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Notes on a Scandal

 
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Notes on a Scandal

  • Director: Richard Eyre
  • AMG Rating: starstarstar
  • Genre: Drama
  • Movie Type: Melodrama, Psychological Drama
  • Themes: Blackmail, Infidelity, Scandals and Cover-Ups
  • Main Cast: Judi Dench, Cate Blanchett, Bill Nighy, Andrew Simpson, Phil Davis
  • Release Year: 2006
  • Country: UK/US
  • Run Time: 91 minutes
  • MPAA Rating: R

Plot

Lust, jealousy, and revenge come cloaked in the guise of friendship in this psychological drama. Barbara Covett (Judi Dench) is a history teacher at a high school in London; while elderly Barbara is very bright, she's also severe and domineering, with a strong personality that tends to put people off. Barbara also takes a voyeuristic delight in recording the actions of those around her in her diary in the most minute detail. When Sheba Hart (Cate Blanchett), a bright and attractive woman in her mid-thirties, is hired as the school's new art teacher, Barbara believes she may have found someone worthy of her friendship, though she's soon disappointed to discover that Sheba has a husband and two children, a lifestyle that she finds offensively bourgeois. However, Barbara's obsessive interest in Sheba is rewarded when the younger teacher confesses that one of her students, Steven (Andrew Simpson), has developed an obviously sexual interest in her. However, in fact, Steven's crush on Sheba is hardly one-sided, and in time Barbara discover that the two have been making love on a regular basis for months. When circumstances turn Barbara against Sheba, she uses what she knows about the affair to destroy the life of her "friend." Based on the novel by Zoe Heller, Notes on a Scandal also stars Bill Nighy. ~ Mark Deming, All Movie Guide

Review

Oscar nominations figured to fly with the pairing of the two leads in Notes on a Scandal -- Judi Dench and Cate Blanchett, widely considered among the finest thespians of their respective generations. And sure enough, both were nominated for this frequently uncomfortable tête-à-tête, which could have been hyped as a boxing match between acting heavyweights. But the votes from their peers were no mere knee-jerk reactions to seeing their names -- each does remarkably subtle work here. While Dench's part is the more overtly juicy, allowing her to plumb the depths of bitterness inspired by rejection, Blanchett may actually have the more complicated role. Her picture-perfect bourgeois life is a sham cover for a panoply of insecurities, and at times her performance is like witnessing a bizarre anachronism -- a woman of such elegant beauty and universal appeal having rough sex with her student by the train tracks. This commingling of traits in the same character may have given some viewers pause, and at times Richard Eyre's film comes across as topical and simplistic. However, seeing the characters' barely contained rage finally erupt at each other is worth the price of admission.

Notes on a Scandal joins a fine tradition of films that explore the emotional minefield of unbalanced friendships. The actresses navigate these traps through an uneasy collection of carefully modulated social responses and calculated manipulation, which are ultimately undone by moments of reckless insult or unforgivable trespass. The film cleverly invites viewers to shift loyalties multiple times during the story -- all while working toward the inevitable conclusion that both women are irredeemable. Given the delicious build-up, Notes on a Scandal concludes too tidily, with too little catharsis. But just watching Dench and Blanchett practice their craft is the antidote to any narrative imperfections. ~ Derek Armstrong, All Movie Guide

Cast

Michael Maloney - Sandy Pabblem; Juno Temple - Polly Hart; Max Lewis - Ben Hart; Joanna Scanlan - Sue Hodge; Julia McKenzie - Marjorie; Shaun Parkes - Bill Rumer; Tom Georgeson - Ted Mawson; Edna Kennedy - Linda; Syreeta Kumar - Gita; Wendy Nottingham - Elaine Clifford; Tameka Empson - Antonia Robinson; Leon Skinner - Davis; Debra Gillett - Lorraine; Barry McCarthy - Dave; Adrian Scarborough - Martin; Jill Baker - Sheba's Mother; Diana Berriman - Marcia; Alice Bird - Saskia; Benedict Taylor - Eddie; Miranda Pleasence - Eddie's Wife; Jonathan Speer - Vet; Stephen Kennedy - Mr. Connolly; Derbhle Crotty - Mrs. Connolly; Catherine Drew - Newsreader; Anne-Marie Duff - Annabel

