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Olympia

 
Movies:

Olympia

  • Director: Leni Riefenstahl
  • AMG Rating: starstarstarstarstar
  • Genre: Sports & Recreation
  • Movie Type: Social History, Politics & Government
  • Release Year: 1938
  • Country: DE
  • Run Time: 215 minutes

Plot

Having proven her mettle with her still-astonishing propaganda epic Triumph of the Will, German filmmaker Leni Riefenstahl furthered her reputation with the two-part Olympia, an all-inclusive filmed record of the 1936 Berlin Olympics. In its original 220-minute form, the film was designed as a paean to Aryan superiority, likening the strong-limbed young German athletes with the godlike participants of the ancient Olympic games. By accident or design, however, the film transcends politics, resulting in an across-the-board tribute to all the Olympic partcipants -- even those whose racial makeup did not come up to the "pure" standards established by the Third Reich. This is especially true in the first portion of the film, in which black American runner Jessie Owens emerges as the star. The second half of the film is the more impressive technically, with Riefenstahl utilizing an astonishing variety of camera speeds and angles to record the diving competition. Working 16 hours a day, seven days a week, Riefenstahl and her staff were often denied desirable camera angles, forcing them to improvise with telephoto lenses; the results are often far more dramatically impressive than the up-close-and-personal approach taken by contemporary TV cameramen. After an editing process that took nearly 18 months, Riefenstahl added icing to the cake with a richly evocative soundtrack -- an added touch which, so far as the filmmaker was concerned, "made" the picture. Inasmuch as the German government was still trying to curry favor with the outside world in early 1938, Olympia was shipped out in various reedited versions, each favoring the athletes of the release country. Many English-language versions avoided any references to Hitler or Nazism -- quite a feat, considering the preponderence of swastikas at the Olympic site. ~ Hal Erickson, All Movie Guide

Review

It seems safe to say that Leni Riefenstahl's document of the 1936 Berlin Olympiad will never be surpassed as a record of the greatest spectacle in competitive sports. The only film that has come close -- Kon Ichikawa's Tokyo Olympiad -- was made thanks to the deep pockets of its host country at a time before TV coverage of the games was so pervasive and instant home video compilations of the games became available. Moreover, Riefenstahl, as she demonstrated in the technically brilliant propaganda film Triumph of the Will, had a poet's eye for capturing spectacles on both a grand and intimate scale. Olympia might have been a paean to the Third Reich and the superiority of the German athlete (its prologue, featuring only Aryans in various poses and action sequences, suggests that), but Riefenstahl nimbly sidestepped her Nazi masters to offer if not a completely objective view of the games, at least one which did not stint on the accomplishments of runners, jumpers, and swimmers from many nations and of many ethnic backgrounds. If a filmmaker not employed by the Third Reich had made this picture, he or she might have included all of the implicit comparisons between the Nazi athletes and the ancient Greeks who posed for classic sculptures, but that filmmaker also would not have possessed Riefenstahl's eye for composition and movement. ~ Tom Wiener, All Movie Guide

Credit

Leni Riefenstahl - Director

Similar Movies

16 Days of Glory; The Jesse Owens Story; The Tokyo Olympiad; Visions of Eight: The Olympics of Motion Picture Achievement; Spartakiada; O Sport, Ty - Mir
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Wikipedia: Olympia (1938 film)
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Olympia

VHS cover for Olympia 2. Teil - Fest der Schönheit.
Directed by Leni Riefenstahl
Produced by Leni Riefenstahl
Written by Leni Riefenstahl
Music by Herbert Windt
Walter Gronostay
Editing by Leni Riefenstahl
Studio Olympia-Film
Distributed by Tobis
Müller
Taurus (video)
Release date(s) April 20, 1938 (Germany)
Running time 126 minutes (part I)
100 minutes (part II)
Country Germany
Language German
Followed by Tiefland

