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Musō Soseki

 
Art Encyclopedia: Muso Soseki

(b Ise Prov. [now in Mie Prefect.], 1275; d Kyoto, 1351). Japanese Zen master, poet, scholar and garden designer. As spiritual adviser to both Emperor GoDaigo (reg 1318-39) and the military leaders who overthrew him, Muso was politically influential and acted as mediator during the civil wars of the 1330s. At various times in his life Muso served as abbot of Nanzenji, one of the various Gozan (Five Mountains) Zen monasteries including Nanzenji in Kyoto (see KYOTO,

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Buddhism Dictionary: Musō Soseki
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(1275-1351)

An influential Japanese Rinzai zen monk of the Kamakura period. He came from a minor aristocratic family in Ise, and entered the monastic order at a young age, at first joining the esoteric Shingon school but later transferring his allegiance to Rinzai Zen after the painful, lingering death of his Shingon master left him shaken, and after two famous Chinese Ch'an masters appeared to him in a dream during a period of solitary practice. From that point, even as he looked for a teacher to guide him, Musō practised Zen in several places, and eventually reached enlightenment (satori) on his own in 1305, although the experience was confirmed and authenticated by Kōhō Kennichi (1241-1316), which technically made him the latter's disciple. After that, he found himself called by a succession of seven emperors to engage in a project or to take charge of a large temple, despite his own wish to retire from the world and live quietly in the country. For the first twenty years after his enlightenment, he lived in a succession of small hermitages, most of which he himself founded, but after a time was forced to move on because so many clergy and laity were attracted to his teachings that the hermitages grew into temples through his own charisma. Finally, in 1325, the Emperor Go-Daigo called him to take over one of the major temples of Kyoto, the Nanzen-ji. Leaving this post after only one year, he spent time in Ise where he built the Zennō-ji, and then in Kamakura in the Jōchi-ji. In 1329 he was called to the Engakuji, a once-prominent temple that had fallen to corruption and decay. After a year reforming this temple, he moved on again. The remainder of his life conformed to this pattern: official appointment to a large temple followed by retreat to smaller temples away from the centres of power. Some authorities credit him with a keen eye for the political instabilities of the time and his ability to know when to draw near to the court or the shōgun and when to withdraw.

Musō's style mixed academic learning (carried forward from his early years in the Shingon school) and the kōan method of the Rinzai school. While officially, Zen has represented itself as a ‘special teaching outside of the scriptures’ that ‘does not rely on words and letters’, Musō saw no contradiction: he once said when questioned on this, ‘to explain the sūtras is to speak of Zen’. For him, the point of all practice and learning was to direct the student to a realization of reality as it is; if kōan practice can accomplish this, then one makes use of the kōan; if doctrinal study proves effective, then one instructs the student in doctrine. Biased clinging to one method and rejection of the other only betray the master's own lack of enlightenment and insight. Musō's involvement in so many different temples, particularly those that had fallen into corruption and needed reform, led him to compose books of monastic rules (particularly the shingi or ‘Pure Rules’ variety, which sets forth the ‘house rules’ for a Zen temple) as well as admonitions for strict practice. He was also well known for his artistic accomplishments. He is credited with the establishment of a ‘Musō line’ of Rinzai Zen, which has sustained itself to the present day.

Wikipedia: Musō Soseki
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Musō Soseki, 1275 - 1351, Japanese Zen master, calligraphist, poem writer, and garden designer


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In this Japanese name, the family name is Musō.

Musō Soseki (夢窓疎石?) (1275 - October 20, 1351) was a Rinzai Zen Buddhist monk and teacher, and a calligraphist, poet and garden designer. The most famous monk of his time, he is also known as Musō Kokushi (国師?) ("national Zen teacher"), a posthumous name given him by Emperor Go-Daigo[1]. His mother was the daughter of Hōjō Masamura(1264-1268), seventh Shikken (regent) of the Kamakura shogunate.

Contents

Biography

Originally from Ise Province, now part of modern-day Mie Prefecture, Soseki was a ninth-generation descendant of Emperor Uda[2]. At the age of four he lost his mother and was therefore put in the temple of Hirashioyama under the guidance of priest Kūa[2]. He entered a mountain temple in 1283, where he studied the Shingon and Tendai sects of Buddhism. In 1292 he took his vows at Tōdaiji in Nara, and was given the name Chikaku. In 1293 he dreamed that, while visiting two temples in China called Sozan (疎山?) and Sekitō (石頭?) he was given a portrait of Daruma Daishi and told to keep it safe[3]. When he woke up, he thought Zen was his destiny, so he converted[3] and went to study Zen at Kennin-ji Temple under Muin Enpan (無隠円範?), Kōhō Kennichi (高峯顕日, 1241-1316?), and others. For the most part, however, he practiced alone. Kennichi confirmed Soseki's enlightenment after a period of time.[4] Later, in remembrance of the dream, he composed his last name from the characters dream and window, and his first name taking a character from each of the temples he had seen in the dream, becoming Musō Soseki, the name under which he was to become famous[1][3].

