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Frei Otto

 
Art Encyclopedia: Frei Otto

(b Siegmar, Saxony, 31 May 1925). German architect and writer. After serving in the air force in World War II, he studied at the Technische Universit?t in Berlin (Dip. Ing. 1952, Dr Ing. 1954) and opened an architecture studio at Zehlendorf, Berlin, in 1952, working in collaboration with others from 1958. Parallel with his design work, he conducted research into lightweight structures and technology at the Development Centre for Lightweight Construction, Berlin, which he established in 1957, and at the Institute for Lightweight Structures that he founded in 1964, attached to the University of Stuttgart. Otto was responsible for the revival and development of the tent as a structural form in modern architectural design, exploring a host of new and complex shapes using models at a time when the analysis of such structures was in its infancy. The small Bundesgarten pavilions, for example the riverside shelter and dance pavilion (1957) at Cologne and the small star pavilions (1963) at Hamburg, are among his most beautiful and convincing works. They consist of standard membrane elements composed additively in symmetrical arrangements, and they were made of cotton canvas with modest spans of 20 m to 30 m. After he began working with Rolf Gutbrod (b 1910) in the mid-1960s, Otto developed picturesque, asymmetrical roofscapes divided by low and high points, for example the pavilion of the Federal Republic of Germany (with Rolf Gutbrod) at Expo '67 in Montreal (see EXHIBITION ARCHITECTURE, fig. 2). This structure was also Otto's first large-scale cable-net roof, initially seen in a transitional type combining membrane and cable-net in the restaurant pavilions at the Exposition Nationale Suisse (1964) at Lausanne. The roofs of the main sports arena in the Olympiapark (1967-72; with G?nter Behnisch), Munich, realized a new scale in this type of development and led to the pioneering of purely mathematical, computer-based procedures for determining the shape (for illustration see TENSION STRUCTURE). Otto also developed the convertible roof type, in which variable geometry permitted the roof canopy to be extended or retracted at will; an example is the roof for the open-air theatre (1967-8), Bad Hersfeld, Hessen. In 1968 his studio moved to Warmbronn, and after 1972 he concentrated on the analysis of biological phenomena to develop his understanding of lightweight structures in nature. He continued to produce adventurous projects such as the mobile umbrella roofs (1971), Cologne; roofs for a conference centre in Mecca (1974; with Rolf Gutbrod and Ove Arup); a timber-grid shell multipurpose hall and restaurant (1975), Mannheim; a sports complex (1975-8; with Rolf Gutbrod), King Abdul Aziz University, Jiddah; and a diplomatic club (1980-85), Riyadh. The Middle Eastern projects embodied a sense of continuity between the new buildings and traditional nomad tent shelters. Otto ranks alongside such great structural innovators as F?lix Candela, R. Buckminster Fuller and Pier Luigi Nervi; he brought the tent into line with 20th-century advances in materials and technology, yet he produced works of outstanding sculptural beauty.

See the Abbreviations for further details.



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(1925– )

German architect and pioneer of the suspended tent-like roof. He was initially influenced by Expressionism, especially the crystalline fantasies of Bruno Taut, and later by Candela and Fuller, among others, as well as by the possibilities of lightweight aircraft construction (he was in the German Air-Force in the 1939–45 war). His structures were based on traditional tents, but infinitely expanded in terms of shapes and materials. He used cable-nets for the Restaurant Pavilion at the Swiss National Exhibition, Lausanne (1964), and developed the idea (with Rolf Gutbrod (1910–99) and Fritz Leonhardt (1909–99)) for the West-German Pavilion, Expo 67, Montreal (1967), in which prestressed cable-net roofs were used. With Günter Behnisch he designed the Olympiapark, Munich (1967–72), using mathematical methods for determining the structure. His adaptable roof-covering for the Open Air Theatre, Bad Hersfeld, Hesse (1967–8—with Romberg & Bubner), demonstrated how the roof-membrane could easily be moved. Later projects include the Hotel and Conference Centre, Mecca, Saudi Arabia (1971–4—with Arup and Gutbrod); Government buildings, Riyadh, Saudi Arabia (1978–92—again with Arup and Gutbrod); Wilkhahn Furniture Factory Extension, Bad Münder (1986–8); School for Woodland Industries, Hooke Park, Dorset, England ((1988–9—with Ahrends, Burton, & Koralek and others), and the Fachhochschule (Technical High School), Ulm (1991). In 1962–6 he published Tensile Structures (1962–6), Schriften und Reden 1951–1983 (Writings and Speeches—1984), and other works. See also Tensile structures.

