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Naked Lunch

DVD Release

  • Release Date: 2003
  • New high-definition digital transfer approved by director David Cronenberg and enhanced for widescreen televisions
  • Audio commentary featuring Cronenberg and actor Peter Weller
  • English subtitles for the deaf and hearing impaired
  • RSDL dual-layer edition for optimal image quality
  • "Naked Making Lunch" making-of documentary by Chris Rodley
  • Illustrated essay on the special effects by Jody Duncan, editor of Cinefex magazine, featuring artifacts from Cronenberg's archive
  • Film stills gallery
  • Original marketing materials
  • William S. Burroughs' audio recording of excerpts from Naked Lunch
  • Archival stills of William S. Burroughs from The Allen Ginsberg Trust
  • 32-page booklet featuring essays by film critic Janet Maslin, Chris Rodley, Gary Indiana, and a piece by William S. Burroughs

  • Rating: StarStarStarStar
  • Genre: Avant-garde / Experimental
  • Movie Type: Addiction Drama, Erotic Drama
  • Themes: Treacherous Spouses, Mind Games, Mutants
  • Director: David Cronenberg
  • Main Cast: Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider
  • Release Year: 1991
  • Country: UK/CA
  • Run Time: 117 minutes
  • MPAA Rating: R

Plot

This cinematic/literary hybrid fuses motifs from Beat writer William S. Burroughs's novel of the same name with elements of the author's biography and plenty of the cerebral alienation and biomorphic special effects fans of creepy cult director David Cronenberg have come to expect. Bill Lee (Peter Weller) wants to write, but he exterminates bugs to pay the bills. His wife, Joan (Judy Davis), becomes addicted to Bill's bug powder dust, and soon he joins her in a world of unorthodox hallucinogens; he visits the kindly yet sinister Dr. Benway (Roy Scheider) and walks away with his first dose of the black meat -- a narcotic made from the flesh of the giant aquatic Brazilian centipede. Soon, monstrous beetles are whispering conspiracy theories in Bill's ears and his nebbish writer friends Hank (Nicholas Campbell) and Martin (Michael Zelniker) are sleeping with Joan under his nose. When a party trick involving a liquor glass and a gun goes awry, killing Joan, Bill flees to Interzone, a Mediterranean city full of talking insectoid typewriters, double agents, offbeat aesthetes, and plots within plots. As he navigates this paranoid landscape, Bill begins ingesting another drug called mugwump jism and writes fragments that Hank and Martin soon assemble into a novel under the title Naked Lunch. As beat literature aficionados know, Interzone is based on Tangiers -- the city where Burroughs wrote Naked Lunch. The incident in the film in which Hank and Martin appropriate Bill's writing and have it published closely approximates the real-life circumstances of the novel's publication, although it was Allen Ginsberg and Jack Kerouac who helped out the real-life Burroughs. The William Tell incident that kills Bill's wife is also drawn from the author's real life. "William Lee" is both Burroughs' literary stand-in and the name under which he published his first autobiographical novel Junky. Ian Holm, who plays Joan Frost's husband, Tom, would appear in Cronenberg's similarly experimental eXistenZ several years later. ~ Brian J. Dillard, All Movie Guide

Review

Given that William S. Burroughs' Naked Lunch isn't so much a novel as a collection of literary fragments that riff on corporate culture, human depravity, and sexual outrage as often as they filter the author's actual life as a bisexual, expatriate drug addict, it's a wonder the book ever became a movie at all. "Unfilmable" was the adjective most often applied, especially when it was announced that maverick Canadian director David Cronenberg would give it a shot. Cronenberg was hardly faithful to either the contents or the precise spirit of the author's nightmarishly misanthropic beat masterpiece, but he did manage to transform elements of the book and the overall Burroughs mythos into a coherent entry in his own oeuvre of stylized alienation. Most any literal description of the author's prose -- or the film's plot -- will fail to drive home the one element that makes both so enjoyable: the absurdist humor of both auteurs' visions. Talking bugs, amphibian spies, and arcane narcotics sound creepy, and they are. But as with the book itself, Cronenberg's film is full of deadpan humor that wallows in the excretory excesses of his visual metaphors while also driving home their aptness and winking all the while. It helps that his cast is so game, from the ever-shrewish Judy Davis in not one, but two tightly wound roles to the reliable Roy Scheider and Ian Holm and the too-too tight-lipped Peter Weller. The viscous special effects, vivid cinematography, and distorted period costume design all conspire to conjure up a dream-logic 1950s of squares, hipsters, and secret agents awash in neon, cigarette smoke, and junkie delirium. Cutting up the raw materials of the cut-up king himself, Cronenberg fashions a film as idiosyncratically inspired as its source material. ~ Brian J. Dillard, All Movie Guide

