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Patti Smith

 
Artist: Patti Smith
Patti Smith

Similar Artists:

Influenced By:

Followers:

Performed Songs By:

Tom Verlaine, Tony Shanahan, Jay Dee Daugherty, Richard Sohl, Oliver Ray, Allen Lanier, Ivan Král

Worked With:

Brian Sperber, Andi Ostrowe

Formal Connection With:

Lenny Kaye, Eastern Bloc, Giovanni Sollima, Hilly Kristal, Back in Spades
See Patti Smith Lyrics
  • Born: December 30, 1946, Chicago, IL
  • Active: '70s, '80s, '90s, 2000s
  • Genres: Rock
  • Instrument: Vocals
  • Representative Albums: "Horses", "Easter", "Easter/Horses
  • Representative Songs: "Because the Night", "Redondo Beach", "Ask the Angels

Biography

Punk rock's poet laureate, Patti Smith ranks among the most influential female rock & rollers of all time. Ambitious, unconventional, and challenging, Smith's music was hailed as the most exciting fusion of rock and poetry since Bob Dylan's heyday. If that hybrid remained distinctly uncommercial for much of her career, it wasn't a statement against accessibility so much as the simple fact that Smith followed her own muse wherever it took her -- from structured rock songs to free-form experimentalism, or even completely out of music at times. Her most avant-garde outings drew a sense of improvisation and interplay from free jazz, though they remained firmly rooted in noisy, primitive three-chord rock & roll. She was a powerful concert presence, singing and chanting her lyrics in an untrained but expressive voice, whirling around the stage like an ecstatic shaman delivering incantations. A regular at CBGB's during the early days of New York punk, she was the first artist of the bunch to land a record deal and release an album, even beating the Ramones to the punch. The artiness and the amateurish musicianship of her work both had a major impact on the punk movement, whether in New York or England, whether among her contemporaries (Television, Richard Hell) or followers. What was more, Smith became an icon to subsequent generations of female rockers. She never relied on sex appeal for her success -- she was unabashedly intellectual and creatively uncompromising, and her appearance was usually lean, hard, and androgynous. She also never made an issue of her gender, calling attention to herself as an artist, not a woman; she simply dressed and performed in the spirit of her aggressive, male rock role models, as if no alternative had ever occurred to her. In the process, she obliterated the expectations of what was possible for women in rock, and stretched the boundaries of how artists of any gender could express themselves.

Smith was born in Chicago on December 30, 1946; her parents moved to Philadelphia when she was three, and then to the nearby, less urban town of Woodbury, NJ, when she was nine. Something of an outcast in high school, she found salvation in the poetry of Arthur Rimbaud, the writings of the Beats, and the music of soul and rock artists like James Brown, the Rolling Stones, the Doors, and especially Bob Dylan. She attended the Glassboro State Teachers College, but dropped out due to an unplanned pregnancy. She gave the baby up for adoption and took a job on a factory assembly line, thus saving enough money to move to New York City in 1967. She worked in a bookstore and met art student/future photographer Robert Mapplethorpe, who became her lover despite living most of his adult life as a homosexual. In 1969, Smith went to Paris with her sister, busking on the streets as a performance artist. Upon her return, she moved into the Chelsea Hotel with Mapplethorpe for a brief period, then became involved with underground theater, not to mention playwright Sam Shepard; she co-authored and co-starred with him in the somewhat autobiographical play Cowboy Mouth in 1971. During this time, she was also working on her poetry, and met guitarist Lenny Kaye, also a Bleecker Street record store clerk and rock critic. Kaye had written a magazine essay on doo wop that impressed Smith, and the two found that they shared a love of early and obscure rock & roll. When Smith gave a public poetry reading at St. Mark's Church in February 1971, she invited Kaye to accompany her on the electric guitar for three pieces.

Over the next two years, Smith continued to perform in plays and poetry readings; she also wrote for several rock magazines, published two volumes of her poems, and began contributing lyrics to the literary-minded metal band Blue Öyster Cult. She and Kaye performed again in late 1973, and their partnership grew into a much more regular occurrence. The following year, they added pianist/keyboardist Richard Sohl, and their performances grew into unique blends of Beat-influenced poetry, improvised spoken word with equally spontaneous musical backing, and covers of rock & roll oldies. Regular gigs around New York cemented their growing reputation, and in June 1974, with Mapplethorpe paying for studio time, the band cut a groundbreaking independent single, "Hey Joe" b/w "Piss Factory." The former added a monologue about Patty Hearst, while the latter recounted Smith's stint as an assembly line worker in vivid detail, incorporating lyrical snippets from the rock records in which she took solace. Both songs featured Television guitarist Tom Verlaine, who briefly became Smith's lover, and along with Television's own "Little Johnny Jewel," the single helped kickstart the independent, do-it-yourself aesthetic that remains punk rock's hallmark even today.

