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Oliver Reed

 
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Actor: Oliver Reed
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  • Born: Feb 13, 1938 in London, England, UK
  • Died: May 02, 1999 in Valetta, Malta
  • Occupation: Actor
  • Active: '60s-'90s
  • Major Genres: Drama, Adventure
  • Career Highlights: Tommy, The Four Musketeers, Women in Love
  • First Major Screen Credit: The Curse of the Werewolf (1961)

Biography

Burly British actor Oliver Reed juggled over 60 film roles in 40 years and a full-blooded social life of women, booze, and bar fights, both of which became fodder for stories about one of England's darker leading men and villainous character actors. After getting his start in cult monster movies from Hammer Studios, Reed forged a body of work most associated with acclaimed directors Ken Russell, Richard Lester, and Michael Winner, in which he was able to sidestep his typecasting as a brooding heavy. Reed remains one of the only prominent British thespians never to amass any stage work, making him a pure film actor. Reed was born on February 13, 1938, in Wimbledon, England, a nephew of film director Sir Carol Reed (The Third Man). An antsy type given to partying with friends, Reed did not complete high school. He ended up taking on a variety of blue-collar jobs, including nightclub bouncer and hospital porter, and even a short career in pugilism. In 1960, he suddenly burst into films, showing up in the background of the Hammer films The Two Faces of Dr. Jekyll and Sword of Sherwood Forest, and as a gay ballet dancer in The League of Gentlemen. His first starring role came with Hammer in 1961, as the title character in Curse of the Werewolf. Years later, he would serve as narrator on a full Hammer retrospective, putting his sonorous speaking voice to good use and paying homage to his roots. Such early work paved the way for a steady flow of bad-guy roles in horrors, costume dramas, and suspense thrillers. Reed's intense, glowering features could also be manipulated for believable ethnic characterizations. Titles such as These Are the Damned and Pirates of Blood River (both 1962) followed. His first of six collaborations with Michael Winner came with The Girl Getters in 1966. In 1968, he won his first leading role in a universally well-received film, the Oscar-winner Oliver!, directed by his uncle, in which he played murderous thief Bill Sikes. Despite complaints of nepotism, Reed insisted he had to persuade his uncle to cast him, even though his credentials closely matched the needs of the part. Another watershed moment came in 1969, when Ken Russell cast him as one of the leads in his adaptation of D.H. Lawrence's Women in Love. While the film was a well-received treatise on sexuality and marriage, it achieved some notoriety for featuring the first-ever full-frontal male nudity in an English-language commercial film. Reed and Alan Bates engage in a memorable nude wrestling match that audaciously fleshes out the film's themes. Reportedly, Russell had planned to scrap the scene, worried about censor backlash, until Reed wrestled him into including it, literally pinning him down, in Russell's kitchen. Still, Reed told the Los Angeles Times he had to drink a bottle of vodka before he could relax enough to film the scene. The actor and director would work together five more times, including The Devils (1971) and Tommy (1975), in which Reed played Frank Hobbs. Reed was also known for portraying musketeer Athos in three of Richard Lester's film versions of Alexandre Dumas' famous tale. Reed appeared in The Three Musketeers (1973) and its sequel, The Four Musketeers (1975), which originally had been planned as one long movie. He revived the role in 1989 for The Return of the Musketeers. During filming of the windmill scene in the first film, Reed was nearly killed when he received an accidental stab wound in the neck. Add in 36 facial stitches following a bar fight in 1963, and the actor had more than his share of scrapes. Reed peaked in many ways in the mid-'70s, and had to settle on genre work for much of his career. Films such as Dr. Heckyl and Mr. Hipe (1980), Venom (1982), Gor (1987), and Dragonard (1987) became his regular source of paychecks for many years. For every respite, such as Nicolas Roeg's Castaway (1987) or Terry Gilliam's The Adventures of Baron Munchausen (1989), there was a return to familiar territory with garbage like House IV: Home Deadly Home (1991). Reed's most familiar role for modern audiences was also his last. The actor appeared in Oscar-winner Gladiator (2000) as Proximo, the amoral merchant who trains the enslaved fighters to kill and be killed. When he died midway through production, Reed unwittingly became part of a groundbreaking three-million-dollar endeavor by director Ridley Scott to digitally re-create his likeness in order to film Proximo's death scene. A three-dimensional image of Reed's face was scanned into computers so it could smile and talk, then digitally grafted onto a body double. Reed died in Malta, where Gladiator was being filmed, on May 2, 1999, the result of a heart attack brought on by one last night of hard drinking, which included three bottles of downed rum and arm wrestling victories over five sailors. He was survived by his third wife, Josephine Burge, as well as a son (Mark) and a daughter (Sarah), one each from his previous two marriages. ~ Derek Armstrong, All Movie Guide
Filmography: Oliver Reed
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Gladiator

