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Notre-Dame de Paris

 
Travel Guide: Notre-Dame de Paris (Notre Dame)
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It took nearly two centuries to complete construction of this masterpiece of Gothic architecture, the cathedral Notre-Dame de Paris. Building began under the orders of Maurice de Sully in 1163 and was completed in the 14th century. Notre Dame is French for "Our Lady," with the name of the cathedral referring to Mary, the mother of Jesus.

Access to the cathedral is not allowed 15 minutes after the start of Sunday mass at 8 am, 8:45 a.m., 10 a.m., 11:30 a.m., 12:45 p.m. and 6:30 p.m., and during the week, after the start of the masses at 8 a.m., 9 a.m., noon and 6:15 p.m. The Treasure House is open from Monday to Saturday, 9:30 a.m.–11:30 a.m. and 1 p.m.–5:30 p.m. Entrance is free.

Beneath the cathedral square is one of Europe's most important archeological crypts, housing a trove of vestiges and artifacts from buildings built between the third and 18th centuries. It is open Tuesday through Sunday, 10 a.m.–6 p.m. Entrance is €3.30, €1.60 for those aged 14–26, and free for children under 14, teachers, over-60s, registered unemployed, large families and friends of the Musées de la Ville de Paris.

How to get there:

  • Metro: Cité
  • RER: Châtelet Les Halles
  • Bus: # 21, 24, 27, 38, 47, 85, 96
  • Prices are subject to change.

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    Britannica Concise Encyclopedia: Notre-Dame de Paris
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    Notre-Dame de Paris.
    (click to enlarge)
    Notre-Dame de Paris. (credit: © Corbis)
    (1163 – c. 1350) Gothic cathedral on the Île de la Cité in Paris. Probably the most famous Gothic cathedral, Notre-Dame is a superb example of the Rayonnant style. Two massive Early Gothic towers (1210 – 50) crown the western facade, which is divided into three stories and has doors adorned with Early Gothic carvings and surmounted by a row of figures of Old Testament kings. The single-arch flying buttresses at the eastern end are notable for their boldness and grace. Its three great rose windows, which retain their 13th-century glass, are of awe-inspiring beauty.

    For more information on Notre-Dame de Paris, visit Britannica.com.

     
    Columbia Encyclopedia: Notre-Dame de Paris
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    Notre-Dame de Paris ('trə-däm də pärē') [Fr.,=Our Lady of Paris], cathedral church of Paris, a noble achievement of early Gothic architecture in France. It stands upon the Île de la Cité, a small island in the Seine. The cornerstone was laid in 1163 by Pope Alexander III. The high altar was consecrated 20 years later, and the nave was completed except for the roofing in 1196. However, in 1230 the nave was reconstructed and the present flying buttresses were added. Soon after, chapels were installed between the buttresses, which radically altered not only the plan but the entire aesthetic of the building. The towers were finished c.1245, but the building was not completed until the beginning of the 14th cent. Among the master builders are the names Jehan de Chelles, Pierre de Montreuil, Pierre de Chelles, and Jehan Rave. The plan consists of a wide central nave rising 110 ft (34 m) high and flanked by double aisles, with a transept of slight projection from the main body. The aisles continue around the east end, which, with the projecting chapels, forms a chevet. Three sculptured portals are deeply recessed in the majestic west front. Above them a row of sculptures in niches extends across the facade, and over this, in the center, is the huge traceried rose window. In the French Revolution rioters converted the cathedral into a "Temple of Reason" and destroyed the sculptures of the west facade. Skillful restorations were begun in 1845 by Viollet-le-Duc.


    Fine Arts Dictionary: Notre Dame de Paris, Cathedral of
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    (noh-truh- dahm duh pa-ree)

    A large cathedral in Paris, France. Notre Dame is considered one of the masterpieces of Gothic architecture. It is dedicated to Mary, the mother of Jesus; Notre Dame is French for “Our Lady.”