In late 1974, Smith and her band played a few gigs on the West Coast. When they returned, they added guitarist/bassist Ivan Kral to flesh out their sound, and joined Television as part of the emerging new-rock scene at CBGB's, a dive bar in the Bowery. Their two-month stand in early 1975 sometimes featured drummer Jay Dee Daugherty, who became a regular member, and attracted the notice of Arista Records president Clive Davis, who offered Smith a record deal. She entered the studio with ex-Velvet Underground member John Cale serving as producer, and in late 1975 released her debut album, Horses, which was essentially the first art-punk album. Rapturously received by most critics, Horses offered unorthodox covers of party-rock tunes like "Gloria" and "Land of 1000 Dances" (Smith opened the former with the declaration "Jesus died for someone's sins, but not mine"), as well as a mix of original songs and lengthy, improv-driven spoken word pieces. Despite nonexistent airplay, it sold well enough to climb into the Top 50.

The 1976 follow-up, Radio Ethiopia, was credited to the Patti Smith Group, and placed some of Smith's most straightforward rock songs ("Ask the Angels," "Pumping [My Heart]") directly alongside some of her most experimental, free-form pieces (the title track). In early 1977, Smith was performing in Tampa, FL, when she twirled herself right off the stage; she broke two vertebrae in her neck and was forced to take some time off to recuperate. During that period, she wrote a book of poetry titled Babel. She returned to recording in 1978 with Easter, a more accessible nod in the direction of album rock radio, which featured Smith's writing collaboration with Bruce Springsteen, "Because the Night." The ballad climbed to number 13 on the pop charts and sent Easter into the Top 20; plus, 10,000 Maniacs' 1993 cover of "Because the Night" became their biggest pop hit and made the song something of a standard for the Lilith Fair generation. Easter also contained Smith's most notorious cut, "Rock n Roll Nigger," which attempted to redefine the term as a badge of honor for anyone who lived outside the establishment. Some critics roasted her for the conceit in the ensuing controversy, but the song achieved a measure of redemption when it was included on the Natural Born Killers soundtrack in 1994.

1979's Wave found Smith's sound becoming increasingly polished, thanks in part to new producer Todd Rundgren; however, many reviewers found it her least developed set of material. Smith had been living with Blue Öyster Cult keyboardist Allen Lanier for some time, but now took up with MC5/Sonic's Rendezvous Band guitarist Fred "Sonic" Smith; indeed, Wave's "Dancing Barefoot" and "Frederick" were both dedicated to him. The couple married in 1980, and Smith retired to a life of domesticity near Detroit, raising two children with her husband. In 1988, Smith re-emerged for a one-off album, Dream of Life, on which Fred co-wrote all the material and also played guitar, with backing by Smith Group members Sohl and Daugherty. However, it wasn't intended to establish a full-fledged comeback, and Smith disappeared from music again following its release. She continued to write, however, completing a poetry collection called Woolgathering (among other projects), and gave occasional readings.

Sadly, in the span of a few years, Smith lost some of her closest associates: longtime friend and album-cover photographer Robert Mapplethorpe died in 1989, followed a year later by pianist Richard Sohl. At the end of 1994, both her husband and her brother Todd died of heart failure, within a month of one another. A grief-stricken Smith returned to performing as a means of therapy, and re-formed the Patti Smith Group -- with Kaye, Daugherty, and new bassist Tony Shanahan -- for a few small-scale tours aimed at reconnecting with her audience and reorienting herself to the concert stage. In 1996, the group entered the studio and recorded Gone Again, which featured a new second guitarist in Oliver Ray and guest spots from Tom Verlaine, John Cale, and Jeff Buckley. Gone Again took a stronger, more optimistic tone than might have been expected, and was well received by many critics. Following closely on its heels, Peace and Noise appeared in 1997 and earned a Grammy nomination for the track "1959"; a much darker affair than its predecessor, it took into account the deaths of two more of Smith's inspirations, Allen Ginsberg and William S. Burroughs. Smith returned in 2000 with Gung Ho, the most aggressive-sounding and socially conscious album of her comeback; the song "Glitter in Their Eyes" also earned her a second Grammy nomination.

