned by a sponsor. Often it is the local government or a business, but many murals have been paid for with grants of patronage. For artists, their work gets a wide audience who otherwise might not set foot in an art gallery. A city benefits by the beauty of a work of art. Murals exist where people live and work and they can add to their daily lives.

    Murals can be a relatively effective tool of social emancipation or achieving a political goal. Murals have sometimes been created against the law, or have been commissioned by local bars and coffeeshops. Often, the visual effects are an enticement to attract public attention to social issues.

    World-famous murals can be found in Mexico, New York, Philadelphia, Belfast, Derry, Los Angeles, Nicaragua, Cuba and in India. [1] They have functioned as an important means of communication for members of socially, ethnically and racially divided communities in times of conflict. They also proved to be an effective tool in establishing a dialogue and hence solving the cleavage in the long run.

    State-sponsored public art expressions, particularly murals, are often used by totalitarian regimes as a tool of mass-control and propaganda. However, despite the propagandist character of that works, some of them still have an artistic value.

    Murals and politics

    The famous Mexican mural movement in the 1930s brought a new prominence to murals as a social and political tool. Diego Rivera, José Orozco and David Siqueiros were the most famous artists of the movement. During the 1930s and '40s Colombia was in the middle of a dispute between the conservative and liberal parties. Tensions were high due to the strong communist force influence of the Soviet Union.

    In 1948 the Colombian Government hosted the IX Pan-American Conference to establish the Marshall plan for the Americas. The director of the OEA and the Colombian government commissioned Master Santiago Martinez Delgado, to paint a mural in the Colombian congress building to commemorate the event. Martinez decided to make it about the Cucuta Congress, and painted Bolivar in front of Santander, making liberals upset; so, due to the murder of Jorge Elieser Gaitan the mobs of el bogotazo tried to burn the capitol, but the Colombian Army stopped them. Years later, in the 1980s, with liberals in charge of the congress, they passed a resolution to turn the whole chamber in the Elliptic Room 90 degrees to put the main mural on the side and commissioned Alejandro Obregon to paint a non-partisan mural in the surrealist style.

    Northern Ireland contains some of the most famous political murals in the world. Many murals serve as a public service announcement of a special interest, notably for political topics such as sex, sexual orientation, religion and intolerance. Almost 2,000 murals have been documented in Northern Ireland since the 1970s. (See Northern Irish murals.)

    Unique murals

    The Bardia Mural, photographed in the 1960s, prior to its damage by defacement and the ravages of time.

    Unique murals are found around the world. An example of such a mural covers a wall in an old building, once a prison, at the top of a cliff in Bardiyah, in Libya. It was painted and signed by the artist on April 1942, weeks before his death on the first day of the First Battle of El Alamein. Known as the Bardia Mural, it was created by English artist, Private John Frederick Brill.[1]

    The San Bartolo mural

    The largest indoor mural measures 1,002 m² (9,731 ft²) and was painted by six artists in seven days from February 27, 2005 at Shyam Vatika, Saraswati Estate, Cimmco Tiraha, Gwalior, India.

    The painting was co-ordinated by a professional mural artist (Aasutosh Panigrahi) and the owners of the place, R P Maheshwary and Ankur Maheshwary. The six artists, led by Aasutosh Panigrahi, broke a previously held Australian record. The previous largest indoor mural measured 727.52 m² (7,830.96 ft²) and was located at Youth Club, Bernie, Tasmania, Australia on 30 June 2004.

    The art was painted on all interior walls and ceilings of a privately owned auditorium, Shyam Vatika, which is used for banquet purposes. The art was done to break a previously held record. In August 2005 the art was appraised by Guinness World Records as the "World's Largest Indoor Mural".

    The Indian state Kerala has exclusive murals. These Kerala mural painting are on walls of Hindu temples. They can be dated from 9th century CE.

    The San Bartolo murals of the Maya civilization in Guatemala, are the oldest and finest example of this art in Mesoamerica and are dated at 300 BCE.

    Murals in private homes

    Forest mural in private home, England
    Pool with a CAM designed Frescography printed on synthetic canvas.

    Many people like to express their individuality by commissioning an artist to paint a mural in their home, this is not an activity exclusively for owners of large houses. A mural artist is only limited by the fee and therefore the time spent on the painting; dictating the level of detail; a simple mural can be added to the smallest of walls.

    Private commissions can be for dining rooms, bathrooms, living rooms or, as is often the case- children's bedrooms. A child's room can be transformed into the 'fantasy world' of a forest or racing track, encouraging imaginative play and an awareness of art.

    In the 1980´s illusionary wall painting experienced a renaissance in private homes. Foremost artists in this field have been Graham Rust (born 1942) and Rainer Maria Latzke born 1950). Because of their better time and cost effectiveness digital printing methods became an important alternative to hand-painted murals in the last decade. The disadvantage of the prefabricated wall paintings with their lack of fitting to the individual wall sizes and the wishes of clients became obsolete with the Frescography technique, a digital manufacturing method (CAM), invented 1998 by Rainer Maria Latzke.


