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Norman Kingsley Mailer (1923-2007), American author, film producer and director, wrote one of the most noteworthy American novels about World War II. Only in his later political journalism did he reach that level of achievement again.
Norman Mailer was born in Long Branch, New Jersey, on Jan. 31, 1923. The family soon moved to Brooklyn. Mailer graduated from high school in 1939 and earned a bachelor of science degree in aeronautical engineering from Harvard University. He won a college fiction contest, wrote for the Harvard Advocate, worked on two ambitious (unpublished) novels, and contributed a no-vella to an anthology. Drafted into the Army in 1944, he served in the Philippines in an infantry regiment, as both intelligence clerk and combat reconnaissance rifleman.
In the Army, Mailer knew he was living the material for his third novel. From notes in letters to his wife, he fashioned a brilliant narrative around an Army platoon's taking of a Japanese-held Pacific island. Borrowing naturalist techniques from John Dos Passos and James Farrell, a symbolist's stance from Herman Melville, and the instinctive journalist's observations from Ernest Hemingway, he described (in language considered objectionable in its day) the ironies of war and the inner conflicts of a cross section of American fighting men. Many readers saw only the realism in The Naked and the Dead (1948). Mailer insisted he was writing not only of a specific war but of "death and man's creative urge, fate, man's desire to conquer the elements…" The work was a popular success and won him critical acclaim.
After attending the Sorbonne in Paris under the G.I. Bill, Mailer returned to the United States in the mid-1950s, and founded, along with Daniel Wolf and Edwin Fancher, the newspaper Village Voice.
In his next four novels, Mailer wrote from "intense political preoccupation and a voyage in political affairs which began with the Progressive Party and has ended in the cul-de-sac (at least so far as action is concerned) of being an anti-Stalinist Marxist who feels that war is probably inevitable." Barbary Shore (1951) is set in a Brooklyn rooming house. The Deer Park (1955), both the novel and the play Mailer adapted from it, takes place at a kind of Palm Springs of the imagination and focuses on two of Mailer's most memorable characters, Sergius O'Shaugnessy, former Air Force pilot, and Elena Esposito, broken-down dancer and actress. An American Dream (1965) shows Steve Rojack, trapped in an urban nightmare of sexual orgy, murder, and despair, escaping with what remains of his soul to the jungles of Yucatán. Why Are We in Vietnam? (1967), the low ebb of Mailer's fiction, takes its 18-year-old hero on an Alaskan hunting expedition that ends with his initiation into manhood. These books voiced Mailer's view of the frustrations and compulsions that lay beneath the surface of American life, violently portrayed through existential heroes and at times written with flamboyant crudeness.
Mailer began a second career in the mid-1950s as essayist and journalist. He became a national personality with the publication of Advertisements for Myself (1959), a compendium of earlier writings that included bitter polemics, personal interviews, psychocultural essays, stories, works in progress, and unabashed confessions of how Mailer reached the depths of his own existential state and found a "new consciousness."
Although the sixties were a time of personal conflict and public rebellion for Mailer, he wrote many nonfiction works during that period that helped establish him as a preeminent writer in the genre. The Presidential Papers (1963) presented a critique of American politics and society that introduced a revitalized Mailer, the public historian of the John Kennedy years. This work along with Cannibals and Christians (1966) attempted to establish him as "self-appointed master of the Now." Issues pertaining to gender and sex were the basis of The Prisoner of Sex (1971), a treatise on Mailer's various sexual relationships in which he responds to Kate Millett's attack on his presumed sexism in her Sexual Politics (1970).
The peace march on Washington (1967) and the presidential conventions (1968) gave Mailer some of his most fruitful material. A seasoned reporter, he wove his copious notes into "non-fictional novels" using the style of New Journalism, in which factual events are related from the writer's perspective and incorporate prose devices such as narrative, dialogue, and multiple points of view. The Washington experience became The Armies of the Night: History as a Novel, the Novel as History (1968), for which he received a National Book Award and a Pulitzer Prize. The political conventions shaped Miami and the Siege of Chicago (1968). In addition to reportage, these works reflect Mailer's personality and controversial opinions on historic events, creating incisive portraits of the conflict between individual and collective power.
Other works using New Journalism techniques include Of a Fire on the Moon (1971) about man's first landing on the moon, The Executioner's Song (1979), an examination of the life and death of convicted murderer Gary Gilmore, the first person executed (in 1977) in the United States under death-penalty legislation in more than a decade, and Harlot's Ghost (1991), in which Mailer treats factual events such as the Cuban missile crisis and the Bay of Pigs from an overtly fictional perspective to imagine the inner workings of the United States Central Intelligence Agency.
