Norman Blake

Share on Facebook Share on Twitter Email
Top

Guitarist

Norman Blake has built his well-deserved reputation as a guitarist extraordinaire over the last 35 years, touring with Joan Baez, recording with Bob Dylan, and participating with the Nitty Gritty Dirt Band's Will the Circle Be Unbroken project. Blake has received multiple Grammy nominations over the course of his career. Besides stints with John Hartford and Johnny Cash, Blake has recorded multiple solo and group albums for Rounder and Shanachie Records. "Blake maintains a stolidly original approach to traditional music," wrote Scott Nygaard in Acoustic Guitar, "and is well-recognized by the mainstream music world for the integrity of his vision."

Blake was born on March 10, 1938, in Chattanooga, Tennessee, but his family soon moved to Georgia and he grew up in Sulphur Springs and Rising Fawn. Like many rural dwellers, he listened to country radio programs like the Grand Ole Opry on WSM out of Nashville, and was influenced by artists like the Monroe Brothers, Roy Acuff, and the Carter Family. At age eleven, Blake started playing the guitar and eventually learned to play the dobro, fiddle, and mandolin, making the young musician a one-man band. At age 16 he dropped out of school and joined the Dixie Drifters. The Dixie Drifters debuted in 1954 on Tennessee Barn Dance, a Knoxville radio program, and over the next two years also performed on WDOD radio and WROM-TV in Rome, Georgia. Blake left the group in 1956 and joined the Lonesome Travelers, and in the late 1950s the band recorded two albums with Walter Forbes for Radio Corporation of America (RCA). Although Blake left the band to join Hylo Brown and the Timberliners, he continued to perform with the Lonesome Travelers' banjo player, Bob Johnson, and together, they made several guest appearances on the Grand Ole Opry.

Blake was drafted into the United States Army in 1961 as a radio operator and was stationed in the Panama Canal for the next two years. He continued his musical development during this time, forming the Fort Kobbe Mountaineers, a bluegrass band that was voted the Best Instrumental Group of the Caribbean Command. On leave in 1962, Blake recorded 12 Shades of Bluegrass with the Lonesome Travelers, and in 1963 he returned to civilian life. Blake began giving guitar lessons at a music store in Chattanooga in the mid-1960s, teaching as many as 150 students per week. He also played fiddle at country and western dances several days a week. It was a lucky coincidence that he also learned about a blind guitarist named Doc Watson while working at the store. After listening to Watson's Vanguard albums, he began to develop his flatpicking skills. Blake told Nygaard, "I thought to myself, 'Good Lord, if this is what people like, hell, I could do this. I've been doing this off and on and nobody took it seriously.' So I started taking it more seriously."

In the mid-1960s Blake made a number of excursions to Nashville, recording with the Carter Family and traveling with June Carter's road group. He also befriended country music legend Johnny Cash, and when Blake moved to Nashville in 1969 he became part of the "Man in Black's" band on the summer TV program The Johnny Cash Show. Blake became a much-soughtafter session player, and performed on Bob Dylan's Nashville Skyline. He toured and recorded as part of singer-songwriter Kris Kristofferson's first band—Silver Tongue Devil—and played mandolin on Joan Baez's 1971 hit, "The Night They Drove Old Dixie Down."

Although Blake achieved both respect and fame in Nashville, he grew tired of new country-rock and longed to return to his traditional roots. In 1971 he joined John Hartford's band and contributed to the old-time music classic Aereo-Plain, an album that became a touchstone for young players like Sam Bush and John Cowan. The "Aereo-Plain" band soon fell apart, but Blake toured with Hartford for a year and a half and played guitar and dobro on his 1972 album Morning Bugle. He then sharpened his bluegrass skills for nine months in Red, White and Blue (grass), and received a gold record for his work on Will the Circle Be Unbroken in 1972.

