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Parzival

 

Parzival, a Middle High German epic poem by Wolfram von Eschenbach. Its source is the unfinished Li contes del graal by Chrétien de Troyes, but Wolfram has completed the story and freely adapted Chrétien's work to his purpose. It runs to nearly 25, 000 lines and is believed to have been begun c.1200 and to have been finished c.1210. It is written in an idiosyncratic and often obscure style. Though it has an Arthurian element, its central point is not Arthur's court. It tells the story of Parzival from his birth until he becomes the Grail King.

Parzival's father, Gahmuret, undertaking knightly adventures in the East, marries the Moorish queen Belakane, by whom he has a son, Feirefiz. He deserts her and later marries Herzeloyde of Waleis, who bears him Parzival. Meanwhile he returns to the Orient and is killed. Herzeloyde, grieving over the death of her husband, brings the boy up in ignorance of the world in the seclusion of the forest. But the sight of passing knights attracts him to the great world and he insists on leaving her to become a knight. She dresses him in clothes befitting a simpleton, hoping thus to repel the world from him, but as he leaves she dies of heartbreak unnoticed by Parzival. His ignorance leads him to brutal action in robbing a lady (Jeschute) of her ring and, later, killing a knight (Ither) with an unknightly weapon. He takes the knight's armour, but the simpleton's clothing beneath it still symbolizes his ignorance. Meanwhile he has learned his name from his unrecognized kinswoman Sigune (who is faithfully mourning her dead husband) and has visited Arthur's court, though he is still too raw to be accepted as a knight of the Round Table. He next visits the castle of Gurnemanz, who instructs him in courtly behaviour. He saves a lady (Condwiramurs) from her oppressor and marries her. This rescue marks his achievement of knightly status. Parzival next comes to the Castle of the Grail (Gralsburg at Munsalvaesche), and unwittingly misses the opportunity to become Grail King, by following too literally Gurnemanz's counsel to refrain from questioning; for he omits to put to the sick Grail King Anfortas the humane inquiry about the reason for his suffering which would release Anfortas and cause Parzival to succeed him. The next day the castle is almost deserted, and, as he leaves, an insulting reproach is shouted after him. He encounters Sigune again, who explains that Anfortas is Herzeloyde's brother and curses him for his failure to relieve his uncle's suffering. He returns to Arthur's court and becomes a knight of the Round Table. But Cundrie, the messenger of the Grail, enters and pronounces the curse of the Grail upon him. He leaves dishonoured and turns against God, who, he feels, has misled him. The story then turns for a time to the Arthurian circle and traces the knightly adventures of Gawan. Parzival is next led to the hermit Trevrizent, who explains to him the misfortunes of Anfortas and the Grail community and brings him back to God and absolves him of his sins. Trevrizent subsequently proves to be the brother of Herzeloyde and Anfortas and thus Parzival's uncle. At this point Parzival is ready to revisit Munsalvaesche, but, before he does so, the story resumes the adventures of Gawan. These include the release of noble ladies imprisoned in Schastel Marveile by Clinschor, a decadent knight turned magician. Finally Parzival returns to the Gralsburg, puts the question which releases Anfortas, and becomes Grail King. In the later stages of his quest he is assisted by his half-brother, the heathen Feirefiz, who is later baptized and with his consort establishes Christianity in India. At the end the story is briefly told of Parzival's son Lohenrangrin, the Knight of the Swan, who marries a lady of Brabant on condition of concealing his identity, and sadly leaves when years after she asks his name.

The complex story has been subjected to various interpretations, but all agree upon the ethical seriousness which animates Wolfram. Parzival, emerging from complete simplicity and ignorance reaches, by experience and instruction, the level of the courtly world, but is not content with its extrovert joys and superficial conventions. His isolation from God is explained by his misconception of divinity. He sees God anthropomorphically as a feudal lord who has failed to help him. Through the hermit (seconded by two preceding minor episodes) he is brought to a true conception of religion and so enabled to reach the maximum ethical development. Wolfram's knightly world here reaches its highest level of religious consciousness. It is not, however, an ecclesiastical conception, and it is noteworthy that Wolfram abandons Chrétien's form of the Grail, a vessel associated with the Host, and substitutes for it a stone of miraculous properties, lapsit exillis, as he terms it. The popularity of Parzival is reflected in the existence of more than seventy MSS., of which fifteen are more or less complete. See also neue Parzefal, Der, and Parsifal.

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Illuminated manuscript page of Parzival

Parzival is a major medieval German epic poem by the poet Wolfram von Eschenbach, in the Middle High German language. The poem, commonly dated to the first quarter of the 13th century, is itself largely based on Chrétien de Troyes’s Perceval, the Story of the Grail and mainly centers on the Arthurian hero Parzival (Percival in English) and his long quest for the Holy Grail following his initial failure to achieve it.