During the 1990s, the prolific and egocentric writer again turned his attention to biographical essays and novels. Portrait of Picasso As A Young Man (1995) and Oswald's Tale: An American Mystery (1995) received poor critical reviews for his reliance on what many considered dubious new sources for subjects whose lives were already well chronicled. Still, David Gelernter in the National Review credited Mailer's heavy use of other authors in Picasso saying, "Picasso is a collage…The counterpoint that results is odd but effective," and that there were occasional flourishes of brilliant writing. Among the theories he presents is that violence and death are at the heart of Picasso's Cubism.
Not one to shy away from challenging subjects, Mailer chose to write a novel about Jesus Christ in 1997. As noted in the New York Times Book Review, Mailer wrote not merely a life of Jesus, but a contemporary apocryphal Gospel, The Gospel According to the Son, in the first-person voice of Jesus Himself - a choice avoided by all surviving ancient Gospels and by virtually all modern novelists. As in many of his other works, critics pointed to spotty narrative brilliance and "rare powerful moments of invention." However, in Gospel, Mailer also was credited for his knowledge of canonical texts, as well as his surprising - and to some, disappointing - adherence to tradition.
Mailer continued analyzing and commenting on major social and political issues throughout the 1990s, often interviewing his philosophical opposites, such as the staunch right-wing politican and newscaster Patrick Buchanan. The self-styled maverick and outspoken social and political arbiter of the times was widely regarded as the most prominent writer of his generation, and praised for the diversity and scope of his works.
Further Reading
The fullest critiques of Mailer are Richard J. Foster, Norman Mailer (1968), and Barry H. Leeds, The Structural Vision of Norman Mailer (1969); see also Norman Podhoretz, Doings and Undoings: The Fifties and After in American Writing (1964); Ronald Berman, America in the Sixties: An Intellectual History (1968); Richard Gilman, The Confusion of Realms (1969); Laura Adams, Norman Mailer: A Comprehensive Bibliography (1974), Scarecrow; Laura Adams, editor, Will the Real Norman Mailer Please Stand Up? (1974), Kennikat Press; Laura Adams, Existential Battles: The Growth of Norman Mailer (1976), Ohio University Press; Robert Alter, Motives for Fiction (1984), Harvard University Press; Martin Amis, The Moronic Inferno and Other Visits to America (1986), Jonathan Cape; and Chris Anderson, Style as Argument: Contemporary American Nonfiction (1987), Southern Illinois University Press.
(1923- ), novelist and filmmaker. At the climax of Mailer's fourth novel--titled, with bitter irony, An American Dream--the hero, who has murdered his wife, walks, drunk, around the parapet of a penthouse on a dare from his millionaire father-in-law. It is a foolish, even a childish thing to do, exhibitionistic and suicidal. And yet, as narrated by the hero, it also moves us as an authentic, existential, even religious validation of the self against the repressive forces of orthodoxy and the establishment.
Much of Mailer's unique, disturbing, and exhilarating presence in American letters is caught in that scene: an awkward tightrope-walk between the abyss and the luxury of success (another kind of abyss, really) that somehow, miraculously, comes off. Mailer is the drunken walker on the edge, taking wild risks with his art and his career for over forty years and somehow winning more often than he loses, and, most important, convincing us that this sort of risk-taking is crucial not just to his own self-definition but also to our imaginative survival in the big business, high-tech, soul-eating mindscape of post-World War II America. Advertisements for Myself he titled his 1965 collection of essays, poems, and stories: he has in fact not just advertised himself but made himself into a metaphor for the complex fate of the modern American imagination.
His first novel, The Naked and the Dead (1948), was an immense success and immensely misunderstood. There are still critics who speak of the "realism" of this war novel as if it were a standard from which his later work declined. In fact, there are no conventional battle scenes in the book. It is really not a "war novel" at all, as much as it is Mailer's prophetic vision of the America that will follow the war, an America divided between the spiritually "naked," who insist upon living life as a romantic quest for ultimate values, and the spiritually "dead," who embrace the killing blandishments of wealth and power. To see this is to see that Mailer has always been a moral allegorist, a legitimate heir of Henry Thoreau, Ralph Waldo Emerson, and Walt Whitman, and to see why his own career has been a constant flight from predictability, why for him "success" has to be a continual reinvention of himself against the very literary establishment that wants to canonize him, a "success" that only he can prove and that must be proved anew with every book.
