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Patricia Birch

 
American Theater Guide: Patricia Birch

Birch, Patricia (b. 1930?), choreographer. A native of Scarsdale, New York, she studied with such prominent dancers as Martha Graham and Merce Cunningham before first performing on Broadway in the chorus of Goldilocks (1958). She turned to choreography with You're a Good Man, Charlie Brown (1967) and her dances were subsequently seen in such shows as Grease (1972), A Little Night Music (1973), the 1974 and 1997 revivals of Candide, Pacific Overtures (1976), They're Playing Our Song (1979), and Parade (1998).

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Patricia Birch is an American choreographer and director for musical theatre and film.

Born in Englewood, New Jersey, Birch began her career as a dancer in Broadway musicals, including Brigadoon, Goldilocks, and West Side Story (playing "Anybodys"). She has directed and choreographed music videos for Cyndi Lauper, the Rolling Stones, and Carly Simon. She earned Emmy Awards for her direction of the television specials Natalie Cole: Unforgettable and Celebrating Gershwin and, in collaboration with Michael Tilson Thomas, she staged the concert version of On the Town performed by both the London Symphony Orchestra and the San Francisco Symphony.

Birch spent six years staging numbers for Saturday Night Live. She has performed as a soloist with Martha Graham and Agnes de Mille.

Contents

Work

Film

Stage productions (selected)

All credits as choreographer unless oterwise noted

Awards and nominations

Awards
  • 1972 Drama Desk Award – Grease
  • 1974 Drama Desk Award – Candide
Nominations
  • 1972 Tony Award – Grease
  • 1974 Tony Award – Over Here!
  • 1976 Drama Desk Award – Pacific Overtures
  • 1976 Tony Award – Pacific Overtures
  • 1977 Drama Desk Award – Music Is
  • 1977 Tony Award – Music Is
  • 1999 Drama Desk Award – Parade
  • 1999 Tony Award – Parade
  • 2007 Drama Desk Award – LoveMusik

External links


 
 
Learn More
Grease 2 (1982 Musical Film)
Jane Elliott (choreographer)
Andy Blankenbuehler

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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
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