    Murals in advertising

    A "wallscape" is a large advertisement on or attached to the outside wall of a building. Wallscapes can be painted directly on the wall as a mural, or printed on vinyl and securely attached to the wall in the manner of a billboard.

    Tile mural

    Panel of glazed tiles by Jorge Colaço (1922) depicting an episode from the battle of Aljubarrota (1385) between the Portuguese and Castilian armies. A piece of public art in Lisbon, Portugal.

    Tile murals tile paintings,which cover complete walls and give a wall painting-like impression. Tile murals are typically found in countries around the Mediterranean Sea such as Morocco, Tunisia and Arabic countries, in Portuguesa and Spain mostly in a often monochrom-colored form, the Azulejo.

    The Azulejo (Portuguese pronunciation: [ɐzuˈleʒu], Spanish pronunciation: [aθuˈlexo]) refers to a typical form of Portuguese or Spanish painted, tin-glazed, ceramic tilework. They have become a typical aspect of Portuguese culture, manifesting without interruption during five centuries the consecutive trends in art. Azulejos can be found inside and outside churches, palaces, ordinary houses and even train stations or subway stations. They were not only used as an ornamental art form, but also had a specific functional capacity like temperature control at homes. Many azulejos chronicle major historical and cultural aspects of Portuguese history.

    Famous muralists

    Diego Rivera's mural depicting Mexico's history at the National Palace in Mexico City.
    *Aarón Piña Mora


    See also

    Further reading

    • Campbell, Bruce (2003). Mexican Murals in times of Crisis. Tucson: University of Arizona Press. ISBN 0-8165-2239-1. 
    • Folgarait, Leonard (1998). Mural Painting and Social Revolution in Mexico, 1920-1940 : Art of the New Order. Cambridge: Cambridge University Press. ISBN 0-521-58147-8. 
    • Rouse, E. Clive (1996). Mediaeval Wall Paintings. Guildhall: Shire Publications. 
    • Woods, Oona (1995). Seeing is Believing? Murals in Derry. Guildhall: Printing Press. ISBN 0-946451-31-1. 
    • Latzke, Rainer Maria (1999). Dreamworlds- The making of a room with illusionary painting. Monte Carlo Art Edition. ISBN 978-3-00-027990-4. 

    References

    External links


     
    Translations: Mural
    Top

    Dansk (Danish)
    n. - vægmaleri, fresko
    adj. - mur-, væg-

    Nederlands (Dutch)
    muurschildering

    Français (French)
    n. - peinture murale, peinture rupestre
    adj. - mural (art, décoration)

    Deutsch (German)
    n. - Wandgemälde
    adj. - Wand...

    Ελληνική (Greek)
    n. - τοιχογραφία, φρέσκο

    Italiano (Italian)
    affresco

    Português (Portuguese)
    n. - mural (m) (Pint.)

    Русский (Russian)
    фреска, стенной

    Español (Spanish)
    n. - mural, pintura mural
    adj. - mural

    Svenska (Swedish)
    n. - vägg-, brant

    中文(简体)(Chinese (Simplified))
    壁画, 壁的, 壁似的, 壁上的

    中文(繁體)(Chinese (Traditional))
    n. - 壁畫
    adj. - 壁的, 壁似的, 壁上的

    한국어 (Korean)
    n. - 벽화
    adj. - 벽의, 가파른

    日本語 (Japanese)
    adj. - 壁の, 壁のような
    n. - 壁画, 壁画装飾

    العربيه (Arabic)
    ‏(الاسم) جداري متعلق بالجدار‏

    עברית (Hebrew)
    n. - ‮ציור קיר‬
    adj. - ‮של קיר, על קיר‬


     
    Best of the Web: mural
    Top

    Some good "mural" pages on the web:


    American Sign Language
    commtechlab.msu.edu
     
     
    Shopping: mural
    Top
     
     
    Learn More
    faubourg (architecture)
    fresco secco, secco
    Hunnenschlacht (music)

    Post a question - any question - to the WikiAnswers community:

     

    Copyrights:

    Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
    Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
    Architecture. McGraw-Hill Dictionary of Architecture and Construction. Copyright © 2003 by McGraw-Hill Companies, Inc. All rights reserved.  Read more
    US History Encyclopedia. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
    Fine Arts Dictionary. The New Dictionary of Cultural Literacy, Third Edition Edited by E.D. Hirsch, Jr., Joseph F. Kett, and James Trefil. Copyright © 2002 by Houghton Mifflin Company. Published by Houghton Mifflin. All rights reserved.  Read more
    Veterinary Dictionary. Saunders Comprehensive Veterinary Dictionary 3rd Edition. Copyright © 2007 by D.C. Blood, V.P. Studdert and C.C. Gay, Elsevier. All rights reserved.  Read more
    Word Tutor. Copyright © 2004-present by eSpindle Learning, a 501(c) nonprofit organization. All rights reserved.
    eSpindle provides personalized spelling and vocabulary tutoring online; free trial Read more
    Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Mural" Read more
    Translations. Copyright © 2007, WizCom Technologies Ltd. All rights reserved.  Read more

     

    Mentioned in