Credit

Hannah Moseley - Art Director, Mark Raggett - Supervising Art Director, Katherine Morath - Boom Operator, Shaheen Baig - Casting, Maggie Lunn - Casting, Michael Riesman - Conductor, Tim Hatley - Costume Designer, Martin Harrison - First Assistant Director, Richard Eyre - Director, John Bloom - Editor, Antonia Van Drimmelen - Editor, Redmond Morris - Executive Producer, Raymond Morris - Executive Producer, Buxton Jayne - Hair Styles, Helen Johnson - Hair Styles, Eamonn Hughes - Hair Styles, Amanda Stevens - Location Manager, Philip Glass - Composer (Music Score), Hothouse Music Limited - Musical Direction/Supervision, Buxton Jayne - Makeup, Rebecca Lafford - Makeup, Helen Johnson - Makeup, Paul Bond - Camera Operator, Keziah Barton-White - Camera Operator, Tim Hatley - Production Designer, Chris Menges - Cinematographer, Craig Menges - Cinematographer, Robert Fox - Producer, Scott Rudin - Producer, Air Studios - Recording, Ruth Halliday - Research, Kirsty Wilkinson - Set Designer, Ben Wilkinson - Set Designer, Peter Watson - Set Designer, Mark Haddenham - Special Effects, Jim Greenhorn - Sound/Sound Designer, Stuart Stanley - Sound Editor, Robert B. Hunt - Stunts, Tina Maskell - Stunts, Peter Pedrero - Stunts, John Street - Stunts, Nrinder Dhudwar - Stunts Coordinator, Rachel Neale - Unit Production Manager, Patrick Marber - Screenwriter, Joseph Park-Stracey - Special Effects Editor, Linda Gamble - Unit Publicist, Lee Walters - Gaffer, Gavin Walters - Gaffer, Gary Hymns - Grip, Urszula Pontikos - Grip, Graham Sutton - Music Editor, Missy Coen - Music Editor, Polly Duval - Post Production Supervisor, Francesca Castellano - Production Coordinator, Maxie McDonald - Properties Master, Lee Dichter - Re-Recording Mixer, Mike Prestwood Smith - Re-Recording Mixer, Martin Czembor - Re-Recording Mixer, Diana Dill - Script Supervisor, Chris Stoaling - Second Assistant Director, Stuart Brisdon - Special Effects Coordinator, Clive Coote - Still Photographer, Jacob Ribikoff - Supervising Sound Editor, Nigel Stone - ADR Editor, Cian O'Clery - Art Department Assistant, Jane Harwood - Assistant Art Director, Richard Hill - Assistant Location Manager, Lee Robertson - Assistant Location Manager, Lionel Johnson - Assistant Sound Editor, Diana Smith - Assistant Sound Editor, Harriet Orman - Buyer, Vandra Howard - Costumes Assistant, David Otzen - Costumes Assistant, Jane Leonard - Costumes Assistant, Allison Wyldeck - Costumes Supervisor, Tim Owens - Dialogue Editor, Peter Harris - Electrician, Kevin Fitzpatrick - Electrician, Steve Blythe - Electrician, Jimmy Harris - Electrician, Eamonn Fitzgerald - Electrician, Mark Thomas - Electrician, Emily Plant - Electrician, Polly Fletcher - First Assistant Accountant, Dan Hillsdon - First Assistant Accountant, Helen Walker - First Assistant Accountant, Peter Burgis - Foley Artist, Andi Derrick - Foley Artist, Derek Trigg - Foley Editor, Jemma Kearney - Personal Assistant, Mira Shin - Personal Assistant, Dan Erstad - Personal Assistant, Nathan Kelly - Personal Assistant, Danny Roman - Personal Assistant, Sarah Richardson - Personal Assistant, Tarn Harper - Post Production Accountant, Shruti Shah - Production Accountant, Ashley Bond - Second Assistant Camera, Mark Milsome - Second Assistant Camera, Charlie Waller - Second Second Assistant Director, Gary Birmingham - Transportation Coordinator, Caroline Smith - Set Decorator, Zoe Heller - Book Author, Sam Barnes - Clapper Loader, Martin Scoones - Color Timing, Set Meals - Craft Service/Catering, Ben Wilson - Focus Puller, Cutting Edge - Negative Cutter, Vanraaj Padhaal - Production Secretary, Barney Miller - Runner, Emily Graham - Runner, Sara Dony - Set Medic/First Aid, Heidi Gower - Third Assistant Director, Alex Hobbs - Video Playback, Edward Colyer - Voice Casting, Kem White - Graphic Design, Randall Balsmeyer - Title Design, Balsmeyer & Everett - Title Design, Big Film Design - Title Design, Martin Corbett - Assistant Editor, Derek Somaru - Assistant Music Editor, Lisa Westcott - Department Head Hair, Lisa Westcott - Department Head Makeup, Joan Washington - Vocal Coach, David Martin - Carpenter, Paul Bowring - Carpenter, Ian Bee - Head Carpenter, John Davies - Painter, Amanda Waddington - Painter, Lucy Eyre - Assistant Set Decorator

