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Nanook of the North

Nanook of the North
Nanook_of_the_north.jpg
Directed by Robert J. Flaherty
Produced by Robert J. Flaherty
Written by Robert J. Flaherty
Starring Allakariallak (Nanook)
Nyla
Cunayou
Music by Stanley Silverman
Cinematography Robert J. Flaherty
Release date(s) USA June 11, 1922
Running time 79 min.
Country Flag of the United States United States
Language Silent film
English intertitles
All Movie Guide profile
IMDb profile

Nanook of the North is a silent documentary film by Robert J. Flaherty, released in 1922. In the tradition of what would later be called salvage ethnography, Flaherty captured the struggles of the Inuit Nanook and his family in the Canadian arctic. The film is considered the first feature-length documentary, though Flaherty has been criticized for staging several sequences and thereby distorting the reality of his subjects' lives [1].

Film

The film was shot near Inukjuak, on Hudson Bay in Arctic Quebec, Canada. Having worked as a prospector and explorer in Arctic Canada among the Inuit, Flaherty was familiar with his subjects and set out to document their lifestyle. Flaherty had shot film in the region prior to this period, but that footage was destroyed in a fire started when Flaherty dropped a cigarette onto the original camera negative (which was highly flammable nitrate stock). Flaherty therefore made Nanook of the North in its place. Funded by French fur company Revillon Freres, the film was shot from August 1920 to August 1921.

As the first nonfiction work of its scale, Nanook of the North was ground-breaking cinema. It captured an exotic culture in a distant location, rather than a facsimile of reality using actors and props on a studio set. Traditional Inuit methods of hunting, fishing, igloo-building, and other customs were shown with accuracy, and the compelling story of a man and his family struggling against nature met with great success in North America and abroad.

Criticism

Flaherty has been criticised for deceptively portraying staged events as reality. Much of the action was staged and gives an inaccurate view of real Inuit life during the early 20th century. "Nanook" was in fact named Allakariallak, for instance, while the "wife" shown in the film was not really his wife. And although Allakariallak normally used a gun when hunting, Flaherty encouraged him to hunt after the fashion of his ancestors in order to capture what was believed to be the way the Inuit lived before European influence. The ending, in which Nanook and his family are supposedly in peril of dying if they can't find shelter quickly enough, was implausible, given the reality of nearby French-Canadian and Inuit settlements during filming (although Allakariallak himself died of starvation two years after the film was made). On the other hand, while Flaherty made his Inuit actors use spears instead of guns during the walrus and seal hunts, the hunting itself did involve actual wild animals.

Flaherty defended his work by stating that a filmmaker must often distort a thing to catch its true spirit. Later filmmakers have pointed out that the only cameras available to Flaherty at the time were both large and immobile, making it impossible to effectively capture most interior shots or unstructured exterior scenes without significantly modifying the environment and subject action. For example, the Inuit crew had to build a special three-walled igloo for Flaherty's bulky camera so that there would be enough light for it to capture interior shots.

At the time, few documentaries had been filmed and there was little precedent to guide Flaherty's work. Flaherty's time both staging action and attempting to steer documentary action have come to be considered unethical amongst Cinéma vérité purists, because they believe such reenactments deceive the audience.

Remarkableness

The Slovak and Czech term for ice pop Nanuk has an origin in the name of main film protagonist.

See also

References

  1. ^ Essay by Dean W. Duncan. Criterion Collection. Retrieved on May 18, 2007.

External links


Robert J. Flaherty

Nanook of the North (1922) • Moana (1926) The Twenty-four Dollar Island (1927) • Tabu (1931) Man of Aran (1934) • Elephant Boy (1937) The Land (1942) • Louisiana Story (1948)


 
 
 

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