No wonder, then, that in the fifties he was aligned with the antiestablishment Beat movement (though never quite fully a part of it) or that in the sixties and seventies his influence as well as his voice was strong among the writers of the new political and literary left (e.g., Thomas Pynchon, Kurt Vonnegut, Don DeLillo). As novelist and as essayist, his voice is a consistent and wryly radical one. He admits that he has made it, become a permanent and permanently salable member of the literary establishment, and yet he resolutely refuses to settle for that. "History as a Novel" and "The Novel as History" are the subdivisions of his great 1970 book on the Vietnam War, The Armies of the Night. For this blustering, sometimes buffoonish man, politics and fiction are, at a very deep level, a single visionary act, an act of moral urgency for writer and readers alike. His novels of the eighties, Ancient Evenings (1982) and Tough Guys Don't Dance (1984), show nothing as much as the undiminished quality of his energy, the one a meditation on the morality of warfare set in pharaonic Egypt, the other an exploration of American sexual confusion cast as a hard-boiled detective novel. A self-made insider whose sympathies are all with the outsiders--the losers, bums, killers, and poets--Mailer has kept himself heroically on the edge and in doing so inspired a great deal of very good writing by others. If his talent is enormous, his influence and importance are likely to loom even larger.
Bibliography:
Peter Manso, Mailer: His Life and Times (1985); Frank D. McConnell, Four Postwar American Novelists (1977).
Author:
Frank D. McConnell
See also Literature.
Mailer, who tended to view himself and his fictional protagonists in a heroic mode, was very much a public figure-pugnacious, self-promoting, and articulate, with a distinctive candid charm. He made frequent appearances at public events, in forums, and on television talk shows, making a variety of often controversial public pronouncements-aesthetic, philosophical, and political. In 1955 Mailer was one of the founders of The Village Voice newspaper, and in 1961 he ran unsuccessfully for mayor of New York City.
The Armies of the Night (1968; Pulitzer Prize), a dramatic account of the 1967 anti-Vietnam War march on Washington, D.C., is one of the earliest works to make use of the personalized style that came to be called New Journalism and is one of Mailer's most significant books. In it and in later books and essays, he pioneered the usage of novelistic techniques in nonfiction works. Among his other journalistic works are Miami and the Siege of Chicago (1969), on the 1968 Republican and Democratic conventions; A Fire on the Moon (1971), an account of the Apollo 11 moon flight; and the brilliantly novelistic The Executioner's Song (1979, Pulitzer Prize), the epic story of the life and execution of killer Gary Gilmore, a book that many consider his masterpiece. The Prisoner of Sex (1971) is Mailer's generally oppositional response to the women's liberation movement. He also wrote "interpretive biographies," Oswald's Tale (1995), a study of the life of President Kennedy's assassin, Lee Harvey Oswald, and Portrait of Picasso as a Young Man (1995), on the youth of Pablo Picasso.
Mailer's later novels tend to be long and intricate, and they met with decidedly mixed reviews: Ancient Evenings (1983), which Mailer considered his best book, is set in pharaonic Egypt; Harlot's Ghost (1991) is a complex cold-war spy novel; and The Castle in the Forest (2007) is a fictional exploration of the boyhood of Adolf Hitler. A shorter detective novel, Tough Guys Don't Dance (1984), was made into a film in 1985. He also wrote, directed, and acted in several movies, e.g., Maidstone (1970). Among his other works are the nonfiction The White Negro (1958), Advertisements for Myself (1959), and Marilyn (1973), a study of Marilyn Monroe.
Bibliography
See the large retrospective anthology of his work, The Time of Our Time (1998), and anthology of his writings on writing, The Spooky Art (2003); J. M. Lennon, ed., Pontifications: Interviews (1982) and Conversations with Norman Mailer (1988); memoir, A Ticket to the Circus, by his sixth wife, N. Church Mailer (2010); biographies by H. Mills (1982), P. Manso (1986), C. Rollyson (1991), and M. V. Dearborn (1999); studies by B. H. Leeds (1969, 2002), L. Braudy, ed. (1972), R. Poirier (1972), J. Radford (1975), R. Merrill (1978, 1992), S. Cohen (1979), J. M. Lennon, ed. (1986), H. Bloom, ed. (1986, repr. 2003), J. Wenke (1987), N. Leigh (1990), M. K. Glenday (1995), and B. H. Leeds (2002); bibliography by B. Sokoloff (1985).
