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Nick Kent

 
Artist: Nick Kent
Nick Kent

Formal Connection With:

  • Genres: Rock
  • Instrument: Percussion, Drums, Bass

Biography

Nick Kent was one of Britain's most renowned and, sometimes, notorious rock journalists in the '70s, when he was a regular contributor to New Musical Express. Kent started writing professionally in 1971, at the age of 19, starting with the underground publication Frendz. He started working for NME the following year, and certainly took the living-on-the-edge credo of the rock lifestyle seriously, to the point of flying to Michigan and visiting Creem's offices, unannounced, to ask Lester Bangs if he could teach Kent in fine points of rock journalism. Around this time NME reorganized its editorial policy to become much more hip and contemporary-minded, which gave Kent an opportunity to tackle difficult and daring subjects. Kent was especially interested in writing about, and interviewing, some of rock's most tortured, drug-addled geniuses. He did one of the first substantial pieces about Syd Barrett, and wrote lengthy articles on legends like Lou Reed, Roky Erickson, the New York Dolls, Brian Wilson, Elvis Costello, and the Rolling Stones that did not always show these heroes in their best light. In fact Kent seemed to have an appetite for controversy, decadence, and melodrama, or at least a knack for drawing these elements out in his subjects over the course of interviews. Stories from the NME era, as well as ones he wrote for other publications in the '80s and '90s, appear in the anthology The Dark Stuff, his first (and, as of the late '90s, only) book. Kent perhaps got a little too involved in the lifestyle of the musicians he was covering, and by the mid '70s had enough problems with hard drugs that it was adversely affecting his writing and career. It was around this time that he played a tangential role in the emergence of the Sex Pistols. Kent got to know Sex Pistols manager Malcolm McLaren in 1974, and helped educate him about music past and present. Kent met the Sex Pistols and has written that he helped redirect their interests from the Small Faces and '60s pop oldies to pre-punkers like the Stooges and Modern Lovers. At one Sex Pistols gig, Kent was attacked and bloodied with a bike chain by Sid Vicious; British punk historian Jon Savage speculated that the Sex Pistols' "I Wanna Be Me" was about Nick Kent. Kent, incidentally, had a short relationship with Chrissie Hynde around 1974, at a time when Hynde was an NME writer and a worker in Malcolm McLaren's fashion shop, not a musician. Hynde told Savage, in Savage's punk history, England's Dreaming, that Kent, suspicious that Hynde had been seeing someone else, once came in the shop to whip her with his belt, precipitating McLaren letting her go and her rapid departure to Paris. Although he is still most famed for his stint with NME, in the '80s and '90s Kent wrote for many publications, including The Face, Spin and Details. In 1988, he moved to Paris, where he worked in television in addition to continuing to write for magazines and daily papers. ~ Richie Unterberger, All Music Guide
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Nick Kent (born 24 December 1951) is a British rock critic and musician.

Along with such writers as Paul Morley, Charles Shaar Murray and Danny Baker, Nick Kent was seen as one of the most important and influential UK music journalists of the 1970s. He wrote for the British music publication New Musical Express, moving to Melody Maker later in his career, and is the author of The Dark Stuff, a collection of his journalism. He is a musician (guitar), and rehearsed with a group of musicians then using the name The London SS, but who would go on to form early British punk bands such as The Damned and The Clash. He also jammed with an early incarnation of the Sex Pistols. He's also mentioned in the Adam & the Ants song "Press Darlings" as being the "...Best dressed man in town..." Kent's relationship with the punk scene was strained, however, particularly by one episode in which future Sex Pistol Sid Vicious and entourage member John "Jah Wobble" Wardle (later bassist with Public Image Ltd) allegedly attacked Kent, then already a well-known music critic and ostensibly a symbol of the music industry, at an early gig at the 100 Club. Although Kent relates the incident in The Filth and the Fury, director Julien Temple's 2000 documentary of the Sex Pistols, and also in The Dark Stuff, he remains the only first-hand source for the story.

Kent's work sought to explain from a cynical point of view the lives of rock and roll musicians who risked their sanity and health. His prose was laced with images of self-destruction and ultimate compassion, exploring the reality of being an artist in the late twentieth century.

He currently lives in Paris with his wife, and contributes articles occasionally to the British and French press, in particular the Guardian.[1]


 
 
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