    Wikipedia: Notre Dame de Paris
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    Notre Dame de Paris: Western Façade
    Notre Dame de Paris: exterior of the apse
    Flying buttress

    Notre Dame de Paris ('Our Lady of Paris' in French), also known as the Notre Dame Cathedral, is a Gothic, Roman Catholic Cathedral on the eastern half of the Île de la Cité in the fourth arrondissement of Paris, France. It is the cathedral of the Catholic archdiocese of Paris: that is, it is the church that contains the "cathedra", or official chair, of the Archbishop of Paris, André Cardinal Vingt-Trois. Notre Dame de Paris is widely considered one of the finest examples of French Gothic architecture in the world. It was restored and saved from destruction by Eugène Viollet-le-Duc, one of France's most famous architects. The name Notre Dame means "Our Lady" in French, and is frequently used in the names of Catholic church buildings in Francophone countries. Notre Dame de Paris was one of the first Gothic cathedrals, and its construction spanned the Gothic period. Its sculptures and stained glass show the heavy influence of naturalism, unlike that of earlier Romanesque architecture.

    Notre Dame de Paris was among the first buildings in the world to use the flying buttress (arched exterior supports). The building was not originally designed to include the flying buttresses around the choir and nave. After the construction began and the thinner walls (popularized in the Gothic style) grew ever higher, stress fractures began to occur as the walls pushed outward. In response, the cathedral's architects built supports around the outside walls, and later additions continued the pattern.

    The cathedral suffered desecration during the radical phase of the French Revolution in the 1790s, when much of its religious imagery was damaged or destroyed. During the 19th century, an extensive restoration project was completed, returning the cathedral to its previous state.

    Contents

    Construction

    In 1160, because the church in Paris had become the "parish church of the kings of Europe", Bishop Maurice de Sully deemed the previous Parisian cathedral, St Stephen's (which had been founded in the 4th century) unworthy of its lofty role, and had it demolished shortly after he assumed the title of Bishop of Paris. As with most foundation myths, this account needs to be taken with a pinch of salt; archeological excavations in the 20th century suggested that the Merovingian Cathedral replaced by de Sully was itself a massive structure, with a five-aisled nave and a facade some 36m across. It seems likely therefore that the faults with the previous structure were exaggerated by the Bishop to help justify the rebuilding in a newer style. According to legend, de Sully had a vision of a glorious new cathedral for Paris, and sketched it on the ground outside the original church. To begin the construction, the bishop had several houses demolished and had a new road built in order to transport materials for the rest of the cathedral.

    Façade, showing the Portal of the Virgin, Portal of the Last Judgment and Portal of St-Anne

    Construction began in 1163, during the reign of Louis VII, and opinion differs as to whether Maurice de Sully or Pope Alexander III laid the foundation stone of the cathedral. However, both were at the ceremony in question. Bishop de Sully went on to devote most of his life and wealth to the cathedral's construction. Construction of the choir took from 1163 until around 1177 and the new High Altar was consecrated in 1182 (it was normal practice for the eastern end of a new church to be completed first, so that a temporary wall could be erected at the west of the choir, allowing the chapter to use it without interruption while the rest of the building slowly took shape). After Bishop Maurice de Sully's death in 1196, his successor, Eudes de Sully (no relation) oversaw the completion of the transepts and pressed ahead with the nave, which was nearing completion at the time of his own death in 1208. By this stage, the western facade had also been laid out, though it was not completed until around the mid 1240s.[1]

    The cathedral illuminated at night

    Over the construction period, numerous architects worked on the site, as is evidenced by the differing styles at different heights of the west front and towers. Between 1210 and 1220, the fourth architect oversaw the construction of the level with the rose window and the great halls beneath the towers. The most signifiant change in design came in the mid 13th century, when the transepts were remodelled in the latest Rayonnant style; in the late 1240s Jean de Chelles added a gabled portal to the North transept topped off by a spectacular rose window. Shortly afterwards (from 1258) Pierre de Montreuil executed a similar scheme on the South transept. Both these transept portals were richly embellished with sculpture; the south portal features scenes from the lives of St Stephen and of various local saints, while the north portal featured the infancy of Christ and the story of Theophilus in the tympanum, with a highly influential statue of the Virgin and Child in the trumeau.[2]

    The cathedral was effectively complete by around 1345.

