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Pearls Before Swine

 
Artist: Pearls Before Swine

Group Members:

Tom Rapp, Wayne Harley, Lane Lederer, Elisabeth, Roger Crissinger, Warren Smith, Jim Bohanon

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See Pearls Before Swine Lyrics
  • Formed: 1965
  • Disbanded: 1971
  • Genres: Rock
  • Representative Albums: "Balaklava," "One Nation Underground," "Constructive Melancholy: 30 Years of Pearls Before Swine"
  • Representative Songs: "Translucent Carriages," "Another Time," "Ballad to an Amber Lady"

Biography

The psychedelic folk band Pearls Before Swine was the brainchild of singer, composer and cult icon Tom Rapp, born in Bottineau, ND in 1947; after writing his first song at age six, he later began performing at local talent shows, and as a teen bested a young Bob Dylan at one such event. Upon relocating to Melbourne, FL, Rapp formed Pearls Before Swine in 1965, recruiting high school friends Wayne Harley, Lane Lederer and Roger Crissinger to record a demo which he then sent to the ESP-Disk label; the company quickly signed the group, and they soon travelled to New York to record their superb 1967 debut One Nation Underground, which went on to sell some 250,000 copies. The explicitly anti-war Balaklava, widely regarded as Pearls Before Swine's finest work, followed in 1968; the group -- by this time essentially comprising Rapp and whoever else was in the studio at the moment -- moved to Reprise for 1969's These Things Too, mounting their first-ever tour in the wake of releasing The Use of Ashes a year later. Two more albums, City of Gold and Beautiful Lies You Could Live In, followed in 1971; moving to Blue Thumb, Rapp resurfaced as a solo artist with 1972's Stardancer, but upon the release of Sunforest a year later he then retired from music, subsequently becoming a civil rights attorney. Frequently cited as a key influence by the likes of Damon & Naomi, the Bevis Frond and the Japanese psych band Ghost, Rapp made an unexpected return to live performance in mid-1998 when he appeared at the Terrastock festival in Providence, RI, joining son Dave and his indie-pop band Shy Camp; he soon began work on 1999's A Journal of the Plague Year, his first new LP in over two decades. Constructive Melancholy, a retrospective of Pearls Before Swine's tenure on Reprise, also appeared that same year. This sparked renewed interest in the band, with Water music releasing a box set of the Reprise material in 2003 (Jewels Were the Stars) as well as a set of unreleased demo and live recordings entitled he Wizard of Is. ESP also remastered and combined their first two albums as The Complete ESP-Disk Recordings in 2005. ~ Jason Ankeny, All Music Guide
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Wikipedia: Pearls Before Swine (band)
Top
Pearls Before Swine
Origin Melbourne, Florida, USA
Genre(s) Folk rock, psychedelic rock, psych folk
Years active 1965-1974
Label(s) ESP-Disk, Reprise, Blue Thumb
Associated acts Area Code 615
Former members
Tom Rapp
with:
Wayne Harley (1965-69)
Lane Lederer (1965-68)
Roger Crissinger (1965-67)
Jim Bohannon (1968)
Jim Fairs (1969)
Elisabeth Rapp (1969-72)
Mike Krawitz (1971)
Gordon Hayes (1971)
Jon Tooker (1971)
Morrie Brown (1971)
Robbie Merkin(1971)
David Wolfert (1971)
Art Ellis (1971-74)
Bill Rollins (1971-74)
Harry Orlove (1971-74)

Pearls Before Swine was an American psychedelic folk band formed by Tom Rapp in 1965 in Eau Gallie, now part of Melbourne, Florida. They released six albums between 1967 and 1971, before Rapp launched a solo career.

Contents

Early years, 1965-68

With high school friends Wayne Harley (banjo, mandolin), Lane Lederer (bass, guitar) and Roger Crissinger (piano, organ), Rapp wrote and recorded some songs which, inspired by the Fugs, they sent to the avant-garde ESP-Disk label in New York. The group took its name from a Bible passage: "Give not that which is holy unto the dogs, neither cast ye your pearls before swine..." (Mat. 7:6, KJV), meaning: do not give things of value to those who will not understand or appreciate it. They were quickly signed up, and recorded One Nation Underground (1967), featuring songs of mysticism, protest, melancholia, and some controversy in the case of “Miss Morse”, which spelled out an obscenity in code. The album eventually sold some 200,000 copies, although management and contractual problems meant that the band received little reward for its success.[1] Being such a small label, the success of "One Nation Underground" prompted a number of cover variations.[citation needed] (the first issue seemed to be a brown colored portion of the Bosch painting with a white strip along the right edge, followed by a lighter brown covering the entire cover. Then a black cover appeared with the words "Pearls Before Swine" printed in white, followed by the more well-known white cover with the Bosch painting in color and the name of the band and album printed in black.)