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Wikipedia: Notes on a Scandal (film)
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Notes on a Scandal

Promotional movie poster
Directed by Richard Eyre
Produced by Robert Fox
Scott Rudin
Written by Zoë Heller
(novel)
Patrick Marber (screenplay)
Starring Judi Dench
Cate Blanchett
Bill Nighy
Music by Philip Glass
Cinematography Chris Menges
Editing by John Bloom
Antonia Van Drimmelen
Distributed by Fox Searchlight Pictures
Release date(s) 25 December 2006
Running time 92 minutes
Country United Kingdom
Language English
Budget £15,000,000 (production)
Gross revenue $49,752,391 (wordwide)

Notes on a Scandal is a 2006 drama film, adapted from the 2003 novel of the same name by Zoë Heller. The screenplay was written by Patrick Marber and the film was directed by Richard Eyre. Many parts of the film were shot in Islington Arts and Media School. The soundtrack was composed by Philip Glass.

It was nominated for four Academy AwardsBest Actress, Best Supporting Actress, Best Adapted Screenplay, and Best Original Score.

Contents

Plot

Barbara Covett (Judi Dench) teaches history at a comprehensive school in London. A lonely old spinster, Barbara's only "intimate relationship" is with herself by means of a diary. When a new, younger teacher Sheba Hart (Cate Blanchett) starts at the school, Barbara feels drawn to her and believes that she "may be the one." Barbara discovers that Sheba is having an affair with a student, Steven Connolly (Andrew Simpson), and confronts her. When Sheba asks her to not tell the school administration until Christmas so that she can be with her family, Barbara explains she has no intention of telling, as long as she ends the relationship. However, Sheba does not end the affair with Steven, causing Barbara to taunt her emotionally and draw her down, leading her to end the affair with Steven. In months passing, Barbara's grasp on Sheba slowly starts to take hold, with Barbara manipulating and emotionally blackmailing her, causing her attentions to be divided between her family and Barbara.

When Barbara's cat dies and Sheba's loyalties are easily divided, Sheba's husband Richard shouts in anger that her friend is being an evident pain and that his wife is being twisted by Barbara. With Barbara being left alone and angry, she seeks revenge by revealing Sheba's affair to a fellow teacher who comes to her asking her if Sheba is interested in him. The fellow teacher spreads the "playground rumour" to Steven's mother. Mrs Connolly then comes to Sheba's home and hits Sheba. Afterwards Sheba and her husband Richard bitterly argue. In Barbara's voiceover, she reveals she is glad that they are arguing, knowing that Sheba will come to her for comfort, which had been Barbara's plan to start with. The next day the media, as well as the school administration, are alerted, and Sheba's affair and her life are turned upside down by the collapse of her marriage, the destroyed relationship with her children, and the loss of her job. Barbara is fired from the school after denying to the headmaster that she knew of the relationship; he confronts her with a copy of a restraining order taken out against Barbara by another fellow teacher whom she had previously befriended.