    Timeline of construction

    • 1160 Maurice de Sully (named Bishop of Paris), orders the original cathedral to be demolished.
    • 1163 Cornerstone laid for Notre Dame de Paris — construction begins.
    • 1182 Apse and choir completed.
    • 1196 Bishop Maurice de Sully dies.
    • c.1200 Work begins on western façade.
    • 1208 Bishop Eudes de Sully dies. Nave vaults nearing completion.
    • 1225 Western façade completed.
    • 1250 Western towers and north rose window completed.
    • c.1245–1260s Transepts remodelled in the Rayonnant style by Jean de Chelles then Pierre de Montreuil
    • 1250–1345 Remaining elements completed

    The organ

    Grandes Orgues

    Though several organs were installed in the cathedral over time, the earliest ones were inadequate for the building. The first noteworthy organ was finished in the 18th century by the noted builder François-Henri Clicquot. Some of Clicquot's original pipework in the pedal division continues to sound from the organ today. The organ was almost completely rebuilt and expanded in the 19th century by Aristide Cavaillé-Coll.

    The position of titular organist ("head" or "chief" organist) at Notre-Dame is considered as one of the most prestigious organist posts in France, along with the post of titular organist of Saint Sulpice in Paris, Cavaillé-Coll's largest instrument.

    The organ has 7,800 pipes, with 900 classified as historical. The organ has 109 stops, five 56-key manuals and a 32-key pedalboard. In December 1992, work was completed on the organ that fully computerized the organ under 3 LANs (Local Area Networks).

    I Grand Orgue C–g3
    Violon-Basse 16′
    Bourdon 16′
    Montre 8′
    Viole de Gambe 8′
    Flûte Harmonique 8′
    Bourdon 8′
    Prestant 4′
    Octave 4′
    Doublette 2′
    Fourniture II–V
    Cymbale II–V
    Bombarde 16′
    Trompette 8′
    Trompette (Réc.) 8′
    Clairon 4′
    Chamade 8
    Chamade 4


    II Positif C–g3
    Montre 16′
    Bourdon 16′
    Salicional 8′
    Flûte Harmonique 8′
    Bourdon 8′
    Unda Maris (ab c0) 8′
    Prestant 4′
    Flûte Douce 4′
    Nasard 22/3
    Doublette 2′
    Tierce 13/5
    Fourniture V
    Cymbale V
    Clarinette 16′
    Cromorne 8′
    Clarinette aiguë 4′
    III Récit C–g3
    Quintaton 16′
    Diapason 8′
    Viole de gambe 8′
    Voix céleste 8
    Flûte traversière 8′
    Bourdon céleste 8′
    Octave 4′
    Flûte Octaviante 4′
    Quinte 22/3
    Octavin 2′
    Bombarde 16′
    Trompette 8′
    Clairon 4′
    Basson-Hautbois 8′
    Clarinette 8′
    Voix Humaine 8′
    Hautbois 8′
    Dessus de Cornet V
    Dessus de Hautbois 8′
    Trompette 8′
    Clairon 4′
    Régale en chamade 2′/16′
    Chamade (G.O.) 8′
    Chamade (G.O.) 4′
    IV Solo C–g3
    Bourdon 32′
    Principal 16′
    Montre 8′
    Flûte Harmonique 8′
    Grosse Quinte 51/3
    Prestant 4′
    Grosse Tierce 31/5
    Nazard 22/3
    Septième 22/7
    Doublette 2′
    Grande Fourniture III
    Fourniture V
    Cymbale V
    Cornet II–V
    Cromorne 8′
    Trompette (G.O.) 8′
    Clairon (G.O.) 4′


