No Other
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No Other
- Artist: Gene Clark
- Rating:
- Release Date: 1974
- Total Time: 43:07
- Type: Lyrics are included with the album
- Genre: Rock
Review
Upon its release in 1974, Gene Clark's No Other was soundly reviled as an exercise in studio and financial excess, a critical and commercial failure -- it was pop music's Heaven's Gate. However, a scant year and a half later, Fleetwood Mac's self-titled album and its successor, Rumours, utilizing similar performance and production techniques, were adored by critics and the record-buying public, and have become cultural mainstays. The appearance of No Other on CD in America some 26 years after its release offers the opportunity to hear this record for what it was: a solidly visionary recording that decided to use every available means to illustrate Gene Clark's razor-sharp songwriting that lent itself to open-ended performance and production -- often in the same song (one listen to the title track bears this out in spades). Clark and producer Thomas Jefferson Kaye entered Village Recorders in L.A. having assembled a cast of players that included Clark veterans such as Michael Utley and Jesse Ed Davis, the Allman Brothers' Butch Trucks, Lee Sklar, Russ Kunkel, Joe Lala, Chris Hillman, Danny "Kooch" Kortchmar, Howard Buzzy Feiten, and Stephen Bruton. Backing vocalists such as Clydie King, Venetta Field, and Shirley Matthews -- who would appear on Bob Dylan's Street Legal two years later -- and including Cindy Bullens, Carlena Williams, Ronnie Barron, Claudia Lennear, and the Eagles' Timothy B. Schmidt were also in the house. What it adds up to is a sprawling, ambitious work that brought elements of country, folk, jazzed-out gospel, blues, and trippy rock to bear on a song cycle that reflects the mid-'70s better than anything from that time, yet sounds hauntingly timely even now.There are no edges on No Other, even in its rockier tracks such as "Strength of Strings," which echoes Neil Young's "Cowgirl in the Sand" melodically, but its bridge is pure mystic Eastern harmony, complete with slide guitar wizardry. The shimmering dark textures of "Silver Raven," where Clark's falsetto vocal is kissed by synth and muted basslines and extended by a chorus that could have come off CSNY's Déjà Vu, is one of the most heartbreakingly blissed-out country-folk songs in recorded music history. "From a Silver Phial," as haunting and beautiful as it is, is one of the strangest songs Clark ever wrote, given its anti-drug references (especially considering this is one of the more coked-out records to come from L.A. during the era). The final two cuts, "The True One" and "Lady of the North" (co-written with Doug Dillard), are the only two pieces on the disc that mirror back with accuracy where Clark had come from, but even these, as they wind around the listener, are far bigger than mere country-rock tunes, and they offer glissando passages of pedal steel and ostinato piano that create narrative movement in the lyrics. This is one of those recordings, one that is being rediscovered for the masterpiece it is. The shortcoming of the CD presentation is that the rest of the session is not here -- it was originally cut as a double album, but Asylum refused to release it that way. There are versions with alternate takes, but so far only the WEA International version has an additional track. But this is what we have, and as it stands it is a stunning -- if completely misunderstood -- milestone in Clark's oeuvre. ~ Thom Jurek, Rovi
| No Os Creais Ni La Mitad (2011 Album by Nacho Umbert & La Companía) | |
| No Other (2009 Album by Franchise) |
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No Other
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No Other
| No Other | ||||
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| Studio album by Gene Clark | ||||
| Released | September 1974 | |||
| Recorded | Spring 1974 at The Village Recorder, West Los Angeles | |||
| Genre | Americana, Psychedelic music | |||
| Length | 43:01 | |||
| Label | Asylum Records 7E 1016 | |||
| Producer | Thomas Jefferson Kaye | |||
| Gene Clark chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   [1] |
| Head Heritage | Positive [2] |
No Other is the fourth solo studio album by Gene Clark. On release in late 1974 it was a critical and commercial failure; the studio time and cost being seen as excessive and indulgent.[3] The record label, Asylum Records, did not promote the album, and by 1976 had deleted it from their catalog. Clark never recovered from the failure of the album.[4]
A few years after Clark's death in 1991,[5] a double disc compilation, "Flying High", was released with three songs from No Other.[6] Then in the early 2000s, No Other was finally reissued in its entirety to positive critical reappraisal.[7]
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Contents
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Background
In late 1972, Clark was invited to join a reunion of the original Byrds line-up on Asylum Records. The resulting album was a showcase for Clark, who sang on two Neil Young covers and two original songs. By the strength of his contributions to the album, Clark was signed to Asylum as a solo artist by David Geffen.