Olympia is a 1938 film by Leni Riefenstahl documenting the 1936 Summer Olympics, held in the Olympic Stadium in Berlin. The movie was produced in two parts: Olympia 1. Teil — Fest der Völker (Festival of Nations) and Olympia 2. Teil — Fest der Schönheit (Festival of Beauty). It was the first documentary feature film on the Olympic Games ever made. Many advanced motion picture techniques, which later became industry standards but which were groundbreaking at the time, were employed, including unusual camera angles, smash cuts, extreme close-ups, setting the railway tracks on the stadium to shoot the crowd and the like. The techniques employed are almost universally admired, but the film is controversial due to its political content. Nevertheless, the film appears on many lists of the greatest films of all-time, including Time magazine's "All-Time 100 Movies."[1]

There has been much discussion of whether this film should be classified as a Nazi propaganda film like her earlier Triumph of the Will. While the entire 1936 Olympics has been derided as the "Hitler Olympics" and was unquestionably designed primarily to showcase the accomplishments of the Third Reich, and to this extent any film accurately documenting the proceedings would come off as something of a propaganda film, Riefenstahl's defenders have pointed to her close-up shot of the expression on Hitler's face when Jesse Owens, an African-American, won a gold medal, as showing a tacit dissent from Nazi racial supremacy doctrines. Other non-Aryan winners are featured as well. Noted American film critic Richard Corliss observed in Time that "The matter of Riefenstahl 'the Nazi director' is worth raising so it can be dismissed. [I]n the hallucinatory documentary Triumph of the Will... [she] painted Adolf Hitler as a Wagnerian deity... But that was in 1934–35. In [Olympia] Riefenstahl gave the same heroic treatment to Jesse Owens..."[1]

Olympia set the precedent for future films documenting and glorifying the Olympic Games, particularly the Summer Games. The "Olympic Torch Run", now revered as a seemingly-ancient tradition, was devised by Riefenstahl for these games and this film in conjunction with the German sports official Dr. Carl Diem.

Riefenstahl herself, uncredited, appears briefly in the prologue of the film as the nude dancer.

Contents

Versions

Olympia was made in three versions: German, French and English. There are slight differences between each version, extending to which portions were included and their sequence within the entire film.

It appeared to be Riefenstahl's habit to re-edit the film upon re-release, so that there are multiple versions of each language version of the film. For example, as originally released, the famous diving sequence (the penultimate sequence of the entire film) ran about four minutes. Riefenstahl subsequently reduced it by about 50 seconds. (The entire sequence could be seen in prints of the film circulated by the collector Raymond Rohauer.)

Reception

The film had an immensely strong reaction in Germany and was bestowed with acclaim and accolades around the world.[2] In 1960, her peers voted the film as one of the 10 best films of all time. The Daily Telegraph recognised the film as "even more technically dazzling" than Triumph of the Will.[3] The Times described the film as "visually ravishing...A number of sequences in the supposedly documentary Olympia, notably that devoted to the high-diving competition, become less and less concerned with record and more and more abstract: some of the divers never hit the water, as the visual interest of patterns of movement takes over."[2]

Awards

The film won several awards;[4]

  • National Film Prize (1937-1938)
  • Venice International Film Festival (1938) — Coppa Mussolini (Best Film)
  • Swedish Polar Prize (1938)
  • Greek Sports Prize (1938)
  • Olympic Gold Medal of the Comité International Olympique (1939)
  • Lausanne International Film Festival (1948) — Olympic Diploma

Re-release

There had been few screenings of Olympia in English-speaking countries upon its original release. In 1955 Riefenstahl agreed to remove three minutes of Hitler footage for screening at the Museum of Modern Art in New York. The same version was also screened on West German television and in cinemas around the world.[5]

See also

References

  1. ^ a b The Complete List - ALL-TIME 100 Movies - TIME Magazine
  2. ^ a b Leni Riefenstahl (obituary) The Times. 10 September 2003
  3. ^ Leni Riefenstahl (obituary) Daily Telegraph. 9 September 2003
  4. ^ Leni Riefenstahl Olympia
  5. ^ Bach, Steven (2006). Leni- The Life and Work of Leni Riefenstahl. Abacus. 

Other Official Films of the Olympic Games

External links


 
 
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