(b New York, 15 Aug 1896; d Laguna Beach, CA, 17 Oct 1958). American photographer. He studied at the Art Students' League in New York in 1915 and worked as a photographer for the army in 1917. In 1921 he attended the Clarence H. White School of Photography, where he worked assiduously on technique and was influenced by his teachers Arthur Wesley Dow and Max Weber. From 1922 he studied sculpture under Alexander Archipenko and by 1925 was in Paris, where he was introduced to Man Ray, Berenice Abbott, Marcel Duchamp and many other artists. Ide Collar (1922) was admired by Duchamp. Outerbridge held his first photographic exhibition in 1923 at the John Wanamaker Gallery, New York. In 1927 he unsuccessfully entered into a studio venture with Mason Siegal, then worked as an assistant film director in Berlin and London and returned to New York in 1929. In the 1920s he made platinum and silver bromide prints, and in the 1930s he practised black-and-white ink drawings.
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Outerbridge, Paul (1896-1958), American photographer who gained recognition as an early modernist advertising photographer. After studying at New York's Art Students League (1915) and the Clarence H. White School of Photography (1921), he contributed regularly to Vanity Fair, Harper's Bazaar, and other periodicals. Outerbridge's 1920s advertising photographs combined close-up examination of the product with severe reduction of form, creating elegant abstract compositions with a highly nuanced tonal range. From 1925 to 1929 he worked in Europe, making contact with modern artists in Paris, Berlin, and London. In the 1930s, he turned to colour photography, becoming expert in the carbro process, and producing images for journals like House Beautiful. He also embarked on a series of brashly coloured, surrealistic erotic nudes, which constitute the major portion of his personal work after 1930.
— Patricia Johnston
Bibliography
Paul Outerbridge, Jr. (born, August 15, 1896; died October 17, 1958) was an American photographer prominent for his early use and experiments in color photography. Outerbridge was a fashion and commercial photographer, an early pioneer and teacher of color photography, and an artist who created erotic nudes photographs that could not be exhibited in his lifetime.
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Paul Outerbridge, while still in his teens, worked as an illustrator and theatrical designer creating stage settings and lighting schemes. After an accident caused his discharge from the Royal Canadian Naval Air Service, in 1917, he enlisted in the U.S. Army where he produced his first photographic work. In 1921, Outerbridge enrolled in the Clarence H. White school of photography at Columbia University. Within a year his work began being published in Vanity Fair and Vogue magazine.
In London, in 1925, the Royal Photographic Society invited Outerbridge to exhibit in a one-man show. Outerbridge then traveled to Paris and became friends with the artists and photographers Man Ray, Marcel Duchamp, and Berenice Abbott. In Paris he produced a layout for the French Vogue magazine, met and worked with Edward Steichen, and built the largest, most completely equipped advertising photography studio of the times. In 1929, 12 of Outerbridge's photographs were included in the prestigious, German Film und Foto exhibition.
Returning to New York in 1929, Outerbridge opened a studio producing commercial and artistic work, and began writing a monthly column on color photography for the U.S. Camera Magazine. Outerbridge became known for the high quality of his color illustrations, which were done in those years by means of an extremely complex tri-color carbro process.[1]
In 1937, Outerbridge's photographs were included in an exhibit at the Museum of Modern Art and, in 1940, Outerbridge published his seminal book, Photographing in Color, using high quality illustrations to explain his techniques.
Outerbridge's vivid color nude studies included early fetish photos and were too indecent under contemporary standards to find general public acceptance.[2] A scandal over his erotic photography led to Outerbridge retiring as a commercial photographer and moving to Hollywood in 1943.[3] Despite the controversy, Outerbridge continued to contribute photo stories to magazines and write his monthly column. In 1945, he married fashion designer Lois Weir and worked in their joint fashion company, Lois-Paul Originals.[4] He died of lung cancer in 1958.
One year after his death, the Smithsonian Institution staged a one-man show of Outerbridge's photographs. Although his reputation has faded, revivals of Outerbridge's photography in the 1970s and 1990s has periodically brought him into the public's awareness.787
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