Smith and Arista parted ways in 2002, with the label issuing Land (1975-2002), a double-disc compilation of hits and rarities, as a wrap-up. Smith subsequently signed with Columbia. Her first album for the label, Trampin', appeared in spring 2004. Horses received the deluxe two-CD treatment in 2005 when it was reissued by Arista in a 30th Anniversary Legacy Edition. On March 12, 2007, Smith was inducted into the Rock and Roll Hall of Fame alongside Van Halen, the Ronettes, Grandmaster Flash & the Furious Five, and R.E.M. She released an album of typically eclectic covers, Twelve, that same year. ~ Steve Huey, All Music Guide
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Wikipedia: Patti Smith
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Patti Smith

Provinssirock festival, Seinäjoki, Finland, June 16, 2007
Background information
Birth name Patricia Lee Smith
Also known as Patti Smith Group
Born December 30, 1946 (1946-12-30) (age 62)
Chicago, Illinois
Origin New York City, New York,
United States
Genres Protopunk, alternative rock
Occupations Singer–songwriter, poet, artist
Instruments Vocals, guitar, clarinet
Years active 1971–present
Labels Arista, Columbia
Associated acts Tom Verlaine
Website www.pattismith.net

Patricia Lee "Patti" Smith (born December 30, 1946) is an American singer–songwriter, poet and visual artist, who became a highly influential component of the New York City punk rock movement with her 1975 debut album Horses.[1] Called the "Godmother of Punk",[2] she integrated the beat poetry performance style with three-chord rock. Smith's most widely known song is "Because the Night", which was co-written with Bruce Springsteen and reached number 13 on the Billboard Hot 100 chart in 1978.[1] In 2005, Patti Smith was named a Commander of the Ordre des Arts et des Lettres by the French Minister of Culture,[3] and in 2007, she was inducted into the Rock and Roll Hall of Fame.[4]

Contents

Early years

Smith was born in Chicago on December 30, 1946. Her mother, Beverly, was a jazz singer and her father, Grant, worked at the Honeywell plant. She spent her entire childhood in Deptford Township, New Jersey.[5][6] Raised the daughter of a Jehovah's Witness mother, she claims she had a strong religious education and a very good Bible education, but left organized religion as a teenager because she felt it was too confining and much later wrote the opening line ("Jesus died for somebody's sins, but not mine") of her cover version of Them's "Gloria" in response to this experience.[7] Smith graduated from Deptford Township High School in 1964. The family was not well-off, and Smith went to work in a factory.[1] Patti Smith was voted "Class Clown" in her senior year.

1967–1973: New York

In 1967 she left Glassboro State Teachers College (now Rowan University) and moved to New York City. She met photographer Robert Mapplethorpe there while working at a book store with a friend, poet Janet Hamill. Mapplethorpe's photographs of her became the covers for the Patti Smith Group LPs, and they remained friends until Mapplethorpe's death in 1989.[8] In 1969 she went to Paris with her sister and started busking and doing performance art.[5] When Smith returned to New York City, she lived in the Hotel Chelsea with Mapplethorpe; they frequented the fashionable Max's Kansas City and CBGB nightclubs. Smith provided the spoken word soundtrack for Sandy Daley's art film Robert Having His Nipple Pierced, starring Mapplethorpe. The same year Smith appeared with Wayne County in Jackie Curtis's play Femme Fatale. As a member of the St. Mark's Poetry Project, she spent the early '70s painting, writing, and performing. In 1971 she performed – for one night only – in Sam Shepard's Cowboy Mouth.[9] (The published play's notes call for "a man who looks like a coyote and a woman who looks like a crow".)

