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Nitty Gritty Dirt Band

 
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The Nitty Gritty Dirt Band

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Country group

In addition to producing the pop hits "Mr. Bojangles" and "Make a Little Magic," the Nitty Gritty Dirt Band "changed the way rock fans listened to country music" with their 1972 triple album Will the Circle Be Unbroken, attested critic Jimmy Guterman in Rolling Stone. Seventeen years later, band members Jimmy Ibbot-son, Bob Carpenter, Jeff Hanna, and Jimmie Fadden got together not only with past group members Levon Helm, John McEuen, and Bernie Leadon, but with many stars of acoustic country music to record and release Will the Circle Be Unbroken: Volume II. This follow-up was hailed by Bob Allen of Country Music as "the sort of record you’ll find yourself listening to again and again and enjoying more with each and every spin." Thirteen years later, the Nitty Gritty Dirt Band gathered their friends, family, and fellow musicians together to record the third in what has become a classic series, Will the Circle Be Unbroken: Volume III, which was released to critical acclaim in 2002.

The original members of the Nitty Gritty Dirt Band, including McEuen, Hanna, and Fadden, formed the band when they were all in their late teens and early twenties. They hung around a Santa Monica folk institution—McCabe’s Guitar Shop—jamming on the guitar, listening to artists like Doc Watson and Brownie

McGhee, and, in the words of McEuen to the Baltimore Sun, studying "how to make a living without getting a job." The Nitty Gritty Dirt Band released their first album—aptly titled The Nitty Gritty Dirt Band— on Liberty Records in 1967. The record included their first smash, the now-classic "Mr. Bojangles," Jerry Jeff Walker’s bittersweet song about a jailed dancer-turned-vagrant. The group was also the first to record singer-songwriter Kenny Loggins’s "House at Pooh Corners." But after the Nitty Gritty Dirt Band’s initial success, they were not much in the public eye until they decided to record Will the Circle Be Unbroken. The group members, always interested in country music and adding folk-country flavor to their pop material, got together with country music pioneers Roy Acuff, Maybelle Carter, and Earl Scruggs to make an album of traditional country favorites. In the words of Bob Millard, reporting in Country Music, the resulting effort, a three-album LP set full of notes and photos, "brought together titans of traditional country music with fireballs of a younger generation, mixing traditional bluegrass and folk with [the Nitty Gritty Dirt Band’s] own brand of early country-rock."

The band had conceived of Will the Circle Be Unbroken in order to pursue their personal interests and were surprised at the response it received; the record sold a million copies and according to Millard, continues to sell roughly 30,000 copies yearly. As Allen pointed out, the album, "played a significant role in initiating a younger, hipper audience into the pleasures of traditional country music." Will the Circle Be Unbroken influenced later artists as well. Band member Hanna told Millard that "a lot of people like Ricky Skaggs, Jerry Douglas, Mark O’Connor or the guys in Newgrass Revival have told us that [the album] inspired them. For younger guys, not only was it some really great versions of a lot of those tunes, but it was also [saying] ‘here’s these young, hip guys playing country music’ and it made ‘em stop and think." Will the Circle Be Unbroken increased the prestige and popularity not only of the Nitty Gritty Dirt Band but also of the older country stars performing on it.

During the late 1970s, the band was the first musical group invited to tour the USSR by the Soviet government. In the early 1980s, the group shortened its name to The Dirt Band and had a couple of pop hits—1979’s "An American Dream" and 1980’s "Make a Little Magic," from albums of the same titles. As the 1980s continued, however, they returned to the original version of their name and began concentrating on country music anew. In 1987 the Nitty Gritty Dirt Band released the country-flavored Hold On, which music writer Alanna Nash predicted "could end up on several of the music charts and not cheat buyers of any persuasion." But by 1989 the Nitty Gritty Dirt Band had decided that it was time for a sequel to their distinctive shared effort; thus, Will the Circle Be Unbroken: Volume II was born.