While preparing to record, Clark briefly joined the backing group of former Byrds colleague Roger McGuinn; the two even shared a home together during the period in the Hollywood Hills overlooking the Pacific Ocean. During an engagement at The Troubadour in Los Angeles with McGuinn, he introduced a song that would remain in his repertoire for the rest of his career, "Silver Raven"; it would be recorded in an arrangement featuring Jesse Ed Davis and L.A. session player Danny Kortchmar on No Other. Of the song's composition, Clark said in a 1976 interview:
| “ | It actually came about from a news story that was about some satellite, or something, they had discovered. They said they couldn't figure out where it came from. It was beyond our solar system. They were getting signals from it that they said were about 100 years ahead of our technology. | ” |
Production
Retreating to his coastal home in Mendocino, Clark began to compose songs for his new album, "analyzing the material" for over a year. According to Clark:
| “ | The whole album was written when I had a house overlooking the Pacific Ocean in Northern California. I would just sit in the living room, which had a huge bay window, and stare at the ocean for hours at a time. I would have a pen and paper there, and a guitar or piano, and pretty soon a thought would come and I'd write it down or put it on tape. In most instances, after a day of meditation looking at something which is a very natural force, I'd come up with something. | ” |
Contrary to rumors that many of the album's songs were conceived under the influence of mescaline and other illicit chemicals, Clark's wife Carlie stated in Mr. Tambourine Man: The Story Of the Byrds' Gene Clark that he was sober throughout the Mendocino years and was disinclined to experiment for the sake of his children. Living up to the "hillbilly Shakespeare" moniker accorded him by later band mate John York, the weighty and ponderous nature of most of his lyrics from the period were drawn from his Christian upbringing and discussions regarding Carlos Castaneda, Theosophy and Zen with his wife and friends like David Carradine and Dennis Hopper.
Entering the studio in April 1974, Clark was paired with producer Thomas Jefferson Kaye, who subsequently would become a dependable collaborator of the singer for the next fifteen years. This was a foreboding sign for the label, as Kaye had accumulated tens of thousands of dollars in cost overruns on Bob Neuwirth's solo debut, which subsequently failed to dent the charts. Most sessions were conducted in Los Angeles and featured the cream of the era's session musicians: Korchmar, keyboardist Craig Doerge, bassist Leland Sklar, and drummer Russ Kunkel, aka 'The Section;' percussionist Joe Lala, Butch Trucks of the Allman Brothers Band, Jesse Ed Davis, backup vocalists Clydie King, Claudia Lennear, & Venetta Fields, and former Byrd Hillman. The plaintive country-folk sounds of White Light and Roadmaster were replaced by intricate vocal harmonies and heavily overdubbed, atypical arrangements in Kaye's "answer to Brian Wilson and Phil Spector as a producer". However, there was a pronounced R&B/funk feel to the title track, which has often been attributed to the presence of Sly Stone at some of the sessions. According to John Einarson's Mr. Tambourine Man, all of the assembled musicians were impressed by Clark's perfectionism and genial, humble attitude.
Initially, Carlie Clark and the children temporarily relocated with him to Los Angeles, in the hope that the family routine of Mendocino could be preserved. However, it was not long before Clark reacquainted himself with L.A.'s party circuit and the latest fashionable drug - cocaine. After his disgusted wife moved the family back to Northern California, Clark established house with old friend and band mate Doug Dillard in the Hollywood Hills; "Lady of the North", a song for Carlie and also the album's closer, was written by the twosome in a cocaine haze, their final collaboration on a song.
For years rumors circulated that only half of an intended double album had been recorded, with Geffen baulking at the excessive cost and eventually pulling out. This was corroborated by Clark in a 1976 interview. According to Kaye in Mr. Tambourine Man, 13 or 14 songs had been demoed with acoustic guitar at early sessions but only nine were recorded with a full band. "Train Leaves Here This Morning", a rerecording of a song first released on The Fantastic Expedition of Dillard & Clark, was omitted from the final album.
Release
No Other was delivered to Asylum Records in the tumultuous summer of 1974. As recording costs had ballooned to over $100,000, a considerable investment in a performer who had seen his last Top 40 hit in 1966, Geffen was dismayed by the dearth of potential hits and the uncommercial nature of the material.