The success of these projects helped Blake launch his solo career the same year with the release of Back Home in Sulfur Springs on Rounder Records. "Although he only got better over time," wrote Jim Smith in All Music Guide, "this record is among Blake's best." Back Home in Sulfur Springs was listed as one of Acoustic Guitar magazine's top ten Bluegrass and Country recordings. He also recorded Whiskey Before Breakfast with Charlie Collins in 1976 and Blake and Rice with guitarist Tony Rice in 1987.

In 1972 Blake met Nancy Short when her band, Natchez Trace, opened for him at the Exit-In in Nashville. The two married, and in 1974 began a 20-plus-year musical partnership. The Blakes recorded a series of four albums together: Blind Dog (1988), Just Gimme Somethin' I'm Used To (1992), While Passing Along This Way (1994), and The Hobo's Last Ride (1996). Each was nominated for a Grammy, along with Blake's solo effort, Chattanooga Sugar Babe (1998). In 1998 National Public Radio celebrated Blake's 60th birthday by interviewing the guitarist on All Things Considered. Never one to take the familiar path, Blake joined forces with Rich O'Brien for Be Ready Boys: Appalachia to Abilene in 1999, and participated on Johnny Cash's American III: Solitary Man in 2000.

Blake found himself cast into the spotlight in 2000, when he recorded "You Are My Sunshine" and an instrumental version of "The Man of Constant Sorrow" for the Coen Brothers' film O Brother, Where Art Thou? The movie's soundtrack, much like Will the Circle Be Unbroken in the early 1970s, found a large audience by returning to country music's roots. "I think people are tired of music that comes out of Nashville," Blake told Seth Rogovoy on the Rogovoy Report website. "They appreciate old-fashioned string music if they have the chance to hear it." Blake also won his first Grammy and a Country Music Association award for O Brother, Where Art Thou? Despite multiple awards and a dedicated following, Blake retains a rare modesty concerning his accomplishments. "I never felt like I was technically brilliant," he told Nygaard. "I don't make records with that in mind. I try to make real music."

Selected discography

Solo
Back Home in Sulphur Springs, Rounder, 1972.
The Fields of November, Flying Fish, 1974.
Going Places, Flying Fish, 1974.
Live at McCabe's, Takoma, 1976.
Blackberry Blossom, Flying Fish, 1977.
Whiskey Before Breakfast, Rounder, 1976.
Rising Fawn String Ensemble, Rounder, 1979.
Full Moon on the Farm, Rounder, 1981.
Original Underground Music, Rounder, 1982.
Nashville Blues, Rounder, 1984.
Lighthouse on the Shore, Rounder, 1985.
Blake and Rice, Rounder, 1987.
Chattanooga Sugar Babe, Shanachie, 1998.
Far Away, Down on a Georgia Farm, Shanachie, 1999.
Flower From the Fields of Alabama, Shanachie, 2001.

With others
(Contributor) Will the Circle Be Unbroken, United Artist, 1972.
(With Nancy Blake) Blind Dog, Rounder, 1988.
(With Nancy Blake) Just Gimme Something I'm Used To, Shanachie, 1992.
(With Nancy Blake) While Passing Along This Way, Shanachie, 1994.
(With Nancy Blake) The Hobo's Last Ride, Shanachie, 1996.
(With Rich O'Brien) Be Ready Boys: Appalachian to Abilene, Shanachie, 1999.
(Contributor) O Brother, Where Art Thou?, Mercury, 2000.
(With Peter Ostroushko) Meeting on Southern Soil, Red House, 2002.

Sources
Books
Stambler, Irwin and Grelun Landon, Encyclopedia of Folk, Country and Western Music, St. Martin's, 1983.

Periodicals
Acoustic Guitar, October 1999.