In the years between the two Circle albums, the Nitty Gritty Dirt Band had its share of personnel changes, and so, in addition to rounding up both classic country artists and some of the late 1980s’ most distinguished acoustic country performers, they also invited many of their own former band members to help on Volume II. Veterans of the first Circle like Acuff, Scruggs, and Vassar Clements returned; the late Maybelle Carter was represented by her daughter and son-in-law, June Carter and Johnny Cash, and also by granddaughter Roseanne Cash. Country artists Emmylou Harris, Ricky Skaggs, and Highway 101’s Paulette Carlson were also included on Volume II. While Allen cited Nitty Gritty Dirt Band member Carpenter’s "lovely duet" with Harris on "Riding Alone," he also praised the fact that the Band "willingly fades into the shadows to lend able background vocals and instrumental support to their talented guests." Other noteworthy tracks from Volume //include "Don’t You Hear Jerusalem Moan," "One Step over the Line," and "Life’s Railway to Heaven." In 1990 the Nitty Gritty Dirt Band released The Rest of the Dream, of which critic Ralph Novak of People assured readers: "They get by quite nicely this time, without a little help from their friends."

Not Fade Away was released in 1992 on Liberty, the same label their debut album appeared on. It attained the dubious distinction of being their first album in nearly a decade that failed to yield a hit single. Entertainment Weekly reviewer Alanna Nash found fault with the four cover songs on the album that she felt stifled the momentum their original tunes had. They came back in 1994 with the self-explanatory Acoustic. Jeff Hanna spoke to Billboard’s Peter Cronin about how the fickle nature of radio influenced the recording of this album. "We kind of got trampled in the country boom. When you come off several big country records in a row and then all of a sudden the airplay starts falling, you start second-guessing yourself. We’ve analyzed it from every possible angle and basically come down to, ‘Hey, let’s just play our music.’" Cronin felt this approach worked well for the band. "Ironically, by disregarding radio’s boundaries and letting artistic instincts rule over commercial concerns, the Nitty Gritty Dirt Band has made its most country-sounding record in years."

The band released several albums, including a set of Christmas songs, in the mid-to-late 1990s. However, the spotlight again eluded them until the beginning of the next century, which brought about the thirtieth anniversary of the original Circle recording, and a renewed interest in bluegrass and traditional country music. The movie O Brother, Where Art Thou? appeared in theaters. The soundtrack to the album was a surprise success, selling well over four million copies in the United States alone. The mix of bluegrass, country, and acoustic folk on the collection led to a revival of interest in such traditional forms of music.

Capitol Records rereleased the original Will the Circle Be Unbroken in 2002 to coincide with the thirtieth anniversay of the album’s release. That year, the Nitty Gritty Dirt Band gathered their friends, family, and fellow musicians together once more to record Will the Circle Be Unbroken: Volume III. Guests on this album include original Circle veterans Doc Watson, Jimmy Martin, and Earl Scruggs; Circle 2 veterans June Carter, Johnny Cash, and Emmylou Harris; newcomers Willie Nelson, Tom Petty, Taj Mahal, Vince Gill, Dwight Yoakum; and family members Matraca Berg (wife of Hanna) and children Jaime Hanna and Jonathan McEuen. Johnny Cash contributed a song he’d written about the late Maybelle and Sara Carter, who both appeared on the original Circle. "We couldn’t wait to be a part of making that piece of history. It was chilling." McEuen wrote on his official website.

Although the Nitty Gritty Dirt Band have had numerous spikes and dips in popularity over their 30-year history, they have maintained a devoted audience and have remained consistently innovative in the style of music they play, and that is probably the secret to their ongoing success. McEuen remarked to the Baltimore Sun Times with typical good-natured humor that merging country, folk, blues, and rock "is like being in the country version of Spinal Tap. We play a rock-and-roll show; they say, ‘What’s the country band doing here?’ We play a bluesgrass festival, they say: ‘What’s that rock-and-roll band doing here?’"

