Type: Lyrics are included with the album, Contains explicit content
Genre: Rock
Review
The Mighty Mighty Bosstones' newfound willingness to take their time working out material paid off with Let's Face It, and thus, Pay Attention didn't appear until three years later. Even if ska's commercial momentum had slowed, the album was still worth the wait. Thanks to the band's tight quality control, the tunes here are catchy, but not quite as immediately poppy as much of Let's Face It -- there's more punk and hard rock, with ska rhythms more integral to some tracks than others. The party anthems of yesteryear are pretty much gone, but in their place is a tone of reflective maturity; personal and social concerns are given an equal airing, and the band's sense of humor is still very much in evidence. Moreover, the Bosstones are still trying new musical approaches, as evidenced by the summery island feel of "She Just Happened" and the surprising Irish turn of "Riot on Broad Street." Other highlights include the alternately swinging and skanking opener "Let Me Be," the hard-rocking lead single "So Sad to Say," the bouncy sing-along "Where You Come From," the up-tempo "The Skeleton Song," and the poignant (yet not overly sentimental) album closer "The Day He Didn't Die." A few weaker numbers could have been trimmed without making the album seem short; also, a fairly large percentage of the songs would simply sound like catchy hard rock if the horn section was removed. Then again, it's not the first time the Bosstones have recorded material like that, and in the end, it's hard to see Pay Attention as anything less than the band's third high-quality album in a row. ~ Steve Huey, All Music Guide
The Mighty Mighty Bosstones (Producer), The Mighty Mighty Bosstones (Main Performer), Paul Q. Kolderie (Producer), Paul Q. Kolderie (Engineer), Steve Sisco (Assistant), Sean Slade (Engineer), Andy Wallace (Mixing), Howie Weinberg (Mastering), Dicky Barrett (Vocals), Dicky Barrett (Concept), Tim Burton (Saxophone), Ben Carr (?), Joe Gittleman (Bass), Joe Sirois (Drums), Joseph Cultice (Photography), Fran Flannery (Assistant Engineer), Andrew Schneider (Engineer), Ted Paduck (Assistant Engineer), Roman Fleysher (Saxophone), Lawrence Katz (Guitar), Bill Horsman (Photography)
This was the last album recorded with guitarist Nate Albert, trombonist Dennis Brockenborough, and the first with Roman Fleysher on saxophone. It was also the band's last on a major label.
"So Sad To Say", the first single off this album, made its debut at Fenway Park on the big screen on Opening Day, 2000.
"Someday I Suppose" ·"Don't Know How to Party" ·"A Man Without" ·"Almost Anything Goes" ·"Last Dead Mouse" ·"Detroit Rock City" ·"Kinder Words" ·"Pictures to Prove It" ·"Hell of a Hat" ·"The Impression That I Get" ·"The Rascal King" ·"Royal Oil" ·"Wrong Thing Right Then" ·"Every Trick in the Book" ·"So Sad to Say" ·"She Just Happened" ·"Fabled Barney and the Population" ·"You Gotta Go!"
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