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National Ballet of Canada

 
Dictionary of Dance: National Ballet of Canada

Canada's leading ballet company, it was founded in Toronto in 1951 and modelled on the Sadler's Wells Ballet. Its founder director was Celia Franca, who had been a dancer with the British company and had been recommended to the Canadians by Ninette de Valois. Its early allegiance was to the classics, a grounding it never forgot even as it widened its repertoire to embrace the newest ideas in classical dance. Ashton, Tudor, de Valois, Howard, Cranko, and MacMillan were choreographers represented at the beginning; later came Balanchine, Bruhn, Petit, Peter Wright, Nureyev, Neumeier, Tetley, and—most significantly today—the Canadian James Kudelka, who became artistic director in 1996. There have always been full-length stagings of the classics, from Franca's Nutcracker (1964) to Bruhn's controversial Swan Lake (1966), to Cranko's staple, Romeo and Juliet, to Nureyev's bank-busting Sleeping Beauty (1972), which drew on his memories of the Kirov's staging. In recent years Kudelka has added a new Nutcracker (1995) and a new Swan Lake (1999) to the repertoire. The company visited London for the first time in 1972; it has regular seasons in New York. Following Franca's resignation in 1974, the company was led by Alexander Grant (1976-83) from the Royal Ballet, who brought the company even closer to the Covent Garden model and introduced many Ashton ballets into the repertoire. He was succeeded in 1983 by Erik Bruhn, who brought modern dance influences into the company's style and repertoire, and emphasized the creation of new work, including ballets from Tetley. Bruhn's untimely death three years later was a serious blow to the company. Subsequent directors included Reid Anderson (1989-96). Most of the company's dancers were trained at the National Ballet School, founded by Franca and Betty Oliphant in 1959. The company has been home to several outstanding ballerinas, including Veronica Tennant and Karen Kain, who became director in 2005.

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Columbia Encyclopedia: National Ballet of Canada
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National Ballet of Canada, the leading Canadian ballet company. Based in Toronto, it was founded (1951) by Celia Franca (1921-2007) and modeled on Sadler's Wells (now the Royal Ballet). Its repertoire is grounded on classics in the tradition of Sergei Diaghilev and Sir Frederick Ashton but it also presents and encourages the development of contemporary works. Since 2006 the company's home performance hall has been the Four Seasons Centre for the Performing Arts.


Wikipedia: National Ballet of Canada
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The National Ballet of Canada is Canada's largest ballet troupe. It was founded by Celia Franca in 1951 and is based in Toronto, Ontario. Based upon the unity of Canadian trained dancers in the tradition and style of England's Royal Ballet, The National is regarded as the premier classical ballet company in Canada.

Contents

Creation of The National Ballet of Canada and its School

In the early 1950s, the two major ballet companies in Canada were the Royal Winnipeg Ballet headed by Gweneth Lloyd and the Volkoff Canadian Ballet founded by Boris Volkoff and based in Toronto. Although both of these companies were well renowned, they were biased in their selection of dancers and often held auditions in their founding cities. With a desire to create an unbiased Canadian ballet troupe, and inspired by the Sadler's Wells Royal Ballet, a group of ballet enthusiasts set out to create the National Ballet of Canada. [1] Both Lloyd and Volkoff were interested in being the first artistic director of the company, but organisers feared that these two people might ruin the company and its mandate. Instead, it was agreed by the organisers that the only way to create a truly unbiased ballet company was to hire an outsider named Celia Franca as artistic director. [2]

Franca had been to Canada twice in her life, and would not have the same biases a Canadian would in selecting dancers for the company. Furthermore, she had many connections within the dance community and be able to expand the company’s influence on the international stage. However, she was not interested in heading this new company. She had refused similar invitations in Australia and South Africa and liked living in the United Kingdom. Nevertheless, when she came to Canada in 1951, she was begged by the founders to accept their invitation. Franca accepted the job and became the first artistic director, while Volkoff would be the Resident Choreographer and Lloyd would be the Artistic Consultant and Choreographer. [2] Conductor George Crum would take on the role of conductor, as well as musical director.