Smith was briefly considered for the lead singer position in Blue Öyster Cult. She contributed lyrics to several of the band's songs, including Debbie Denise (inspired by her poem In Remembrance of Debbie Denise), Career of Evil, Fire of Unknown Origin, The Revenge of Vera Gemini (on which she performs duet vocals), and Shooting Shark, and was romantically involved at the time with the band's keyboardist Allen Lanier. During these years, Smith also wrote rock journalism, some of which was published in Rolling Stone and Creem magazines.[10]

1974–1979: Patti Smith Group

Performing at Tivolis Koncertsal, Copenhagen, October 6, 1976

By 1974 Patti Smith was performing rock music herself, initially with guitarist and rock archivist Lenny Kaye, and later with a full band comprising Kaye, Ivan Kral on bass, Jay Dee Daugherty on drums and Richard Sohl, on piano. Ivan Kral was a refugee from Czechoslovakia, fleeing in 1968 after the fall of Alexander Dubček. Financed by Robert Mapplethorpe, the band recorded a first single, "Hey Joe / Piss Factory", in 1974. The A-side was a version of the rock standard with the addition of a spoken word piece about fugitive heiress Patty Hearst ("Patty Hearst, you're standing there in front of the Symbionese Liberation Army flag with your legs spread, I was wondering were you gettin' it every night from a black revolutionary man and his women...").[11] The B-side describes the helpless anger Smith had felt while working on a factory assembly line and the salvation she discovered in the form of a shoplifted book, the 19th century French poet Arthur Rimbaud's Illuminations.[1]

Patti Smith Group was signed by Clive Davis of Arista Records, and 1975 saw the release of Smith's first album Horses, produced by John Cale amid some tension. The album fused punk rock and spoken poetry and begins with a cover of Van Morrison's "Gloria", and Smith's opening words: "Jesus died for somebody's sins but not mine." The austere cover photograph by Mapplethorpe has become one of rock's classic images.[12] As the popularity of punk rock grew, Patti Smith Group toured the United States and Europe. The rawer sound of the group's second album, Radio Ethiopia, reflected this. Considerably less accessible than Horses, Radio Ethiopia initially received poor reviews. However, several of its songs have stood the test of time, and Smith still performs them regularly in concert.[13]

On January 23, 1977, while touring in support of Radio Ethiopia, Smith accidentally danced off a high stage in Tampa, Florida and fell 15 feet into a concrete orchestra pit, breaking several neck vertebrae.[14] The injury required a period of rest and an intensive round of physical therapy, during which time she was able to reassess, re-energize and reorganize her life. Patti Smith Group produced two further albums before the end of the 1970s. Easter (1978) was her most commercially successful record, containing the single "Because the Night" co-written with Bruce Springsteen. Wave (1979) was less successful, although the songs "Frederick" and "Dancing Barefoot" both received commercial airplay.[15]

1980–1995: Marriage

Before the release of Wave, Smith, now separated from long-time partner Allen Lanier, met Fred "Sonic" Smith, former guitar player for Detroit rock band MC5 and his own Sonic's Rendezvous Band, who adored poetry as much as she did. (Wave's "Dancing Barefoot" and "Frederick" were both dedicated to him.)[16] The running joke at the time was that she only married Fred because she would not have to change her name.[17] They had a son, Jackson (b. 1982), who would go on to marry The White Stripes drummer, Meg White in 2009, and a daughter, Jesse (b. 1987). Through most of the 1980s Patti Smith was in semi-retirement from music, living with her family north of Detroit in St. Clair Shores, Michigan. On June 1988, she released the album Dream of Life, which included the song "People Have the Power". Fred Smith died on November 4, 1994. Shortly afterward, Patti faced the unexpected death of her brother Todd [5] and original keyboard player Richard Sohl. When her son Jackson turned 14, Smith decided to move back to New York. After the impact of these deaths, her friends Michael Stipe of R.E.M. and Allen Ginsberg (whom she had known since her early years in New York) urged her to go back out on the road. She toured briefly with Bob Dylan in December 1995 (chronicled in a book of photographs by Stipe).[9]

1996–2003: Re-emergence

In 1996, Smith worked with her long-time colleagues to record Gone Again, featuring "About a Boy", a tribute to Kurt Cobain. Smith was a fan of Cobain, but was more angered than saddened by his suicide. That same year she collaborated with Stipe on "E-Bow the Letter," a song on R.E.M.'s New Adventures in Hi-Fi, which she has also performed live with the band.[18] After release of Gone Again, Patti Smith had recorded two new albums: Peace and Noise in 1997 (with the single "1959", about the invasion of Tibet) and Gung Ho in 2000 (with songs about Ho Chi Minh and Smith's late father). Songs "1959" and "Glitter in Their Eyes" were nominated for Grammy Award for Best Female Rock Vocal Performance.[19] A box set of her work up to that time, The Patti Smith Masters, came out in 1996, and 2002 saw the release of Land (1975–2002), a two-CD compilation that includes a memorable cover of Prince's "When Doves Cry". Smith's solo art exhibition Strange Messenger was hosted at The Andy Warhol Museum in Pittsburgh on September 28, 2002.[20]