Released in September 1974, No Other reached a disappointing peak of #144 on the charts without any active promotion from the label. It was also commercial failure; the studio time and cost being seen as excessive and indulgent. [3] Further confounding matters was the album's artwork: the front cover was a collage inspired by 1920s Hollywood glamour, while the back featured a photo of the singer with permed hair and clad in full drag, frolicking at the former estate of John Barrymore. A rare fall tour staged by the singer could not salvage the endeavour, and demos for a new album—reportedly a fusion of country rock with R&B, funk, and early disco stylings—were promptly rejected by Asylum. (By 1976 No Other had been deleted).
In later years, Clark remained disappointed with the lack of success achieved by No Other, which he deemed to be his masterpiece in several interviews.
By the late 1990s, perhaps indirectly because of his death, interest in Clark's catalog had grown to the point where three songs from No Other were included on the double disc compilation entitled "Flying High". In the early 2000s, No Other was finally reissued in its entirety. A 2003 European reissue included "Train Leaves Here This Morning" and several alternate, semi-acoustic renditions while a skeletal version lacking the bonus tracks but containing restored packaging and new liner notes appeared in the United States on Collector's Choice Music.
Track listing
All tracks composed by Gene Clark; except where indicated
- "Life's Greatest Fool" – 4:44
- "Silver Raven" – 4:53
- "No Other" – 5:08
- "Strength of Strings" – 6:31
- "From a Silver Phial" – 3:40
- "Some Misunderstanding" – 8:09
- "The True One" – 3:58
- "Lady of the North" (Doug Dillard, Clark) – 6:04
(bonus tracks on the 2003 release:)
- "Train Leaves Here This Morning" (Bernie Leadon, Clark) - 4:59
- "Life's Greatest Fool" (alternate version) - 4:16
- "Silver Raven" (alternate version) - 3:06
- "No Other" (alternate version) - 5:35
- "From a Silver Phial" (alternate version) - 3:42
- "Some Misunderstanding" (alternate version) - 5:17
- "Lady of the North" (alternate version) (Doug Dillard, Clark) - 5:54
Personnel
- Gene Clark - guitar, vocals
- Chris Hillman - mandolin
- Jesse Ed Davis - guitar
- Stephen Bruton - guitar
- Bill Cuomo - organ
- Craig Doerge - keyboards
- Howard "Buzz" Feiten - guitar
- Danny Kortchmar - guitar
- Russ Kunkel - drums
- Joe Lala - percussion
- Ted Machell - cello
- Jerry McGee - guitar
- Lee Sklar - bass
- Butch Trucks - drums
- Michael Utley - keyboards
- Richard Greene, Beryl Marriott - violin
- Sherlie Matthews, Cindy Bullens, Ronnie Barron, Clydie King, Claudia Lennear, Venetta Fields, Timothy B. Schmit, Carlena Williams - background vocals
References
- ^ Allmusic review
- ^ Head Heritage review
- ^ a b "No Other - Gene Clark". www.allmusic.com. http://www.allmusic.com/album/no-other-r4063/review. Retrieved 2010-12-18.
- ^ Johnny Rogan (1997). The Byrds: timeless flight revisited. Music Sales Distributed. p. 490. http://books.google.co.uk/books?id=VLCw5BbrTwkC&pg=RA1-PA490&dq=Gene+clark+never+fully+recovered+from+the+commercial+failure+of+No+Other&hl=en&ei=7ekMTeqeMo-bhQfU6YS3Dg&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCYQ6AEwAA#v=onepage&q=Gene%20clark%20never%20fully%20recovered%20from%20the%20commercial%20failure%20of%20No%20Other&f=false. Retrieved 2010-12-18.
- ^ The rough guide to rock. books.google.co.uk. http://books.google.co.uk/books?id=7ctjc6UWCm4C&pg=PT208&dq=gene+clark&hl=en&ei=UucMTY2FMcSChQesuNG3Dg&sa=X&oi=book_result&ct=result&resnum=2&sqi=2&ved=0CDYQ6AEwAQ#v=onepage&q=gene%20clark&f=false. Retrieved 2010-12-18.
- ^ "October 1998 issue of Record Collector". www.geneclark.com. http://www.geneclark.com/recordcoll.html. Retrieved 2010-12-18.
- ^ "Gene Clark - Disc of the day - Mojo". www.mojo4music.com. http://www.mojo4music.com/blog/2009/04/gene_clark.html. Retrieved 2010-12-18.
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