| 1948 | The Naked and the Dead. Drawing on his combat experiences in the Pacific, Mailer's naturalistic first novel about an American platoon's involvement in an invasion and occupation of a Japanese-held island is acclaimed as the most ambitious and powerful novel so far based on the war. The book tops the New York Times bestseller list for eleven consecutive weeks, and the twenty-five-year-old writer emerges as a literary celebrity of whom much is expected. |
| 1951 | Barbary Shore. Mailer's second novel deals with the inhabitants of a Brooklyn boardinghouse. This novel of ideas mixes political and existential themes with realistic and surrealistic methods, reminding reviewers of the works of both Franz Kafka and James A. Cain. |
| 1955 | The Deer Park. Mailer's third novel, set in a California desert community controlled by Hollywood, employs the film industry as a metaphor for America. The critics are unkind, calling the book self-indulgent and underdeveloped, and Mailer abandons his plan to make the novel part of a much larger cycle. |
| 1957 | "The White Negro." Mailer's essay attempts to trace the source of the "destructive, the liberating, the creative nihilism of the Hip" to African American experience, defining how the "psychic outlaw" opposes social and political repression. Regarded as one of the significant cultural documents of the period, it appears in Dissent, which Mailer edits, and would later be included in Advertisements for Myself (1959). |
| 1959 | Advertisements for Myself. Mailer's brawling miscellany includes important essays such as "The White Negro" and "Reflections on Hip;" poetry, plays, and short fiction, including "The Man Who Studied Yoga" and "The Time of Her Time;" and a running assessment of the writer's personal obsessions and professional career. By placing himself at the center of his work, Mailer anticipates his subsequent nonfictional efforts and the style of the so-called New Journalism. |
| 1962 | Death for the Ladies and Other Disasters. Mailer issues a series of short, mainly comic poems called by one reviewer "topographical trickery" and another "private silliness." |
| 1963 | The Presidential Papers. Employing the same devices of introductions and commentary in Advertisements for Myself, Mailer collects a number of essays and interviews purportedly to help instruct President Kennedy in "existential styles of political thought." Kennedy's death shortly after its publication dampens the book's reception. Included are some of Mailer's best journalistic pieces, such as "Superman Comes to the Supermarket," on the 1960 Democratic National Convention, and "Ten Thousand Words a Minute," on prizefighting. |
| 1965 | An American Dream. Stephen Rojack, the protagonist of Mailer's novel, murders his wife, sexually abuses his maid, and evades police prosecution. The book draws the ire of feminists, most notably Kate Millett, who in Sexual Politics (1970) describes the novel as "an exercise in how to kill your wife and live happily ever after." Others defend the book as one of Mailer's most powerful evocations of violence and madness in American society. |
| 1966 | Cannibals and Christians. Mailer's third miscellany of political, social, and literary writings from 1960 includes his reports on the 1964 presidential conventions and profiles of the nominees, Barry Goldwater and Lyndon Johnson. |
| 1967 | Why Are We in Vietnam? Mailer provides an answer in the grotesque details of a bear hunt in Alaska. The story is narrated by a Dallas teenager, D.J., in a pastiche of contemporary American vernacular. |
| 1968 | The Armies of the Night. Mailer's recollections of his participation in the October 1967 antiwar march on the Pentagon showcase his mastery of the "nonfiction novel." The book wins the Pulitzer Prize. Mailer receives the National Book Award for his other 1968 publication, Miami and the Siege of Chicago, his account of the Republican and Democratic presidential conventions. |
| 1970 | Of a Fire on the Moon. Adopting his nom de plume "Aquarius," Mailer contemplates the moon landing and the role of technology in modern society. |
| 1971 | The Prisoner of Sex. Mailer responds to Kate Millett's Sexual Politics (1970), offering his interpretation of sexual matters in literature, women's liberation, and homosexuality. Mailer attacks feminists' "dull assumption that the sexual force for a man was the luck of his birth, rather than his finest moral product" and accuses feminism of being "artfully designed to advance the fortunes of the oncoming technology of the state." First published in Harper's magazine, it prompts the largest sales for any issue in the magazine's history and the dismissal of editor Willie Morris over the piece's language, which the owners deemed offensive. |
| 1972 | Existential Errands. Mailer collects a miscellany of essays, speeches, letters, a one-act play, and translations. He also publishes St. George and the Godfather, his reporting on the 1972 presidential conventions. |
| 1973 | Marilyn. The first of Mailer's two works dealing with film icon Marilyn Monroe takes a speculative biographical approach. Of Women and Their Elegance (1980) attempts an "imaginary memoir" from Monroe's perspective. |
| 1975 | The Fight. Mailer provides his perspective on Muhammad Ali's recapture of the heavyweight boxing title from George Foreman in their bout in Kinshasa, Zaire. |
