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Osama

 

Plot

Writer/director Siddiq Barmak makes his film debut with Osama, the first all-Afghan feature released since the end of the Taliban rule. In the early days of the regime, a young girl (Marina Golbahari) and her widowed mother (Zobeydeh Sahar) participate in a demonstration for women's right to work. When the demonstration is broken up by the Taliban, they hide out with local street kid Espandi (Mohamad Aref Harat). When the Taliban take over a hospital where the mother secretly works, they are arrested and jailed. In order to go to work, the mother dresses the young girl as a boy. Forced to attend school, the girl reunites with Espandi, who refers to her as Osama. She struggles to maintain her disguise in order to survive. Osama won an honorable mention at the 2003 Cannes Film Festival. ~ Andrea LeVasseur, Rovi

Review

The first major Afghan movie produced after the fall of the Taliban, Siddiq Barmak's Osama (2003) is not only a vital social document, but also an intense, moving film. Centering on a girl who must disguise herself as a boy to work so her family can survive, Osama mercilessly exposes the effects of the sub-human status of women under the Taliban, including father-, son-, and brotherless families who face starvation because professionally trained mothers can't work, brutal punishments for those who help females find jobs, and the mullahs' power to force marriage upon young fatherless girls. Barmak's arresting visuals reveal how such tiny details as a pair of shoes or an exposed ankle can be a girl's undoing; the lyrically shot opening sequence of a women's protest is at once a startling image of a sea of blue burkas and a potent reminder of the women's dehumanization. The poignant relationship between the girl and the street boy who nicknames her "Osama" to protect her when they're taken to a madrassah attests to Barmak's skill with his non-professional actors (Barmak found lead actress Marina Golbahari when she asked him for change), as well as the invidious effect of the Taliban regime on malleable young males. Criminally overlooked by the Academy, but winner of the Best Foreign Language Film Golden Globe, Osama is one of the rare overtly political films that succeeds as a work of cinematic artistry. ~ Lucia Bozzola, Rovi

Cast

  • Marina Golbahari
  • Khwaja Nader
  • Mohamad Aref Harat
  • Hamida Refah
  • Gol Rahman Ghorbandi
Mohamad Nader Khajeh; Zobeydeh Sahar

Credit

Siddiq Barmak - Director, Siddiq Barmak - Editor, Mohammad Reza Darvishi - Composer (Music Score), Akbar Meshkini - Production Designer, Ebrahim Ghafuri - Cinematographer, Siddiq Barmak - Producer, Julie LeBrocquy - Producer, Julia Fraser - Producer, Behrouz Shahamat - Sound/Sound Designer, Faroukh Fadai - Sound/Sound Designer, Siddiq Barmak - Screenwriter

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  • Artist: Sam Shalabi
  • Rating: StarStarStarStar
  • Release Date: 2003 02
  • Total Time: 57:47
  • Type: Contains explicit content
  • Genre: Rock

Review

Osama will be considered by some as Sam Shalabi's masterpiece and by others as a waste of time -- and it mostly depends on whether you love Frank Zappa's freak, absurd sound collages of the late ‘60s or if you'd rather listen to him playing the guitar. Because in the end Osama is a Lumpy Gravy for those who opposed the US-Irak war. Allegedly started as a post-September 11 reflection on arabophobia, the album has picked up extra layers of meaning during its incubation to encompass questions of engagement in the music underground and a self-evaluation of Shalabi's own motives in preparing the album. That's for the socio-political aspect. Music-wise, Shalabi has invited over 30 musicians from Montreal to participate: members of Godspeed You! Black Emperor, improvisers from the Casa del Popolo scene (such as members of the group Balai Mécanique), the hardcore group The Donkeys and even a Sufi choir. Shalabi's name is missing from the list of credits, but the album bears his given name, pushing forward concepts of identification and distancing at the same time. Each of the five tracks is built like a suite. Made of disparate segments of songs and improvisations, it keeps the listener on his or her toes, trying to guess when the next sudden turn will take place. Rants about arabophobia, anti-semitism, anti-americanism and other issues are pasted over heavy metal riffs, psychedelic rock songs, a pop ditty (at the beginning of "Guantanamo Bay") and some utterly strange passages. At one point, a heavy fuzz guitar and free improv drums accompany Jesse Levine's jazzy piano solo while a crowd chants a slogan. But the most striking moment arises when Will Eizlini cuts a rant short to alternate between soaring trumpet notes and mock crying. The listener comes out of this album dizzy and stripped of all reference points. Just when you think you got Shalabi's message or intention pinned down he slips out of your hand and throws something absurd at you. Only after many listens does Osama start making sense, but only because you develop a personal, unique relationship with it. A masterpiece that is not for the conformist. ~ François Couture, Rovi

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Wikipedia on Answers.com:

Osama (film)

Top
Osama

American theatrical release poster
Directed by Siddiq Barmak
Produced by Julia Fraser
Julie Le Brocquy
Written by Siddiq Barmak
Starring Marina Golbahari
Arif Herati
Zubaida Sahar
Khwaja Nader
Music by Mohammad Reza Darvishi
Distributed by ICA (UK)
United Artists (US)
Release date(s) May 20, 2003 (2003-05-20) (Cannes)
02003-06-27 June 27, 2003
Running time 83 minutes
Country Afghanistan
Language Persian

Osama (Persian: أسامة) is a 2003 film made in Afghanistan by Siddiq Barmak. It is about a girl living in Afghanistan under the Taliban regime who disguises herself as a boy, Osama, to support her family. It was the first film to be shot entirely in Afghanistan since 1996, when the Taliban régime banned the creation of all films. The film was an international co-production between companies in Afghanistan, the Netherlands, Japan, Ireland and Iran.