Online
"For Norman Blake, Old-Time Music Is Always Just There," Rogovoy Report, http://www.rogovoy.com/ (January 26, 2004).
"Norman Blake," All Music Guide, http://www.allmusic.com/ (February 2, 2004).
  • Genres: Country

Biography

Although he is proficient with a variety of stringed instruments, Norman Blake is famous for his acoustic guitar skills -- he was one of the major bluegrass guitarists of the '70s. Blake came into view in the late '60s, when he began performing as a sideman with artists as diverse as June Carter and Bob Dylan. During the '70s, he began a solo career that quickly became one of the most popular and musically adventurous within bluegrass. He continued recording and performing -- occasionally with his wife, Nancy -- well into the '90s. Blake began playing music professionally when he was 16 years old, joining the Dixieland Drifters as a mandolinist in 1954; the group debuted on Tennessee Barn Dance, a radio show based in Knoxville. After two years, he left the band and became a member of the Lonesome Travelers, which was led by banjoist Bob Johnson. By the end of the '50s, the Lonesome Travelers had added a second banjoist, Walter Forbes, and had made two records for RCA. Although he joined Hylo Brown & the Timberliners in 1959, Blake continued to perform with Johnson. The following year, he also became a member of June Carter's touring band.

In 1961, Blake was drafted into the Army, where he was stationed in Panama. While he was in the service, he was a radio operator on the Panama Canal and he formed a band called the Kobbe Mountaineers. The band became a popular attraction and was voted the best band in the Caribbean Command. In 1962, Blake recorded 12 Shades of Bluegrass with the Lonesome Travelers while he was on leave. He was discharged from the Army the following year and moved to Nashville. Once he was in Nashville, Blake joined Johnny Cash's band. That same year, he married Nancy Short and settled in Chattanooga, TN. For the next few years he played with Cash, both on recordings and concerts. In 1969, Bob Dylan hired Blake to play on his country-rock album Nashville Skyline, providing the guitarist a whole new audience. That audience expanded even further when he became Cash's main guitarist on the singer's television show. Cash's program featured a wide array of musical guests, who were often impressed with Blake's talents. Kris Kristofferson asked him to join his touring band and Norman did so, playing both guitar and Dobro; he also played on several of Kristofferson's records. Blake also played on several of Joan Baez's records, including her hit version of "The Night They Drove Old Dixie Down."

Following his folk and country-rock experiments, Blake returned to his bluegrass roots in 1971 when he joined John Hartford's band, Aeroplane, which also featured fiddler Vassar Clements. Aeroplane fell apart quickly, but Blake stayed with Hartford for a year and a half. In 1972, Norman recorded his first solo album, Back Home in Sulphur Springs, which began a long relationship with Rounder Records. This arrangement lasted through Blake's 1990 album Norman Blake and Tony Rice 2, a follow-up to an earlier collaboration with Tony Rice. Most of Blake's output in the '90s was released on the equally venerable Shanachie label, including 1999's Be Ready Boys: Appalachia to Abilene. Far Away, Down on a Georgia Farm arrived that same year, followed by Flower from the Fields of Alabama in 2001. Blake teamed up with Ukrainian fiddler/mandolin player Peter Ostroushko for 2002's Meeting on Southern Soil in February of the following year, with the compilation Old Ties arriving later that spring. Norman and Nancy put out Morning Glory Ramblers in 2004 and Back Home in Sulphur Springs in 2006. Norman released Shacktown Road in early 2007, following it with Sleepy Eyed Joe in 2009. ~ Kurt Wolff, Rovi
Wikipedia on Answers.com:

Norman Blake (American musician)

Top
Norman Blake

Norman Blake
Background information
Birth name Norman Blake
Born March 10, 1938 (1938-03-10) (age 74)
Chattanooga, Tennessee
Genres Bluegrass, folk, country
Occupations Musician, singer-songwriter
Instruments Vocals, guitar, violin, mandolin, dobro, banjo, mandocello
Years active 1954–present
Labels Rounder, Flying Fish, Takoma, Shanachie, Red House
Website www.somagency.com/NormanBlake/

Norman Blake (born March 10, 1938 in Chattanooga, Tennessee) is an instrumentalist, vocalist, and songwriter.[1] In a career spanning more than 50 years Blake has played in a number of folk and country groups. He is considered one of the leading figures in the bluegrass revival of the 1970s and is still active today, playing concert dates and making albums with his wife Nancy Blake.[2]

Contents

Biography

When Norman was one year old, his family moved to Sulphur Springs, Georgia where he was raised.