| 1979 | The Executioner's Song. Mailer's Pulitzer Prize-winning "true-life" novel about Gary Gilmore, the first person to be executed (in 1977) in the United States for more than a decade, shows the author skillfully mining the territory of the "nonfiction novel" and the contemporary American cultural landscape. |
| 1980 | Of Women and Their Elegance. Accompanied by Milton Greene's stylish photographs of Marilyn Monroe, this "autobiography" of the actress assumes her voice and comments on aspects of her private life that she did not address in her own published autobiography. As in Marilyn (1973), his earlier biography, the book explores questions of identity, her attraction to acting, and the nature of her sexuality. |
| 1982 | Pieces and Pontifications. In this collection of Mailer's essays from the 1970s, the most important is "A Harlot High and Low," a long and probing examination of the CIA and the psychology of the spy. It would prepare the ground for his CIA novel, Harlot's Ghost (1991). |
| 1983 | Ancient Evenings. Mailer's mammoth book, set in Egypt during the years 1320-1121 b.c., concerns reincarnation, sexuality, and the correspondences between the age of Ramses II and modern America. |
| 1984 | Tough Guys Don't Dance. Mailer adapted this crime thriller into a film that he directed in 1987. |
| 1991 | Harlot's Ghost. In this mammoth novel about the CIA, Mailer's protagonist, Harry Hubbard, travels to Berlin, Uruguay, Washington, D.C., Miami, and Cuba, becoming involved in Cold War spying and conspiracies that cover most of the important political events between 1955 and 1963. While some critics find the work turgid, others praised its drive and comprehensiveness. |
| 1995 | Oswald's Tale: An American Mystery. Mailer's massive biography of Lee Harvey Oswald, accused assassin of John F. Kennedy, draws on formerly secret files of the Russian KGB in an attempt to discover Oswald's true character and resolve the question of his guilt. Mailer also publishes Portrait of Picasso as a Young Man, a long-delayed biography of the painter, which receives mixed reviews. Many critics complain that the biography contains little that is new and that Mailer had missed an opportunity to bring something original to a subject with whom he had much in common. |
| 1998 | The Time of Our Time. To celebrate the fiftieth anniversary of the publication of The Naked and the Dead, Mailer delivers a massive retrospective of samples from his writing career, grouped by the historical eras they describe. Reviewer James Shapiro calls the book "a remarkable portrait of an artist and of the indelible mark he has left on American life and letters." |
Quotes:
"The desire for success lubricates secret prostitution's in the soul."
"A modern democracy is a tyranny whose borders are undefined; one discovers how far one can go only by traveling in a straight line until one is stopped."
"One's condition on marijuana is always existential. One can feel the importance of each moment and how it is changing one. One feels one's being, one becomes aware of the enormous apparatus of nothingness -- the hum of a hi-fi set, the emptiness of a pointless interruption, one becomes aware of the war between each of us, how the nothingness in each of us seeks to attack the being of others, how our being in turn is attacked by the nothingness in others."
"There is one expanding horror in American life. It is that our long odyssey toward liberty, democracy and freedom-for-all may be achieved in such a way that utopia remains forever closed, and we live in freedom and hell, debased of style, not individual from one another, void of courage, our fear rationalized away."
"Ultimately a hero is a man who would argue with the gods, and so awakens devils to contest his vision. The more a man can achieve, the more he may be certain that the devil will inhabit a part of his creation."
"Because there is very little honor left in American life, there is a certain built-in tendency to destroy masculinity in American men."
See more famous quotes by
Norman Mailer
| Norman Mailer | |
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Norman Mailer photographed by Carl Van Vechten in 1948 |
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| Born | Norman Kingsley Mailer January 31, 1923 Long Branch, New Jersey |
| Died | November 10, 2007 (aged 84) New York City, New York |
| Pen name | Andreas Wilson |
| Occupation | Novelist, essayist, journalist, columnist, poet, playwright |
| Nationality | American |
| Genres | Fiction, non-fiction |
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Norman Kingsley Mailer (January 31, 1923 - November 10, 2007) was an American novelist, journalist, essayist, poet, playwright, screenwriter, and film director.
Along with Truman Capote, Joan Didion, Hunter S. Thompson, John McPhee, and Tom Wolfe, Mailer is considered an innovator of creative nonfiction, a genre sometimes called New Journalism, which superimposes the style and devices of literary fiction onto fact-based journalism. He was awarded the Pulitzer Prize twice and the National Book Award once. In 1955, Mailer, together with John Wilcock, Ed Fancher and Dan Wolf, first published The Village Voice, which began as an arts and politics oriented weekly newspaper distributed in Greenwich Village. In 2005, he received the lifetime Medal for Distinguished Contribution to American Letters from the National Book Foundation.[1]
In 1992, Mailer received the annual Peggy V. Helmerich Distinguished Author Award presented by the Tulsa Library Trust.
