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Of Montreal

 
Artist: Of Montreal
Of Montreal

Group Members:

Kevin Barnes, Derek Almstead, Jamie Huggins, A.C. Forrester, Dottie Alexander

Similar Artists:

Followers:

Wild Honey, My First Earthquake, The Delfields, Human Highway, Bombadil, Hello Seahorse!, The Smell of Mutiny, Gentleman Auction House, The Softlightes, The Dandybeards, The Kazoo Funk Orchestra, The Winks, Sure Juror, Oh No! Oh My!, Spinto Band, The High Strung, Willy Mason

Performed Songs By:

Kevin Branstetter, Kevin Barnes

Formal Connection With:

Summer Hymns, Nina Barnes, Sinkane, Blikk Fang, Julian Koster
See Of Montreal Lyrics
  • Genres: Rock
  • Representative Albums: "The Gay Parade," "Satanic Panic in the Attic," "Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse"

Biography

The brainchild of singer/guitarist Kevin Barnes, Of Montreal was among the second wave of bands to emerge from the sprawling Elephant 6 collective. A native of Athens, GA, Barnes was inspired to form the euphoric indie pop group in the wake of a broken romance with a woman from Montreal. He signed with Bar/None Records while living in Florida, subsequently moved to Cleveland and Minneapolis in search of compatible bandmates, and finally returned home to collaborate with bassist Bryan Helium (also a member of Athens' Elf Power) and drummer Derek Almstead.

Of Montreal's debut album, Cherry Peel, appeared in mid-1997, followed that autumn by an EP entitled The Bird Who Continues to Eat the Rabbit's Flower. From the start, the band buoyed its bright, flamboyant indie pop sound with elements of psychedelia and vaudeville; Of Montreal's earliest records also exhibited a lo-fi sound that bordered on twee pop, although the band steadily shed those influences throughout the early 2000s. After Helium left the group in 1998 to focus on Elf Power full-time, Almstead assumed bass duties, while keyboardist Dottie Alexander and drummer Jamie Huggins both joined the lineup. Nevertheless, the band's second album, 1998's The Bedside Drama: A Petite Tragedy, was recorded primarily as a Barnes solo project.

Multi-instrumentalist A.C. Forrester signed on for 1999's sublime The Gay Parade, while the retrospective album Horse & Elephant Eatery followed in the spring of 2000. The group continued with the release of Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse in April 2001 and Aldhils Arboretum in September of 2002, both of which were issued by the Georgia-based label Kindercore Records. With the subsequent folding of Kindercore, the departures of multi-instrumentalist Andy Gonzales and Almstead, and Barnes' marriage, 2003 proved to be an up and down year for the group. Barnes' newly-minted wife, Nina, joined Of Montreal's lineup as the group signed to Polyvinyl Records and delivered one of their most celebrated records, Satanic Panic in the Attic, in early 2004.

The following year found Barnes exploring a bouncier, synth-driven avenue with the release of Sunlandic Twins, but things began to get complicated in his personal life at the same time. He and his wife moved to Norway for the birth of their baby. Deprived of familiar touchstones, Barnes fell into a deep depression and, upon returning to the States, continued to travel progressively downhill. He and his wife separated for a time, and she returned to her family in Norway with their new daughter. Through the emotional turmoil, Barnes concocted what was to be his darkest, most personal, and ambitious album yet -- Hissing Fauna, Are You the Destroyer? -- in 2007. Arriving one year later, Skeletal Lamping furthered that ambitious sound by emphasizing Barnes' outrageous alter ego, "Georgie Fruit," whose influence pushed the album toward funk and prog territory. An Eluardian Instance (Jon Brion Remix EP) followed in early 2009, featuring five remixed tracks from the previous album. ~ Jason Ankeny & Andrew Leahey, All Music Guide
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Discography: Of Montreal
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Aldhils Arboretum

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Hissing Fauna, Are You the Destroyer? [Bonus Track]

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Skeletal Lamping

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Skeletal Lamping

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Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse [Japan Bonus Disc]

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Horse & Elephant Eatery: The Singles & Songles Album [Japan Bonus Track]

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Icons, Abstract Thee

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Horse & Elephant Eatery (No Elephants Allowed): The Singles & Songles Album

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Cherry Peel

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If He Is Protecting Our Nation... Who Is Protecting Big Oil, Our Children?

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Wikipedia: Of Montreal
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of Montreal

of Montreal performing in Athens, Georgia, on March 24, 2005
Background information
Origin Athens, Georgia, United States
Genres Synthpop
Baroque pop
Indie rock
Neo-Psychedelia
Psychedelic Pop
Funk [1]
Years active 1996–present
Labels Polyvinyl, Kindercore, Bar/None
Website www.ofmontreal.net
Members
Kevin Barnes
Bryan Poole
Dottie Alexander
Jamey Huggins
Davey Pierce
Former members
Andy Gonzalez
Derek Almstead
Jason NeSmith
Matt Dawson
Nina Barnes
Ahmed Gallab

of Montreal[2] is an American indie pop band formed in Athens, Georgia. Fronted by Kevin Barnes, it was among the second wave of groups to emerge from The Elephant 6 Recording Company.