In August 1951 The National Ballet of Canada launched its first cross-country audition tour. By the end of the month, the ballet troupe had chosen 29 dancers [3] and was rehearsing for their first performance in the St. Lawrence Hall. It was during these rehearsals that major decisions for the future of the ballet company happened. For example, Franca chose to perform classic ballets, as she believed this would allow the dancers to be properly judged by the international dance community. [1]

The National Ballet of Canada's first performance was in the Eaton Auditorium on November 12, 1951. [4] The program included Les Sylphides and Polovtsian Dances from Prince Igor. [4]

Development

In 1964 the National adopted the 3200-seat O'Keefe Centre (then Hummingbird Centre, now the Sony Centre) in Toronto as its home venue. The company has recently moved again (2006) to new facilities, at the Four Seasons Centre.

In 1976 Alexander Grant, former Principal Dancer with London's Royal Ballet and Artistic Director of Ballet for All, became the Artistic Director of The National. Under his leadership, The National Ballet added many works by Frederick Ashton to its repertoire. The National has historically been viewed by many as very similar in training, technique, and style to The Royal Ballet of England.

The National Ballet of Canada was the first Canadian company to perform at the Royal Opera House, Covent Garden, London in 1979.

National Ballet School

The National Ballet School of Canada was founded in 1959 by Celia Franca and was directed for many years by co-founder Betty Oliphant. [5] The primary goal of the school is to train dancers for the National Ballet of Canada and also for companies across Canada and around the world. Graduates of the School include Frank Augustyn, Neve Campbell, Rex Harrington, Karen Kain (current Artistic Director of the Company), [6] James Kudelka (former Artistic Director of the Company), Veronica Tennant, Martine Lamy, John Alleyne, and Mavis Staines.

International Acclaim

Rudolf Nureyev danced with the company in 1965 and returned in 1972 to stage his version of The Sleeping Beauty. His work is credited to raising the standards of the company. [1] He was responsible for bringing the Company to Lincoln Center's Metropolitan Opera House in New York City where he showcased the company. The Ballet met with rave reviews and this was a pivotal point in receiving recognition internationally. [7] It was at this time that the careers of Karen Kain and Frank Augustyn, two members of NBC, took off. Kain and Augustyn received the prize for best pas de deux at the International Ballet Competition in Moscow in 1973. [8] The following year, in 1974, while on a tour in Canada, Mikhail Baryshnikov defected and requested political asylum in Toronto. His first performance after coming out of temporary seclusion in Canada was with the National Ballet of Canada in a televised version of La Sylphide.[9]

Dancers

See also category: National Ballet of Canada dancers

principal dancers

See also category: National Ballet of Canada principal dancers

  • Aleksandar Antonijevic
  • Guillaume Côté

prominent National Ballet dancers

References

  1. ^ a b c Crabb, Michael. "National Ballet of Canada". Canadian Encyclopedia. http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=A1ARTA0005610. Retrieved 2007-03-21. 
  2. ^ a b James Neufeld (1996). Power to Rise: The Story of National Ballet of Canada.. University of Toronto Press, Toronto, Canada. ISBN 0-80-204109-4. 
  3. ^ "Celia Franca". Telegraph. 2007-02-21. http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2007/02/21/db2101.xml. Retrieved 2007-07-20. 
  4. ^ a b The National Ballet of Canada Website accessed 22 Mar 2007
  5. ^ Crabb, Michael. "National Ballet School of Canada". Canadian Encyclopedia. http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=A1ARTA0005611. Retrieved 2007-07-20. 
  6. ^ Doob, Penelope Reed; Crabb, Michael, Kain, Karen, http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=A1ARTA0004210, retrieved 2007-07-20 
  7. ^ "National Ballet's 'Sleeping Beauty' to awaken in new home". CBC.ca. 2006-02-06. http://www.cbc.ca/arts/story/2006/02/06/ballet-0607-season.html. Retrieved 2007-07-20. 
  8. ^ Doob, Penelope Reed; Bowring, Amy, Augustyn, Frank, http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=A1ARTA0000399, retrieved 2007-07-20 
  9. ^ Natalia Makarova, A Dance Autobiography (Knopf 1979), p. 152.

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Dictionary of Dance. The Oxford Dictionary of Dance. Copyright © 2000, 2004 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "National Ballet of Canada" Read more