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Jeremiah

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Marco Polo

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Funny Bones

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Return to Lonesome Dove

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Severed Ties

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Hired to Kill

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The Pit and the Pendulum

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Prisoner of Honor

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The Revenger

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The Adventures of Baron Munchausen

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The House of Usher

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Master of Dragonard Hill

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The Return of the Musketeers

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Skeleton Coast

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Treasure Island

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The Lady and the Highwayman

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Captive Rage

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Rage to Kill

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Dragonard

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The Misfit Brigade

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Captive

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Castaway

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Christopher Columbus

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Black Arrow

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Fanny Hill

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The Sting II

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Two of a Kind

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Spasms

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Venom

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Condorman

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Lion of the Desert

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The Brood

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The Big Sleep

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The Class of Miss MacMichael

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The Prince and the Pauper

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That's Action!

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Tomorrow Never Comes

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Burnt Offerings

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The Great Scout and Cathouse Thursday

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The Sell Out

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The Four Musketeers

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Lisztomania

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And Then There Were None

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Tommy

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Revolver

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Mahler

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One Russian Summer

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The Three Musketeers

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Zero Population Growth

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The Devils

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The Assassination Bureau

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Women in Love

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Oliver!

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I'll Never Forget What's 'is Name

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The Girl Getters

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Paranoiac

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The Curse of the Werewolf

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Beat Girl

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The League of Gentlemen

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Two Faces of Dr. Jekyll

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Wikipedia: Oliver Reed
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Oliver Reed
Born Robert Oliver Reed
13 February 1938(1938-02-13)
Wimbledon, London, England
Died 2 May 1999 (aged 61)
Valletta, Malta
Occupation Actor
Spouse(s) Kate Byrne (1959 - 1969)
Josephine Burge (1985)
Official website

Robert Oliver Reed (13 February 1938 – 2 May 1999) was an English actor known for his burly screen presence. Reed exemplified his real-life macho image in "tough-guy" roles. His films include The Trap, Oliver!, Women in Love, Hannibal Brooks, The Triple Echo, The Devils, The Three Musketeers, Tommy, Castaway, Lion of the Desert and Gladiator.

Contents

Early life

Reed was born in Wimbledon, London, to sports journalist Peter Reed and his wife Marcia (née Andrews). He was the nephew of film director Sir Carol Reed, and grandson of the actor-manager Sir Herbert Beerbohm Tree by his alleged mistress May Pinney Reed. He attended Ewell Castle School in Surrey. He is alleged to be a descendant (through an illegitimate step) of Tsar Peter the Great of Russia. [1]

Career

After time in the British Army, serving in the Royal Army Medical Corps, Reed commenced his thespian career as an extra in films in the late 1950s. He had no acting training or theatrical experience.

Oliver Reed appeared uncredited in an early Norman Wisdom classic, The Square Peg in 1958, and again with Norman Wisdom in another of his classic comedy films, The Bulldog Breed in (1960), where Reed played the leader of a gang of teddy boys roughing up Norman in a cinema. Reed got his first notable roles in Hammer Films' Sword of Sherwood Forest (1960), The Two Faces of Dr. Jekyll (1960), Captain Clegg (1962), Pirates of Blood River (1962), and The Curse of the Werewolf (1961). Reed also starred in Paranoiac, and These Are the Damned. In 1964 he starred in the first of six films directed by Michael Winner, The System, (known as The Girl-Getters in the U.S.). More Hammer Films productions followed, such as The Brigand Of Kandahar (1965). He first collaborated with director Ken Russell in a TV biopic of Claude Debussy in 1965, and later played Dante Gabriel Rossetti in Russell's subsequent TV biopic Dante's Inferno (1967).