2004–present

TIM festival, Marina da Glória,
Rio de Janeiro, October 28, 2006

On April 27, 2004 Patti Smith released Trampin' which included several songs about motherhood, partly in tribute to Smith's mother, who had died two years before. Smith curated the Meltdown festival in London on June 25, 2005, the penultimate event being the first live performance of Horses in its entirety.[21] Guitarist Tom Verlaine took Oliver Ray's place. This live performance was released later in the year as Horses/Horses.

On July 10, 2005, Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture.[3] In addition to her influence on rock music, the Minister also noted Smith's appreciation of Arthur Rimbaud. In August 2005 Smith gave a literary lecture about the poems of Arthur Rimbaud and William Blake. On October 15, 2006, Patti Smith performed at the CBGB nightclub, with a 3½-hour tour de force to close out Manhattan's music venue. She took the stage at 9:30 p.m. (EDT) and closed for the night (and forever for the venue) at a few minutes after 1:00 a.m., performing her song "Elegie", and finally reading a list of punk rock musicians and advocates who had died in the previous years.[22]

Smith was inducted into the Rock and Roll Hall of Fame on March 12, 2007.[4] She dedicated her award to the memory of her late husband, Fred, and gave a performance of The Rolling Stones staple "Gimme Shelter." As the closing number of the Rock and Roll Hall of Fame Induction Ceremony, Smith's "People Have the Power" was used for the big celebrity jam that always ends the program.[23] From March 28 to June 22, 2008 the Fondation Cartier pour l'Art Contemporain in Paris hosted a major exhibition of the visual work of Patti Smith, Land 250, drawn from pieces created between 1967 and 2007.[24] At the 2008 Rowan Commencement ceremony, Smith received an honorary doctorate degree for her contributions to popular culture. Smith is the subject of a 2008 documentary film, Patti Smith: Dream of Life.[25] A live album by Patti Smith and Kevin Shields, The Coral Sea was released in July 2008. On September 10 2009, after a week of smaller events and exhibitions in the city, Smith played an open-air concert in Florence's Piazza Santa Croce, commemorating her 'legendary' performance in the same city 30 years earlier.[26]

Activism

Smith has been a supporter of the Green Party and backed Ralph Nader in the 2000 United States presidential election.[27] She led the crowd singing "Over the Rainbow" and "People Have the Power" at the campaign's rallies, and also performed at several of Nader's subsequent "Democracy Rising" events.[28] Smith was a speaker and singer at the first protests against the Iraq War organized by Louis Posner of Voter March on September 12, 2002, as U.S. President George W. Bush spoke to the United Nations General Assembly. [29] Smith supported Democratic candidate John Kerry in the 2004 election. Bruce Springsteen continued performing her "People Have the Power" at Vote for Change campaign events. In the winter of 2004/2005, Smith toured again with Nader in a series of rallies against the Iraq War and call for the impeachment of George W. Bush.[27]

Smith premiered two new protest songs in London in September 2006.[30] Louise Jury, writing in The Independent, characterized them as "an emotional indictment of American and Israeli foreign policy". Song "Qana"[mp3] was about the Israeli airstrike on the Lebanese village of Qana. "Without Chains"[mp3] is about Murat Kurnaz, a Turkish citizen who was born and raised in Germany, held at Guantanamo Bay detainment camp for four years. Jury's article quotes Smith as saying:

I wrote both these songs directly in response to events that I felt outraged about. These are injustices against children and the young men and women who are being incarcerated. I'm an American, I pay taxes in my name and they are giving millions and millions of dollars to a country such as Israel and cluster bombs and defense technology and those bombs were dropped on common citizens in Qana. It's terrible. It's a human rights violation.