Although known as one of the most prominent acoustic guitar flatpickers, Norman Blake is a multi-instrumentalist and vocalist. Other instruments he plays include the mandolin, 6-string banjo, fiddle, dobro, banjo and viola.[3] He is known for his loose right hand guitar technique, which arose out of his mandolin technique. Also well known is his devotion to 12 fret guitars, including Martin 00s, 000s, D18s, D28s, and, most recently, Gibsons, like his 1929 12 fret Nick Lucas special.

Blake is best known for his work with John Hartford, Tony Rice, and his wife, Nancy Blake. He has played backup for Johnny Cash, June Carter, Bob Dylan, Steve Earle, Kris Kristofferson, Ralph Stanley, and Joan Baez. Blake also played on the Nitty Gritty Dirt Band album, Will the Circle Be Unbroken. From 1969 to 1971 he was a regular on ABC's The Johnny Cash Show, supplementing Cash's band the Tennessee Three.

Blake is listed in the credits of the Bob Dylan album Nashville Skyline and the Johnny Cash album Orange Blossom Special. He was featured on the Steve Earle comeback album Train A' Comin' and on the multi-platinum O Brother Where Art Thou? soundtrack, which ignited new interest in old time music and won a Grammy Award for Album of the Year in 2002. Blake participated in the "Down from the Mountain" tour which resulted. Blake also played on the 2007 album Raising Sand by Robert Plant and Alison Krauss, which won five Grammy Awards.

Most of the music that Norman Blake plays could be described as neo-traditionalist Americana folk and roots music (folk, bluegrass, country, blues), and many of the songs he plays are traditional, but he plays this acoustic type of music with a style, speed, and quality that has evolved and progressed in the modern age. Though probably best known for his fluid renditions of classic fiddle tunes transcribed for the guitar (Fiddler's Dram / Whiskey Before Breakfast), Blake has also written songs that have become bluegrass standards, such as "Ginseng Sullivan" from Back Home in Sulphur Springs, "Slow Train through Georgia", and "Church Street Blues".

Blake has produced 32 albums and has recorded on the Rounder, Flying Fish, Country, Takoma, Shanachie, Western Jubilee, Red House, Dualtone, and Plectrafone labels.

Discography

Soundtracks

Blake appears on the following soundtracks as either musician or arranger:

Videos

  • Norman Blake's Guitar Techniques #1 (Homespun, 1990 VHS, 2003 DVD)
  • Mandolin of Norman Blake (Homespun, 1992 VHS, 2005 DVD)
  • My Dear Old Southern Home (Shanachie, 1994 VHS, 2003 DVD)
  • Legends of Flatpicking Guitar (Vestapol, 1995 VHS, 2001 DVD)
  • The Video Collection 1980-1995 (Vestapol, 1996 VHS, 2004 DVD)
  • Great Guitar Lessons - Bluegrass Flatpicking (Homespun, 2000 VHS, 2006 DVD)
  • Norman Blake's Guitar Techniques #2 (Homespun, 2001, 2003 DVD)

References

  1. ^ (accessed Jan 2, 2008)[dead link]
  2. ^ Stambler, Irwin The Encyclopedia of Folk, Country & Western Music, second edition (St. Martins Press New York, 1983) p 50.
  3. ^ CD notes from The Fields of November, Flying Fish Records FF 70064, 1992

External links


Post a question - any question - to the WikiAnswers community:

Copyrights:

Mentioned in

The Old Post Office (1976 Album by Tut Taylor)
The Mandolin of Norman Blake (1992 Music Film)
Rounder Guitar: Acoustic Guitar (1988 Album by Various Artists)
Rounder Bluegrass Guitar (1996 Album by Various Artists)