In 1966 Reed played a mountain fur trapper, with co-star Rita Tushingham, in an action-adventure film The Trap with a soundtrack by British film composer Ron Goodwin. Reed's presence could be seen in The Shuttered Room (1969), after which came another performance in the film Women in Love (1969), in which he wrestled nude with Alan Bates in front of a log fire. The controversial 1971 film The Devils was one of Reed's best acting roles, followed in the summer of 1975 by the musical film Tommy, based on The Who's 1969 concept album Tommy and starring its lead singer Roger Daltrey. Reed made another contribution to the horror genre in 1976, acting alongside Karen Black, Bette Davis, and Burgess Meredith in the Dan Curtis film Burnt Offerings.

In between those films for Russell, Reed played the role of Bill Sikes, alongside Ron Moody, Shani Wallis, Mark Lester, Jack Wild and Harry Secombe in his uncle Carol Reed's 1968 screen version of the hit musical Oliver!. In 1969 Reed played the title role in Michael Winner's WWII action-comedy Hannibal Brooks, alongside an elephant named Lucy.

An anecdote holds that Reed could have been chosen to play James Bond. In 1969, Bond franchise producers Albert R. Broccoli and Harry Saltzman were looking for a replacement for Sean Connery, and Reed (who had recently played a resourceful killer in The Assassination Bureau) was mentioned as a possible choice for the role. Whatever the reason, Reed was never to play Bond. After Reed's death, the Guardian Unlimited called the casting decision, "One of the great missed opportunities of post-war British movie history".

Reed starred as Athos the musketeer in three films based on Alexandre Dumas's novels. First in The Three Musketeers (1973), followed by The Four Musketeers (1974), and The Return of the Musketeers (1989). He starred in a similarly historical themed film, Crossed Swords (1978), as Miles Hendon alongside Raquel Welch and a grown up Mark Lester who had worked with Reed in Oliver!. Reed returned to horror as Dr. Hal Raglan in David Cronenberg's 1979 film The Brood.

From the 1980s onwards Reed's films had less success, his more notable roles being General Rodolfo Graziani in the 1981 film Lion of the Desert, which co-starred Anthony Quinn and chronicled the resistance to Italy's occupation of Libya; and in Castaway (1986) as the middle aged Gerald Kingsland, who advertises for a 'wife' to live on a desert island for a year. The 'wife' is played by Amanda Donohoe.

He also starred in the Iraqi historical film Clash of Loyalties (al-Mas' Ala Al-Kubra) in 1982 where he played Lt-Col Gerard Leachman during the 1920 revolution in Iraq. By the late 1980s, he was largely appearing in exploitation films produced by the infamous impresario Harry Alan Towers, most of which were filmed in South Africa at the time of apartheid, and released straight to video in the US and UK. These included Skeleton Coast (1987), Dragonard (1987) and its filmed-back-to-back sequel Master Of Dragonard Hill, Hold My Hand I'm Dying (1988), House Of Usher (1988), Captive Rage (1988), Gor (1988) and The Revenger (1989).

His last major successes were Terry Gilliam's The Adventures of Baron Munchausen (1988) (as the god Vulcan), Treasure Island (1990) (as Captain Billy Bones), and Peter Chelsom's Funny Bones (1995).

His final role was the elderly slave dealer Proximo in Gladiator, in which he played alongside Richard Harris, an actor whom Reed admired greatly both on and off the screen. The film was released after his death in 2000 with some footage filmed with a double, digitally mixed with outtake footage. He was posthumously nominated for a British Academy Award for Best Supporting Actor for his performance in this film, and also for the Screen Actors Guild Award along with the rest of the principal players for Best Ensemble Cast.