In an interview, Smith stated that Kurnaz's family has contacted her and that she wrote a short preface for the book that he was writing.[31] Kurnaz's book, "Five Years of My Life," was published in English by Palgrave Macmillan in March 2008, with Patti's introduction.[32]

On March 26, 2003, ten days after Rachel Corrie's death, Smith appeared in Austin, Texas, and performed an anti-war concert. She prefaced her song "Wild Leaves" with the following comments and subsequently wrote a new song "Peaceable Kingdom" which was inspired by and is dedicated to Rachel Corrie.[33] She supported Barack Obama in the 2008 U.S. presidential election.[34]

In 2009, in her Meltdown concert in Festival Hall, she paid homage to the Iranians taking part in post-election protests by saying "Where is My Vote?" in a version of the song People Have the Power.[35]

Influence

Smith has been a great source of inspiration for Michael Stipe of R.E.M. Listening to her album Horses when he was 15 made a huge impact on him. He said later: "I decided then that I was going to start a band."[36] In 1998, Stipe published a collection of photos called Two Times Intro: On the Road with Patti Smith. Stipe sings backing vocals on Smith's songs "Last Call" and "Glitter in Their Eyes". Patti also sings background vocals on R.E.M.'s "E-Bow the Letter".

In 2004, Shirley Manson of Garbage spoke of Smith's influence on her at Rolling Stone's issue "The Immortals: 100 Greatest Artists of All Time", in which Patti Smith was counted number 47.[37] The Smiths members Morrissey and Johnny Marr shared an appreciation for Smith's Horses, and their song "The Hand That Rocks the Cradle" is a reworking of one of the album's tracks, "Kimberly".[38] Later, Morrissey did a cover of "Redondo Beach," another song from the same album. Manchester contemporaries, James, also cite Smith as a major influence on the band establishing a direction. In Stuart Maconie's book of the band, lead singer/songwriter Tim Booth is quoted as saying, "I went out and bought Horses the next day. The next week I put up a sign selling everything I had. I decide that I would not have anything if it was not as strong as Horses."

In 2004, Sonic Youth released an album called Hidros 3 (to Patti Smith).[39] U2 also cites Patti Smith as influence.[40]

In 2005 Scottish singer-songwriter KT Tunstall released the single "Suddenly I See" as a tribute of sorts to Patti Smith. The lyrics describe Tunstall looking at Smith's picture in a magazine, admiring her fame and accomplishments and suddenly realizing what she wants to do with her life.[41] The cover of Tunstall's debut album Eye to the Telescope was also inspired by Smith, specifically the famous cover shot from her album Horses, of which Tunstall said: "I aspired to what this image was about - which was a woman dressed in man's clothes with such mystery, but such confidence and attitude and character. I just thought, 'that's so what I want to be when I grow up'."[42]

Canadian actress Ellen Page frequently mentions Smith as one of her idols and has done various photo shoots replicating famous Smith photos. She has said that the only time she's been truly star-struck was when she met Smith backstage at a concert in Europe and she has a dog named Patti in homage to Smith.[43] Because of Page's suggestions, Smith's work and name also factor prominently in two of Page's movies, Juno and The Tracey Fragments.

In 1978 and 1979, Gilda Radner portrayed a character called Candy Slice on Saturday Night Live based on Smith.

Band members

Bowery Ballroom, New York City, December 31, 2007
1974
1975–1979
1988
1996–2006
  • Lenny Kaye – guitar
  • Jay Dee Daugherty – drums
  • Tony Shanahan – bass, keyboards
  • Oliver Ray – guitar
2007–present
  • Lenny Kaye – guitar
  • Jay Dee Daugherty – drums
  • Tony Shanahan – bass, keyboards
  • Jackson Smith – guitar

