- AMG Rating:




- Genre: Children's/Family
- Movie Type: Family-Oriented Comedy, Absurd Comedy
- Themes: Toys Come to Life, Talking Animals
- Release Year: 1986
- Country: US
- Run Time: 30 minutes
TV Series:
Pee-Wee's Playhouse |




| Wikipedia: Pee-wee's Playhouse |
| Pee-wee's Playhouse | |
|---|---|
![]() Title card. |
|
| Format | Children's television series, Comedy |
| Created by | Paul Reubens |
| Starring | Paul Reubens Laurence Fishburne Lynne Marie Stewart Phil Hartman S. Epatha Merkerson John Paragon |
| Country of origin | |
| Language(s) | English and Spanish |
| No. of seasons | 5 |
| No. of episodes | 45 (List of episodes) |
| Production | |
| Location(s) | New York City (later relocated to Los Angeles) |
| Running time | ca. 23 min. / 30 Min. with commercials |
| Production company(s) | Binder Entertainment Broadcast Arts Productions Grosso-Jacobson Productions Pee-wee Pictures BRB Productions |
| Broadcast | |
| Original channel | CBS |
| Picture format | NTSC (480i) |
| Audio format | Mono |
| Original run | September 13, 1986 – November 10, 1990 |
| Chronology | |
| Related shows | The Pee-wee Herman Show |
| External links | |
| Official website | |
Pee-wee's Playhouse is a children's television program starring Paul Reubens as the child-like Pee-wee Herman. The show was developed from Reubens' popular stage show and the one-off TV special The Pee-wee Herman Show, produced for HBO, which was similar in style but featured much more "adult" humor.
The Pee-wee Herman character was developed by Reubens into a live stage show entitled The Pee-wee Herman Show in 1980. It featured many characters that would go on to appear in Playhouse, including Captain Carl, Jambi the Genie, Miss Yvonne, Pterri the Pterodactyl and Clocky. While enjoying continuous popularity with the show, Reubens teamed with young director Tim Burton in 1985 to make the comedy film Pee-wee's Big Adventure. It became one of the year's surprise hits, costing a relatively modest $6 million to make but taking in $45 million at the box office.
After seeing the success of Pee-wee's Big Adventure, the CBS network approached Reubens with an ill-received cartoon series proposal.[1] In 1986, CBS agreed to sign Reubens to act, produce and direct his own live-action Saturday morning children's program, Pee-wee's Playhouse, with a budget of $325,000 per episode, (comparable to that of a half-hour prime-time sitcom)[2] and full creative control (although CBS did request a few minor changes over the years).[3]
Rubens assembled a supporting troupe that included ex Groundlings and cast members from The Pee-wee Herman Show, including Phil Hartman, John Paragon, Lynne Marie Stewart, Laurence Fishburne and S. Epatha Merkerson. Production began in New York City in the summer of 1986 in a converted loft on Broadway, which one of the show's writers, George McGrath, described as a "sweatshop". Reubens moved the production to Los Angeles for season two in 1987, resulting in a new set and a more relaxed work atmosphere[4]
Playhouse was designed as an educational yet entertaining and artistic show for children, and its conception was greatly influenced by 1950s shows Reubens had watched as a child, like The Rocky and Bullwinkle Show, The Mickey Mouse Club, Captain Kangaroo and Howdy Doody. The show quickly acquired a dual audience of kids and grownups.[5][6][7] Reubens, always trying to make of Pee-wee a positive role model, sought to make a significantly moral show that would teach children the ethics of reciprocity.[7] Reubens believed that children liked the Playhouse because it was fast-paced, colorful and "never talked them down", while parents liked the Playhouse because it reminded them of the past.[7]
Playhouse's premise was that host Pee-wee Herman lived in a fantastic house (situated in Puppetland) known as the Playhouse, which was filled with pop art, vintage toys, gadgets, talking furniture and appliances (e.g Magic Screen and Chairy) and puppet characters such as Conky The Robot, Pterry the baby pterodactyl and Jambi the Genie (John Paragon), a disembodied genie's head who lives in a jewelled box. The Playhouse was also visited by a regular cast of human characters including Miss Yvonne (Lynne Marie Stewart), Reba The Mail Lady (S. Epatha Merkerson), Captain Carl (Phil Hartman), Cowboy Curtis (Laurence Fishburne) and a small group of children, The Playhouse Gang.