Bibliography

  • Drew (1976, 1979)
  • Kalman (1994)
  • Glaeser (1972)
  • Klotz (ed.) (1986)
  • F. Otto (1954, 1961, 1963)
  • Roland (1970)
  • Wilhelm et al. (1985)

The full bibliography for this book is available to download as a pdf file.
Download the bibliography for A Dictionary of Architecture and Landscape Architecture (PDF: 1.2MB)

 
Columbia Encyclopedia: Frei Otto
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Otto, Frei (frī ô'), 1925-, German architect. Most notable for his tensile and pneumatic structures, Otto is among the first major architects to experiment with lightweight design. He is a noted designer of exhibition tents and sports arenas. Otto has also experimented with pneumatic membranes stabilized and maintained by means of air and gas pressure. Structures built with these membranes are used for oil-storage tanks, grain silos, and greenhouses.
Wikipedia: Frei Otto
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1972 Munich Olympic Stadium
Multihalle in Mannheim

Frei Paul Otto (31 May 1925) is a German architect and structural engineer.

Contents

Life

Otto studied architecture in Berlin before being drafted into the Luftwaffe as a fighter pilot in the last years of World War II. It is said that he was interned in a French POW camp and, with his aviation engineering training and lack of material and an urgent need for housing, began experimenting with tents for shelter. After the war he studied briefly in the United States and visited Erich Mendelsohn, Mies van der Rohe, Richard Neutra, and Frank Lloyd Wright. He began private practice in Germany in 1952. His saddle-shaped cable-net music pavilion at the Bundesgartenschau (Federal Garden Exposition) in Kassel brought him his first significant attention. He earned a doctorate about tensioned constructions in 1954.

Otto is the world's leading authority on lightweight tensile and membrane structures, and has pioneered advances in structural mathematics and civil engineering. Otto's career bears a similarity to Buckminster Fuller's architectural experiments: both taught at Washington University in St. Louis in the late 1950's, both were architects of major pavilions at the Montreal Expo of 1967, both were concerned with space frames and structural efficiency, and both experimented with inflatable buildings. The work of both men go far beyond traditional methods of calculating structural stresses. His designs are regarded to have been heavily influenced by Australian architect Barry Patten, and his most famous design, the Myer Music Bowl (1959) in Melbourne.

Otto founded the famous Institute for Lightweight Structures at the University of Stuttgart in 1964 and headed the institute till his retirement as university professor. Major works include the West German Pavilion at the Montreal Expo in 1967 and the roof of the 1972 Munich Olympic Arena, inspired by Vladimir Shukhovs architecture.

The International Architecture Symposium "Mensch und Raum" (Man and Space) at the Vienna University of Technology (Technische Universität Wien) in 1984 received in international attention. Otto participated, among others: Justus Dahinden, Dennis Sharp, Bruno Zevi, Jorge Glusberg, Otto Kapfinger, Paolo Soleri, Pierre Vago, Ernst Gisel, Ionel Schein.

As an architect and engineer, Otto is still active. One of his more recent projects was his work on the Japanese Pavilion at Expo 2000 with a roof structure made entirely out of paper.

List of buildings

Awards (selected)

See also

Further readings

  • Conrad Roland: Frei Otto – Spannweiten. Ideen und Versuche zum Leichtbau. Ein Werkstattbericht von Conrad Roland. Ullstein, Berlin, Frankfurt/Main und Wien 1965.
  • Winfried Nerdinger (Hrsg.): Frei Otto. Complete Works. Lightweight Construction – Natural Design. Birkhäuser Verlag für Architektur, Basel, Boston, Berlin, Architekturmuseum der Technischen Universität München 2005, ISBN 978-3-7643-7231-6

External links



 
 
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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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