Personal life

In 1959, Reed wed Kate Byrne. They had one son, Mark, before their divorce in 1969. While filming his part of Bill Sikes in Oliver!, he met one of the dancers hired for the film, the classically trained Jacquie Daryl. By the end of the film they were lovers, and subsequently had a daughter named Sarah. In 1985, he married Josephine Burge, to whom he was still married at the time of his death.

When the UK government raised taxes on personal income, Reed initially declined to join the exodus of major British film stars to Hollywood and other more tax-friendly locales. Reed claimed to have turned down major roles in two hugely successful Hollywood movies: The Sting (1973) (although he did appear in the sequel) and Jaws (1975). In the late 1970s Reed finally relocated to the Channel Islands as a tax exile.

Alcoholism

Reed was famous for his excessive drinking, which fitted in with the "social" attitude of many rugby teams in the 1960s and 1970s, and there are numerous anecdotes such as Reed and 36 friends drinking, in an evening, 60 gallons of beer, 32 bottles of Scotch, 17 bottles of gin, four crates of wine and one bottle of Babycham. He subsequently revised the story, claiming he drank 106 pints of beer on a 2-day binge before marrying Josephine; "The event that was reported actually took place during an arm-wrestling competition in Guernsey about 15 years ago, it was highly exaggerated." Steve McQueen told the story that in 1973 he had flown to the UK to discuss a film project with Reed and suggested the pair go to a nightclub in London. This led to a marathon pub crawl during which Reed threw up on McQueen. Reed's face had been carved up ten years previously during a 1963 bar fight after which he received 63 stitches and was in danger of having his film career cut short in his 20s.

Reed was often irritated that his appearances on TV chat shows concentrated on his drinking feats, rather than his latest film. David Letterman cut to a commercial when it appeared Reed might get violent after being asked too many questions about his drinking. He was held partly responsible for the demise of BBC1's Sin on Saturday after some typically forthright comments on the subject of lust, the sin featured on the first programme. The show had many other problems and a fellow guest revealed that Reed recognised this when he arrived and had to be virtually dragged in front of the cameras. Near the end of his life he was brought onto some TV shows specifically for his drinking; for example The Word put bottles of drink in his dressing room so he could be secretly filmed getting drunk. He was forced to leave the set of the Channel 4 television discussion programme After Dark after arriving drunk and attempting to kiss feminist writer Kate Millett, uttering the memorable phrase "give us a kiss, big tits". He was seemingly very drunk on the Michael Aspel chat show, to many highly entertaining, to others a waste of a great acting talent. However, author Cliff Goodwin, in his biography of Reed titled Evil Spirits, offers the theory that Reed was not always as drunk on chat shows as he appeared to be, but rather was acting the part of an uncontrollably sodden former star to liven things up, at the producers' behests.

In later years, Reed could often be seen quietly drinking with his wife Josephine Burge, at the bar of the White Horse Hotel in the High Street in Dorking, Surrey, not far from his home in Oakwoodhill. He had sold his larger house, 'Broome Hall', between the villages of Coldharbour and Ockley some years earlier.

Death

Reed died of a sudden heart attack[1] during a break from filming Gladiator in Valletta, Malta on 2 May 1999. He was 61 years old and was reported to be heavily intoxicated at the time of his death. Racking up an $866 alcohol bill, Reed had reportedly drunk two bottles of Captain Morgan's rum, eleven bottles of beer and numerous doubles of Talisker whisky and Hennessy cognac. He also beat five much younger Royal Navy sailors at arm wrestling at a bar called "The Pub". The owners have since added "Ollie's Last Pub" to the sign.[2] Several of his scenes in "Gladiator" had to be completed using CGI techniques and, in one place, a mannequin. His funeral was held in his home town Churchtown, County Cork, Ireland. The song "Consider Yourself" from his classic film Oliver! was played at Oliver Reed's funeral. Reed was buried in the 13th-century cemetery in the heart of Churchtown village, where his grave is seeded with Irish wildflowers.

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Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Oliver Reed" Read more