Ned Wayburn

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Oxford Companion to American Theatre:

[Edward Claudius] Ned Wayburn

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Wayburn, [Edward Claudius] Ned (1874–1942), director and choreographer. Born in Pittsburgh, he started his theatrical career as an usher at Chicago's Grand Opera House. For a time he turned actor, but in 1901 he began to direct and choreograph Broadway musicals. Over the next thirty years Wayburn staged no fewer than sixty shows in New York and Chicago. Except for the Ziegfeld Follies, six of which he staged between 1916 and 1923, few are remembered today. The list includes Mr. Bluebeard (1903), The Ham Tree (1905), The Time, the Place and the Girl (1907), Old Dutch (1909), The Passing Show of 1912, The Century Girl (1915), The Night Boat (1920), Two Little Girls in Blue (1921), and his last show, Smiles (1930). Wayburn is credited with inventing theatre tap dancing in 1903 by replacing his dancers' clogs with shoes with bits of metal nailed to the soles. Later he founded his own dance school and wrote The Art of Stage Dancing (1925). He flourished long before directors were given to conceiving musicals as totally integrated efforts. Rather than concern himself with overall style and tone, he was preoccupied largely with creating stage pictures and with pacing. After he gave Ira Gershwin and Vincent Youmans the tempo and meter he wanted for each song in Two Little Girls in Blue, Gershwin concluded, “Obviously to Wayburn neither the play nor the numbers were the thing—only tempo mattered.”

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Ned Wayburn, born Edward Claudius Weyburn, (March 30 1874 - September 2 1942) was a choreographer. He was born in Pennsylvania but spent much of his childhood in Chicago where he was introduced to theater and studied classical piano. At the age of 21, he abandoned his family’s tradition of manufacturing and began teaching at the Hart Conway School of Acting in Chicago. There he worked with three faculty members who influenced his growing interest in dance and movement: C.H. Jacobsen, Colonel Thomas Hoyer Monstery, and Ida Simpson-Serven, whose teachings were based on Delsarte’s concepts about the meaning of gestures and their ability to communicate the emotion.

After leaving the school, Wayburn spent many years in theater staging shows for producers. He worked with such teams as William Hammerstein and Oscar Hammerstein, and Marc Klaw and A.L. Erlanger. In 1906, he began his own management group called the Headline Vaudeville Production Company. Through his own firm he staged many feature acts, while collaborating with other producers such as Lew Fields, William Ziegfeld and the Shuberts. In 1915, he began working with Florenz Ziegfeld and created the Ziegfeld Follies.

Wayburn’s choreography was based on five techniques: musical comedy, tapping and stepping, acrobatic work, toe specialties, and exhibition ballroom. As a child, he was captivated by Minstrel shows and recreated them in many of his works. Formation symmetry was common in minstrel shows, as well as parade. Wayburn used Minstrel style costumes and makeup in his show Minstrel Misses (1903).

His choreography was influenced by social dances of the time. His dancers moved in units of two or four, following popular trends. He took dances such as tangos, the Turkey Trot, the Grizzly Bear, the Black Bottom and the Charleston and recreated them for stage performances by using strong exaggerations of movement.

Some of his well known shows were Phantastic Phantoms (1907), The Daisy Dancers (1906), Havana (1909), The Passing Show (1913), and all of the Ziegfeld Follies. He created steps such as the “Ziegfeld Walk” and the “Gilda Glide”, and worked with well-known performers such as Fred Astaire, Gilda Gray, Marilyn Miller, Ann Pennington, Barbara Stanwyck, Clifton Webb, Mae West, Evelyn Law and Fanny Brice.

Ned Wayburn was married for a time to one of the original "Florodora" sextets; in that production and others on Broadway, she was billed as Agnes Wayburn.

References

  • Stratyner, Barbara (1996). Ned Wayburn and the Dance Routine: From Vaudville to the Ziegfeld Follies. Society of Dance History Scholars. ISBN 0-9653519-2-0. 

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