Occupation: Director, Writer, Cinematographer, Actor
Active: '60s-'80s, 2000s
Major Genres: Comedy, Avant-garde / Experimental
Career Highlights: Blood for Dracula, Trash, Lonesome Cowboys
First Major Screen Credit: My Hustler (1965)
Biography
Paul Morrissey began making underground short films in the early 1960s, and soon became a production assistant for Andy Warhol. He was the cameraman on several Warhol films, including Lonesome Cowboys; the two co-directed the transvestite comedy Women in Revolt and L'Amour (1973). With Warhol as producer, Morrissey made several outstanding films starring Joe Dallesandro, most notably his early comedies Flesh (1968), Trash (1970), and Heat (1972), and the stylish horror films Andy Warhol's Frankenstein (aka Flesh For Frankenstein [1974]) and Andy Warhol's Dracula (aka Blood For Dracula [1974]). Morrissey's major works on his own include his offbeat tales of teenage hustlers (Forty Deuce [1982]) and drug pushers (Mixed Blood [1984]), the historical drama Beethoven's Nephew (1985), and the comedy Spike of Bensonhurst (1988). ~ All Movie Guide
Morrissey attended Ampleforth College and Fordham University, both Roman Catholic schools, and later served in the United States Army. [1] A political conservative and self-described "right-winger"[2][3], who has publicly protested against what he perceives as immorality and "anti-Catholicism", Morrissey's long-term collaboration with the low-keyed, apparently apolitical Warhol was viewed by many as "a successful mismatch", although both men did share some traits, i.e. both were practising Catholics from "ethnic" backgrounds (Warhol was of Slovakian descent and Morrissey is of Irish descent).[citation needed]
Morrissey's bold, avant-garde direction in filmmaking is often attributed to his relationship with Warhol and The Factory, although Morrissey claimed in his memoir, Factory Days, that this is not the case. [4]
Andy [Warhol] never met one of those people before I cast them. They were not his coterie, and they were not hanging out at his gallery. These were selections of mine! I've had this all my life! The horror of it! His celebrityhood, which is an invention of the media, dominating my films!" (Morrissey to Kevin Mahler of The Times)