Selected discography
The Nitty Gritty Dirt Band, Liberty, 1967.
Ricochet, Liberty, 1967.
Rare Junk, Liberty, 1968.
Alive, Liberty, 1969.
Uncle Charlie and His Dog Teddy, Liberty, 1970.
All the Good Times, United Artists, 1972.
Will the Circle Be Unbroken (compilation), United Artists, 1972; reissued, Capitol, 2002.
Stars and Stripes Forever, United Artists, 1974.
Dream, United Artists, 1975.
Dirt, Silver, and Gold, United Artists, 1976.
The Dirt Band, United Artists, 1978.
An American Dream, United Artists, 1979.
Make a Little Magic, United Artists, 1980.
Jealousy, Liberty, 1981.
Hold On, Warner Bros., 1987.
Workin’ Band, 1988.
Will the Circle Be Unbroken: Volume II (compilation), Universal, 1989.
The Rest of the Dream, MCA, 1990.
Greatest Hits, Curb/CEMA, 1990.
Live Two Five, Capitol, 1991.
Not Fade Away, Liberty, 1992.
Acoustic, Libery, 1994.
Nitty Gritty Dirt Band, Excelsior, 1994.
The Christmas Album, Rising Tide, 1997.
Bang! Bang! Bang!, DreamWorks, 1998.
Will the Circle Be Unbroken: Volume III (compilation), Capitol, 2002.

Sources
Periodicals
Baltimore Sun Times, October 26, 2002.
Billboard, June 18, 1994; January 19, 2002.
Business Wire, November 25, 2002.
Country Music, September/October 1987; July/August 1989; September/October 1989;
Entertainment Weekly, October 30, 1992.
People, August 20, 1990.
PR, Newswire August 31, 2001.
Rolling Stone, May 18, 1989.
Sing Out!, Winter 2003.
Stereo Review, August 1987.

Online
John McEuen Official Website, http://www.johnmceuen.com (January 29, 2003).
"The Nitty Gritty Dirt Band," All Music Guide, http://www.allmusic.com (January 17, 2003).
The Nitty Gritty Dirt Band Official Website, http://www.nittygritty.com (January 29, 2003).
"The Ties That Bind," Nashville Scene, http://www.nashvillescene.com (January 29, 2003).
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AMG AllMusic Guide: Pop Artists:

The Nitty Gritty Dirt Band

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  • Genres: Country

Biography

Founded in California during 1965, the Nitty Gritty Dirt Band has lasted longer than virtually any other country-based rock group of their era. Younger contemporaries of the Byrds, they played an almost equally important role in the transformation from folk-rock into country-rock, and were an influence on such bands as the Eagles and Alabama. The Nitty Gritty Dirt Band's beginnings lay with the New Coast Two, a folk duo consisting of Jeff Hanna (guitar, vocals) and Bruce Kunkel (guitar, washtub bass), formed while both were in high school in the early '60s. By the time the two were college students, they were having informal jams at a Santa Monica, CA, guitar shop called McCabe's. It was there that they met Ralph Barr (guitar, washtub bass), Les Thompson (vocals, mandolin, bass, guitar, banjo, percussion), Jimmie Fadden (harmonica, vocals, drums, percussion), and Jackson Browne (guitar, vocals). This lineup became the Nitty Gritty Dirt Band in late 1965, and began playing jug band music at local clubs. At that time, Southern California was undergoing a musical renaissance, courtesy of the folk-rock movement and the Nitty Gritty Dirt Band fit in with these other folkies-turned-rockers. Browne left after a few months to pursue a solo career, and was replaced by John McEuen (banjo, fiddle, mandolin, steel guitar, vocals), the younger brother of the group's new manager, Bill McEuen. With Bill McEuen's guidance, the group landed a recording contract with Liberty Records and released their debut album, The Nitty Gritty Dirt Band, in April of 1967. Their first single, "Buy for Me the Rain," became a modest hit and got the band some television appearances.