Although primarily a live-action show, each episode included segments featuring puppetry, video animation and prepared sequences using Chroma-key and stock footage (e.g. when Pee-wee jumps into the Magic Screen) as well as inserted clay animation sequences (some made by Peter Lord and Nick Park, creators of Wallace & Gromit) and excerpts from cartoons from the "Golden Age of American animation", usually presented by the character "The King of Cartoons".[1] Each episode also featured specially written soundtrack music by noted rock/pop musicians such as Mark Mothersbaugh (Devo), Todd Rundgren and Mitchell Froom. The show's theme song was performed by Cyndi Lauper, although she is credited under the pseudonym "Ellen Shaw".
Each episode usually contained a running gag particular to that episode, and/or a specific event or dilemma that would send Pee-wee into an emotional frenzy. The show had many recurring gags, themes, and devices -- for example at the beginning of each episode, viewers were told the day's "secret word" (often issued by Conky the Robot) and were instructed to "scream real loud" every time a character on the show said the word.
CBS and Reubens mutually agreed to end the show in 1991 after 5 seasons and 45 episodes.[8] In July 1991, Reubens was arrested for allegedly exposing himself in a Sarasota, Florida adult movie theater, causing CBS to immediately stop airing Playhouse re-runs.[9]
The creative design of the show was concocted by a slew of artists including Gary Panter (the art director), Craig Bartlett, Richard Goleszowski, Gregory Harrison, Ric Heitzman, Phil Trumbo, and Wayne White. The first day of production, right as Panter began reading the scripts to find out where everything would be situated, set workers hurriedly asked him, 'Where's the plans? All the carpenters are standing here ready to build everything.' Panter responded, "you just have to give us 15 minutes to design this thing!"[10] When asked about the styles that went into the set design, Panter said, "This was like the hippie dream...It was a show made by artists...We put art history all over the show. It's really like...I think Mike Kelley said, and it's right, that it's kind of like the Googie style - it's like those LA types of coffee shops and stuff but kind of psychedelic, over-the-top."[11] Several different artistic filmmaking styles and techniques were featured on the program including chroma key, stop-motion animation, and claymation designed by Aardman Animations).
The music for the show was provided by a diverse set of musicians, including Mark Mothersbaugh, The Residents, Todd Rundgren, Danny Elfman (who provided the score for both of the Pee-wee movies), Mitchell Froom, Van Dyke Parks, George Clinton and Dweezil Zappa.
Mothersbaugh, who later went on to become a fixture in composing music for children's shows like Rugrats, joined the show on hiatus from recording with Devo[12]:
| “ | [Paul Reubens] asked me to do Pee-wee's Playhouse, and I had some time, so I was like, yeah, let's do it.
Pee-wee's Playhouse was really chaotic. They'd send me the tape from New York on Tuesday. I'd watch it Tuesday night; Wednesday I'd write the music. Thursday I'd record the music, it'd go out Thursday night to them, they'd have Friday to cut it into the picture, and then Saturday we'd watch it on TV. And it was like really fast, and instead of writing an album once a year I was writing an album's worth of music once a week, and it was really exciting. It was a new experience and it was a different creative process. |
” |
The opening prelude theme is an interpretation of Les Baxter's "Quiet Village". The theme song, which originally followed the prelude, was performed by Cyndi Lauper (credited as Ellen Shaw).