Cast


Monique Mercure - Fadela; Nicholas Campbell - Hank; Michael Zelniker - Martin; Robert A. Silverman - Hans; Joseph Scorsiani - Kiki; Claude Aflalo - Forgeman; Peter Boretski - 2nd Exterminator/Creature Voices; Deirdre Bowen; Michael Caruana - Pawnbroker; Yuval Daniel - Hafid; Joseph di Mambro - Interzone Boy; John Friesen - Hauser; Laurent Hazout - Interzone Boy; Howard Jerome - A.J. Cohen; Justin Louis - 3rd Exterminator; Sean McCann - O'Brien; Kurt Reis - 1st Exterminator; Julian Richings - 4th Exterminator; Jim Yip - The Chink; Ornette Coleman - The Ornette Coleman Trio; Barre Phillips - The Ornette Coleman Trio

Credit

Deirdre Bowen - Casting; William S. Burroughs - Book Author; Ornette Coleman - Songwriter; David Cronenberg - Director; David Cronenberg - Screenwriter; Denise Cronenberg - Costume Designer; Elinor Rose Galbraith - Set Designer; Gabriella Martinelli - Co-producer; James McAteer - Art Director; Ronald Sanders - Editor; Howard Shore - Composer (Music Score); Carol Spier - Production Designer; Peter Suschitzky - Cinematographer; Jeremy Thomas - Producer; Chris Walas - Special Effects; Bryan Day - Sound/Sound Designer; Marilyn Stonehouse - Production Manager; Jane Tattersall - Sound Editor; Wayne Griffin - Sound Editor; Andy Malcolm - Sound Editor; Richard Cadger - Sound Editor; Don White - Sound/Sound Designer; Tony Currie - Sound Editor; David Evans - Sound Editor; Dave Appleby - Sound/Sound Designer; Peter Maxwell - Sound/Sound Designer

Similar Movies

The Acid Eaters; Barton Fink; The Brood; A Clockwork Orange; Kafka; The Trip; Videodrome; Rabid; Natural Born Killers; Open Your Eyes; Fear and Loathing in Las Vegas; eXistenZ; Naked Making Lunch; The American Astronaut; Adaptation; William Burroughs: The Final Academy Documents; Shadows and Fog; Crazy Love; Factotum
 
 
Album Review: Naked Lunch

  • Release Date: 1992
  • Genre: Soundtrack
  • Label: Milan

Review

You couldn't do much better for a soundtrack to David Cronenberg's adaptation of William S. Burroughs' beat classic than have Ornette Coleman team up with Howard Shore, a film composer who keeps within the strictures of classic film score ideals and colorations, but explores them with the intelligence of Bernard Herrmann. Coleman's free jazz complements the schizophrenia of the film and pays homage to the generation that preceded (and gave birth to) him, while Shore maintains the melancholic dread that powers most Cronenberg films. Like the film -- where the Algiers of the story might only be Bill Lee's imagination -- Shore uses Arabian elements sparingly, and in the context of the cool New York sound. Wondrous strange. ~ Ted Mills, All Music Guide