Contents

History

The band was created by Kevin Barnes and named after a failed romance with a woman from Montreal, though the story changes in various interviews. Barnes was the only member of the "group" prior to his relocation to Athens, Georgia. There, he met Derek Almstead, later of the Circulatory System, M Coast, Elf Power etc., and Bryan Poole, who also performs as The Late B.P. Helium. Together, they recorded their first album, Cherry Peel, as well as The Bird Who Ate the Rabbit's Flower and The Bedside Drama: A Petite Tragedy.

After production on The Gay Parade began in 1998, Poole left the band to focus on his duties with Elf Power, another Elephant Six band from Athens. Barnes then recruited Jamey Huggins and Dottie Alexander, who had been performing together as Lightning Bug vs. Firefly, to play various instruments. Derek moved from drums to bass. The band was joined soon after by Marshmallow Coast's Andy Gonzales.

A number of singles and a re-release of The Bird Who Continues to Eat the Rabbit's Flower occurred before the advent of the band's third album, The Gay Parade in 1999. With contributions from several members of the Elephant Six collective at the time, it also featured artwork from Kevin's brother David Barnes, who would continue to do artwork for future albums.

Following the release of The Gay Parade, the band signed with Kindercore Records, who would release a number of singles and compilations. It wasn't until 2001 that Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse would be released as a new album with original material. The album again featured contributions from across the Elephant Six spectrum.

of Montreal front figure Kevin Barnes playing in Gothenburg, Sweden in 2005

In 2002, Aldhils Arboretum was released, with a slightly different sound than its predecessors, as the songs were more directly structured. This album marks the beginning of the change in of Montreal's sound, with more danceable rhythms than before, particularly on the album's closer, "Death Dance Of The Omipapas and Sons For You". A successful tour ensued, including the band's first trip to the UK, along with a tour-only EP.

Kindercore Records would fold shortly after the release of Arboretum, and of Montreal's status was also threatened. Kevin got married, and Andy and Derek left the band. Barnes, uncomfortable with the unrest, as well as some divisions within the band, took to writing and performing their 2004 album Satanic Panic in the Attic mostly by himself. Released by Polyvinyl Records, it became one of their more successful efforts to that point. The album marked a shift to an electronic bass, with drum machines and synthesizers featured in singles such as "Disconnect the Dots". The tour for that album also saw The Late B.P. Helium (Bryan Poole) rejoin the band, with some bass played by Kevin's partner Nina.

This style would continue to evolve into 2005's The Sunlandic Twins, which was even more of a solo effort by Barnes. Recorded in Athens, with the exception of one track recorded in Norway, it was a much more pronounced electronic album. The album became a success, mostly due to the singles "So Begins Our Alabee" and the MTV clip for "Wraith Pinned to the Mist (and Other Games)".

The band released several collections of singles in early 2006. Barnes recorded most of the band's 2007 release, Hissing Fauna, Are You the Destroyer?, by himself while living in Norway and Athens, Georgia. The switch to autobiographical themes of suicide, depression and isolation of the album was a direct product of his troubled personal life during that period. Barnes also released a companion CD to Hissing Fauna, Are You the Destroyer? called Icons, Abstract Thee.[3] In 2007, Kevin Barnes performed five songs nude during a performance in Las Vegas.[4] In Paris, they did a Take-Away Show acoustic video session shot by Vincent Moon.

of Montreal's next album, Skeletal Lamping, was released on October 21, 2008. It was released in ten different formats, including conventional CD and vinyl, as well as t-shirts, button sets, wall decals, tote bags, and a paper lantern, the latter formats replete with a digital download code for the album.[5] All items for the collection were designed by The Bee With Wheels (David Barnes) and Gemini Tactics (Nina Barnes). In an essay addressing the concept behind the album's release, Kevin Barnes stated, "We feel that there's no reason to produce another object that just sits on a shelf. We only want to produce objects that have a function and that can be treasured for their singularness."[6] The album reached number one on emusic's Most Downloaded Albums Chart.[7] The video for the album's second single, "An Eluardian Instance", was directed by Jesse Ewles.

Currently, of Montreal is working on its next album, tentatively titled False Priest.[8]

Style

of Montreal performing live at Baltimore in 2007

The group has a style that is typical of many Elephant 6 bands due to its interest in combining musical experimentation and the basic tenets of pop, such as catchy melodies and sing-along choruses. The band's style has been influenced by not only more conventional indie pop and psychedelic music, but also by vaudeville and music hall on their earlier releases and by afrobeat, funk, krautrock and reggae in their more recent releases.

The band's style has been known to change between albums. At first, the band embraced a more simple, quirky, lo-fi indie pop sound, which occasionally bordered on twee pop. Later the band moved to a fuller sound, as seen on the concept albums The Gay Parade, and its follow-up, Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse. These albums contain more narrative lyrics, as opposed to the rather personal lyrical matter of those preceding it, and often imitating the style of old 1950s radio plays.

2004's Satanic Panic in the Attic marked the result of an evolving change in style. The sound shifted to something more electronic with traditional structures, to be further advanced in later albums and new songs. In their most recent releases and concerts, the band has fully embraced a sort of techno-pop glam image, with little of their previous incarnations surfacing.