Discography

Studio albums

Other albums

Bibliography

Further reading

References

  1. ^ a b c d Huey, Steve. "((( Patti Smith > Biography )))". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:jpfixqtgld0e~T1. Retrieved 2009-04-18. 
  2. ^ Dargis, Manohla (2008-08-06). "Patti Smith: Dream of Life". New York City: The New York Times. http://movies.nytimes.com/2008/08/06/movies/06patt.html. Retrieved 2009-04-18. "Godmother of Punk, Celebrator of Life" 
  3. ^ a b "Remise des insignes de Commandeur dans l'Ordre des Arts et des Lettres à Patti Smith "Solidays"" (in French). Paris: French Ministry of Culture. 2005-07-10. http://www.culture.gouv.fr/culture/actualites/conferen/donnedieu/patti_smith.html. Retrieved 2009-04-18. 
  4. ^ a b "Patti Smith". Cleveland, Ohio: Rock and Roll Hall of Fame. 2007. http://www.rockhall.com/inductee/patti-smith. Retrieved 2009-04-18. 
  5. ^ a b c "Patti Smith – Biography. "Three chord rock merged with the power of the word"". Arista Records. June 1996. http://www.aristarec.com/psmith/smithbio.html. Retrieved 2009-04-19. 
  6. ^ LaGorce, Tammy. "MUSIC; Patti Smith, New Jersey's Truest Rock-Poet", The New York Times, December 11, 2005. Accessed April 25, 2008. "But of all the ways to know Patti Smith, few people, including Ms. Smith, would think to embrace her as Deptford Township's proudest export."
  7. ^ Robertson, Jessica (2007). "Exclusive Interview with Patti Smith". Spinner. http://spinner.aol.com/rockhall/patti-smith-2007-inductee/interview. Retrieved 2008-02-04. 
  8. ^ "Mapplethorpe Biography". Solomon R. Guggenheim Museum. 1997. http://www.guggenheimcollection.org/site/artist_bio_97A.html. Retrieved 2008-02-08. 
  9. ^ a b "Patti Smith: Biography". The Rolling Stone Encyclopedia of Rock & Roll. Rolling Stone. 2001. http://www.rollingstone.com/artists/pattismith/biography. Retrieved 2008-02-04. 
  10. ^ Khanna, Vish (May 2007). "Patti Smith Fights the Good Fight - Timeline". Canada: Exclaim!. http://www.exclaim.ca/articles/multiarticlesub.aspx?fid1=25407. Retrieved 2008-12-05. 
  11. ^ "Hey Joe lyrics". http://www.oceanstar.com/patti/lyrics/heyjoe.htm. Retrieved 2008-02-04. 
  12. ^ "Seventies' Greatest Album Covers". Rolling Stone. 1991-11-14. http://www.superseventies.com/greatestalbumcovers.html. Retrieved 2008-02-04. 
  13. ^ "Patti Smith setlists, 2007". http://setlists.pattismithlogbook.info/years/2007.html. Retrieved 2008-02-07. 
  14. ^ "Patti Smith chronology". http://www.pattismithlogbook.info/logbook/chronology/1977/19770123.htm. Retrieved 2008-02-04. 
  15. ^ Smith, Patti (2002). "Song of the Week: Dancing Barefoot". http://www.pattismithland.com/sotw.htm. Retrieved 2008-02-26. 
  16. ^ Deming, Mark. "Dancing Barefoot". Allmusic. http://allmusic.com/cg/amg.dll?p=amg&sql=33:kzfwxq9dld6e. Retrieved 2008-02-07. 
  17. ^ "Babel-list". 1999. http://babellist.xnet2.com/9903/msg00195.html. Retrieved 2008-02-07. 
  18. ^ Stephen Thomas Erlewine. "New Adventures in Hi-Fi". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:fxfpxq9hldke. Retrieved 2008-02-07. 
  19. ^ "Grammy Awards: Best Rock Vocal Performance - Female". http://www.rockonthenet.com/grammy/rockfemale.htm. Retrieved 2008-03-06. 
  20. ^ "The Andy Warhol Museum Announces Patti Smith Performance and Retrospective Exhibition" (PDF). The Andy Warhol Museum. 2002-05-03. http://www.warhol.org/whats_on/pdfs/PR_Patti_Smith.pdf. Retrieved 2008-03-19. 
  21. ^ "Some give a song. Some give a life...". The Guardian. 2005-06-03. http://arts.guardian.co.uk/fridayreview/story/0,,1497477,00.html. Retrieved 2008-02-08. 
  22. ^ Pareles, Jon (2006-10-16). "Fans of a Groundbreaking Club Mourn and Then Move On". The New York Times. http://www.nytimes.com/2006/10/16/arts/music/16cnd-cbgbnotebook.html?ei=5088&en=b87ef3abc56fb771&ex=1318651200&partner=rssnyt&emc=rss&pagewanted=all. Retrieved 2008-02-04. 
  23. ^ "Rock and Roll Hall of Fame 2007 Induction". Spinner. 2007. http://spinner.aol.com/rockhall/2007-induction-ceremony. Retrieved 2008-02-04. 
  24. ^ "Patti Smith, Land 250". Fondation Cartier. 2008. http://fondation.cartier.com/. Retrieved 2008-02-13. 
  25. ^ Patti Smith: Dream of Life, Variety, January 29, 2008. Accessed online 23 May 2008.
  26. ^ Patti Smith and Florence, a never-ending story, Agenzia per il Turismo, Firenze, July, 2009. Accessed online 30 September 2009.
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