Nowadays, the idea of killing a whale would be shocking—yet for many years of the 19th century, when whales were much more plentiful, whale oil was an important commodity (not to mention whalebone for ladies' corsets), and towns all along the New England coast prospered on the whaling industry. That's the sliver of history preserved at this open-air village in Mystic, Connecticut. Standing on the Seaport's re-created waterfront, we gazed out across the wide estuary of the Mystic River and found it just about impossible not to feel the lure of the open sea.
The heart of the Seaport's collection is an ever-growing cache of some 500 ships, 2 centuries' worth of seagoing vessels, powered by everything from oars and sails to steam paddle-wheels and engines. Rather than adhering to one historic period, Mystic Seaport adheres to its nautical theme. Yes, there are the requisite print ship, cooperage, schoolhouse, general store, and tavern, but the 17-acre site also features a ropewalk, a boat shed, a sail loft, a rigging loft, a lifesaving station, even shops for ship carvers and makers of nautical instruments. Staff members working in these shops aren't dressed in costumes and they aren't actors; they are real experts in the crafts they demonstrate, and delighted to share their knowledge with visitors. Somehow this makes the site feel more authentic, not less.
The most important ships in the collection have been designated national landmarks: the three-masted square-rigged whalerCharles W. Morgan (1841); the 1866 sloop smack Emma C. Berry, a graceful wood-hulled fishing boat; the 1908 paddle-wheeled excursion steamer Sabino; and the 1921 two-masted fishing schooner L. A. Dunton. But the one that my kids found most fascinating to climb aboard was the replica of the impossibly cramped slave trade schooner Amistad, which was re-created right here in the Seaport's restoration workshops. Museum buildings on-site display extensive collections of things like scrimshaw and ship models and figureheads. A variety of boat trips are offered; inquire at the desk when you arrive, because once you've wandered around the site for a while, the urge to get out on the water becomes pretty strong. When you exit for the day, ask the gatekeeper to validate your ticket so you can come back the next day for free.
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Mystic Seaport, the Museum of America and the Sea, in Mystic, Connecticut, is notable both for its collection of sailing ships and boats, and for the re-creation of crafts and fabric of an entire 19th century seafaring village. It consists of more than 60 original historic buildings, most of them rare commercial structures moved to the 37 acres (0.15 km²) site and meticulously restored.
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The museum was established in 1929 as the "Marine Historical Association". Its first fame came with the acquisition in 1941 of the Charles W. Morgan, the only surviving wooden sailing whaler. The seaport was one of the first living history museums in the United States, with a collection of buildings and craftsmen to show how work was done. The seaport now receives about 400,000 visitors each year.
In addition, it supports research via an extensive library; runs the Frank C. Munson Institute of American Maritime Studies, a summer graduate-level academic program, established in 1955 by maritime historian Professor Robert G. Albion of Harvard University; and, in conjunction with Williams College, hosts Williams-Mystic, an undergraduate program in maritime studies. Outreach includes sailing classes for area children.
Mystic Seaport is a popular destination for boaters, who pay to dock overnight just a short walk away from ships such as the Morgan and the fishing schooner L. A. Dunton.
Several of the vessels are the unique survivors of their type in the world. The collection includes:
Four ships have been designated National Historic Landmarks: Charles W. Morgan, L. A. Dunton, Emma C. Berry, and Sabino
The Preservation Shipyard is an important part of the museum. It is where traditional tools and techniques are used to preserve the Museum's collection of historic vessels, including a recreation of the ship Amistad. To commemorate the 200th anniversary of the end of slavery in Great Britain, the Amistad embarked on June 21, 2007 from New Haven, Connecticut on a 14,000-mile (23,000 km) transatlantic voyage to Great Britain, Lisbon, West Africa and the Caribbean, marking the Atlantic trade and slave route.
The 19th century seafaring village contains nearly all the types of general and specialized trades associated with building and operating a sailing fleet. They include a chandlery, sail loft, ropewalk, cooperage, shipping agent office, printing office, bank and others. Also included is The Spouter Tavern, open seasonally and serving "travelers' fare". Each building is used both to show the original activity and to display multiple examples of objects sold or constructed; for instance, the nautical instruments shop displays sextants, nautical timepieces and the like. Demonstrations at the cooperage show how barrels are assembled.
Additional buildings house more exhibits. One is a 1/128th scale model of the entire Mystic River area ca. 1870, complete down to the outhouse behind every residence; a model over 50 feet (15 m) long. Another contains a collection of carved ship figureheads. Also among the museum's buildings is a planetarium that demonstrates how seamen used stars for navigation.
Sailing instruction is given here, as well as tourist rides at nominal cost in various historical small craft. Such tours give a good overview of historic ships at their moorings.
Mystic Seaport's music program is unusual as it prominently features sea shanties in their original contexts as work songs. Regular sessions find shanty singers keeping museum visitors in line as they haul sails or turn a capstan.
The Mystic Seaport Sea Music Festival, held annually in June since 1979, is among the oldest and largest in the United States.
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