The more mysterious-sounding and strongly anti-war Balaklava (1968) followed, inspired by the Charge of the Light Brigade. Rapp has said "The first two albums are probably considered the druggiest, and I had never done any drugs at that point. I smoked Winston cigarettes at that time, so these are all Winston-induced hallucinations."[2] The album covers featured paintings by Bosch and Brueghel. The records themselves included interpretations of the writings of Tolkien and Herodotus as well as archive recordings from the 1890s, with innovatively arranged songs using an eclectic variety of instruments[1].

The Reprise period, 1969-72

The band signed for Reprise Records in 1969, although by this time the other original members had left and the band name referred to Rapp and whichever musicians he was recording or touring with, one of whom, Jim Fairs, was previously a member of The Cryan' Shames. The five albums on Reprise were generally more conventional in sound, but contained a unique blend of humanistic and mystical songs, with some whimsical touches. Some were recorded in New York and others – particularly The Use of Ashes and City of Gold - in Nashville with top session musicians including Charlie McCoy, Kenny Buttrey, and other members of Area Code 615. Several also featured Rapp's then-wife Elisabeth on vocals.

In his teens, Rapp lived close to Cape Canaveral and watched the rockets take off. The song Rocket Man, on the album The Use of Ashes - written the day Neil Armstrong landed on the moon - was credited by Bernie Taupin with inspiring his hit song with Elton John of the same title. Quote : "We didn't steal that one from Bowie, we stole it from another guy, called Tom Rapp..."[3]. Many of the other songs of this period reflected Rapp's interests in mysticism, his relationship with his alcoholic father, and his experiences of living for a time in (and marrying a native of) Holland. The final Reprise album, Familiar Songs, was a collection of demo re-recordings of some of Rapp’s earlier songs, and was released (under his own name, not as a "Pearls Before Swine" album) without his knowledge[4].

In 1971, Pearls Before Swine toured for the first time, the group then comprising Rapp, Mike Krawitz (piano), Gordon Hayes (bass) and Jon Tooker (guitar). Around this time, Rapp often referred onstage, not quite seriously, to the group as "the house band for the SDS." A live album from this period, "Live Pearls", recorded at Yale University, was released as a download in December 2008.[5]

Later years

Two albums followed, released under Rapp's own name on Blue Thumb Records. The first, Stardancer, never reissued on CD, was again recorded in Nashville, and was followed by Sunforest. The band - by that time comprising Rapp, Art Ellis (flute), Bill Rollins (bass, cello) and Harry Orlove (guitar, banjo) - toured until 1974, with Rapp continuing to perform solo until a final appearance in 1976 supporting Patti Smith.

Rapp then retired from music and, after graduating from Brandeis University, became a civil rights lawyer. After being contacted by the magazine Ptolemaic Terrascope, he re-appeared in 1997 at Terrastock, a music festival in Providence, Rhode Island, with his son's band, Shy Camp, and began recording again with 1999's A Journal of the Plague Year [6].

Original member Roger Crissinger left the group in 1968, joining San Francisco band One (1) led by Reality D. Blipcrotch[7]. Lane Lederer is now a member of the Florida Orchestra.

PBS have been cited as a key influence by various musicians including The Dream Academy, Damon and Naomi, the Bevis Frond, The Late Cord, This Mortal Coil, and the Japanese band Ghost. Three tribute albums have been released by Secret Eye Records.

Popular Culture

Discography

Studio albums

Live album

  • Live Pearls (recorded 1971, released 2008, WildCat Recording)

Compilations

  • Constructive Melancholy (1999, Birdman) (CD compilation of 1969-72 Reprise tracks)
  • Jewels Were The Stars (2003, Water) (4 CD box set of first four Reprise albums)
  • The Wizard of Is (2004, Water) (2 CD collection of live recordings, out-takes etc.)
  • The Complete ESP-Disk Recordings (2005, ESP-Disk and WildCat[8]) (the two ESP albums on one CD)

Singles

  • "Morning Song" / Drop Out! (1967, ESP-Disk)
  • "I Saw The World" / Images Of April (1968, ESP-Disk)
  • "These Things Too" / If You Don't Want To (1969, Reprise)
  • "Suzanne" / There Was a Man (1969, Reprise)
  • "The Jeweller" / Rocket Man (1970, Reprise)
  • "Marshall" / Why Should I Care? (1972, Blue Thumb)

References

  1. ^ a b Tom Rapp by Mark Brend
  2. ^ Sleevenotes to Jewels Were The Stars box set
  3. ^ Sleevenotes to Jewels Were The Stars box set
  4. ^ Sleevenotes to Familiar Songs CD reissue
  5. ^ Official PBS site
  6. ^ washingtonpost.com: Style Live: Style: Style Showcase
  7. ^ The Hangar
  8. ^ http://www.wildcatrecording.com/ WildCat Recording

External links


 
 

 

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