As in the extant copies of Chretien's tale a long section is devoted to Parzival's friend Gawan and his adventures defending himself from a false murder charge and winning the hand of the maiden Orgeluse. The poem continues to be read and translated into modern languages around the world. Among the most striking elements of the text are the scope of its plot and its emphasis on the virtues of compassion and spiritual questing.[citation needed]

The poem was widely influential in Germany in the Middle Ages and beyond. Wolfram himself began a prequel, Titurel, which was later continued by another writer, while two full romances were written adapting Wolfram's story of Loherangrin. Richard Wagner based his famous opera Parsifal, finished in 1883, on Parzival.

Contents

Structure

Parzival is divided into sixteen books, each composed of several thirty-line stanzas of rhyming couplets. The stanza lengths fit perfectly onto a manuscript page. For the subject matter Wolfram von Eschenbach relied on the Grail romance, Perceval, the Story of the Grail, left incomplete by Chrétien de Troyes. Wolfram claimed that a certain Kyot the Provençal supplied additional material drawn from Arabic and Angevin sources but this is not taken seriously by most scholars.[citation needed]

Plot

Parzival’s heroic traits are (eventually) his empathy and wisdom, ultimately manifested in his final attempt to heal Anfortas, the Fisher King. Parzival is described by the author as "a brave man, slowly wise". His initial flaws are his youthful ignorance and selfishness, as when he abandons his heartbroken mother to become a knight or when he conceives God as a sort of feudal overlord.[citation needed]

Background and early life

Book I opens with the death of King Gandin, Parzival's grandfather. His oldest son, Galoes, receives the kingdom but offers his brother Gahmuret the land of Anjou in fief. However, Gahmuret departs to gain renown. He travels to the African kingdom of Zazamanc, whose capital is under siege from two different armies. Gahmuret offers his services to the city, and his offer is accepted by Queen Belacane. He conquers the invaders, marries Queen Belacane, and becomes king of Zazamanc and Azagouc. Growing bored with peace, Gahmuret steals away on a ship, abandoning his pregnant wife. Belacane later gives birth to a son, Feirefiz (whose skin is mottled black and white).

In Book II, Gahmuret returns to the West, where he meets and marries Queen Herzeloyde. Ever restless, however, he soon returns to fight for the Baruch in the Far East, where he is later killed by a treacherous acquaintance.

Book III tells of how the pregnant Herzeloyde, grief-stricken at her husband's death, retires to a secluded forest dwelling and vows to protect her new child, Parzival, from the ways of knighthood at all costs by raising him entirely ignorant of chivalry and the ways of men. His seclusion is shattered by four knights passing who tell him of King Arthur's court at Camelot. Enamored, he decides to go join Arthur's court. His mother is heartbroken at the news of his decision but allows him to depart, dressing him in fool's garments in the hopes that the knights will refuse to take him in. Soon after his departure she dies, utterly bereft.

Beginnings of knighthood

The first part of the journey takes place completely in the world of King Arthur, where the colourful and strange appearance of Parzival awakens the interest of the court. After becoming entangled in courtly intrigue between Duke Orilus and his wife Jeschute he meets his cousin Sigune who reveals to him his true name. Parzival also fights and kills Ither, the red knight of Kukumerlant. Putting on the red knight's armor he rides away from the court and meets Gurnemanz, from whom he learns the duties of a knight, especially self-control and moderation. Gurnemanz also advises him to avoid impudent curiosity.

In Book IV Parzival meets and falls in love with the maiden Condwiramurs when he lends his aid to her town, which is under siege. They marry but he leaves soon afterwards to seek news of his mother.

In Book V he arrives at the castle of the Grail. He does not ask his host, the Fisher King Anfortas, about his mysterious wound, however, or about the magical objects paraded before him, remembering Gurnemanz's advice to be not too curious. The next morning Parzival finds himself completely alone in a totally deserted castle, leading him to speculate that his experiences of the previous night were an illusion conjured by malevolent spirits to snare him.

Return to Arthur's court

Parzival returns to the world of Arthur and again meets Sigune, who now explains to him that his mother Herzeloyde is the sister of the dangerously ill Anfortas, king of the grail. He also meets Jeschute again, who was unwittingly humiliated by him the last time, and defeats Orilus in single combat. Eventually Parzival renews the marriage of Jeschute and Orilus.

Parzival returns in Book VI as a perfect potential member of the Round Table to King Arthur. But during a festive meal, Cundrie, messenger of the grail, appears, curses Parzival in the name of the grail and claims that Parzival had lost his honour. Parzival immediately leaves the court even though he is not able to understand his guilt.

