also or·ches·tri·na (ôr'kĭ-strē'nə)[ORCHESTR(A) + (MELOD)EON.]
(1) Name given by G.J. Vogler to a large, revolutionary organ with which he toured Europe in 1789 and 1790. It had four manuals, pedals and 63 stops, all fitted into a case c 3 m square.
(2) Term widely used in the 19th and 20th centuries to denote a complex Mechanical instrument played by pinned barrels or perforated cards or paper rolls. It was popular as a domestic entertainment for the wealthy, and its indoor use mainly for the performance of classical music etc, differentiated it from the related street and fairground organ. In the early 20th century it gave way to the player piano and electronic organ. Cherubini and Beethoven composed for J.N. Maelzel's Panharmonicon; D.N. Winkel's componium (1821) played variations on a given composition of 80 bars.
An orchestrion is a generic name for a machine that plays music and is designed to sound like an orchestra or band. Orchestrions may be operated by means of a large pinned cylinder or by a music roll and less commonly book music. The sound is usually produced by pipes, though they will be voiced differently to those found in a pipe organ, as well as percussion instruments. Many orchestrions contain a piano as well.
The first known automatic playing orchestrion was the panharmonicon, invented in 1805 by Johann Nepomuk Mälzel. Friedrich Wilhelm Kaufmann copied this automatic playing machine in 1808 and his family produced orchestrions from that time on. One of Mälzel's panharmonicons was sent to Boston, Massachusetts, in 1811 and was exhibited there and then in New York and other cities. Mälzel also was on tour (with interruptions) with this instrument in the United States from 7 February 1826 until he died in 1838. In 1817 Flight & Robson in London built a similar automatic instrument called Apollonicon and in 1823 William M. Goodrich copied Mälzel's panharmonicon in Boston, USA.
The name "orchestrion" has also been applied to three specific musical instruments:
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