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Norman Kingsley Mailer was born to a well-known Jewish family in Long Branch. His father, Isaac Barnett Mailer, was a South African-born accountant, and his mother, Fanny Schneider, ran a housekeeping and nursing agency. Mailer's sister, Barbara, was born in 1927.[2] His second sister, Norma, was born in 1930.[2] Raised in Brooklyn, New York, he graduated from Boys' High School and entered Harvard University in 1939, where he studied aeronautical engineering. At Harvard, he became interested in writing and published his first story at the age of 18, winning Story magazine's college contest in 1941. As an undergraduate, he was a member of The Signet Society. After graduating in 1943, he was drafted into the U.S. Army. In World War II, he served in the Philippines with the 112th Cavalry. He was not involved in much combat and completed his service as a cook,[2] but the experience provided enough material for The Naked and the Dead.
In 1948, while continuing his studies at the Sorbonne in Paris, Mailer published The Naked and the Dead, based on his military service in World War II. A New York Times best seller for 62 weeks, it was hailed by many as one of the best American wartime novels and named one of the "one hundred best novels in English language" by the Modern Library.
Barbary Shore (1951) was a surreal parable of Cold War left politics set in a Brooklyn rooming-house. His 1955 novel The Deer Park drew on his experiences working as a screenwriter in Hollywood in 1949–50. It was initially rejected by seven publishers due to its purportedly sexual content before being published by Putnam's.
In the tradition of Dickens and Dostoevsky, Mailer wrote his fourth novel, An American Dream, as a serial in Esquire magazine over eight months (January to August 1964), publishing the first chapter only two months after he wrote it. In March 1965, Dial Press published a revised version. His editor was E. L. Doctorow. The novel received mixed reviews, but was a best seller. Joan Didion praised it in a review in National Review (April 20, 1965) and John W. Aldridge did the same in Life (March 19, 1965), while Elizabeth Hardwick panned it in Partisan Review (spring 1965). Except for a brief period, the novel has never gone out of print.
In 1980, The Executioner's Song—Mailer's novelization of the life and death of murderer Gary Gilmore—won the Pulitzer Prize for fiction.
Mailer spent a longer time writing Ancient Evenings—his novel of Egypt in the XX dynasty (about 1100 BCE.)—than any of his other books, working on it off and on from 1972 until 1983. It was also a bestseller, although reviews were generally negative.
Harlot's Ghost, Mailer's longest novel (1310 pages), appeared in 1991. It is an exploration of the unspoken dramas of the CIA from the end of WWII to 1965. He performed a huge amount of research for the novel, which is still on CIA reading lists. He ended the novel with the words "To be continued," and planned to write a sequel, titled Harlot's Grave. But other projects intervened and he never wrote it. Harlot's Ghost sold well.
His final novel, The Castle in the Forest, which focused on Hitler's childhood, reached number five on the Times best-seller list after publication in January 2007, and received stronger reviews than any of his books since The Executioner's Song. Castle was intended to be the first volume of a trilogy, but Mailer died several months after it was completed. The Castle in the Forest was awarded a Bad Sex in Fiction Award by the Literary Review magazine.[3]
Mailer wrote over 40 books. He published 11 novels over a 59-year span.
From the mid-1950s, Mailer became known for his counter-cultural essays. In 1955, he co-founded The Village Voice for which he wrote a column from January to April 1956.[4] Mailer's famous essay "The White Negro"[5] (1957) "analyzes and partly defends the moral radicalism of the outsider and hipster."[5][6] It is one of the most anthologized, and controversial, essays of the postwar period.
In 1960, Mailer wrote "Superman Comes to the Supermarket" for Esquire magazine, an account of the emergence of John F. Kennedy during the Democratic party convention. The essay was an important breakthrough for the New Journalism of the nineteen sixties. Mailer's contributions to the New Journalism include major books such as The Armies of the Night (1968), awarded a National Book Award[7] and a Pulitzer Prize; Miami and the Siege of Chicago (1968); Of a Fire on the Moon (1971); and The Prisoner of Sex (1971). Hallmarks of these works are a highly subjectivized style and a greater application of techniques from fiction-writing than common in journalism.
Mailer wrote a Playboy article about Elmo Henderson, a boxer who had defeated Muhammad Ali in 1972.[8] In the 1970s Henderson filed a $1 million libel action against Mailer and Playboy. The magazine and Mailer lost the lawsuit.[9]
In addition to his experimental fiction and nonfiction novels, Mailer produced a play version of The Deer Park (staged at the Theatre De Lys in Greenwich Village in 1967[10]), and in the late 1960s directed a number of improvisational avant-garde films in a Warhol style, including Maidstone (1970), which includes a spontaneous and brutal brawl between Norman T. Kingsley, played by Mailer, and Kingsley's brother, played by Rip Torn. Mailer received a head injury when Torn struck him with a hammer. In 1987, he adapted and directed a film version of his novel Tough Guys Don't Dance, starring Ryan O'Neal and Isabella Rossellini, which has become a minor camp classic.
