overnight

Overnight

Overnight is a 2003 documentary by Tony Montana and Mark Brian Smith. The film details the rise and fall of filmmaker and musician Troy Duffy, the writer-director of The Boondock Saints, and was filmed at his request.^[1]

Duffy is presented as a victim of his own ego, and as the film progresses and his fortunes fade Duffy becomes increasingly abusive to his friends, relatives and business partners. According to co-director Montana, "Troy seemed to revel in the attention of Hollywood's lights and our cameras. Only three times during the production did he ask not to be filmed. It was on those occasions that he threatened us."

Tagline: There's more than one way to shoot yourself.

Plot

Overnight is the story of Troy Duffy, a Los Angeles bartender and aspiring screenwriter who is also a musician in a band called "The Brood," along with his brother Taylor.

At the beginning of the film, Troy is riding high: his script for The Boondock Saints has just been picked up by Miramax chief Harvey Weinstein for $300,000 and Duffy has been taken on by the William Morris Agency. Duffy, who had never made a movie or attended film school, will also direct the $15 million film, his band will produce the soundtrack and get a recording contract from Maverick Records, and Weinstein will buy the bar Duffy works in, and hire Duffy to run it.

Duffy initially enjoys his new success, entertaining celebrities in his bar, dining at hotel restaurants, and moving into a production office where he holds teleconferences with producers. The movie deal, however, quickly turns sour, partially due to Duffy's own arrogant behavior. Believing himself to be the next power-player in Hollywood, Duffy insults celebrities he dislikes (including Ethan Hawke and Keanu Reeves^[1], and Kenneth Branagh, whose name Duffy repeatedly mispronounces before simply calling him "cunt"), threatens to leave William Morris in favor of a rival agency, and generally alienates both Weinstein and his own production team through his abrasive behavior. Ultimately, Duffy receives word of rumors that Weinstein, one of the most powerful producers in Hollywood, has had him blacklisted; Miramax puts the film in turnaround, conference calls are refused, and soon Duffy is without any movie industry contract at all.

Duffy's musical efforts are equally ill-fated. Famed guitarist Jeff "Skunk" Baxter expresses interest in producing The Brood, singling out lead vocalist Taylor Duffy for particular praise. However, in recording sessions with Baxter and producer Ron St. Germain, Troy Duffy is filmed behaving dictatorially and refusing any advice that contradicts his opinion; Baxter expresses concern about the band's heavy alcohol consumption. Renaming themselves The Boondock Saints, their debut CD sells only 690 copies, and the band is dropped from their contract.

Duffy is finally able to obtain independent financing for the film, although it totals less than half of its original forecasted production budget. Boondock Saints is promoted at the Cannes film festival, but all the major American distribution companies pass on the film. The film manages to receive a limited release in five cities, but performs poorly and is pulled after a week, and is released on DVD and VHS. Although positive reviews of the movie begin to spread via word-of-mouth and the film becomes a financial success, Duffy's contract with Miramax stipulates he cannot profit from the film's video sales.

Reception

Critic Roger Ebert^[1] gave Overnight 3-out-of-4 stars, writing, "[Duffy's] family, we sense during one scene, has been listening to this blowhard for a lifetime, and although they are happy to share his success, they're sort of waiting to see how he screws up. ... So are we."

Comedian Adam Carolla mentions Overnight in his book In 50 Years We'll All Be Chicks (2010), describing the documentary as a modern cautionary tale.

On November 18, 2011 Adam Carolla released a podcast interview with Boondock Saints Director Troy Duffy in which Troy argues that the "Overnight" documentary depicts a fraudulent version of what went on behind the scenes of Boondock Saints, and tries to clear up exactly what was going on while the cameras were rolling. Duffy believes the "Overnight" filmmakers misled their audience to make Duffy come across as a "boorish asshole." In the comments section of Carolla's website, many comments about Troy Duffy by Carolla's podcast listeners said that Duffy came across in this interview as badly as he did in the film "Overnight."^[2]

References

1. ^ ^{a b c} *Roger Ebert's 2004 review
2. ^ *Adam Carolla's Troy Duffy Interview

External links

• Overnight at the Internet Movie Database
• The Boondock Saints at the Internet Movie Database