Many now-well-known TV and film actors appeared on the show, including Sandra Bernhard, Laurence Fishburne, Phil Hartman, Steve James, Natasha Lyonne, S. Epatha Merkerson, Jimmy Smits, and Lynne Stewart. Future heavy metal musician and filmmaker Rob Zombie was also a production assistant and future filmmaker John Singleton was also a security guard.
| Character | Played by | Description |
|---|---|---|
| Cowboy Curtis | Laurence Fishburne | A "cowboy" in the 1950s pop culture sense. He also has his hair in a jheri curl mullet. |
| Captain Carl (first season) | Phil Hartman | A gritty, unshaven sea captain with a gruff voice, but a somewhat shy demeanor. He came by the playhouse to show him interesting things from the ocean. His tolerance for Pee-wee's antics was often tested whenever he stopped by. Was more adult-oriented in the HBO special and Miss Yvonne appeared to have deep feelings for him. |
| Miss Yvonne | Lynne Marie Stewart | A woman obsessed with beauty and cosmetics, who often flirted with Pee-wee and many of the other male characters on the show. She was given the title "the most beautiful woman in Puppetland" by the puppet characters (especially Mr. Window, who would usually introduce her). Yvonne wore a large brown wig, gaudy dresses and heels, and her appearance was always accompanied by some sort of theme music. She, like Ricardo, also has a medical background, as evidenced by her nurse get-up and actions in "Pee-wee Catches a Cold". Unlike many regulars, Yvonne appeared in almost every Playhouse episode, and in a few episodes, she even danced with Pee-wee herself. |
| Reba the Mail Lady | S. Epatha Merkerson | A mail carrier who was often confused with the playhouse rules. At one point in the series, she had a boyfriend named Derek (who was played by martial arts movie actor, Steve James). She also had a pet dog which Pee-wee recovered when she lost him. |
| The King of Cartoons | Gilbert Lewis (first season); William H. Marshall (subsequent seasons) |
He showed a brief cartoon during his segment. His catch phrase was "Let the cartoon begin!" The original King of Cartoons used a film projector to show the cartoons (which he would aim at the lens of the camera shooting the actual show). On later seasons, the King would turn on a television set with a remote control. |
| Tito (first season only) |
Roland Rodriguez | The Latino playhouse lifeguard. He usually came into the house during snack time or during a gathering. |
| Ricardo | Vic Trevino | A Latino soccer player with an apparent medical background. He replaced Tito after the first season. |
| Mrs. Steve (first season only; mentioned in an episode of a later season) | Shirley Stoler | A frequent visitor to the playhouse during the first season. Enjoyed eating and "snooping around" when Pee-wee wasn't seen. |
| Mrs. Renee | Suzanne Kent | A neighbor of Pee-wee's, who replaced Mrs. Steve after the first season. |
| Dixie (first season) | Johann Carlo | A taxi driver who introduced the King of Cartoons in the first season by playing her trumpet (frequently referring to him as "King Cartoon"). |
| The Playhouse Gang (first season) | Natasha Lyonne (Opal); Shaun Weiss (Elvis); Diane Yang (Cher) |
Three children who interacted with Pee-wee during the first season. They were replaced by three other children for the subsequent second season. |
| The Playhouse Gang (second season) | Vaughn Tyree Jelks (Fabian); Alisan Porter (Li'l Punkin); Stephanie Walski (Rapunzel) |
Three children who interacted with Pee-wee, but only in two episodes of the second season. Their only notable personality trait is that Li'l Punkin never spoke, instead whispering in Pee-wee's or other characters' ears. She spoke occasionally, but only in unison with the other two, and once she sang a song. |
| Character | Voiced by | Description |
|---|---|---|
| Jambi | John Paragon | A blue-faced (later green) genie who lived in a jeweled box. Usually appeared once per show to grant Pee-wee a wish, often with unexpected results. Sometimes he appeared more than once per show or not at all. His catchphrases included "Wish? Did somebody say 'Wish'?", and the magic words "Mecca lecca hi, mecca hiney ho" (which grew more complicated as the show progressed). |
