Once in a Lifetime (Themes)
Contents: IntroductionPlot Summary Characters Style Critical Overview Criticism Sources Further Reading |
Themes
Friendship and Loyalty
At the center of the Once in a Lifetime is the loyal friendship of May, George, and Jerry. From the beginning, they stick together — they even have one bank account. The three had a vaudeville act, which Jerry sold when he thought there was better chance for them in Los Angeles. Though May, and to some degree George, did not like the fact that Jerry did not consult with them before making such a big decision, they go along with it. May comes up with their elocution school plan, uses her contract to get it going, and does most of the work when it is open.
Though their friendship is challenged by life in Hollywood, it does survive. May becomes somewhat resentful that she has to do much of the work and that Jerry, her love interest, has become wrapped up in life in the fast land. George does not like always feeling like the other two do not respect his intelligence or abilities. Jerry is temporarily oblivious of his responsibilities towards the other two. But when the chips are down, they rally around each other. After George is appointed head of the studio and insists that May and Jerry are hired as well, the pair comes through for George when he really needs their support. By the end of the play, their friendship is as strong as ever. Once in a Lifetime shows the importance of such relationships in an unstable world.
Hope and Optimism
Throughout Once in a Lifetime, there is an undercurrent of hope and optimism. No matter what life throws at May, Jerry, and George, or most of the other characters, they always have some positive feelings for the future. Jerry believes he, May, and George will improve their lot in Los Angeles. George believes that Susan will be a successful actress. Their optimism pays off in both situations: both of their hopes come true. Even the wannabe film-types, the actors, actress, and scenario writers who work in the hotel, do not have any doubts about their futures. They believe they will work in the movie industry.
The only person seemingly without hope is Lawrence Vail, the underused playwright and film scenario writer who is shuffled from person to person in an attempt to meet with someone about his work at the studio. Vail is frustrated because, while he draws a paycheck, he also has had no writing assignments. Though Vail is frustrated by the runaround he is getting, he knows that a better life is out there. Vail was happy in New York City as a playwright, and in Act III, he returns home, after a brief stay in a sanitarium just for playwrights such as him. Once in a Lifetime offered unbridled optimism in stark contrast to the economic situation in the United States at the time. It harkens back to the attitude of the Jazz Age of the 1920s, before the start of the Great Depression.
Success and Failure
Related to the idea of optimism, the theme of success and failure is also important to Once in a Lifetime. Nearly everyone is successful in some way in the play. There are no true failures depicted, save perhaps for Lawrence Vail, but even Vail fails only to get a meeting. He is still paid, though he does no work. May, Jerry, and George’s elocution school at the studio fails and they are fired, but this is only a temporary setback. By standing up to the studio owner, Herman Glogauer, George is hired as studio supervisor, and insists that his two friends be hired as well. Though George gets himself in some sticky situations as studio head — he is fired when studio owner Glogauer realizes that George has ordered the wrong script to be shot and when he buys 2,000 aeroplanes for the studio — he retains his position and solidifies his status as resident genius in Glogauer’s eyes. Success is depicted as easy in Hollywood, though sometimes short-lived.
Topics for Further Study
- Research the history of the American entertainment industry in the late 1920s and early 1930s. What affect did the advent of sound movies have on vaudeville, theater, and radio, and those who worked in those mediums?
- Compare and contrast May in Once in a Lifetime with Karen in David Mamet’s Speed the Plow(1988). How do both work to achieve success in Hollywood? How does the status of women in the United States affect their depictions?
- Use psychology to explain why George, Jerry, and May stick together throughout Once in a Lifetime.
- Research the changes in the United States economy from the late 1920s to the early 1930s. How did the faltering economy affect the common people, like George, Jerry, and May?