A second album, Ricochet, released seven months later, was a critical success but a commercial failure. The group now found itself at an impasse over the issue of whether to go electric. During the dispute, Kunkel, who wanted to add an electric guitar to their sound, exited the lineup. He was replaced by Chris Darrow (guitar, fiddle). Ironically, by mid-1968 the group had gone electric, and also added drums to their sound. Their first electric album, Rare Junk, released in June of 1968, was also a commercial failure. The band was barely working, a far cry from their success of a year earlier. The band persevered, however, and released Alive! in May of 1969. The album was another commercial disaster, and the Nitty Gritty Dirt Band closed up shop soon after.

The members scattered for several months, but six months later the group was back for another try; the new lineup included McEuen, Hanna, Fadden, Thompson, and Jim Ibbotson (guitars, accordion, drums, percussion, piano, vocals). They returned to their record company with a demand for control over their recordings and the record company agreed. Bill McEuen became the group's producer as well as its manager. The first result of this new era in the Nitty Gritty Dirt Band's history was Uncle Charlie & His Dog Teddy, issued in 1970. Rooted tightly in their jug band sound, the album had a country feel but no trace of the vaudeville and novelty numbers that had appeared on their earlier records. The album yielded what is the group's best-known single, their cover of Jerry Jeff Walker's "Mr. Bojangles," and suddenly, the band had a following bigger than anything they'd known during their brief bout of success in 1967. Their next album, All The Good Times, released in early 1972, had an even more countrified feel.

By 1972, several rock bands, most notably the Byrds and the Beau Brummels, had gone to Nashville seeking credibility from the country music community there, only to be received poorly by that community and to have their resulting work ignored by the press and public. At the suggestion of manager Bill McEuen, however, the Nitty Gritty Dirt Band went to Nashville in 1972 and recorded a selection of traditional country numbers with the likes of Roy Acuff, Earl Scruggs, Mother Maybelle Carter, and other members of country and bluegrass music's veteran elite. Some of the veteran Nashville stars were skeptical and suspicious at first of the bandmembers and their amplified instruments, but the ice was broken when they saw how respectful the band was toward them and their work, and their music, as well as how serious they were about their own music. The resulting triple album, Will the Circle Be Unbroken, released in January of 1973, became a million-seller and elicited positive reviews from both the rock and country music press. The band had, by now, eclipsed the competition as a "crossover" act, reaching country and bluegrass audiences even as their rock listeners acquired a new appreciation for musicians such as Acuff and Carter. The Nitty Gritty Dirt Band succeeded with Will the Circle Be Unbroken because they were willing to meet country and bluegrass music on the terms of those two branches of traditional music, rather than as rock musicians.

During the year and a half that followed the success of Will the Circle Be Unbroken, Les Thompson left the group, reducing the Dirt Band to a quartet. Their next album, Stars & Stripes Forever, issued in the summer of 1974, was a peculiar live album, mixing concert performances and dialogue. Following one more original album, Dream (1975), the group received its first retrospective treatment, a triple-LP compilation entitled Dirt, Silver & Gold, issued late in 1976. Jim Ibbotson left the lineup at around this time, and was replaced initially by session player Bob Carpenter. The remaining trio of Jeff Hanna, John McEuen, and Jimmie Fadden shortened the band's official name to the Dirt Band. In this incarnation, the group became a much more mainstream, pop/rock outfit with a smoother sound, with Jeff Hanna guiding them as producer. Their records were far less eccentric, although they continued to be popular. The band's next albums were decidedly more laid-back than previous records, and didn't attract nearly as much attention. An American Dream, released in 1980, did relatively well, as did Make a Little Magic (1981). By 1982, however, they were back to their country roots, renamed the Nitty Gritty Dirt Band, and Jim Ibbotson was playing with them again. Let's Go, released in the middle of 1983, heralded their return to country music, as a largely acoustic band. In 1984, after 17 years with Liberty/UA/Capitol, they switched labels to Warner Bros., and that same year made some headlines as the first American rock band to tour the Soviet Union. Their Warner albums sold well, but by the end of the 1980s the group was moving between labels.

