
[Middle English, from Old English nihtegale : niht, night; see night + galan, to sing.]
For more information on nightingale, visit Britannica.com.
| Nightingale | |
|---|---|
| Conservation status | |
| Scientific classification | |
| Kingdom: | Animalia |
| Phylum: | Chordata |
| Class: | Aves |
| Order: | Passeriformes |
| Family: | Muscicapidae |
| Genus: | Luscinia flaba |
| Species: | L. megarhynchos |
| Binomial name | |
| Luscinia megarhynchos (Brehm, 1831) |
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The Nightingale (Luscinia megarhynchos), also known as Rufous and Common Nightingale, is a small passerine bird that was formerly classed as a member of the thrush family Turdidae, but is now more generally considered to be an Old World flycatcher, Muscicapidae. It belongs to a group of more terrestrial species, often called chats.
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It is a migratory insectivorous species breeding in forest and scrub in Europe and south-west Asia, but is not found naturally in the Americas. The distribution is more southerly than the very closely related Thrush Nightingale Luscinia luscinia. It nests on the ground within or next to dense bushes. It winters in southern Africa. At least in the Rhineland (Germany), the breeding habitat of nightingales agrees with a number of geographical parameters.[2]
The nightingale is slightly larger than the European Robin, at 15–16.5 cm (5.9–6.5 in) length. It is plain brown above except for the reddish tail. It is buff to white below. Sexes are similar. The eastern subspecies L. m. hafizi and L. m. africana have paler upperparts and a stronger face-pattern, including a pale supercilium.
Nightingales are named so because they frequently sing at night as well as during the day. The name has been used for well over 1,000 years, being highly recognizable even in its Anglo-Saxon form – 'nightingale'. It means 'night songstress'. Early writers assumed the female sang when it is in fact the male. The song is loud, with an impressive range of whistles, trills and gurgles. Its song is particularly noticeable at night because few other birds are singing. This is why its name includes "night" in several languages. Only unpaired males sing regularly at night, and nocturnal song is likely to serve to attract a mate. Singing at dawn, during the hour before sunrise, is assumed to be important in defending the bird's territory. Nightingales sing even more loudly in urban or near-urban environments, in order to overcome the background noise. The most characteristic feature of the song is a loud whistling crescendo, absent from the song of Thrush Nightingale. It has a frog-like alarm call.
The nightingale is an important symbol for poets from a variety of ages, and has taken on a number of symbolic connotations. Homer evokes the Nightingale in the Odyssey, suggesting the myth of Philomela and Procne (one of whom, depending on the myth's version, is turned into a nightingale[3] ).[4] This myth is the focus of Sophocles' tragedy, Tereus, of which only fragments remain. Ovid, too, in his Metamorphoses, includes the most popular version of this myth, imitated and altered by later poets, including Chrétien de Troyes, Geoffrey Chaucer, John Gower, and George Gascoigne. T.S. Eliot's "The Waste Land" also evokes the Nightingale's song (and the myth of Philomela and Procne).[5] Because of the violence associated with the myth, the nightingale's song was long interpreted as a lament.
The Nightingale has also been used as a symbol of poets or their poetry.[6] Poets chose the nightingale as a symbol because of its creative and seemingly spontaneous song. Aristophanes' Birds and Callimachus both evoke the bird's song as a form of poetry. Virgil compares a mourning Orpheus to the “lament of the nightingale”.[7]
In Sonnet 102 Shakespeare compares his love poetry to the song of the nightingale (Philomel):
During the Romantic era the bird's symbolism changed once more: poets viewed the nightingale not only as a poet in his own right, but as “master of a superior art that could inspire the human poet”.[8] For some romantic poets, the nightingale even began to take on qualities of the muse. Coleridge and Wordsworth saw the nightingale more as an instance of natural poetic creation: the nightingale became a voice of nature. John Keats' "Ode to a Nightingale" pictures the nightingale as an idealized poet who has achieved the poetry that Keats longs to write. Invoking a similar conception of the nightingale, Shelley wrote in his “A Defense of Poetry":
| Wikiquote has a collection of quotations related to: Nightingales |
| Wikimedia Commons has media related to: Luscinia megarhynchos |
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Français (French)
n. - rossignol
Deutsch (German)
n. - Nachtigall
Ελληνική (Greek)
n. - (ορνιθ.) αηδόνι
Português (Portuguese)
n. - rouxinol (m) (Ornit.)
Español (Spanish)
n. - ruiseñor
Svenska (Swedish)
n. - näktergal
中文(简体)(Chinese (Simplified))
夜莺
中文(繁體)(Chinese (Traditional))
n. - 夜鶯
한국어 (Korean)
n. - 나이팅게일, 미성의 가수[해설자]
日本語 (Japanese)
n. - ナイティンゲール, サヨナキドリ, 美声の人, 夜間に歌う鳥
العربيه (Arabic)
(الاسم) العندليب
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