Sheba ends up moving into Barbara's house, believing that the affair became known because Steven confessed it to his mother, but Sheba soon finds Barbara's diary and learns that it was Barbara who leaked the story of the affair, on account of the rather sexual attraction Barbara seems to have for her. When Barbara returns from a shopping round, she is confronted with a fiendishly angry Sheba, who strikes her in anger. Barbara says she has done her a favor by getting her out of a hopeless marriage. The two of them continue to shout and fight with one another, and Sheba claims that Barbara never really liked her, but in fact manipulated her for her own personal needs. Sheba runs outside with Barbara's journal, to streams of reporters and photographers. She shouts at them in a deluded fashion saying she is here and has nothing to hide, but eventually becomes crowded by reporters and photographers, at which point Barbara rescues her. Sheba has now been reduced to a emotionless depressed state, telling Barbara that she once liked her. Barbara says she needs more than a friend but a close lover. Sheba leaves Barbara alone again, placing the book on the table, Sheba returns to Richard, who welcomes her back home.

Sheba is sentenced to 10 months, and the last scene is Barbara meeting another younger woman who is reading a newspaper reporting the Sheba affair. Barbara says she used to know Sheba, but then says she didn't know her well. Barbara quickly introduces herself, and the other woman introduces herself as Annabelle. The pair continue to talk.

Cast

Actor Role
Judi Dench Barbara Covett
Cate Blanchett Bathsheba "Sheba" / "Bash" Hart
Tom Georgeson Ted Mawson
Michael Maloney Sandy Pabblem
Joanna Scanlan Sue Hodge
Shaun Parkes Bill Rumer
Emma Kennedy Linda
Andrew Simpson Steven Connolly
Phil Davis Brian Bangs
Bill Nighy Richard Hart
Juno Temple Polly Hart
Max Lewis Ben Hart

Differences from the novel

  • The novel is narrated from the perspective of Barbara, who is shown to be an imperfect narrator, while the film presents a more objective depiction of events. In the novel, Barbara depicts the other characters in a strongly cynical light, and takes care to justify herself as blameless. The film depicts Barbara more critically, and the other characters in a more favourable light.
  • The ending in the film differs. Sheba returns to her family and, eventually, a prison sentence while Barbara is left alone and, it would seem, befriends someone else. The ending in the novel is much more open-ended — Barbara and Sheba stay together and Sheba is, it would appear to be, emotionally dependent on Barbara. It is not revealed whether or not Sheba is imprisoned, and Annabelle (Barbara's supposed new friend) isn't featured in the novel.
  • In the film, Barbara is frequently seen writing in her diary. In the novel, there is no diary. The novel is epistolary and takes the form of a manuscript, written by Barbara, recording the entire events.
  • In the film, Sheba is portrayed as a caring woman, despite her indiscretions, whereas in the novel she is a lot less likeable and notably more selfish. For instance, in the film, she is reluctant to accompany Barbara to the vet (to put down her terminally ill cat) because her son is in a school play. In the novel, it is so she can meet up with Steven.
  • In the film, Barbara discovers the affair between Sheba and Steven on the night of a school play. In the book, it is on Bonfire Night, and Sheba actually confesses the affair to Barbara.
  • In the film, there are several indications that Barbara wishes to pursue a sexual relationship with Sheba. The references to this desire in the novel are more opaque and uncertain.
  • In the book, Barbara mentions having some nieces and nephews, with whom she has a warm, if distant, relationship and mentions visiting them from time to time. There is no suggestion of them in the film.
  • The film focuses primarily on the relationship between Barbara and Sheba. The novel focuses more on the supporting characters, such as Barbara's sister and Sheba's family, as well as the other teachers at St. George's School.

Soundtrack

The film features a song by Toots & The Maytals.