    V Grand Chœur C–g3
    Principal 8′
    Bourdon 8′
    Prestant 4′
    Nazard 22/3
    Doublette 2′
    Tierce 13/5
    Larigot 11/3
    Septième 11/7
    Piccolo 1′
    Plein jeu IV
    Tuba Magna 16′
    Trompette 8′
    Clairon 4′
    Pédale C–f1
    Principal 32′
    Contrebasse 16′
    Soubasse 16′
    Quinte 102/3
    Violoncelle 8′
    Flûte 8′
    Bourdon 8′
    Grosse Tierce 62/5
    Quinte 51/3
    Septième 44/7
    Octave 4′
    Flûte 4′
    Tierce 31/5
    Nazard 22/3
    Flûte 2′
    Tierce 13/5
    Larigot 11/3
    Piccolo 1′
    Fourniture III
    Cymbale IV
    Contre-Bombarde 32′
    Bombarde 16′
    Basson 16′
    Sordun 16′
    Trompette 8′
    Basson 8′
    Clairon 4′
    Chalumeau 4′
    Clairon 2′
    View from the south

    Organists

    Among the best-known organists at Notre Dame was Louis Vierne, who held this position from 1900 to 1937. Under his tenure, the Cavaillé-Coll organ was modified in its tonal character, notably in 1902 and 1932.

    Léonce de Saint-Martin held the post between 1932 and 1954.

    Pierre Cochereau initiated further alterations (many of which were already planned by Louis Vierne), including the electrification of the action between 1959 and 1963. The original Cavaillé-Coll console, (which is now located in the Musée de Notre Dame de Paris, next to the cathedral), was replaced by a new console in Anglo-American style and the addition of further stops between 1965 and 1972, notably in the pedal division, the recomposition of the mixture stops, and finally the adding of three horizontal reed stops "en chamade".

    After Cochereau's sudden death in 1984, four new titular organists were appointed at Notre Dame in 1985: Jean-Pierre Leguay, Olivier Latry, Yves Devernay (who died in 1990), and Philippe Lefebvre. This was reminiscent of the 18th-century practice of the cathedral having four titular organists, each one playing for three months of the year. Beginning in 1990, another restoration to the instrument was undertaken, which was completed in 1992.

    Alterations, vandalism and restorations

    Sculpture from the restoration program

    In 1548, rioting Huguenots damaged features of the cathedral, considering them idolatrous. During the reigns of Louis XIV and Louis XV, the cathedral underwent major alterations as part of an ongoing attempt to modernize cathedrals throughout Europe. Tombs and stained glass windows were destroyed. The north and south rose windows were spared this fate, however.

    Extreme angle

    In 1793, during the French Revolution, the cathedral was rededicated to the Cult of Reason, and then to the Cult of the Supreme Being. During this time, many of the treasures of the cathedral were either destroyed or plundered. The statues of biblical kings of Judah (erroneously thought to be kings of France) were beheaded. Many of the heads were found during a 1977 excavation nearby and are on display at the Musée de Cluny. For a time, Lady Liberty [disambiguation needed] replaced the Virgin Mary on several altars. The cathedral's great bells managed to avoid being melted down. The cathedral came to be used as a warehouse for the storage of food.

    A restoration program was initiated in 1845, overseen by architects Jean-Baptiste-Antoine Lassus and Eugène Viollet-le-Duc. The restoration lasted 25 years and included the construction of a flèche (a type of spire) as well as the addition of the chimeras on the Galerie des Chimères. Viollet le Duc always signed his work with a bat, the wing structure of which most resembles the Gothic vault (see Château de Roquetaillade).