In 1989, both as a reflection of the changing times, and as though to make sure that everyone got the point that the band was once again mining its country roots, they made Will the Circle Be Unbroken, Vol. 2 for MCA/Universal Records, reuniting with surviving country and bluegrass veterans from the original album and adding a whole roster of new players, including Johnny Cash, Chris Hillman, and Ricky Skaggs. This album won the Grammy for Best Country Vocal Performance (duo or group) and the Country Music Association's Album of the Year Award in 1989. By this time, the Dirt Band was working in their field alongside any number of country/bluegrass crossover artists whose career paths were made easier by that first record, including John Hiatt, Mary Chapin Carpenter, and Rosanne Cash. Their next several albums saw them never veering very far from their country/bluegrass roots. The group continued to record a new album every year or so, including a concert album, Live Two Five, celebrating their 25th anniversary as a band, and the self-explanatory Acoustic. In 1999, they returned with Bang Bang Bang. It was followed by the third installment of the Will the Circle Be Unbroken trilogy in 2002 and an album of all new material, Welcome to Woody Creek, in 2004. Ibbotson left after the record and tour, having had enough of the road. NGDB celebrated their 43rd anniversary with the stellar Speed of Life issued by Sugar Hill, recorded live in the studio with a few of Nashville's finest providing instrumental and vocal help, and the production assistance of George Massenburg and Jon Randall Stewart. ~ Bruce Eder, Rovi
Wikipedia on Answers.com:

Nitty Gritty Dirt Band

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Nitty Gritty Dirt Band
Also known as The Dirt Band, The Toot Uncommons
Origin Long Beach, California,
United States
Genres Country, folk, folk rock, bluegrass, country rock, country pop, jug band, dubstep
Years active 1966–present
Labels BGO, Liberty, EMI America, Capitol, United Artists, Warner Bros., Universal, MCA, CEMA, Javelin, Rising Tide, DreamWorks, Dualtone, Sugarhill
Website http://www.nittygritty.com/
Members
Bob Carpenter
Jimmie Fadden
Jeff Hanna
John McEuen
Past members
Ralph Barr
Merel Bregante
Jackson Browne
John Cable
Jackie Clark
Chris Darrow
Michael Gardner
Al Garth
Richard Hathaway
Jimmy Ibbotson
Bruce Kunkel
Bernie Leadon
Vic Mastrianni
Les Thompson

The Nitty Gritty Dirt Band is an American country-folk-rock band that has existed in various forms since its founding in Long Beach, California in 1966. The group's membership has had at least a dozen changes over the years, including a period from 1976 to 1981 when the band performed and recorded as The Dirt Band. Constant members since the early times are singer-guitarist Jeff Hanna and drummer Jimmie Fadden. Multi-instrumentalist John McEuen was with the band from 1966 to 1986 and returned during 2001. Keyboardist Bob Carpenter joined the band in 1977. The band is often cited as instrumental to the progression of contemporary country and roots music.

The band's successes include a cover version of Jerry Jeff Walker's "Mr. Bojangles". Albums include 1972's Will the Circle Be Unbroken, featuring such traditional country artists Mother Maybelle Carter, Earl Scruggs, Roy Acuff, Doc Watson, Merle Travis, and Jimmy Martin. A follow-up album based on the same concept, Will the Circle Be Unbroken: Volume Two was released in 1989, was certified gold and won two Grammy Awards and was named Album of the Year at the Country Music Association Awards.

