Muni, Paul [né Frederich Weisenfreund] (1895–1967), actor. Born in Austria but raised in Chicago, he made his stage debut in Yiddish theatre in 1908 and his bow on professional English‐speaking stages 1926. Muni did not gain prominence until 1931 when he played the Jewish lawyer George Simon in Counsellor‐at‐Law followed by his commanding performance in 1939 when he portrayed the wartime deserter King McCloud in Key Largo (1939). His last important appearance was as attorney Henry Drummond in Inherit the Wind (1955). Muni was a superb technician, although some playgoers felt he wore his technique on his sleeve. He also enjoyed a distinguished career in Hollywood. Biography: Actor: The Life and Times of Paul Muni, Jerome Lawrence, 1974.
Born: Sep 22, 1895 in Lemberg, Austria (Lvov, Russia)
Died: Aug 25, 1967 in Santa Barbara, California
Occupation: Actor
Active: '20s-'40s
Major Genres: Drama, Fantasy
Career Highlights: Scarface, I Am a Fugitive From a Chain Gang, The Good Earth
First Major Screen Credit: Seven Faces (1929)
Biography
Born in 1895 in what was then Austria and what is now Russia, Paul Muni was brought to the U.S. in 1902 by his parents, who were both touring Yiddish-language actors. Muni made his stage debut in 1907, and before reaching his teen years was recruited by Maurice Schwartz's Yiddish Art Theatre, where Muni specialized in playing very old men. He did not perform in English until he was 29; his first Broadway appearance was in 1926's We Americans. Minus the character makeup which distinguished most of his earlier stage appearances, Muni scored a hit as a gangster in the Broadway production Four Walls. He was signed by Fox Studios in 1929, but he was so displeased by his first two films (The Valiant and Seven Faces) that he hurried back to Broadway. In 1931, Muni starred in the original stage production of Counsellor at Law, and also resumed his film career, playing a sister-obsessed Al Capone-type in Scarface. With his still-powerful portrayal of a hunted (and haunted) convict in I Am a Fugitive From a Chain Gang (1932), Muni launched his long association with Warner Bros. Insisting upon being permitted the broadest range of characterizations possible, Muni alternated between "entertainments" like Dr. Socrates and prestige pictures which allowed him to don makeup and experiment with accents. He is most fondly remembered for his trio of biographies: 1936's The Story of Louis Pasteur (which won Muni his Oscar), 1937's The Life of Emile Zola, and 1939's Juarez. On the set, Muni was almost completely reliant upon the advice and counsel of his wife; if she didn't like a "take," the scene would have to be reshot. Like many highly individual talents, Muni gained a reputation as an eccentric, his character quirks ranging from relaxing between takes by playing his violin to (reportedly) going into a panic whenever he saw someone wearing the color red. Extremely self-involved, Muni often came to the set with his performance totally developed in advance, and did not alter his interpretation no matter what nuances or surprises his fellow actors might throw at him. After a long period of professional disappointments, Muni made a triumphant comeback in the role of the Clarence Darrow-like Henry Drummond in the 1955 Broadway production Inherit the Wind, for which he won the Tony award. After his final film, The Last Angry Man, Paul Muni was forced to curtail his appearances due to encroaching physical infirmities; one of his last performances was in the TV play The Last Clear Chance, wherein Muni was seen sporting a hearing aid through which he was "fed" his dialogue. In addition to his Best Actor win for Pasteur and his four Best Actor nominations for The Valiant, Chain Gang, Zola and The Last Angry Man, Muni received an "unofficial" Best Supporting Actor nomination, as a write-in candidate, for Casablanca helmer Michael Curtiz's 1935 Black Fury; he came in second. Hampered by increasing blindness that kept him out of work, Paul Muni died on August 25, 1967 of a heart ailment, one month shy of his 72nd birthday. ~ Hal Erickson, All Movie Guide
Muni, Paul (myū'nē) , 1895–1967, American actor, b. Austria, whose original name was Muni Weisenfreund. His parents brought him to the United States in 1902 and from 1903 to 1913 toured with him in vaudeville. Turning to the legitimate theater, he toured (1914–17) the Midwest and acted (1918–25) with the Yiddish Art Theatre in New York City. He began working in films in 1928 and won an Academy Award in 1936 for his performance in The Life of Louis Pasteur. An outstanding character actor, Muni's films include The Life of Émile Zola (1937), The Good Earth (1937), Juarez (1939), and The Last Angry Man (1959). In 1955 he appeared on Broadway in Inherit the Wind.
His family emigrated to the United States in 1902. Both of Muni's parents were actors with the Yiddish theatre. He made his stage debut at age 12. During his time in Yiddish theater, he was known as Moony Weisenfreund (Moonie is a common Yiddish name). He was quickly recognized by Maurice Schwartz, who signed him up with his Yiddish Art Theater. Edward G. Robinson and Paul Muni were cousins to Charles M. Fritz who was a notable actor and manager of The Little Red Theater in Northport, New York, during the Great Depression.
A 1925 New York Times article singled out his and Sam Kasten's performances at the People's Theater as among the highlights of that year's Yiddish theater season, describing them as second only to Ludwig Satz.
Broadway and Hollywood
Muni began acting on Broadway in 1926. His first role, that of an elderly Jewish man in the play We Americans, was written by playwrights Max Siegel and Milton Herbert Gropper; it was also the first time that he ever acted in English. He was signed by Fox three years later, in 1929, and received an Oscar nomination for his first film The Valiant. However, he was unhappy with the roles and decided to return to Broadway.
Muni was nominated for a total of five Academy Awards, an impressive number by any standard but all the more remarkable for Muni since he only appeared in twenty-five films throughout his career. His other nominations may be seen in the table below. Some sources list Muni as a nominee for 'Best Actor' for the film Black Fury, but this is erroneous: Muni was actually a write-in candidate.
Film critic David Shipman called Muni "an actor of great integrity" and he prepared for his roles meticulously. Muni was widely recognized as an eccentric if talented individual. He would go into a rage whenever anyone wore red, but at the same time he could often be found between sessions relaxing with his violin. Over the years, he also became increasingly dependent on his wife, Bella, who terrified directors by forcing them to redo scenes that did not meet her satisfaction.
A dispute with Warner Bros. led to the termination of Muni's contract, the result of which was stardom for Humphrey Bogart. Bogart had been bombarding studio head Jack Warner with telegrams, begging to be cast as Roy Earle in the film High Sierra, a part that was supposed to have been played by Muni. But after Muni's departure from the studio, Warner told Bogart that the part was his (according to rumor, he made the offer on condition that Bogart stop sending him telegrams). After reigning as one of the biggest stars in Hollywood during the 1930s, Muni only made eight films between 1941 and 1959 (including a guest appearance as himself in the 1943 film Stage Door Canteen).
He retired from filmmaking in 1959, soon after receiving his fifth Academy Award nomination for The Last Angry Man; however, he made a final television appearance in the series Saints and Sinners in 1962. Muni died in Montecito, California in 1967 at the age of 71. Muni died the same year as his Angel On My Shoulder co-star Claude Rains.
Melamed, S.M., "The Yiddish Stage", The New York Times, Sept. 27, 1925 (X2)
Adler, Jacob, A Life on the Stage: A Memoir, translated and with commentary by Lulla Rosenfeld, Knopf, New York, 1999, ISBN 0-679-41351-0. In a comment on p. 377, Rosenfeld mentions "Muni Weisenfreund, now Paul Muni".