    In 1871, during the period of the Paris Commune, the cathedral was nearly set alight: some records suggest that the rebels even went so far as to set fire to a mound of chairs within the building. Whether that was so or not, the cathedral survived the Commune period essentially unscathed.

    In 1939, during World War II, it was feared that German bombers could destroy the windows; as a result, on September 11, 1939, they were removed and then restored at the end of the war.

    In 1991, a major program of maintenance and restoration was initiated, which was intended to last 10 years but is still in progress as of 2009, the cleaning and restoration of old sculptures being an exceedingly delicate matter.

    In the late 1990s a candle was removed from the church without authorization, a crime with a possible penalty of up to 20 years.[citation needed]

    The bells

    There are five bells at Notre Dame. The great bourdon bell, Emmanuel, is located in the South Tower, weighs just over 13 tons, and is tolled to mark the hours of the day and for various occasions and services. There are four additional bells on wheels in the North Tower, which are swing chimed. These bells are rung for various services and festivals. The bells were once rung manually, but are currently rung by electric motors. The bells also have external hammers for tune playing from a small clavier.

    In the night of August 24, 1944, as the Île de la Cité was taken by an advance column of French and Allied armoured troops and elements of the Resistance, it was the tolling of the Emmanuel that announced to the city that its liberation was under way.

    Significant events

    A series of articles on
    Roman Catholic
    Mariology

    Raphael - Madonna dell Granduca.jpg

    General articles
    Overview of Mariology
    Veneration of the Blessed VirginHistory of Mariology

    Expressions of devotion
    ArtMusicArchitecture

    Specific articles
    ApparitionsSaintsPopesDogmas and DoctrinesMovements & Societies

    The cathedral is renowned for its Lent sermons founded by the famous Dominican Jean-Baptiste Henri Lacordaire in the 1860s. In recent years, however, an increasing number have been given by leading public figures and state-employed academics.

    Other

    One of the many roses in the flower garden behind Notre Dame.

    See also

    References

    In-line:
    1. ^ Caroline Bruzelius, The Construction of Notre-Dame in Paris, in The Art Bulletin, Vol. 69, No. 4 (Dec., 1987), pp. 540-569
    2. ^ Paul Williamson, Gothic Sculpture, 1140–1300, Yale University Press, 1995
    3. ^ (English) Daniel Stone (2001). The Polish-Lithuanian State, 1386-1795. Warsaw: University of Washington Press. pp. 119. ISBN 02-95980-93-1. http://books.google.pl/books?id=LFgB_l4SdHAC&pg=PA119&lpg=PA119&dq=notre+dame+paris+pacta+conventa&source=web&ots=QiCLWvGmkD&sig=9L4_FPgS3U2FNrTx-ckFb5xSY0k&hl=pl&sa=X&oi=book_result&resnum=3&ct=result. Retrieved 2008-07-23. 
    General:
    • Jacobs, Jay, ed. The Horizon Book of Great Cathedrals. New York, New York: American Heritage Publishing, 1968.
    • Janson, H.W. History of Art. 3rd Edition. New York, New York: Harry N. Abrams, Inc., 1986.
    • Myers, Bernard S. Art and Civilization. New York, New York: McGraw-Hill, 1957.
    • Michelin Travel Publications. The Green Guide Paris. Hertfordshire, UK: Michelin Travel Publications, 2003.
    • Tonazzi, Pascal. Florilège de Notre-Dame de Paris (anthologie), Editions Arléa, Paris, 2007, ISBN 2869597959

    External links

    Coordinates: 48°51′11″N 2°20′59″E / 48.8530°N 2.3498°E / 48.8530; 2.3498


     
     

     

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    Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
    Fine Arts Dictionary. The New Dictionary of Cultural Literacy, Third Edition Edited by E.D. Hirsch, Jr., Joseph F. Kett, and James Trefil. Copyright © 2002 by Houghton Mifflin Company. Published by Houghton Mifflin. All rights reserved.  Read more
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