Reception

Critical reaction

The film opened to generally positive reviews, receiving a Rotten Tomatoes certified fresh rating of 87 percent.[1] The Guardian called the film a "delectable adaptation" with "tremendous acting from Judi Dench and Cate Blanchett, with many blue-chip supporting contributions and a "screenwriting masterclass from Patrick Marber".[2] The Times praised the film, saying: "Notes on a Scandal, is screenwriting at its vicious best... Richard Eyre directs the film like a chamber play. He leans on Philip Glass’s ever-present and insistent music like a crutch. But his natural gift for framing scenes is terrifically assured. A potent and evil pleasure."[3]

American publications also gave the film acclaim, with the Los Angeles Times describing the film as "Sexy, aspirational and post-politically correct, Notes on a Scandal could turn out to be the Fatal Attraction of the noughties."[4] The Washington Post noted the "dark brilliance" and that it "offers what is possibly the only intelligent account of such a disaster ever constructed, with a point of view that is somewhat gimlet-eyed and offered with absolutely no sentimentality whatsoever." The reviewer also identified the film as a "study in the anthropology of British liberal-left middle-class life."[5] Chicago Sun-Times film critic Roger Ebert heaped praise on the film and the acting performances "Perhaps the most impressive acting duo in any film of 2006. Dench and Blanchett are magnificent. ‘Notes on a Scandal’ is whip-smart, sharp and grown up."[6]

Commercial

The film was also a commercial success. It grossed $49,752,391 worldwide,[7] exceeding its £15 million budget.[8]

Awards and nominations

79th Academy Awards nominees:

  • Nominated: Best Actress — Judi Dench
  • Nominated: Best Supporting Actress — Cate Blanchett
  • Nominated: Best Adapted Screenplay — Patrick Marber
  • Nominated: Best Original Score — Philip Glass

BAFTA Awards

  • Nominated: Best British Film
  • Nominated: Best Actress — Judi Dench
  • Nominated: Best Adapted Screenplay — Patrick Marber

British Independent Film Awards

  • Nominated: Best British Independent Film
  • Won: Best Performance by an Actress in a British Independent Film — Judi Dench
  • Nominated: Best Performance by a Supporting Actor or Actress in a British Independent Film — Cate Blanchett
  • Won: Best Screenplay — Patrick Marber

Broadcast Film Critics Association Awards

  • Nominated: Best Actress — Judi Dench
  • Nominated: Best Picture
  • Nominated: Best Supporting Actress — Cate Blanchett

Chicago Film Critics Association Awards

  • Nominated: Best Actress — Judi Dench
  • Nominated: Best Supporting Actress — Cate Blanchett
  • Nominated: Best Adapted Screenplay — Patrick Marber
  • Nominated: Best Original Score

Dallas-Fort Worth Film Critics Association Awards

  • Won: Best Supporting Actress — Cate Blanchett

Evening Standard British Film Awards

  • Won: Best Actress — Judi Dench

Florida Film Critics Circle Awards

  • Won: Best Supporting Actress — Cate Blanchett

Golden Globe Awards

  • Nominated: Best Actress in a Motion Picture, Drama — Judi Dench
  • Nominated: Best Supporting Actress — Cate Blanchett
  • Nominated: Best Screenplay — Patrick Marber

London Film Critics Circle Awards

  • Nominated: Actress of the Year — Judi Dench
  • Nominated: British Actress of the Year — Judi Dench
  • Nominated: British Supporting Actor of the Year — Bill Nighy

Oklahoma Film Critics Circle Awards

  • Won: Best Supporting Actress — Cate Blanchett

Online Film Critics Awards

  • Nominated: Best Actress — Judi Dench
  • Nominated: Best Supporting Actress — Cate Blanchett
  • Nominated: Best Original Score — Phillip Glass

Phoenix Film Critics Society Awards

  • Won: Best Supporting Actress — Cate Blanchett

Screen Actors Guild Awards

  • Nominated: Best Actress — Judi Dench
  • Nominated: Best Supporting Actress — Cate Blanchett

Toronto Film Critics Association Awards

  • Won: Best Supporting Actress — Cate Blanchett

References

External links


 
 

 

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