| Chairry | Alison Mork | A bluish-green armchair with eyes on the chair back, a mouth between the seat cushions, and armrests that flapped around and occasionally hugged Pee-wee when he sat on her. |
| Magic Screen | Alison Mork | A screen on rolls that slightly resembled an Etch-A-Sketch, it flashed in an array of colors when not in use; it also showed films, and Pee-wee would frequently jump into the screen itself to interact with a fantasy land inside, usually to "connect the dots" (see below). Magic Screen once mentioned having a relative, Movie Screen. In the Pee-wee's Playhouse Christmas Special, Magic Johnson stated that he and Magic Screen were cousins. Magic Screen is addressed as "she" and "her" in the puppeteers' commentary indicating that Magic Screen is actually female. |
| Pterri | John Paragon (Seasons 1, 3 — 5); George McGrath (Season 2) |
A green pterodactyl and one of Pee-wee's closest friends; he usually acted like a young child. Pterri was afraid of thunderstorms and was very sensitive. He was often picked on by Randy, and sometimes hung out with Globey. In the HBO special, The Pee-wee Herman Show, he worked for Captain Carl as a sort of "talking parrot" element. |
| Mr. Window | Ric Heitzman | The window to the left of the playhouse door when inside the playhouse; he had googly eyes and talked by moving his yellow window pane up and down. His role on the show was to introduce other characters (usually Miss Yvonne), and occasionally serve as a means for Pterri to enter and exit the playhouse (though Mr Window would only open up his "mouth" about half to two-thirds of the time). |
| Clockey | Kevin Carlson | A yellow and red clock shaped like a map of the United States; he often introduced "Penny" cartoons and the like by asking Pee-wee "Do you know what time it is?... Time for a Penny cartoon (etc.)!." He originated in the HBO special acting in a similar manner. |
| Conky | Gregory Harrison (Season 1); Kevin Carlson (subsequent seasons) |
The playhouse robot, who gave Pee-wee the "secret word" each week and served as a "brain" element in the show. He spoke with a stutter, and was made from various parts of old electronics, including an old camera attachments (eyes), a boombox (chest), phonograph (torso), and a typewriter with no keys (head)and Vacuum Cleaner Hood as the top skull. The robot referred to himself as "Conky 2000" (after the first season, though he used this in episode #3 in the first season) when Pee-wee turned him on. According to evidence suggested in the episode "Conky's Breakdown", there may be more than one Conky robot. |
| Globey | George McGrath | A spinning globe with a pair of arms at the base and a large face in the middle of the Atlantic Ocean. Globey spoke with a French-sounding accent and would often help Pee-wee out with geography, language, astronomy, or history questions. He sometimes hung out with Pterri, and, like Pterri, acted in the manner typical of a young child. |
| Puppet Band | Wayne White (Dirty Dog); Ric Heitzman (Cool Cat); |
Three animal puppets who comprise a Fiftie-style jazz combo, who live in a corridor of the Playhouse designed to resemble an alley. They normally spoke in rhyme, parodying Beat generation poetry. |
| Mr. Kite | Wayne White | A pink kite that occasionally appeared in one of the playhouse windows. |
| Randy | Wayne White | A red-headed string puppet who served as the playhouse bully, usually making life miserable for Pee-wee and the playhouse characters. Once talked Pee-wee into prank-calling police officer "Daryl" (George McGrath) on the Picturephone, suggesting that he might be a juvenile delinquent. |
| Billy Baloney | Paul Reubens | A hand puppet, slightly resembling Randy in appearance (but blonde), who Pee-wee himself operated on occasion. |
| Dog Chair | George McGrath | A white chaise longue, which was similar to Chairry but resembling the face of a dog. He sat next to Chairry, but was used and referred to much less often. |
| Ant Farm | None. | Occasionally, Pee-wee would check to see what the ants were up to; a short close-up animated sequence would follow depicting the ants engaged in some "human" activity. On one occasion, they actually managed to get out of the farm. |
