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Paul Motian

 
Artist: Paul Motian
  • Born: March 25, 1931, Philadelphia, PA
  • Active: '50s, '60s, '70s, '80s, '90s, 2000s
  • Genres: Jazz
  • Instrument: Drums, Leader, Percussion
  • Representative Albums: "The Story of Maryam," "Trio I Sm," "Sound of Love"
  • Representative Songs: "Mumbo Jumbo," "Good Morning Heartache," "Bye-Ya"

Biography

A masterfully subtle drummer and a superb colorist, Paul Motian is also an advanced improviser and a bandleader with a taste for challenging post-bop. Born Stephen Paul Motian in Philadelphia on March 25, 1931, he grew up in Providence and began playing the drums at age 12, eventually touring New England in a swing band. He moved to New York in 1955 and played with numerous musicians -- including Thelonious Monk, Lennie Tristano, Coleman Hawkins, Tony Scott, and George Russell -- before settling into a regular role as part of Bill Evans' most famous trio (with bassist Scott LaFaro), appearing on his classics Sunday at the Village Vanguard and Waltz for Debby.

In 1963, Motian left Evans' group to join up with Paul Bley for a year or so, and began a long association with Keith Jarrett in 1966, appearing with the pianist's American-based quartet through 1977. In addition, Motian freelanced for artists like Mose Allison, Charles Lloyd, Carla Bley, and Charlie Haden's Liberation Music Ensemble, and turned down the chance to be John Coltrane's second drummer.

In 1972, Motian recorded his first session as a leader, Conception Vessel, for ECM; he followed in 1974 with Tribute. He formed a regular working group in 1977 (which featured tenor Joe Lovano) and recorded several more dates for ECM, then revamped the ensemble to include guitarist Bill Frisell in 1980. Additional dates for ECM and Soul Note followed, and in 1988 Motian moved to JMT, where he recorded a long string of fine albums beginning with Monk in Motian. During the '90s, he also led an ensemble called the Electric Bebop Band, which featured Joshua Redman. In 1998, Motian signed on with the Winter & Winter label, where he began recording another steady stream of albums, including 2000 + One in 1999, Europe in 2001, and Holiday for Strings in 2002. In 2005 Motian moved to the ECM label, releasing I Have the Room Above Her that same year, followed by Garden of Eden in 2006 and Time and Time Again in 2007. ~ Steve Huey, All Music Guide
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Discography: Paul Motian
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Play Monk and Powell

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On Broadway, Vol. 3 [Winter & Winter]

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On Broadway, Vol. 2 [Winter & Winter]

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Flight of the Bluejay

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At the Village Vanguard

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2000 + One

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Rarum, Vol. 16: Selected Recordings

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Sound of Love

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Live at the Village Vanguard, Vol. 2

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Selected Recordings

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Wikipedia: Paul Motian
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Paul Motian
Birth name Paul Motian
Born 25 March 1931 (1931-03-25) (age 78)
Origin Philadelphia, Pennsylvania
Genres Jazz
Occupations Drummer
Composer
Instruments drums
percussion
Associated acts Bill Frisell
Joe Lovano
Bill Evans

Stephen Paul Motian[1] (born 25 March 1931 in Philadelphia, Pennsylvania and raised in Providence, Rhode Island), is an American jazz drummer, percussionist and composer of Armenian extraction.

First coming to prominence in the late '50s with the pioneering trio of pianist Bill Evans, Motian has since worked in an array of contexts, and has led a number of groups. He is one of the most influential modern drummers, having played an important role in freeing the drummer from strict time-keeping duties.

Contents

Biography

After playing guitar in his childhood, Motian began playing the drums at age 12, eventually touring New England in a swing band. During the Korean War he joined the Navy.

Motian has been a professional musician since 1954, and briefly played with pianist Thelonious Monk. He became well known as the drummer in pianist Bill Evans's trio (1959-64), initially alongside bassist Scott LaFaro and later Chuck Israels.

