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| Literary Dictionary: nonsense verse |
nonsense verse, a kind of humorous poetry that amuses by deliberately using strange non‐existent words and illogical ideas. Its masters in English are Edward Lear and Lewis Carroll, followed by G. K. Chesterton and Ogden Nash. Classics of the genre are Lear's ‘The Owl and the Pussy‐Cat’ (1871) and his limericks, along with the songs in Carroll's Through the Looking‐Glass (1871), including ‘The Walrus and the Carpenter’ and the celebrated ‘Jabberwocky’. See also doggerel, jingle, light verse.
| WordNet: nonsense verse |
The noun has one meaning:
Meaning #1:
nonsensical writing (usually verse)
Synonym: amphigory
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Nonsense verse, technically termed amphigouri, is the poetic form of literary nonsense, normally composed for humorous effect, which is intentionally and overtly paradoxical, silly, witty, whimsical or otherwise strange. It is particularly common in English, due to the typically absurdist streak in British humour. Some Dadaist writings could also be considered as being nonsense verse.
In some cases, the humor of nonsense verse is based on the incompatibility of phrases which make grammatical sense but semantic nonsense, as in the traditional:
Other nonsense verse makes use of nonsense words—words without a clear meaning or any meaning at all. Lewis Carroll and Edward Lear both made good use of this type of nonsense in some of their verse. In these poems, the grammar and syntax are perfectly well-formed, and each nonsense word has a clear part of speech. The first verse of Lewis Carroll's Jabberwocky ...
... illustrates this nonsense technique perfectly, despite Humpty Dumpty's later explanation of some of the unclear words within it.
Still other nonsense verse uses muddled or ambiguous grammar as well as invented words, as in John Lennon's "The Faulty Bagnose":
Here, awoy fills the place of "away" in the expression "far away", but also suggests the exclamation "ahoy", suitable to a voyage). Likewise, worled and gurled suggest "world" and "girl" but have the -ed form of a past-tense verb. Somforbe resists interpretation—possibly a noun; possibly a slurred verb phrase.
However not all nonsense verse relies on word play. Some conjures up nonsensical situations, for instance Edward Lear's poem, The Jumblies has a perfectly comprehensible chorus.
The significance of the colour of their heads and hands is not apparent and the verse appears to be nonsense.
Likewise Christopher Isherwood's poem ...
from 'Poems Past and Present', J.M. Dent and Sons (Canada) Ltd. fourth printing, 1959
... makes grammatical and semantic sense and yet lies so earnestly and absurdly that it qualifies as complete nonsense.
There is a long tradition of nonsense verse in English. The Anglo-Saxon riddles are an early form. For instance ...
(Answer: probably a bookworm) The poem is nonsense until one figures out the answer.
The poem ...
... makes even more extreme use of word incompatibility by pairing a number of polar opposites such as day/night, paralyzed/walking, dry/drowned, lie/true, in conjunction with lesser incompatibilities such as swords/shot and rubber/wall.
Many nursery rhymes are nonsense, unless one knows the context or background; some say that Mother Goose rhymes were originally written to parody the aristocracy while appearing to be nothing more than nonsense nursery rhymes.[citation needed] For instance ...
Limericks are probably the best known of nonsense verse, although the form tends to be used for bawdy or straightforward humorous effect nowadays rather than for nonsensical effect.
Among writers in English noted for nonsense verse are Edward Lear, Lewis Carroll, Ogden Nash, Mervyn Peake, Colin West, Roald Dahl, Dr. Seuss and Spike Milligan. The Martian Poets and Ivor Cutler are considered by some to be in the nonsense tradition.
Russian nonsense poets include Daniil Kharms and Aleksey Konstantinovich Tolstoy, particularly his work under the pseudonym Kozma Prutkov, and some French exponents are Charles Cros and Robert Desnos. The best-known Dutch Nonsense poet is Cees Buddingh'.
Among German writers, Christian Morgenstern and Ringelnatz are the best-known ones, and both still popular. Robert Gernhardt is a contemporary one. Morgenstern's Nasobēm is an imaginary being, though less frightful than the Jabberwock:
| Original | Translation |
|---|---|
|
Auf seinen Nasen schreitet |
Upon its noses strideth |
F.W. Bernstein's observation that
| Die schärfsten Kritiker der Elche | The sharpest critics of the elks |
| waren früher selber welche | used to be ones themselves |
has become practically a proverb in German. While strictly speaking nonsense (elk have no critics), it nonetheless expresses the truth that often the most strident opponents of an ideology are its former adherents. On the cult show "Max Headroom", Edison Carter once made a similar observation: "Converts are the worst bigots."
One contemporary example of nonsense verse is Vogon poetry, found in Douglas Adams's The Hitchhiker's Guide to the Galaxy.
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| amphigory | |
| Lear, Edward (British artist and writer of nonsense verse) | |
| Lewis Carroll (Writer/Mathematician) |
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