In 1325 Emperor Go-Daigo requested that he come to Kyoto to become head priest of the great temple of Nanzenji[1]. The following year he founded Zen'o-ji in his native Ise[2] He was later invited by Kamakura's regent Hōjō Takatoki so, the following year, after establishing a temple in Ise province he went to Kamakura and stayed at Jōchi-ji and Engaku-ji. In 1327 with Nikaidō Dōun's support he founded Zuisen-ji, a temple destined to become an important cultural center. He acquired creeds from both Hōjō Takatoki and Hōjō Sadaaki. After the fall of the Kamakura shogunate, he was ordered by the Emperor Go-Daigo to go back to Kyoto, where he founded Rinkawadera[1]. It was in this period that he was given by imperial decree the name Musō Kokushi[1].

Musō Soseki and the Ashikaga

After Go-Daigo's Kemmu restoration failed and Ashikaga Takauji became shogun, like many other men of his time Soseki switched sides. He was young, ambitious and sensitive to power shifts, so he allied himself with the Ashikaga brothers, becoming their intimate and serving them well[5]. He stayed with them for the rest of his long life, enjoying the support of both the shogun and his brother Tadayoshi, who played a pivotal role in his career. Musō helped the two Ashikaga organize a network of Zen monasteries, the so-called Five Mountain System, and its subsidiary, the Ankoku-ji network of temples, across Japan. This helped create a national religious movement and solidify the shogun's power. In 1339, at Go-Daigo's death he opened Tenryū-ji in Kyoto to ensure the Emperor a prosperous afterlife[1]. The garden in front of the chief abbot's residence is one of his works, incorporating elements of the landscape in Arashiyama near Kyoto[1]. It is considered evidence of his genius as a landscape designer[1].

Musō, together with Ashikaga Tadayoshi and a merchant named Shihon are considered responsible for the reopening of trade between Japan and China.[6] As a result of the trading mission, the construction of Tenryū-ji was completed. The Kyoto Five Mountain Zen temple network was being established.

Musō Soseki's intellectual legacy

The temples of the Five Mountain System network of Zen temples were centers of learning of Confucian metaphysics, Chinese poetry, painting, calligraphy, printing, architecture, garden design, and ceramics[7], and as such have left an indelible mark on the country's history and culture. At the very center of their birth stands Musō Soseki.[7] Soseki was an abbot at Zenrin-ji, Tenryū-ji, Zuisen-ji and many other temples.[8][9][10] He taught Zen to a great number of disciples (the estimated number is over 10 thousand[1]), also leaving an enormous body of poetry and other writings[11]. One of his best known zen teachings is Dream Conversations (夢中問答集 Muchū Mondō-shū?). Among his students are Gidō Shūshin and ja:Zekkai Chūshin, literary figures who had a central role in the development of the Japanese Literature of the Five Mountains[1].

Even though none survives in its original form, Soseki's Zen gardens have proven to be one of his most lasting contributions to the country's culture and image. To Soseki designing new gardens and altering existing ones was an integral part of the practice of Zen[12].

Soseki died in 1351 at the age of 77. Because he was given, both before and after death, seven different honorific names (like Musō Kokushi (夢窓国師?), Shōkaku Kokushi (正覚国師?), and Shinshū Kokushi (心宗国師?) calling him a teacher by as many Emperors, he is known as "the Teacher to Seven Emperors" (七朝帝師 Nanachō Teishi?)[1].

Gardens by Musō Soseki

The following is a list of gardens known to be by Musō Soseki or attributed to him[11]. Whatever Soseki built was however destroyed during the Ōnin War, and any modern version is someone else's work.

See also

Notes

  1. ^ a b c d e f g h i j k Musō Soseki, Kyoto University
  2. ^ a b c Papinot (1972:602)
  3. ^ a b c Reikizan Tenryū-ji accessed on February 8, 2009
  4. ^ Kirchner, Thomas Yuho, and Shizuteru Ueda 上田閑照. Entangling Vines : Zen Koans of the Shumon Kattoshu 宗門葛藤集. Saga Tenryuji (Japan): Tenryu-ji Institute for Philosophy and Religion, 2004, pp. 184-5.
  5. ^ Sansom (1977:101-102
  6. ^ Collcutt, Martin. (1981: 101-5) Five Mountains : the Rinzai Zen monastic institution in medieval Japan. Cambridge, Mass. : Published by Council on East Asian Studies, Harvard University : Distributed by Harvard University Press.
  7. ^ a b Dumoulin (2005:310)
  8. ^ Marra, Michele (2001). A History of Modern Japanese Aesthetics. University of Hawaii Press. pp. p. 72. ISBN 0824820770. 
  9. ^ Sansom, George Bailey (1958). A History of Japan to 1334. Stanford University Press. pp. p. 102. ISBN 0804705259. 
  10. ^ Marra, Michele (1993). Representations of Power: The Literary Politics of Medieval Japan. University of Hawaii Press. pp. p. 40. ISBN 0824815564. 
  11. ^ a b Musō Soseki, Jgarden.org
  12. ^ Johnson (1993:214)

References

Schirokauer, Conrad; David Lurie, Suzanne Gay (August 2005). A Brief History of Japanese Civilization. Wadsworth Publishing. ISBN 978-0534643065. 



 
 

 

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