Subsequently he has played with pianists Paul Bley (1963-4) and Keith Jarrett (1967-76). Other musicians with whom Motian performed and/or recorded in the early period of his career include Lennie Tristano, Warne Marsh, Joe Castro (musician), Arlo Guthrie (Motian performed briefly with Guthrie in 1968-69, and even performed with the singer at Woodstock), Carla Bley, Charlie Haden, and Don Cherry. As his career has continued, Motian has appeared with musicians such as Marilyn Crispell, Bill Frisell, Leni Stern, Joe Lovano, Alan Pasqua, Lee Konitz, Wolfgang Muthspiel, Bill McHenry, Stephane Oliva, and many more.

Motian has also become an important composer and band-leader, recording initially for ECM Records in the 1970s and early 1980s and subsequently for Soul Note Records, JMT Records, and Winter & Winter Records, before returning to ECM in 2006. Since the early 1980s he has led a trio featuring guitarist Bill Frisell and saxophonist Joe Lovano, occasionally joined by bassists Ed Schuller, Charlie Haden or Marc Johnson, and other musicians, including Jim Pepper, Lee Konitz, Dewey Redman and Geri Allen. In addition to playing Motian's compositions, the group has recorded tributes to Thelonious Monk and Bill Evans, and a series of Paul Motian on Broadway albums, featuring original interpretations of standard tunes.

Despite his important associations with pianists, Motian's work as a leader since the 1970s has been noteworthy for rarely including piano in his ensembles and relying heavily on guitar. Motian's first instrument was the guitar, and he seems to have retained an affinity for the instrument: in addition to his groups with Frisell, his first two solo albums on ECM featured Sam Brown, and he leads the "Electric Bebop Band", which features two and sometimes three electric guitars. The group was founded in the early 1990s, and has featured a variety of young guitar and saxophone players, in addition to electric bass and Motian's drums, including saxophonists Joshua Redman, Chris Potter, Chris Cheek, and Tony Malaby, and guitarists Kurt Rosenwinkel, Brad Shepik, Wolfgang Muthspiel, Steve Cardenas, Ben Monder, and Jakob Bro.

Selected discography

As a leader

With Bill Evans

With Charlie Haden

  • Liberation Music Orchestra (1969)
  • Ballad of the Fallen (1980)
  • Dream Keeper (1989)
  • Etudes (1986) with Geri Allen & Charlie Haden
  • Segments (1987) with Geri Allen & Charlie Haden
  • Live at the Village Vanguard with Geri Allen & Charlie Haden
  • The Montreal Tapes with Geri Allen & Charlie Haden
  • The Montreal Tapes with Paul Bley & Charlie Haden
  • The Montreal Tapes with Gonzalo Rubalcaba & Charlie Haden
  • The Montreal Tapes with Liberation Music Orchestra

With Keith Jarrett

  • Life Between The Exit Signs (1967)
  • Somewhere Before (1969)
  • Expectations (1972)
  • The Mourning of a Star (1973)
  • Fort Yawuh (1973)
  • Treasure Island (1974)
  • Backhand (1974)
  • Death and the Flower (1974)
  • El Juicio (1975)
  • Shades (1975)
  • The Survivor's Suite (1976)
  • Bop-Be (1976)
  • Eyes of the Heart (1979)
  • At the Deer Head Inn (1992)

With Pierre Favre

  • Singing Drums (1984; ECM)

With Paul Bley

  • with Gary Peacock ECM
  • Fragments ECM with Bill Frisell and John Surman
  • The Paul Bley Quartet with Bill Frisell and John Surman
  • Notes Soul Note
  • Memoirs Soul Note with Charlie Haden
  • Zen Palace Transheart with Steve Swallow
  • Not Two, Not One ECM with Gary Peacock

With Bill McHenry

With Steve Swallow, Gil Goldstein and Pietro Tonolo

With Jacob Sacks, Eivind Opsvik and Mat Maneri

External Links

Footnotes

  1. ^ His surname is Armenian, and is often mispronounced "Moe-tee-un;" however, Paul Motian pronounces it "MO-shun."[1]

 
 
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