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Japanese nationalism (国家主義 Kokka shugi?) encompasses a broad range of ideas and sentiments harbored by the Japanese peopleover the last two centuries regarding their native country, its cultural nature, political form and historical destiny. It is useful to distinguish Japanese cultural nationalism (see, nihonjinron) from political or state-directed nationalism (i.e., Japanese imperialism), since many forms of cultural nationalism, such as those associated with folkloric studies (i.e., Yanagita Kunio), were hostile to state-fostered nationalism.

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Japanese nationalism (国家主義 Kokka shugi?) encompasses a broad range of ideas and sentiments harbored by the Japanese peopleover the last two centuries regarding their native country, its cultural nature, political form and historical destiny. It is useful to distinguish Japanese cultural nationalism (see, nihonjinron) from political or state-directed nationalism (i.e., Japanese imperialism), since many forms of cultural nationalism, such as those associated with folkloric studies (i.e., Yanagita Kunio), were hostile to state-fostered nationalism.

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nature, and kami. The religion developed in Japan prior to the sixth century CE, after which point followers built shrines to worship kami. Buddhism developed in India around the 6th and 4th centuries BCE and eventually spread through China and Korea. It arrived in Japan during the 6th century CE, where it was initially unpopular. Most Japanese people were unable to understand the difficult philosophical messages present in Buddhism; however, an appreciation for the religion's art is believed to have led to Buddhism later growing in popularity.Buddhism is concerned with the soul and life after death. In Buddhism, a person's status in society is considered unimportant, as every person eventually becomes ill, ages, dies, and is eventually reincarnated into a new life, a cycle known as saṃsāra; the suffering people experience during life is considered to be one way for people to ensure a better future, with the ultimate goal of Buddhism being to escape the cycle of death and rebirth by attaining true insight. The Japanese "national character" has been written about under the term Nihonjinron, literally meaning "theories/discussions about the Japanese people" and referring to texts on matters that are normally the concerns of sociology, psychology, history, linguistics, and philosophy, but emphasizing the authors' assumptions or perceptions of Japanese exceptionalism; these are predominantly written in Japan by Japanese people, though noted examples have also been written by foreign residents, journalists and even scholars. Early works of Japanese literature were heavily influenced by cultural contact with China and Chinese literature, often written in Classical Chinese. Eventually, Japanese literature developed into a separate style in its own right as Japanese writers began writing their own works about Japan. The Tale of Genji, written by Murasaki Shikibu during the Heian period, is known worldwide as a unique Japanese literature. Since Japan reopened its ports to Western trading and diplomacy in the 19th century, Western and Eastern literature have strongly affected each other and continue to do so. Japanese calligraphy, rendered using flowing, brush-drawn strokes, is considered to be a traditional art form, as well as a means of conveying written information. Typical calligraphic works can consist of phrases, poems, stories, or even characters represented by themselves; the style and format of the calligraphy can mimic the subject matter through aspects such as the texture of the writing and the speed of the brush strokes. Several different styles of Japanese calligraphy exist, with considerable effort put into the outcome; in some cases, it can take over one hundred attempts to produce the desired result of a single character. This form of calligraphy is known as shodō (書道), literally meaning 'the way of writing or calligraphy', or more commonly, shūji (習字), 'learning how to write characters

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