Although the title of the film highlights an allegorical relevance to Osama bin Laden, there is no further similarity.

Contents

Plot

The Taliban are ruling Afghanistan, they being a repressive regime especially for women, who, among other things, are not allowed to work. This situation gets especially difficult for one family consisting solely of three women representing three successive generations, the grandmother and mother of Osama and Osama herself. With her husband and uncle dead, having been killed in battle during the Soviet invasion and their civil wars, there are no men left to support the family. The mother had been working as a nurse in a hospital, but regardless of her not being allowed to work, the Taliban has cut off funding to the hospital and completely made the hospital dysfunctional having no medicines and very few equipment. One foreign woman who worked as a nurse in the hospital was arrested by the Taliban. The mother however did some nursing outside the hospital and received payment from the caretaker of a patient. After that nursing is complete, and her mother cannot find any more work, the mother and grandmother make what they feel is the only decision they can to survive: they will have the preteen daughter disguise as a boy so that she can get a job to support the family. Osama’s grandmother used to tell stories to Osama while she used to go to sleep that a boy changed to a girl when he went under a rainbow. This story was solely intended to persuade her to disguise herself as a boy. The daughter, feeling powerless, agrees despite being scared as if the Taliban discover her masquerade, she is certain they will kill her. Partly as a symbolic measure, the daughter plants a lock of her now cut hair in a pot so that her lost femininity can flourish. The only people outside the family who know of the ruse are the milk vendor who employs the daughter - he who was a friend of her deceased father - and a local boy named Espandi who recognizes her despite her outward change in appearance. Espandi is the one who renames her Osama. The masquerade becomes more difficult when the Taliban recruit all the local boys to school, which includes military training. At the training school, they are taught how to fight and conduct ablutions, and an ablution is taught to boys that should be done when boys experience nocturnal emission or coming in contact in their wife when they grow older. Osama denied joining the ablution session and the master had suspicion about Osama’s gender. Osama realizes it can only be so long before she is found out. Several of the boys begin to pick on her, but her Espandi always used to protect her. But eventually her secret is discovered when she menstruates. She is arrested and put on trial but, as this case is without precedent, and Osama being a destitute and helpless, her life is spared when she is given in marriage to a much older man who delivered a videotape filmed by a Western journalist who is also being tried. The Western journalist is shot to death accusing him of being an enemy to the land and sending strategic information to westerners whom the Taliban consider to be their enemies. The foreign woman who was arrested from the hospital while serving there as a nurse, was stoned to death as she was accused of spreading infidelity in the land. The husband of Osama already has three wives, all of whom hate him and say that he destroyed their lives, takes Osama to his home. All the three wives take pity on Osama, but they are powerless to help her. The husband shows Osama the padlocks he uses on his wives and reserves the largest for her. The film ends with the new husband conducting an ablution in an outdoor bath, which was once taught to the boys to conduct after coming in contact with their wives.

Khwaja Nader in Kabul, Afghanistan, July 2006.

Cast

  • Marina Golbahari - Osama
  • Arif Herati - Espandi
  • Zubaida Sahar - Mom
  • Gol Rahman Ghorbandi
  • Mohamad Haref Harat
  • Mohamad Nader Khadjeh
  • Khwaja Nader
  • Hamida Refah

Production

The director has said that Osama was at least partially inspired by a girl he once met, who disguised herself as a boy to attend school.Template:Interview with Director included on DVD It has also been said that this film might have been at least partially inspired by a newspaper report in Afghanistan after the fall of the Taliban.[citation needed]

The film was shot on location in Kabul, Afghanistan. Work began in June 2002 and was completed in March 2003 with a budget of approximately $46,000 US$. All the actors in the film are amateurs found by the director on the streets of Kabul.

According to Marina, a documentary about actress Marina Golbahari shot concurrently with the film. Osama' was originally titled Rainbow and ended on a hopeful note, with Osama passing under a rainbow and gaining her freedom. As time went on, the director grew dissatisfied with the ending and changed it and cut out other scenes in the film that expressed hope.

Responses

Osama was very well-received by the Western cinematic world. It gathered a rating of 96% based on 100 reviews collected by Rotten Tomatoes, a website which tabulates the reviews from professional film critics into a single rating.[1]

Awards and nominations

Bratislava International Film Festival (2003)

  • Awarded "Special Mention"
  • Nominated "Grand Prix for F1"

Cannes Film Festival (2003)

  • Awarded "AFCAE Award"
  • Awarded "Cannes Junior Award"
  • Awarded "Golden Camera - Special Mention"

Cinemanila International Film Festival (2004)

  • Awarded "Best Actress" - Marina Golbahari, tied with Katherine Luna for Babae sa Breakwater
  • Nominated "Lino Brocka Award"

Golden Globes, USA (2004)

  • Awarded "Golden Globe Best Foreign Language Film" - Afghanistan

Golden Satellite Awards (2004)

  • Nominated "Golden Satellite Award Best Motion Picture, Foreign Language" - Afghanistan/Iran

Golden Trailer Awards (2004)

  • Won "Golden Trailer Best Foreign"

Kerala International Film Festival (2003)

  • Won "Audience Award"

London Film Festival (2004)

  • Won Sutherland Trophy

Molodist International Film Festival (2003)

  • Won "Best Film Award Best Full-Length Fiction Film"
  • Won "Best Young Actor Award" - Marina Golbahari

Busan International Film Festival (2003)

  • Won "New Currents Award" - Special Mention
  • Won "PSB Audience Award", tied with Seontaek

Valladolid International Film Festival (2003)

Young Artist Awards (2004)

  • Nominated "Young Artist Award Best International Feature Film"

See also

References

External links


 
 
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