Contents

History

1966-1969

The Nitty Gritty Dirt Band was founded around 1966 in Long Beach, California by singer-guitarist Jeff Hanna and singer-songwriter guitarist Bruce Kunkel who had performed as the New Coast Two and later the Illegitamit JugBand. Trying, in the words of the band's website, to "figure out how not to have to work for a living," Hanna and Kunkel joined informal jam sessions at McCabe's Guitar Shop.[citation needed] There they met several multi-instrumentalists: guitarist/washtub bassist Ralph Barr, guitarist-clarinetist Les Thompson, harmonicist and jug player Jimmie Fadden and guitarist-vocalist Jackson Browne. As the Nitty Gritty Dirt Band, the six men started as a jug band and adopted the burgeoning southern California folk rock musical style, playing in local clubs while wearing pinstripe suits and cowboy boots. Their first paying performance was at the Golden Bear in Huntington Beach, California.[1]

Browne was in the band for only a few months before he left to concentrate on a solo career as a singer-songwriter. He was replaced by John McEuen on banjo, fiddle, mandolin, and steel guitar. McEuen's older brother, William, was the group's manager, and he helped the band get signed with Liberty Records, which released the group's debut album, The Nitty Gritty Dirt Band during 1967. The band's first single, "Buy for Me the Rain," was a Top 40 success, and the band gained exposure on "The Tonight Show" with Johnny Carson, as well as concerts with such disparate artists as Jack Benny and The Doors.

A second album, Ricochet was released later during the year and was less successful than their first. Kunkel wanted the band to "go electric", and include more original material. Bruce left the group to form WordSalad and Of The People. He was replaced by guitarist-fiddler Chris Darrow.

By 1968, the band adopted electrical instruments anyway, and added drums. The first electric album, Rare Junk, was a commercial failure, as was their next, Alive!.

The band continued to gain publicity, mainly as a novelty act, making a cameo appearance in the 1969 musical western film, Paint Your Wagon, performing, "Hand Me Down That Can o' Beans". The band also played Carnegie Hall as an opening act for Bill Cosby and played in a jam session with Dizzy Gillespie.

1969-1976

The group had an inactive period during 1969, reforming in Aspen, Colorado with Jimmy Ibbotson replacing Chris Darrow. With William McEuen as producer and a renegotiated contract that gave the band more artistic freedom, the band recorded and released Uncle Charlie & His Dog Teddy, issued in 1970. Embracing a straight, traditional country and bluegrass sound, the album included the group's best-known single, a cover version of Jerry Jeff Walker's "Mr. Bojangles".

The next album, All The Good Times, released during early 1972, had a similar style.

The Nitty Gritty Dirt Band next sought to solidify its reputation as a country band, traveling to Nashville, Tennessee and recording the triple album, Will the Circle Be Unbroken with Nashville stalwarts Roy Acuff, Earl Scruggs, and Jimmy Martin, country pioneer Mother Maybelle Carter, folk-blues guitarist Doc Watson, and others. The title is from the song, "Can the Circle Be Unbroken (By and By)", as adapted by A. P. Carter, and reflects the album's theme of trying to tie together two generations of musicians: long-haired boys from California and older veterans of the middle American establishment. The track, "I Saw the Light" with Acuff singing, was a success, and the album received two nominations for Grammy Award. Veteran fiddler Vassar Clements was introduced to a wider audience by the album. The band also toured Japan.

Les Thompson left the group, making the band a foursome. The next album, Stars & Stripes Forever, was a live album that mixed old successes such as "Buy for Me the Rain" and "Mr. Bojangles" with Circle collaborations (fiddler Vassar Clements was a guest performer) and long storytelling spoken-word monologues. A studio album, Dream, was also released.

During July 1974, the band was among the headline acts at the Ozark Music Festival at the Missouri State Fairgrounds in Sedalia, Missouri. Some estimates have estimated the crowd count at 350,000 people, which would make this one of the largest music events in history. At another concert, the band opened for the rock band Aerosmith.

1976-1981: "The Dirt Band"

Jimmy Ibbotson left the band at the end of 1975, leaving Fadden, Hanna, and McEuen. John Cable and Jackie Clark were brought in on guitar and bass. The band shortened its name around this time to The Dirt Band, and released its first greatest successes compilation, Dirt, Silver & Gold, in 1976.