Lyrically, their style has changed dramatically throughout the years. In the beginning, many songs were narratives of personal or humorous situations, such as "Tim, I Wish You Were Born A Girl", from Cherry Peel. This style, however, changed with The Gay Parade, where many songs involve small narratives surrounding invented characters (in songs such as "Jacques Lamure", "The Autobiographical Grandpa", "Mimi Merlot" and "Rose Robert"). Others act as extracts from fictional conversations ("Advice From a Divorced Gentleman to His Bachelor Friend Considering Marriage" and "Good Morning Mr. Edminton" as examples). With Aldhils Arboretum came a slight return to the previous writing style, except following more poppy, classical lyrical structures (such as the use of choruses, which are generally absent in the Gay Parade/Coquelicot years). This style continued throughout Satanic Panic and The Sunlandic Twins to some extent. On the band's 2007 album Hissing Fauna: Are You the Destroyer?, the lyrics are much more personal than previously used, with songs detailing emotions within the speaker.

Another characteristic of the band is the fusion of ostensibly gloomy lyrics with bouncy, upbeat melodies and hooks. For example, the lyrical themes of songs like "Doing Nothing" and "Old People in the Cemetery" (from Aldhils Arboretum) include apathy, loneliness and death, while the instrumentation is generally upbeat. Another example of this tendency is shown in their choice of covers; for example, Yoko Ono's "I Felt Like Smashing my Head Through a Clear Glass Window" from The Bird Who Continues to Eat the Rabbit's Flower.

Side projects

True to the style of most Elephant Six recording artists, of Montreal's members have been in a variety of side projects and other bands.

  • The band itself has performed as the backing band for Marshmallow Coast on record and on tour.
  • My First Keyboard was the pseudonym used by Dottie Alexander to release the song "The You I Created" on the Kindercore singles club. of Montreal acted as her backing band.
  • Kevin Barnes did a comedy tour with his wife, Nina, and his brother, David, called "A Pollinaire Rave".
  • Jamey Huggins released an album under the name "James Husband" which featured a cover of The Beatles' "We Can Work it Out".
  • Bryan Poole has a solo career as the Late B.P. Helium.
  • Kevin Barnes has recently been collaborating with Andrew VanWyngarden from MGMT, on a project called Blikk Fang (formerly Ocelot Fang).[9]
  • Derek Almstead has worked with many artists as a musician and engineer including his collaboration with Andy Gonzales M Coast, Elf Power, Circulatory System, and many more.
  • Kevin Barnes played keyboard in a song on Bright Eyes' album Letting Off the Happiness.
  • Ahmed Gallab has a solo career as Sinkane.
  • Davey Pierce, along with Travis Adams from the now-defunct My Hotel Year, created the band Inkwell.

In other media

The song "Wraith Pinned to the Mist (And Other Games)" can be heard on radio and television commercials (with words changed) for an advertisement for Outback Steakhouse. Similarly, their song "Every Day Feels Like Sunday" was used in television commercials for NASDAQ and Garmin GPS systems, "Gronlandic Edit" was used for a T-Mobile commercial, and the song "A Sentence of Sorts In Kongsvinger" was used in a Comcast commercial.

A remix of "The Party's Crashing Us" was used in ABC's series Ugly Betty, in the episode "Sisters on the Verge of a Nervous Breakdown". A brief clip of the original song was also played on the radio program Marketplace in 2008.

The song "Wraith Pinned To The Mist And Other Games" was played in the Showtime comedy-drama Weeds.

Discography

Studio albums

Compilations

EPs

Singles

  • 1998 "Nicki Lighthouse" (7", 100 Guitar Mania)
  • 1999 "Happy Happy Birthday To Me Singles Club: November" (7", Happy Happy Birthday To Me Records)
  • 2000 "Archibald of the Balding Sparrows" (7", Kindercore, Split with Marshmallow Coast))
  • 2001 "Kindercore Singles Club: September" (7", Kindercore, Split with Ladybug Transistor))
  • 2001 "Split With the Late B.P. Helium" (7", Jonathan Whiskey)
  • 2003 "Jennifer Louise" (7", Track & Field)
  • 2004 "I Was a Landscape in Your Dream" (7", Harvest Time Recordings)
  • 2006 "Microuniversity" (7", Park the Van)
  • 2006 "Voltaic Crusher"/"Undrum to Muted Da" (7", Suicide Squeeze)
  • 2006 "She's a Rejecter" (7", Polyvinyl)
  • 2007 "Heimdalsgate Like a Promethean Curse" (CD, Polyvinyl)
  • 2007 "Suffer For Fashion" (CD, Polyvinyl)
  • 2007 "Gender Mutiny Tour" (7", Polyvinyl)
  • 2008 "Id Engager" (7", Polyvinyl)
  • 2008 "Cause We Were Virgins to Your Kisses" (7" picture disc with DVD, Heartfast)
  • 2009 "For our Elegant Caste" (7", Polyvinyl)

Soundtracks

References

External links


Interviews


 
 
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