First proposed by President Ronald Reagan in May 1983, the National Medal of Arts represents the nation's first official medal recognizing both artistic excellence and support of the arts in the United States.
Seven internationally known artists and five long-time arts patrons received the medal at White House ceremonies on April 23, 1985, and it has been awarded annually since then by the U.S. president.
Unlike other arts awards, the National Medal of Arts:
Some former winners:
Maya Angelou, poet and writer
Eddy Arnold, country singer
Mikhail Baryshnikov, dancer and director
Benny Carter, jazz musician
Chuck Close, painter
Horton Foote, playwright and screenwriter
Lewis Manilow, arts patron
National Public Radio, cultural programming division
Claes Oldenburg, sculptor
Itzhak Perlman, violinist
Harold Prince, theater director and producer
Barbra Streisand, entertainer and filmmaker.
Last updated: June 16, 2004.
| National Medal of Arts | |
|---|---|
| Awarded for | Outstanding contributions in Arts |
| Presented by | National Endowment for the Arts |
| Location | Washington, D.C. |
| Country | |
| First awarded | 1984 |
| Official website | http://www.nea.gov/honors/medals/ |
The National Medal of Arts is an award and title created by the United States Congress in 1984, for the purpose of honoring artists and patrons of the arts. It is the highest honor conferred to an individual artist on behalf of the people. Honorees are selected by the National Endowment for the Arts (NEA), and ceremoniously presented the award by the President of the United States. The medal was designed for the NEA by sculptor Robert Graham.
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In 1983, prior to the official establishment of the Medal, the following artists and patrons received a medal from President Reagan, arranged by the President's Committee on the Arts and the Humanities:
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009[1]
2010
2011 [1]
In 1997, poet Adrienne Rich refused her award as a protest against “inconsistencies” between art and “the cynical politics” of the Clinton White House administration.[3]
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