In 1977 the Dirt Band was the first American group allowed by the Soviet Union to tour Russia, playing concerts and a televised appearance that is estimated to have been watched by 145 million people.

Pianist Bob Carpenter joined during 1977, and the group's sound became more pop and rock oriented. Saxophonist Al Garth, drummer Merel Bregante, and bassist Richard Hathaway were also added. Jeff Hanna became the group's producer.

Albums during this period included The Dirt Band and An American Dream. The single "American Dream" with Linda Ronstadt reached No. 13 on the popular music charts. The band also appeared on Saturday Night Live, and, billed as The Toot Uncommons, provided backing for Steve Martin on his million-selling novelty tune, "King Tut."

The albums Make a Little Magic and Jealousy were released in 1980 and 1981, with the single "Make a Little Magic" featuring Nicolette Larson reaching the Top 25 on the pop chart.

1982-1989: Return To "Nitty Gritty"

The band returned to its original name and its country roots, with Jimmy Ibbotson rejoining for recording session in Nashville, Tennessee for the album Let's Go, which yielded the success "Dance Little Jean" which was a Top 10 country hit. The next album, 1984's Plain Dirt Fashion had the band's first No. 1 success, "Long Hard Road (The Sharecropper's Dream)".

There were two more No. 1's: "Modern Day Romance" (1985) and "Fishin' in the Dark" (1987). Other successful songs were "Dance Little Jean" (1983); "I Love Only You" (1984); "High Horse" (1985); "Home Again in My Heart," "Partners, Brothers and Friends" and "Stand a Little Rain" (1986); "Fire in the Sky," "Baby's Got a Hold on Me" and "Oh What a Love" (1987); "Workin' Man (Nowhere to Go)" and "I've Been Lookin'" (1988); and "Down That Road Tonight" and "When it's Gone" (1989).

Performances included the 1984 Los Angeles Olympic Games and the inaugural Farm Aid concert in Champaign, Illinois. A 20-year anniversary concert at McNichols Sports Arena in Denver, Colorado featured such guests as Ricky Skaggs, Emmylou Harris, Doc Watson, and John Prine.

John McEuen left the band at the end of 1986, replaced by Bernie Leadon, formerly of the Eagles. He was with the Nitty Gritty Dirt Band in 1987 and 1988. The band's 19th album, Hold On featured the No. 1 singles "Fishin' in the Dark" and "Baby's Got a Hold on Me." The band appeared on the Today Show and the Tonight Show in the same week, and toured Europe.

During 1989, the Nitty Gritty Dirt Band again returned to Nashville, to record Will the Circle Be Unbroken: Volume Two. Returnees from the first Circle included Earl Scruggs, Vassar Clements, and Roy Acuff. Johnny Cash and the Carter Family, Emmylou Harris, and Ricky Skaggs joined the sessions, as did John Prine, Levon Helm, John Denver, John Hiatt, Bruce Hornsby, and former Byrds Roger McGuinn and Chris Hillman. This album won two Grammy Awards[2] and was named Album of the Year at the Country Music Association Awards for Best Country Vocal Performance (duo or group) and the Country Music Association's Album of the Year Award in 1989.

1990-2000

As a foursome of Hanna, Fadden, Ibbotson and Carpenter, the band again toured the former Soviet Union, as well as Canada, Europe, and Japan. A 25th anniversary concert was recorded on Live Two Five in Red Deer, Alberta, produced by T-Bone Burnett.

During 1992, the band collaborated with Irish folk music's The Chieftains for the Grammy Award-winning Another Country. Other efforts included the album Acoustic, spotlighting their "wooden" sound, a duet with Karla Bonoff, "You Believed in Me" for the MCA Olympic compilation, One Voice, and a cover version of Buddy Holly's "Maybe Baby" for the Decca tribute album, Not Fade Away. The Christmas Album was released in 1997, followed by Bang! Bang! Bang! in 1999.