A number of Mailer's nonfiction works, such as The Armies of the Night and The Presidential Papers, are political. He covered the Republican and Democratic National Conventions in 1960, 1964, 1968, 1972, 1992, and 1996, although his account of the 1996 Democratic convention has never been published. In the early 1960s he was fixated on the figure of President John F. Kennedy, whom he regarded as an "existential hero." In the late 1950s and throughout the 1960s and 1970s his work mingled autobiography, social commentary, history, fiction, and poetry in a formally original way that influenced the development of New Journalism.
In September of 1961 Mailer was one of the original original twenty-nine prominent American sponsors of the Fair Play for Cuba Committee organization that was the same organization that alleged John F. Kennedy assassin Lee Harvey Oswald also became a member of in 1963. In December of 1963 Mailer and several of the other sponsors left it. (some of the original twenty-nine sponsors of the group included Truman Capote, Robert Taber, James Baldwin, Robert F. Williams, Waldo Frank, Carleton Beals, Simone de Beauvoir, Robert Colodny, Donald Harrington, and Jean Paul Sartre[11])
In October 1967, he was arrested for his involvement in an anti-Vietnam War demonstration at the Pentagon. In 1968, he signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War.[12]
At the December 15, 1971, taping of The Dick Cavett Show, with Janet Flanner and Gore Vidal, Mailer, annoyed with a less-than-stellar review by Vidal of Prisoner of Sex, apparently headbutted Vidal and traded insults with him backstage.[13] As the show began taping, a visibly belligerent Mailer, who admitted he had been drinking,[13] goaded Vidal and Cavett into trading insults with him on air and continually referred to his "greater intellect". He openly taunted and mocked Vidal (who responded in kind), finally earning the ire of Flanner, who announced that the discussion had become "extremely boring", telling Mailer "You act as if you're the only people here." As Cavett made jokes comparing Mailer's intellect to his ego, Mailer stated "Why don't you look at your question sheet and ask your question?", to which Cavett responded "Why don't you fold it 5 ways and shove it where the moon don't shine?"[13][14]
The headbutting and later on-air altercation was described by Mailer himself in his essay "Of a Small and Modest Malignancy, Wicked and Bristling with Dots." The Wikipedia article about landmark episodes of the show states:
A 1971 interview with Norman Mailer was not going well. Mailer moved his chair away from the other guests (Gore Vidal and Janet Flanner), and Cavett joked that "perhaps you'd like two more chairs to contain your giant intellect?"[15] Mailer replied "I'll take the two chairs if you'll all accept finger-bowls." Mailer later said to Cavett "Why don't you look at your question sheet and ask your question?", to which Cavett replied "Why don't you fold it five ways and put it where the moon don't shine?" A long laugh ensued, after which Mailer asked Cavett if he had come up with that line and Cavett replied "I have to tell you a quote from Tolstoy?".
In 1980, Mailer spearheaded convicted killer Jack Abbott's successful bid for parole. In 1977, Abbott had read about Mailer's work on The Executioner's Song and wrote to Mailer, offering to enlighten the author about Abbott's time behind bars and the conditions he was experiencing. Mailer, impressed, helped to publish In the Belly of the Beast, a book on life in the prison system consisting of Abbott's letters to Mailer. Once paroled, Abbott committed a murder in New York City six weeks after his release, stabbing to death 22-year-old Richard Adan. Consequently, Mailer was subject to criticism for his role. In a 1992 interview with the Buffalo News, he conceded that his involvement was "another episode in my life in which I can find nothing to cheer about or nothing to take pride in."[16]
In 1989, Mailer joined with a number of other prominent authors in publicly expressing support for colleague Salman Rushdie in the wake of the fatwa calling for Rushdie's assassination issued by Iran's Islamic government for his having authored The Satanic Verses.[17]
In 2003, in a speech to the Commonwealth Club in San Francisco, just before the invasion of Iraq, Mailer said: "Fascism is more of a natural state than democracy. To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad. Democracy is a state of grace that is attained only by those countries who have a host of individuals not only ready to enjoy freedom but to undergo the heavy labor of maintaining it."[18]
From 1980 until his death in 2007, he contributed to Democratic Party candidacies for political office.[19]
In 1969, at the suggestion of Gloria Steinem,[20] his friend the political essayist Noel Parmentel and others, he ran unsuccessfully in the Democratic Party primary for Mayor of New York City, allied with columnist Jimmy Breslin (who ran for City Council President), proposing the creation a 51st state through New York City secession.[21] Although Mailer took stands on a wide range of issues, from opposing "compulsory fluoridation of the water supply" to advocating the release of Black Panther Party leader Huey Newton, decentralization was the overriding issue of the campaign.[21] Mailer "foresaw the city, its independence secured, splintering into townships and neighborhoods, with their own school systems, police departments, housing programs, and governing philosophies."[22] Their slogan was "throw the rascals in". Mailer was endorsed by libertarian economist Murray Rothbard, who "believed that 'smashing the urban government apparatus and fragmenting it into a myriad of constituent fragments' offered the only answer to the ills plaguing American cities," and called Mailer's campaign “the most refreshing libertarian political campaign in decades.”[21][22] He came in fourth in a field of five.[23] Looking back on the campaign, journalist and historian Theodore White called it "one of the most serious campaigns run in the United States in the last five years. . . . [H]is campaign was considered and thoughtful, the beginning of an attempt to apply ideas to a political situation."[22]
His biographical subjects included Pablo Picasso, Muhammad Ali, Gary Gilmore, Lee Harvey Oswald, and Marilyn Monroe.