| The Dinosaur Family | George McGrath (Green); |
A den of miniature, claymation dinosaurs who lived in a mouse hole in the playhouse. The camera view would frequently zoom in on the dinosaurs to see what they were doing. |
| Food | None. | The contents of Pee-wee's refrigerator. Various claymation food items including pizzas, vegetables, french fries and others that would dance and juggle to Pee-wee and friends' amusement. |
| Flowers | Ric Heitzman; George McGrath; Wayne White |
Three flowers living in a flowerbed in the window to the right of the playhouse door. After Dixie left the show, they introduced the King of Cartoons. |
| Fish | Ric Heitzman (Purple); George McGrath (Yellow) |
The fish lived in the playhouse aquarium. Their trademark was that often when something happened, the purple fish would make a snide remark regarding the situation, which the yellow fish would follow up with a witty comment. Both fish would then cackle, an act reminiscent of Muppets Statler & Waldorf. |
| Penny | Anna Seidman | A claymation short featuring a blonde girl with pennies for eyes, who described some situations in her life and daily activities, and seems to be modeled somewhat after Penny from Inspector Gadget. She would reappear later outside the show on public service commercials. |
| Knucklehead | Gregory Harrison (Season 1); Kevin Carlson (Season 2) |
A large image of a side view of a fist, with "googly eyes" and lipstick, who told bad knock-knock jokes. He had a bit part in the HBO special, The Pee-wee Herman Show, but as a sock puppet who acted and sounded differently. |
| Cowntess | George McGrath | A life-sized, talking cow that spoke in an elegant accent. |
| Door-to-Door Salesman | Ric Heitzman | A caricatured salesman, dressed in a tacky suit and a humongous head, who rang the doorbell and shouted "I'm going door to door to make you this incredible offer!" (occasionally he could be heard starting another sentence, "I'm sure by now you have realized-") while a horror movie-style effect played in the background. This caused Pee-wee to slam the door and scream, occasionally frustratedly saying, "Salesman!" This character was retired after the first season. Pee-wee once let him in during a party, saying, "What's your incredible offer?", to which the salesman replied "Free foil!", which Pee-wee gladly accepted for his foil ball. |
| Floory | Kevin Carlson | A section of the playhouse floor that stood up and talked. For the first season he was covered by Pee-wee's tepee, but after Pee-wee and his friends remodeled the playhouse, he emerged. |
| Chandelier | Alison Mork | A talking chandelier with a French accent who appeared in later seasons. |
| Exercise Belt | Ric Heitzman | A vintage vibrating belt exercise machine. Pee-wee would sometimes get on it, turn it on, then get stuck on it. Conky would usually have to get him out. |
| Toys | None | Pee-wee's strange toys, that he keeps in a smiley face shaped window, with movable shelves inside. Their space on the wall was taken over by Clocky and were relocated to the back
wall of the playhouse behind a door that looked like a tire. |
| El Hombre | None | A Spanish language cartoon shown toward the later run of the series. |
| Character | Played by | Description |
|---|---|---|
| Yvona | Lynne Marie Stewart | A female alien, who was captured by Zyzzybalubah and locked in a cage. Bears a striking resemblance to Miss Yvonne and has similar theme music. It is implied by her in "Playhouse in Outer Space" that Zyzzy has kept Yvona as his slave for years (when she says "It's always been like this."). |
| Zyzzybalubah | George McGrath | A malevolent male alien, who hypnotized Conky into making his own name the secret word and launched the Playhouse into space. He calls anyone he captures his "friends" but Pee-wee sets him straight. |
| Conky Repairman Johnny Wilson | Jimmy Smits | Fixed problems with Conky, the playhouse robot. |
| Rhonda | Sandra Bernhard | Picturephone operator. |