Gawan takes over as the central figure of Books VII-VIII as he tries to clear his name of a false charge of murder.

The Grail quest

In Book IX, we learn that Parzival fights for the good but suffers from his alienation from God. After nearly five years of wandering and fighting, from combat he gains a new horse, owned by a grail knight, and this horse leads him one Good Friday to Trevrizent to whom he introduces himself as a penitent sinner. He stays with this holy man for fourteen days and learns about the hidden meaning of life and the true meaning of the grail. He makes a step towards a life of spiritual understanding. Through his loneliness and through his yearning for the grail and for Condwiramurs he puts himself outside the world of Arthur. He is called to another world, that of the grail.

Books X-XIV tell of Gawan's attempts to win the hand of the maiden Orgeluse.

In Book XV, Parzival fights with a knight who is the first to seem more adept than he. Parzival's sword breaks but, instead of slaying him, the other knight sees no honor in such a feat and both retire to the grass. There they learn that they share the same father. "I was against my own self," says Parzival to Feirefiz, his brother from afar. Again Cundrie appears and proclaims now that Parzival's name has appeared on the grail, marking him as the new grail king.

During his journey to the grail in Book XVI Parzival reunites with his wife and takes Feirefiz as a companion. Feirefiz cannot see the grail, but he can see the grail maiden and promptly falls in love with her.

Scholarly debates

Some details of the epic have inspired controversy, partly because the narrative is interspersed with humorous anecdotes by Wolfram. It is not clear whether many of the claims he makes are intended to be taken as fact or as jest.

For example, in one passage he claims to be totally illiterate: whether the original poem was composed as part of an oral tradition or as a written work is a subject of debate among scholars. Wolfram also claimed that a lost Arabic manuscript by a descendant of Solomon was discovered by a certain Kyot the Provençal, though this may have been his way of parodying the dubious veracity of many other Grail texts.[citation needed]

Events in the main sequence of Parzival (excluding the narrative of Gahmuret) take place in what is now called Great Britain. There are difficulties in more specific identification, which pose some fundamental geographical problems; scholars both medieval and modern are divided as to whether or not many of the places visited by Parzival are real.

Influence

"Parsifal before the Castle of the Grail" - inspired by Richard Wagner's Opera Parsifal - painted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)

Wolfram followed Parzival with the fragmentary epic Titurel, which serves as a "prequel". This poem was continued by a later poet known as Albrecht. Wolfram's story of Loherangrin was expanded into two full romances, Lohengrin and Lorengel, and later German writers often referred back to Parzival in their works.

Ludwig II of Bavaria was inspired by the poem, and Singers' Hall in his castle Neuschwanstein is decorated with tapestries and paintings depicting the story. He was also patron to the composer Richard Wagner and encouraged him to create the opera Parsifal based on the epic. He then commissioned eight private performances of the work.

Bibliography

  • Otto Springer. "Wolfram's Parzival" in Arthurian Literature in the Middle Ages, Roger S. Loomis (ed.). Clarendon Press: Oxford University. 1959. ISBN 0-19-811588-1
  • G. Ronald Murphy, SJ. Gemstone of Paradise: The Holy Grail in Wolfram's Parzival. Oxford University Press, 2006. ISBN 0-19-530639-2

Editions and translations

The standard edition of the text is Karl Lachmann's, 1926. This is the basis for all modern editions, including:

English translations:

  • Wolfram von Eschenbach, Parzival with Titurel and The Love-lyrics, trans. Cyril Edwards. Boydell Press 2004, OUP 2006. ISBN 1-84384-005-7 & ISBN 0-19-280615-7
  • Wolfram von Eschenbach, Parzival, trans. A.T.Hatto. Penguin 1980. ISBN 0-14-044361-4.
  • Wolfram von Eschenbach, Parzival, A Romance of the Middle Ages, trans. Helen M. Mustard and Charles E. Passage. Vintage Books, 1961. ISBN 0-394-70188-7

Modern German translations:

  • Wolfram von Eschenbach, Parzival. De Gruyter 2003. ISBN 3-11-017859-1. With prose translation by Peter Knecht.
  • Wolfram von Eschenbach, Parzival, (2 vols). Deutscher Klassiker Verlag 2006. ISBN 3-618-68007-4. With verse translation by Dieter Kühn.
  • Wolfram von Eschenbach, Parzival, (2 vols). Reclam 1986 ISBN 3-15-003682-8 und ISBN 3-15-003681-X. With translation by Wolfgang Spiewok.
  • Hermann Reichert: Wolfram von Eschenbach, Parzival, für Anfänger. Wien: Praesens Verlag, 2., völlig überarbeitete Aufl. 2007. ISBN 978-3-7069-0358-5.

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Amfortas (name)
Clinschor (name)
Gawein (name)

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