Tracks

Track Title iTunes Composers Performers Time
Naked Lunch
Howard Shore London Philharmonic Orchestra, Howard Shore (2:28)
Hauser and O'Brien/Bugpowder
...
Ornette Coleman, Howard Shore London Philharmonic Orchestra, Howard Shore (2:39)
Mugwumps
Howard Shore London Philharmonic Orchestra, Howard Shore (2:54)
Centipede
Howard Shore London Philharmonic Orchestra, Howard Shore (2:05)
The Black Meat
Howard Shore London Philharmonic Orchestra, Howard Shore (1:25)
Simpatico/Misterioso
...
Thelonious Monk, Howard Shore London Philharmonic Orchestra, Howard Shore (1:34)
Fadela's Coven
Howard Shore London Philharmonic Orchestra, Howard Shore (3:33)
Interzone Suite
Howard Shore London Philharmonic Orchestra, Howard Shore (5:13)
William Tell
Howard Shore London Philharmonic Orchestra, Howard Shore (1:44)
Mujahaddin
...
Howard Shore London Philharmonic Orchestra, Howard Shore (1:57)
Intersong
...
Ornette Coleman, Howard Shore Ornette Coleman, London Philharmonic Orchestra (3:47)
Dr. Benway
Howard Shore London Philharmonic Orchestra, Howard Shore (3:14)
Clark Nova Dies
Howard Shore London Philharmonic Orchestra, Howard Shore (2:06)
Ballad/Joan
...
Ornette Coleman London Philharmonic Orchestra, Howard Shore (2:39)
Cloquet's Parrots/Midnight Sunrise
...
Ornette Coleman, London Philharmonic Orchestra, Howard Shore London Philharmonic Orchestra (1:45)
Nothing Is True; Everything Is Permitted
Howard Shore London Philharmonic Orchestra, Howard Shore (1:56)
Welcome to Annexia
Howard Shore London Philharmonic Orchestra, Howard Shore (3:35)
Writeman
...
Ornette Coleman London Philharmonic Orchestra, Howard Shore (3:52)

Credits

Barre Phillips (Bass), Emmanuel Chamboredon (Executive Supervision), Denardo Coleman (Drums), Ornette Coleman (Composer), Ornette Coleman (Sax (Alto)), Ornette Coleman (Performer), Ornette Coleman (Liner Notes), Ornette Coleman (Score), Rick Essig (Mastering), London Philharmonic Orchestra (Orchestra), London Philharmonic Orchestra (Performer), Thelonious Monk (Composer), Toby Pieniek, Toby Pieniek (Executive Supervision), Howard Shore (Composer), Howard Shore (Conductor), Howard Shore (Producer), Howard Shore (Performer), Howard Shore (Liner Notes), Alan Snelling (Engineer), Homer Denison (Orchestration), Suzana Períc (Editing), Suzana Períc (Music Editor), Vic Fraser (Music Preparation), David Hartley (Piano), Dana Renert (Package Supervision), Ray Williams (Executive Producer), Zena Hambly (Assistant), Aziz Ben Salam (Nai), Nick Ratner (Assistant Music Editor), Nancy Matter (Remastering), J.J. Edwards (Sintir), Gary Chester (Mixing)
 
Wikipedia: Naked Lunch (film)
Naked Lunch
Criterion_Collection_Naked_Lunch.jpg
Directed by David Cronenberg
Produced by Jeremy Thomas,
Gabriella Martinelli
Written by David Cronenberg,
Based on the novel by William S. Burroughs
Starring Peter Weller,
Judy Davis,
Ian Holm
Music by Howard Shore
Cinematography Peter Suschitzky
Distributed by Twentieth Century Fox
Release date(s) January 21, 1991[citation needed]
December 27, 1991 (USA, limited)
Running time 115 min.
Country Canada, U.K., Japan
Language English
Budget unknown
All Movie Guide profile
IMDb profile

Naked Lunch is a 1991 film adaptation of the novel of the same name by William S. Burroughs. It was directed by David Cronenberg. The film stars Peter Weller as William Lee (a figure based on Burroughs himself), with Ian Holm, Judy Davis and Roy Scheider. It was an international co-production between companies from Canada, the UK and Japan.

Plot summary

William Lee (the pseudonym Burroughs used for his first novel, Junky) is an exterminator who finds that his bug powder is being stolen by his wife for recreational purposes. The police arrest Lee, at which point he believes he is hallucinating due to the bug powder exposure. Lee believes he is a secret agent, and Lee's controller (a giant bug) gives him the mission of killing his wife, Joan Lee, who is, according to the bug, an agent of an organization called Interzone Incorporated. Dismissing the bug and its instructions, Lee returns home to find his wife sleeping with Hank, one of his writer friends. He soon shoots her while performing a William Tell routine.