Mailer's 1973 biography of Monroe (usually designated Marilyn: A Biography)[a] was particularly controversial. The book's final chapter states that Monroe was murdered by agents of the FBI and CIA who resented her supposed affair with Robert F. Kennedy. In his own 1987 autobiography Timebends, the playwright Arthur Miller, a former husband to Monroe, wrote scathingly of Mailer: "[Mailer] was himself in drag, acting out his own Hollywood fantasies of fame and sex unlimited and power."
The book was also enormously successful, selling more copies than any of his works except The Naked and the Dead. It remained in print for decades, but was out of print in the United States as of 2009[update].[citation needed]
Two later works co-written by Mailer presented imagined words and thoughts in Monroe's voice: the 1980 book Of Women and Their Elegance and the 1986 play Strawhead, which was produced off Broadway starring his daughter Kate Mailer.
Norman Mailer was married six times and had nine children. He fathered eight children by his various wives and also raised and informally adopted Norris' son from another marriage, Matthew.
Norman's first marriage was in 1944, to Beatrice Silverman, whom he divorced in 1952. They had one child, Susan.
Mailer married his second wife, Adele Morales, in 1954. They had two daughters, Danielle and Elizabeth. Mailer was violent to his wife.[24] He was at one time involuntarily committed to Bellevue Hospital for 17 days; his wife would not press charges, and he later pleaded guilty to a reduced charge of assault, and was given a suspended sentence.[25][26] While in the short term, Morales made a physical recovery, in 1997 she published a memoir of their marriage entitled The Last Party, which recounted her husband stabbing her at a party and the aftermath. This incident has been a focal point for feminist critics of Mailer, who point to themes of sexual violence in his work.[27]
His third wife, whom he married in 1962, and divorced in 1963, was the British heiress and journalist Lady Jeanne Campbell (1929–2007), the only daughter of Ian Campbell, 11th Duke of Argyll and a granddaughter of the press baron Lord Beaverbrook. The couple had a daughter, Kate Mailer, who is an actress.
His fourth marriage, in 1963, was to Beverly Bentley, a former model turned actress. She was the mother of his producer son Michael Mailer and his actor son Stephen Mailer. They divorced in 1980.
His fifth wife was Carol Stevens, a jazz singer whom he married on November 7, 1980, and divorced in Haiti on November 8, 1980, thereby legitimating their daughter Maggie, born in 1971.
His sixth and last wife, whom he married in 1980, was Norris Church Mailer (née Barbara Davis, 1949–2010), an art teacher. They had one son together, John Buffalo Mailer, a writer and actor, and Mailer informally adopted Matthew Norris, her son by her first husband, Larry Norris. Living in Brooklyn, New York and Provincetown, Massachusetts with Mailer, Church worked as a model, wrote and painted.
In 2005, Mailer co-wrote a book with his youngest child, John Buffalo Mailer, titled The Big Empty.
Mailer appeared in an episode of Gilmore Girls entitled "Norman Mailer, I'm Pregnant!" with his son Stephen Mailer.
Mailer died of acute renal failure on November 10, 2007, a month after undergoing lung surgery at Mount Sinai Hospital in Manhattan, New York.[28]
The papers of the two-time Pulitzer Prize author may be found at the Harry Ransom Humanities Research Center at the University of Texas, Austin.[29][30]
In 2008, Carole Mallory, a former mistress, sold seven boxes of documents and photographs to Harvard University, Norman Mailer's Alma Mater. They contain extracts of her letters, books and journals.[31][32]
In 2008, The Norman Mailer Center and The Norman Mailer Writers Colony, a non-profit organization for educational purposes, was established to honor Norman Mailer.[33] Among its programs is the Norman Mailer Prize established in 2009.
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