| Roger | Voiced by Wayne White | A large, green monster that invaded the playhouse. He resembled a giant eyeball, had several mouths and one leg, and spoke in a language incomprehensible to Pee-wee until he wished he could understand the monster (at which point he learned his name in English). During this episode, Roger talked to his mother on the Picturephone; during the conversation, Roger's mother said the Secret Word in their language, at which point they both screamed while a bunch of symbols appeared on the screen. At the end of the episode, Roger left the Playhouse with Pee-wee on the back of Pee-wee's scooter. Roger made another appearance in the "Pajama Party" episode. |
| Rusty | Calvert DeForest | A strange old man who hung out with the Playhouse Gang - and acted exactly like them, if not more childish. Oddly enough, he wears a "Playboy" pin on his hat, among others. |
| Derek | Steve James | Reba's boyfriend, a fireman. He was going to take Reba to the firemen's ball, but after it got canceled because of a fire at the ballroom itself, they don't know where else to go. So Pee-wee allows Derek and Reba to have their date right there at the playhouse; they would play drive-in, with Magic Screen as the screen and Pee-wee and Miss Yvonne as Derek and Reba's chaperones. |
Characteristic of the show were its gags and other humor bits that occurred regularly. Some of them included:
|
|
Lists of miscellaneous information should be avoided. Please relocate any relevant information into appropriate sections or articles. (August 2008) |
Each episode usually contained a running gag particular to that episode, and/or a specific occasion that would send Pee-wee into an emotional frenzy. Some of these gags and moments included:
"I'd like to have a little informal chat with you, okay?" (everyone screams at the sound of the secret word; Pee-wee glares and everyone goes silent) "That's better. Now look, you guys know that I really like you, right? (kids nod silently) Good, and I'm sure you'll understand what I'm about to say. The Playhouse is a place where we can all play. But you guys are playing too loud, and too rough! You can't run around in the Playhouse, and scream, and jump on the furniture! Now you know that you're welcome to come over and play any time that you want... but, for now, I think that the best thing for each of you to do is to go home, and reflect... on what I just told you."
Once they left, however, Pee-wee proceeded to do everything he claimed they were wrong for doing (running around, jumping on furniture, etc.), and the gang then returned, as they had hidden behind Mr. Window and saw Pee-wee go against his own words.
As soon as it first aired, Pee-wee's Playhouse fascinated media theorists and commentators, many of whom championed the show as a postmodernist hodgepodge of characters and situations which appeared to soar in the face of domineering racist and sexist presumptions.[13][14] For example, Pee-wee's friends, both human and non, were of diverse cultural and racial origin. In its entire run, Pee-wee's Playhouse won 22 Emmys as well as other awards.[15]
"I'm just trying to illustrate that it's okay to be different — not that it's good, not that it's bad, but that it's all right. I'm trying to tell kids to have a good time and to encourage them to be creative and to question things," Reubens told an interviewer in Rolling Stone.[16]
|
|
Lists of miscellaneous information should be avoided. Please relocate any relevant information into appropriate sections or articles. (August 2008) |
Several notable changes to the show's characters, cast, or set occurred over the years. At the start of season two, the show moved from its New York City warehouse studio to facilities at the Hollywood Center Studios, creating changes in personnel and a change to the set that allowed the show to take advantage of the additional space. In addition to the personnel changes mentioned in the character tables above, the following also happened:
During the show's run, many cartoons were shown from the "Golden Age" of animation, usually courtesy of the King of Cartoons. However, they were not featured with their respective titles, nor credited, and generally only brief clips were shown. As Reubens stated in a 2004 radio interview, almost all of the cartoons they obtained were Public Domain.