Having "accomplished" his "mission", Lee flees to Interzone, where the Interzone Incorporated organization is based, and spends his time writing reports on his mission, which become the book Naked Lunch. While in Interzone, the typewriters Lee uses are themselves living creatures, usually giving Lee advice on his mission. Clark Nova, one of Lee's typewriters, tells him to find Doctor Benway, by means of seducing Joan Frost who is a doppelgänger of his dead wife, Joan Lee.

After finding out that Doctor Benway is the head of a drug manufacturing ring, producing "the black meat", Lee completes his report and flees Interzone to Annexia with Joan Frost. Upon meeting the Annexian border patrol, to prove that he is a writer as he claims, he shoots Joan Frost in the head, in the same manner that he shot his late wife, Joan Lee. After seeing this, the border patrol welcomes Lee to Annexia.

Adaptation

The screenplay for Naked Lunch is based not only on Burroughs' novel, but also on other fiction by him, and autobiographical accounts of his life. It can be seen as a metatextual adaptation, in that it depicts the writing of the novel itself. Several characters are loosely based on people that Burroughs knew: Hank and Martin are based on Jack Kerouac and Allen Ginsberg (who assisted Burroughs in compiling the original novel), and Tom and Joan Frost on Paul and Jane Bowles whom Burroughs befriended in Africa.[citation needed]

The shooting of Joan Lee is based on the 1951 death of Joan Vollmer, Burroughs’ common law wife. Burroughs shot and killed Vollmer in a drunken game of "William Tell" at a party in Mexico City. He would later flee to the United States, and he was convicted in absentia of homicide and sentenced to two years, which was suspended. Burroughs later said that he “would have never become a writer but for Joan's death.”

However, although the film takes great liberties with Burroughs' work, one segment, in which Lee recounts the story of "The Talking Asshole" is presented verbatim from the novel.

Tom Frost's typewriter is a "Martinelli", apparently named after co-producer Gabriella Martinelli. When he lends the machine to Lee, Frost says of the typewriter, "Her inventiveness will surprise you."

Music

The film's score is composed by Cronenberg's staple scorer, Howard Shore and features free-jazz virtuoso Ornette Coleman. The music of the Master Musicians of Jajouka is also featured throughout the film, making it one of the few American releases to feature their music (along with The Cell).

Reception

Criticism

The reaction to Naked Lunch was mixed. Some critics found it an excellent representation of Cronenberg's perennial themes: the intersection of the body and the machine, biological change, and infection.[citation needed] However, Burroughs scholar Timothy S. Murphy finds the film a muddled adaptation that reflects Cronenberg's mind more than the novel: he feels that Burroughs' subversive, allegorically political depiction of drugs and homosexuality becomes merely aesthetic, or material of horror movie imagery. Murphy argues that Burroughs' social and politically situated literary techniques become in the film merely the hallucination of a junkie, and that by using the life of Burroughs himself as a framing narrative, Cronenberg turns a fragmented, unromantic, bitterly critical and satirical novel into a conventional bildungsroman.[1]

Awards

Genie Awards for Canadian Film: 1992

  • Best Motion Picture
  • Best Director - David Cronenberg
  • Best Supporting Actress - Monique Mercure
  • Best Art Direction - Carol Spier
  • Best Cinematography - Peter Suschitzky
  • Best Overall Sound - Peter Maxwell, Brian Day, Don White, David Appleby
  • Best Sound Editing

Cast

Popular culture references

  • In "Bart on the Road", an episode of The Simpsons, Bart, Milhouse and Nelson sneak into a theatre showing Naked Lunch with the help of a fake I.D. card. They walk out afterwards looking very confused, and Nelson remarks, "I can think of at least two things wrong with that title."
  • The first track on Showbread's Age of Reptiles is called "Naked Lunch" and is themed around the ideas presented in both the film and novel.
  • Naked Lunch was heavily referenced in the 1994 hit single Bug Powder Dust by UK dance music act Bomb The Bass.

References

  1. ^ Murphy, Timothy S. Wising Up the Marks. Berkeley: University of California Press, 1997. ISBN 0-520-20951-6

See also

External links


Preceded by
Black Robe
Genie Award for Best Motion Picture
1992
Succeeded by
Thirty Two Short Films About Glenn Gould

 
 

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Movies. Copyright © 2008 All Media Guide, LLC. Content provided by All Movie Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Album Review. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Naked Lunch (film)" Read more

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