During April 1992, they were the unwitting subject of one of George H. W. Bush's malapropisms when he referred to the group as the "Nitty Ditty Nitty Gritty Great Bird" at a country music awards ceremony in Nashville:

"I said to them there's another one that the Nitty Ditty Nitty Gritty Great Bird and it says if you want to see a rainbow you've got to stand a little rain."[3]

This unusual phrasing was repeatedly used as an example of Bush's garbled syntax (notably, in Dave Barry's book Dave Barry Hits Below the Beltway), which in turn helped publicize the band.

Recent works

John McEuen rejoined the band in 2001. During 2002, the Nitty Gritty Dirt Band celebrated the 30th anniversary of their landmark Will the Circle Be Unbroken with a remastered CD reissue of the 1972 album and a new compilation, Will the Circle Be Unbroken: Volume III. An album of all-new material, Welcome to Woody Creek, was released in 2004. Jimmy Ibbotson again left the band that same year.

Also during 2004, country group Rascal Flatts released a cover of "Bless the Broken Road," which the Nitty Gritty Dirt Band had recorded on Acoustic, from 1994. Songwriters Jeff Hanna, Marcus Hummon, and Bobby Boyd won a Grammy for Best Country Song for this work in 2005.

During 2005 the band donated use of the song "Soldier's Joy" for the benefit album, Too Many Years to benefit Clear Path International's work with landmine survivors. Also in 2005, the band was recognized by the International Entertainment Buyers Association for 40 years of contributions to the music industry.

In 2009 the band released a new album, Speed of Life. Produced by George Massenburg and Jon Randall Stewart, Speed of Life is composed of a series of live, freewheeling studio recordings that purposefully avoid overproduction and demonstrate the band's collaborative spirit and spontaneity. Of the 13 tracks on Speed of Life, 11 are new songs penned by the band, and two are classic covers: Canned Heat's Woodstock hit “Going Up the Country” and Stealers Wheel's “Stuck in the Middle.”

Awards and Nominations

  • 1984 — CMA Nomination for Instrumental Group of the Year
  • 1985 — CMA Nomination for Instrumental Group of the Year; ACM Nomination for Vocal Group of the Year
  • 1986 — CMA Nomination for Vocal Group of the Year
  • 1988 — CMA Nomination for Vocal Group of the Year
  • 1989 — CMA award for Album Of The Year; Grammy award for Best Country Collaboration with Vocals; Grammy award for Best Bluegrass Recording; Grammy award for Co-producing Best Country Instrumental
  • 2002 — Grammy nominations for Best Country Vocal Performance - Duo or Group and Best Country Collaboration with Vocals
  • 2003 — CMA nomination for Vocal Event of the Year (NGDB with Johnny Cash); IBMA award for Best Recorded Event
  • 2005 — Grammy award for Best Country Instrumental (NGDB with Earl Scruggs, Randy Scruggs, Jerry Douglas and Vassar Clements)

Members

May–August
1966
1966–1967
1967–1968
1969–1973
1974–1975
1976-1977
As The
Dirt Band
1977-1979
As The
Dirt Band
1980–1981
As The
Dirt Band
1982–1986
1987–1988
1989–2000
2001–2004
2005–present

Discography

Main article: Nitty Gritty Dirt Band discography

References

  1. ^ Bego, Mark (2005). Jackson Browne: His Life and Music. Citadel Press. p. 26. ISBN 0806526424. http://books.google.com/books?id=TSoOOD-MidAC&dq=%22golden+bear%22+%22huntington+beach%22&source=gbs_navlinks_s. 
  2. ^ The Recording Academy. Grammy.com. Retrieved 8-22-2009.
  3. ^ BTC News (Mar. 16, 2006. Are Bush Admin Officials.... Retrieved 8-21-2009.

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