| First Season: 1986 | Cartoon Title | Year | Director |
|---|---|---|---|
| 1 | Fresh Vegetable Mystery | 1939 | Dave Fleischer |
| 2 | Ants in the Plants | 1940 | Dave Fleischer |
| 3 | Summertime | 1934 | Ub Iwerks |
| 4 | Smile, Darn Ya, Smile! | 1931 | Rudolf Ising |
| 5 | Old Mother Hubbard | 1935 | Ub Iwerks |
| 6 | The Three Bears | 1935 | Ub Iwerks |
| 7 | Molly Moo-Cow and the Butterflies | 1935 | Burt Gillett, Tom Palmer |
| 8 | Flip the Frog: Puddle Pranks | 1931 | Ub Iwerks |
| 9 | Jack Frost | 1934 | Ub Iwerks |
| 10 | Mary's Little Lamb | 1935 | Ub Iwerks |
| 11 | Somewhere in Dreamland | 1936 | Dave Fleischer |
| 12 | Smile, Darn Ya, Smile! | 1931 | Rudolf Ising |
| 13 | Bunny Mooning | 1937 | Dave Fleischer |
| Second Season: 1987 | Cartoon Title | Year | Director |
| 1 / 14 | The Little Broadcast | 1943 | George Pal |
| 2 / 15 | To Spring | 1936 | Bill Hanna |
| 3 / 16 | Makin' Em Move | 1931 | Harry Bailey, John Foster |
| 4 / 17 | The Sunshine Makers (44 sec) | 1935 | Ted Eshbaugh |
| 5 / 18 | Piano Tooners | 1932 | John Foster, George Rufle |
| 6 / 19 | The Little Broadcast | 1943 | George Pal |
| 7 / 20 | Neptune Nonsense | 1936 | Burt Gillett |
| 8 / 21 | Much Ado About Mutton | 1947 | Isadore Sparber |
| 9 / 22 | Ship of the Ether | 1934 | George Pal |
| 10 / 23 | Musical Memories | 1935 | Dave Fleischer |
| Third Season: 1988 | Cartoon Title | Year | Director |
| 1 / 24 | Farm Foolery | 1949 | Seymour Kneitel |
| 2 / 25 | Christmas Comes but Once a Year | 1936 | Dave Fleischer |
| 3 / 26 | An Elephant Never Forgets | 1935 | Dave Fleischer |
| Fourth Season: 1989 | Cartoon Title | Year | Director |
| 1 / 27 | Hunky & Spunky | 1938 | Dave Fleischer |
| 2 / 28 | The Stork Market | 1949 | Seymour Kneitel |
| 3 / 29 | Spring Song | 1949 | Isadore Sparber |
| 4 / 30 | To Spring | 1936 | Hugh Harman, Rudolf Ising |
| 5 / 31 | None | ||
| 6 / 32 | The Kids In the Shoe | 1935 | Dave Fleischer |
| 7 / 33 | The Song of the Birds | 1935 | Dave Fleischer |
| 8 / 34 | None | ||
| 9 / 35 | Little Lambkins | 1940 | Dave Fleischer |
| 10 / 36 | None | ||
| Fifth Season: 1990 | Cartoon Title | Year | Director |
| 1 / 37 | One More Time | 1931 | Rudolf Ising |
| 2 / 38 | Farm Frolics | 1941 | Bob Clampett |
| 3 / 39 | The Little Red Hen | 1934 | Ub Iwekrs |
| 4 / 40a* | Freddy the Freshman | 1932 | Rudolf Ising |
| 4 / 40b* | Humpty Dumpty | 1935 | Ub Iwerks |
| 5 / 41 | Fin 'n' Catty | 1943 | Chuck Jones |
| 6 / 42 | Sinkin' in the Bathtub | 1930 | Hugh Harman, Rudolf Ising |
| 7 / 43 | Freddy the Freshman | 1932 | Rudolf Ising |
| 8 / 44a* | Allegretto | 1936 | Oskar Fischinger |
| 8 / 44b* | Balloon Land | 1935 | Ub Iwerks |
| 9 / 45 | None | ||
| 10 / 46 | None | ||
* These episodes had more than one classic cartoon each
Image Entertainment has released all 45 episodes of Pee-wee's Playhouse on DVD as NTSC Region 0 discs..
| DVD name | Ep # | Release Date | Notes |
|---|---|---|---|
| Pee-wee's Playhouse #1 | 23 | November 16, 2004 | Includes all episodes from Seasons 1 and 2 |
| Pee-wee's Playhouse #2 | 22 | November 16, 2004 | Includes all episodes from Seasons 3-5 |
| Pee Wee's Playhouse Christmas Special | 1 | October 19, 2004 |
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